1893 MRS. MOBRY'S REASON by Kate Chopin şiElectronically Enhanced Text (c) Copyright 1996, World Library(R) DAK Upgraded Edition, Copyright 2000, DAK Industries 2000, Inc(R)şI {CH1 I It was in the springtime and under the blossom-laden branches of an apple tree that Editha Payne finally accepted John Mobry for her husband. For three years she had been refusing him, with an obstinacy that made people wonder only a little less than they marvelled at the persistence of his desire to marry her. She was simply a nobody- an English girl with antecedents shrouded in obscurity; a governess, moreover; not in her first youth, and none too handsome. But John Mobry was of that class of men who, when they want something, usually keep on wanting it and striving for it so long as there is possibility of attainment in view. Chance brought him to her that spring day out under the blossoms, at a moment when inward forces were at work with her to weaken and undo the determination of a lifetime. She looked away from him, far away from him, far away across the green hills that the sun had touched and quickened, and beyond, into the impenetrable mist. Her tired face wore the look of the conquered who has made a brave fight and would rest. "Well, John, if you want it," she said, placing her hand in his. And as she did so she formed the inward resolve that her eyes should never again look into the impenetrable mist. But why she had ever rejected him was something which people kept on asking themselves and each other for the length of time that people will ask such things. The answer came slowly- twenty-five years later. Most people had forgotten by that time that they ever wanted to know why. {CH2 II Again it was springtime. A young man who had been trying to read, where he lounged in the deep embrasure of a window, turned to say to the girl who sat playing at the piano: "Naomi, why is it the spring always comes like a revelation- a delicious surprise?" "Wait, Sigmund," and she played the closing bars of the piece of music that was open before her, then rising, went to join him at the window. She was a splendid type of physical health and beauty, lithe, supple, firm of flesh, wearing youth's colors in cheek and lip, youth's gloss and glow in the waves of her thick brown hair. Her brown eyes drowsed and gleamed alternately, and questioned often. "The spring?" she said, "why does it come like a revelation? How should I know? This is surely reversing roles when you question." She took the book from his hand to glance carelessly through its pages. "Do you know, you are a very curious young woman," he said, looking at her with something of admiration, but yet superciliously, for he was young, and a college student. "You gave me the same reply this morning when I asked you- what was it, now, I asked you?" "To define the quality in Chopin's music that charms me. Well," she continued, "I don't know the 'why' of things. That certain sounds, scenes, impressions move me I know, because I feel it. I don't bother about reasons. Remember, Sigmund, I know so little." "Oh, you want training, no doubt, and it's an immense pity you've never received it. Let us go through a course together this summer. Do you agree to it?" He was the lordly collegiate, sure of his weapons. "I don't believe I do, Sigmund," Naomi laughed. "And if I did it would be useless, for mamma never would consent. You know what she thinks of ologies and isms and all that for women." "Oh, isms and ologies do not constitute solely the training I have in mind." "Why, my recollection never goes back to any time when books formed an important feature of my life," she interrupted. "I've lived more than half my days under the sky, galloping over the hills, as often as not with the rain stinging my face. Oh, the open air and all that it teems with! There's nothing like it, Sigmund. What color! Look, now, at the purple wrapping those hills away to the east. See the hundred shades of green spreading before us, with the new-plowed fields between making brown dashes and patches. And then the sky, so blue where it frames those white velvet clouds. They'll be red and gold this evening." "What a greedy eye you have- a veritable savage eye for pure color. Do you know how to use it? to make it serve you?" "Oh, no, Sigmund," she said. "Music's the only thing I've studied and learned. Mamma couldn't have prevented that if she'd wanted to, I believe. There's nothing that has the meaning for me in this world that sound has. I feel as if the Truth were going to come to me, some day, through the harmony of it. I wonder if anyone else has an ear so tuned and sharpened as I have, to detect the music, not of the spheres, but of earth, subtleties of major and minor chord that the wind strikes upon the tree branches. Have you ever heard the earth breathe, Sigmund?" she asked, with wide eyes that filled with merriment when she saw the astonishment in his. Then, half laughing, half singing the gay refrain of a comic opera air, she sprang with quick catlike movement to her feet, and seizing a foil from against the wall, whirled with it into position in the center of the room. Her companion had been as quick to follow. They measured their distances with stately grace, and looked a continuous challenge into each other's eyes. Then for five long minutes, as they stood face to face exchanging skillful thrust and parry, no sound was heard but the clink and scrape of the slender steels; on the hardwood floor the stamp of advancing feet in the charge. It was only when Mrs. Mobry's long, pale face looked in at the cautiously opened door that the engagement ended. "Why, Naomi," she said, a little apologetically, coming into the room, "I didn't hear the piano and-" "And you wondered what disaster could have happened," the girl replied, flushed and amused as she replaced her weapon upon the wall. "I was only giving Cousin Sigmund a lesson with the foils, Mamma." "You know your father comes on the early train today, Naomi; he'll be disappointed if you're not at the station to meet him, dear." "And a perfect right he'd have to be disappointed, and bewildered, too. When have I ever failed him?" And she quitted the room, making, as she left it, a pass at Sigmund with an imaginary weapon, and laughing gaily as she did so. Mrs. Mobry went to the piano and gathered together the sheets of music that Naomi had left there in some disorder, and arranged them upon the stand. She had the appearance of seeking occupation; a house full of servants left her little or none of a manual sort, for wealth was one of the things which John Mobry had persistently wanted, long ago. Mrs. Mobry was past fifty, with her hair, that was turning gray, carefully parted and brushed smooth down upon her temples. When she seated herself and began to rock gently, she drew the cape which she wore closely about her thin shoulders. "Don't you find it chill, Sigmund," she said, "with that window open? I dare say not, though; young blood is warm." But Sigmund went and closed the window, making no boast that his veins were scintillant. He only said: "You're right, Aunt Editha; this early spring air is treacherous." "I wanted to speak with you a moment alone, dear," she commenced at once, coughing uneasily behind her hand. "It may be, and I trust it is, wholly unnecessary, this caution; but it's best to be open, so far as we can be, in this world. And, of course, when young people are thrown together-" Sigmund, to quote his thoughts, literally, wondered what his aunt was driving at. "I only want to say- as you perhaps are not aware of it- that it's our intention, and Naomi's, too, that she shall never marry. As you will be with us all summer I thought it best to acquaint you at once with such little family arrangements, so that we may all feel comfortable and avoid unpleasant consequences." Mrs. Mobry smiled feebly as she said this, and smoothed down the hair on her temples with her long thin hands. "Has Naomi made you such a promise?" Sigmund asked, thinking it a great pity if she had. "Oh, there's been no promise, but it has been always understood. I've impressed upon her since she was a little child that she is to remain with me always. It looks selfish- I know it looks selfish; your Uncle John even thinks so, though he has never opposed my wish." "I see rather a natural instinct in this wish of yours than cold selfishness, Aunt Editha. Something you can't overcome, perhaps. I remember now hearing how fearfully cut up you were two years ago when Edward married." Mrs. Mobry grew a shade paler, and her voice trembled when she said: "I can't pardon Edward. It was treacherous, marrying in that way, knowing how I opposed it. It was unfortunate that your uncle should have sent him to take charge of the business in Middleburg. That marriage could not have come about if he had been here at my side, where his place was." "But, Aunt Editha, it isn't such a calamity after all. He has married a charming woman, and seems perfectly happy. If you would consent to visit him, and were to see his content with your bodily eyes I think you would be reconciled to his coup d'etat." Sigmund thought his aunt Editha rather stupidly set in her ideas. But as he had already recognized the possibility of falling in love with his cousin, Naomi, he was not ill-pleased that Mrs. Mobry had so considerately warned him. If he walked into the fire now it would be with open eyes. Sigmund was the son of Mr. Mobry's sister; a student of medicine, twenty-two years of age, a little run down and overworked, and hoping for recuperation amid these Western hills. He had visited his uncle's family often as a child, when he and his cousin Edward- two years his senior- had been friends. But his absence this time had lasted four years. He had left Naomi an awkward, boisterous girl of fourteen. When he returned he found that she had undergone a seeming re-creation. He himself was a good-looking young blond fellow, full of hope and belief in his future; though he tried hard to cultivate an interesting cynicism, which he could never succeed in making anyone believe in. {CH3 III Had Mrs. Mobry's intention been that Sigmund should fall in love with her daughter she could not have designed a plan more Machiavellian than the one she employed. But her only thought had been a caution against marriage. Thus there was no cause to grumble, for she had done her work well and surely. This caution served Sigmund as his only shield- poor fool; all others, he set aside at once. It was more than a shield. It was a license, drawn, signed, stamped and delivered to his conscience, which permitted him to live at Naomi's side with his young nature all unbridled to wound itself after the manner of young unbridled natures. They lived such a joyous life during those spring and summer days, and did so many things that were delightful! For must it not have been a delight to rise when the morning was yet gray, and to tramp- high-booted both of them- through the brush of the hillside, crisp and silvered with dew? To silently wait with ready rifle for the young covey to start with sudden whirr from the fence corners? To watch the east begin to fire and set the wet earth sparkling? But perhaps they liked it better, or certainly as well, when they sat side by side in Naomi's wagonette and went jogging to town, three miles away, behind the fat, lazy pony who always wanted to stop and drink when they crossed the shallow ford of the Meramec, where the water ran like liquid crystal over the shining pebbles beneath. He always wanted to stop, too, and rest under the branches of the big walnut tree that marked the limit of the Mobry's field. It was a whim of Naomi's to let her pony do what he wanted to, and as often as not he wanted to nibble the grass that grew tender along the edges of the road. It is no wonder then that their little jogs to town consumed an incredible length of time. Yet what had they to do with time but to waste it? And this they did from morning till night. Sometimes upon the river that twines like a silver ribbon through the green slopes of Southern Missouri, seated in Naomi's slender boat, they floated in midstream when the stars or moon were over them. They skirted the banks, gliding under the shade of hanging willows when the sun grew hot and lurid, as it did often when the summer days came. Then Sigmund's blue eyes saw nothing in all the world so good to look upon as Naomi's brown ones, that filled with wonder at the sweet trouble which stirred her when she caught his gaze and answered it. There was much reading in books, too, during that summer time. There are many things in books beside isms and ologies. The world has always its poets who sing. And, strangely enough, Sigmund could think of no training so fit for Naomi's untrammelled thought as to follow Lancelot in his loves or Juliet in her hot despair. And Naomi often sighed over such tales, and wept sometimes, for Sigmund told them from his heart, and they seemed very real. Mrs. Mobry's first care- and John Mobry's, too, for that matter- was always Naomi's health; then, Naomi's happiness. These had been from babyhood so fixed and well established that the mother could surely have been forgiven had she permitted her solicitude to wane sometimes. But this she never did. The color must be always there in Naomi's cheek, or she must know why it was not. When the girl grew languid and dreamy- the summer being hot- the mother must know why it was so. "I'm sure I don't know, mamma. This heavy heat would make anyone's blood run a little sluggishly, I think." {CH4 IV One morning when the family arose and assembled at an early breakfast, it was to find that Naomi had been up long before and had gone for one of her tramps. The gardener had seen her pass when he left his cottage just at daybreak, and she had called to him: "We are no sluggards to lie abed, Heinrich, when the earth has waked up," so he said. They thought at every moment she would enter, flushed and dishevelled, to take her place at table. Sigmund was restless because she was not there; Mrs. Mobry anxious, as she gazed constantly from the window and listened to every sound. When the meal ended, and John Mobry was forced to leave for the station without giving Naomi the accustomed morning farewell, it was plainly a thing that gave him annoyance and pain, for that early kiss from the daughter he loved was a day's inspiration to him. Sigmund went in search of her. He was quite sure she would be up on the summit of that nearest hill, seated upon the rocky plateau that he knew. But she was not there, nor in the oak grove, nor in any of the places where he looked. The time was speeding, and the sun had grown fierce. He retraced his steps, sure that he would find her at home when he reached there. Passing an opening in the wood that led down to the river, and where it was narrow, he turned instinctively, thinking that she might be there by the water, where she loved to sit. And there he found her. But she was across the stream in her boat, resting motionless under the willow branches, her big straw hat hanging down over the side of her face. "Naomi! oh, Naomi!" Sigmund called. At the sound of his voice she looked up, then seizing the oars she pulled with vigorous strokes across the water toward the spot where he stood waiting for her. She sprang from the boat, heedless of the aid which he offered, and passing him quickly, hastened up the slope, where she seated herself, when she had reached its summit, upon the huge trunk of a fallen tree. Sigmund followed in some surprise, and went to sit beside her. "We mustn't linger here too long, Naomi; Aunt Editha is worried about your absence. Why did you stay so long away? You shouldn't do such cruel things." "Sigmund," she whispered, and drawing nearer to him twined her arms around his neck. "I want you to kiss me, Sigmund." Had the earth trembled, that Sigmund shook like that? And had the sky and the air grown red before his eyes? Were his arms turned wooden that they should hang at his side, when hers were around him? He was hoping a senseless hope for strength when she kissed him. Then his arms did their office. He could not help it; he was young and so human. But he sought no further kiss. He only sat motionless with Naomi in his arms; her head resting upon his heart where his pulses had gone mad. "Ah, Sigmund, this is just as I was dreaming it this morning when I awoke. Then I was angry because you were sleeping off there in your room like a senseless log, when I was awake and wanted you. And you slept on and never came to me. How could you do it? I was angry and went away and walked over the hills. I thought you would come after me, but you never did. I wouldn't go back till you came. And just now, I went in the boat, and when I was out there in the middle of the stream- listen, Sigmund- the sun struck me upon the head, with something in its hand- no, no, not in his hand-" "Naomi-" -"And after that I didn't care, for I know everything now. I know what the birds are saying up in the trees-" "Naomi, look at me!" "Like Siegfried when he played upon his pipe under a tree, last winter in town. I can tell you everything that the fishes say in the water. They were talking under the boat when you called me-" "Naomi! Oh, God- Naomi, look at me!" He did look into her eyes then- her eyes that he loved so, and there was no more light in them. "Aunt Editha," said Sigmund, entering his aunt's room, where she was in restless movement, as she had been all morning- "Aunt Editha, Naomi is in the library. I left her there. She must have been chilled by the early morning air, I'm afraid. And the sun seems to have made her ill- wait- Aunt Editha-," for Mrs. Mobry had clutched Sigmund's arm with fingers like steel, and was staggering toward the library. "How dare you tell me Naomi's ill? She can't be ill," she gasped; "she was never ill in all her life." They had reached the library, and facing the door through which they entered Naomi sat upon a lounge. She was playing like a little child, with scraps of paper that she was tearing and placing in rows upon the cushion beside her. An instant more, and Mrs. Mobry lay in Sigmund's arms like one dead. But when night came she kneeled, sobbing as a culprit might, at her husband's feet, telling him a broken story that he scarcely heeded in his anguish. "It has been in the blood that is mine for generations, John, and I knew it, and I married you. "Oh, God! if it might end with me and with her- my stricken dove! But, John," she whispered with a new terror in her eyes, "Edward has already a child. Others will be born to him, and I see the crime of my marriage reaching out to curse me through the lips of generations that will come." THE END