1860
                               THE WOMAN IN WHITE

                               by Wilkie Collins









şiElectronically Enhanced Text (c) Copyright 1996, World Library(R)
DAK Upgraded Edition, Copyright 2000, DAK Industries 2000, Inc(R)şI

{PREFACE
                               PREFACE
-
  'The Woman in White' has been received with such marked favour by
a very large circle of readers, that this volume scarcely stands in
need of any prefatory introduction on my part. All that it is
necessary for me to say may be summed up in a few words.
  I have endeavoured, by careful correction and revision, to make my
story as worthy as I could of a continuance of the public approval.
Certain technical errors which had escaped me while I was writing
the book are here rectified. None of these little blemishes in the
slightest degree interfered with the interest of the narrative- but it
was as well to remove them at the first opportunity, out of respect to
my readers; and in this edition, accordingly, they exist no more.
  Some doubts having been expressed, in certain captious quarters,
about the correct presentation of the legal 'points' incidental to the
story, I may be permitted to mention that I spared no pains- in this
instance, as in all others- to preserve myself from unintentionally
misleading my readers. A solicitor of great experience in his
profession most kindly and carefully guided my steps, whenever the
course of the narrative led me into the labyrinth of the Law. Every
doubtful question was submitted to this gentleman, before I ventured
on putting pen to paper; and all the proof-sheets which referred to
legal matters were corrected by his hand before the story was
published. I can add, on high judicial authority, that these
precautions were not taken in vain. The 'law' in this book has been
discussed, since its publication, by more than one competent tribunal,
and has been decided to be sound.
-
  One word more, before I conclude, in acknowledgment of the heavy
debt of gratitude which I owe to the reading public.
                                                      {PREFACE ^paragraph 5}
  It is no affectation on my part to say that the success of this book
has been especially welcome to me, because it implied the
recognition of a literary principle which has guided me since I
first addressed my readers in the character of a novelist.
  I have always held the old-fashioned opinion that the primary object
of a work of fiction should be to tell a story; and I have never
believed that the novelist who properly performed this first condition
of his art, was in danger, on that account, of neglecting the
delineation of character- for this plain reason, that the effect
produced by any narrative of events is essentially dependent, not on
the events themselves, but on the human interest which is directly
connected with them. It may be possible, in novel-writing, to
present characters successfully without telling a story; but it is not
possible to tell a story successfully without presenting characters;
their existence, as recognisable realities, being the sole condition
on which the story can be effectively told. The only narrative which
can hope to lay a strong hold on the attention of readers, is a
narrative which interests them about men and women- for the
perfectly obvious reason that they are men and women themselves.
  The reception accorded to 'The Woman in White' has practically
confirmed these opinions, and has satisfied me that I may trust to
them in the future. Here is a novel which has met with a very kind
reception, because it is a Story; and here is a story, the interest of
which- as I know by the testimony, voluntarily addressed to me, of the
readers themselves- is never disconnected from the interest of
character. 'Laura,' 'Miss Halcombe,' and 'Anne Catherick;' 'Count
Fosco,' 'Mr. Fairlie,' and 'Walter Hartright;' have made friends for
me wherever they have made themselves known. I hope the time is not
far distant when I may meet those friends again, and when I may try,
through the medium of new characters, to awaken their interest in
another story.
-
  HARLEY STREET, LONDON,
                                                     {PREFACE ^paragraph 10}
    February, 1861.

{1ST_EPOCH|HARTRIGHT|I
                           THE FIRST EPOCH
-
        The Story begun by WALTER HARTRIGHT, of Clement's Inn,
                          Teacher of Drawing
                                  I
-
  This is the story of what a Woman's patience can endure, and what
a Man's resolution can achieve.
                                        {1ST_EPOCH|HARTRIGHT|I ^paragraph 5}
  If the machinery of the Law could be depended on to fathom every
case of suspicion, and to conduct every process of inquiry, with
moderate assistance only from the lubricating influences of oil of
gold, the events which fill these pages might have claimed their share
of the public attention in a Court of Justice.
  But the Law is still, in certain inevitable cases, the pre-engaged
servant of the long purse; and the story is left to be told, for the
first time, in this place. As the Judge might once have heard it, so
the Reader shall hear it now. No circumstance of importance, from
the beginning to the end of the disclosure, shall be related on
heresay evidence. When the writer of these introductory lines
(Walter Hartright by name) happens to be more closely connected than
others with the incidents to be recorded, he will describe them in his
own person. When his experience fails, he will retire from the
position of narrator, and his task will be continued, from the point
at which he has left it off, by other persons who can speak to the
circumstances under notice from their own knowledge, just as clearly
and positively as he has spoken before them.
  Thus the story here presented will be told by more than one pen,
as the story of an offence against the laws is told in Court by more
than one witness- with the same object in both cases, to present the
truth always in its most direct and most intelligible aspect, and to
trace the course of one complete series of events, by making the
persons who have been most closely connected with them, at each
successive stage, relate their own experience, word for word.
  Let Walter Hartright, teacher of drawing, aged twenty-eight years,
be heard first.

{1ST_EPOCH|HARTRIGHT|II
                                  II
-
  It was the last day of July. The long hot summer was drawing to a
close, and we, the weary pilgrims of the London pavement, were
beginning to think of the cloud-shadows on the cornfields, and the
autumn breezes on the seashore.
  For my own poor part, the fading summer left me out of health, out
of spirits, and, if the truth must be told, out of money as well.
During the past year I had not managed my professional resources as
carefully as usual, and my extravagance now limited me to the prospect
of spending the autumn economically between my mother's cottage at
Hampstead and my own chambers in town.
  The evening, I remember, was still and cloudy; the London air was at
its heaviest; the distant hum of the street traffic was at its
faintest; the small pulse of the life within me and the great heart of
the city around me seemed to be sinking in unison, languidly and
more languidly, with the sinking sun. I roused myself from the book
which I was dreaming over rather than reading, and left my chambers to
meet the cool night air in the suburbs. It was one of the two evenings
in every week which I was accustomed to spend with my mother and my
sister. So I turned my steps northward, in the direction of Hampstead.
  Events which I have yet to relate make it necessary to mention in
this place that my father had been dead some years at the period of
which I am now writing; and that my sister Sarah and I were the sole
survivors of a family of five children. My father was a drawing-master
before me. His exertions had made him highly successful in his
profession, and his affectionate anxiety to provide for the future
of those who were dependent on his labours had impelled him, from
the time of his marriage, to devote to the insuring of his life a much
larger portion of his income than most men consider it necessary to
set aside for that purpose. Thanks to his admirable prudence and
self-denial, my mother and sister were left, after his death, as
independent of the world as they had been during his lifetime. I
succeeded to his connection, and had every reason to feel grateful for
the prospect that awaited me at my starting in life.
  The quiet twilight was still trembling on the topmost ridges of
the Heath, and the view of London below me had sunk into a black
gulf in the shadow of the cloudy night, when I stood before the gate
of my mother's cottage. I had hardly rung the bell before the
house-door was opened violently; my worthy Italian friend, Professor
Pesca, appeared in the servant's place and darted out joyously to
receive me, with a shrill foreign parody on an English cheer.
                                       {1ST_EPOCH|HARTRIGHT|II ^paragraph 5}
  On his own account, and, I must be allowed to add, on mine also, the
Professor merits the honour of a formal introduction. Accident has
made him the starting-point of the strange family story which it is
the purpose of these pages to unfold.
  I had first become acquainted with my Italian friend by meeting
him at certain great houses, where he taught his own language and I
taught drawing. All I then knew of the history of his life was that he
had once held a situation in the University of Padua; that he had left
Italy for political reasons (the nature of which he uniformly declined
to mention to anyone); and that he had been for many years respectably
established in London as a teacher of languages.
  Without being actually a dwarf- for he was perfectly
well-proportioned from head to foot- Pesca was, I think, the
smallest human being I ever saw out of a show-room. Remarkable
anywhere by his personal appearance, he was still further
distinguished among the rank and file of mankind by the harmless
eccentricity of his character. The ruling idea of his life appeared to
be that he was bound to show his gratitude to the country which had
afforded him an asylum and a means of subsistence by doing his
utmost to turn himself into an Englishman. Not content with paying the
nation in general the compliment of invariably carrying an umbrella,
and invariably wearing gaiters and a white hat, the Professor
further aspired to become an Englishman in his habits and
amusements, as well as in his personal appearance. Finding us
distinguished as a nation by our love of athletic exercises, the
little man, in the innocence of his heart, devoted himself impromptu
to all our English sports and pastimes whenever he had the opportunity
of joining them, firmly persuaded that he could adopt our national
amusements of the field by an effort of will, precisely as he had
adopted our national gaiters and our national white hat.
  I had seen him risk his limbs blindly at a fox-hunt and in a
cricket-field, and soon afterwards I saw him risk his life, just as
blindly, in the sea at Brighton.
  We had met there accidentally, and were bathing together. If we
had been engaged in any exercise peculiar to my own nation, I
should, of course, have looked after Pesca carefully; but as
foreigners are generally quite as well able to take care of themselves
in the water as Englishmen, it never occurred to me that the art of
swimming might merely add one more to the list of manly exercises
which the Professor believed that he could learn impromptu. Soon after
we had both struck out from shore I stopped, finding my friend did not
gain on me, and turned round to look for him. To my horror and
amazement I saw nothing between me and the beach but two little
white arms, which struggled for an instant above the surface of the
water, and then disappeared from view. When I dived for him the poor
little man was lying quietly coiled up at the bottom in a hollow of
shingle, looking by many degrees smaller than I had ever seen him look
before. During the few minutes that elapsed while I was taking him
in the air revived him, and he ascended the steps of the machine
with my assistance. With the partial recovery of his animation came
the return of his wonderful delusion on the subject of swimming. As
soon as his chattering teeth would let him speak, he smiled
vacantly, and said he thought it must have been the Cramp.
                                      {1ST_EPOCH|HARTRIGHT|II ^paragraph 10}
  When he had thoroughly recovered himself and had joined me on the
beach, his warm Southern nature broke. through all artificial
English restraints in a moment. He overwhelmed me with the wildest
expressions of affection- exclaimed passionately, in his exaggerated
Italian way, that he would hold his life henceforth at my disposal-
and declared that he should never be happy again until he had found an
opportunity of proving his gratitude by rendering me some service
which I might remember, on my side, to the end of my days.
  I did my best to stop the torrent of his tears and protestations
by persisting in treating the whole adventure as a good subject for
a joke, and succeeded at last, as I imagined, in lessening Pesca's
overwhelming sense of obligation to me. Little did I think then-
little did I think afterwards, when our pleasant holiday had drawn
to an end- that the opportunity of serving me for which my grateful
companion so ardently longed was soon to come, that he was eagerly
to seize it on the instant, and that by so doing he was to turn the
whole current of my existence into a new channel, and to alter me to
myself almost past recognition.
  Yet so it was. If I had not dived for Professor Pesca when he lay
under water on his shingle bed, I should, in all human probability,
never have been connected with the story which these pages will
relate- should never, perhaps, have heard even the name of the woman
who has lived in all my thoughts, who has possessed herself of all
my energies, who has become the one guiding influence that now directs
the purpose of my life.

{1ST_EPOCH|HARTRIGHT|III
                                 III
-
  Pesca's face and manner, on the evening when we confronted each
other at my mother's gate, were more than sufficient to inform me that
something extraordinary had happened. It was quite useless, however,
to ask him for an immediate explanation. I could only conjecture,
while he was dragging me in by both hands, that (knowing my habits) he
had come to the cottage to make sure of meeting me that night, and
that he had some news to tell of an unusually agreeable kind.
  We both bounced into the parlour in a highly abrupt and
undignified manner. My mother sat by the open window, laughing and
fanning herself. Pesca was one of her especial favourites, and his
wildest eccentricities were always pardonable in her eyes. Poor dear
soul! from the first moment when she found out that the little
Professor was deeply and gratefully attached to her son, she opened
her heart to him unreservedly, and took all his puzzling foreign
peculiarities for granted, without so much as attempting to understand
any one of them.
  My sister Sarah, with all the advantages of youth, was, strangely
enough, less pliable. She did full justice to Pesca's excellent
qualities of heart; but she could not accept him implicitly, as my
mother accepted him, for my sake. Her insular notions of propriety
rose in perpetual revolt against Pesca's constitutional contempt for
appearances; and she was always more or less undisguisedly
astonished at her mother's familiarity with the eccentric little
foreigner. I have observed, not only in my sister's case, but in the
instances of others, that we of the young generation are nothing
like so hearty and so impulsive as some of our elders. I constantly
see old people flushed and excited by the prospect of some anticipated
pleasure which altogether fails to ruffle the tranquillity of their
serene grandchildren. Are we, I wonder, quite such genuine boys and
girls now as our seniors were in their time? Has the great advance
in education taken rather too long a stride; and are we, in these
modern days, just the least trifle in the world too well brought up?
  Without attempting to answer those questions decisively, I may at
least record that I never saw my mother and my sister together in
Pesca's society without finding my mother much the younger woman of
the two. On this occasion, for example, while the old lady was
laughing heartily over the boyish manner in which we tumbled into
the parlour, Sarah was perturbedly picking up the broken pieces of a
teacup, which the Professor had knocked off the table in his
precipitate advance to meet me at the door.
  'I don't know what would have happened, Walter,' said my mother, 'if
you had delayed much longer. Pesca has been half-mad with
impatience; and I have been half-mad with curiosity. The Professor has
brought some wonderful news with him, in which he says you are
concerned; and he has cruelly refused to give us the smallest hint
of it till his friend Walter appeared.'
                                      {1ST_EPOCH|HARTRIGHT|III ^paragraph 5}
  'Very provoking; it spoils the Set,' muttered Sarah to herself,
mournfully absorbed over the ruins of the broken cup.
  While these words were being spoken, Pesca, happily and fussily
unconscious of the irreparable wrong which the crockery had suffered
at his hands, was dragging a large armchair to the opposite end of the
room, so as to command us all three, in the character of a public
speaker addressing an audience. Having turned the chair with its
back towards us, he jumped into it on his knees, and excitedly
addressed his small congregation of three from an impromptu pulpit.
  'Now, my good dears,' began Pesca (who always said 'good dears' when
he meant 'worthy friends'), 'listen to me. The time has come- I recite
my good news- I speak at last.'
  'Hear, hear!' said my mother, humouring the joke.
  'The next thing he will break, mamma,' whispered Sarah, 'will be the
back of the best armchair.'
                                     {1ST_EPOCH|HARTRIGHT|III ^paragraph 10}
  'I go back into my life, and I address myself to the noblest of
created beings,' continued Pesca, vehemently apostrophising my
unworthy self over the top rail of the chair. 'Who found me dead at
the bottom of the sea (through Cramp); and who pulled me up to the
top; and what did I say when I got into my own life and my own clothes
again?'
  'Much more than was at all necessary,' I answered, as doggedly as
possible; for the least encouragement in connection with this
subject invariably let loose the Professor's emotions in a flood of
tears.
  'I said,' persisted Pesca, 'that my life belonged to my dear friend,
Walter, for the rest of my days- and so it does. I said that I
should never be happy again till I had found the opportunity of
doing a good Something for Walter- and I have never been contented
with myself till this most blessed day. Now,' cried the enthusiastic
little man at the top of his voice, 'the overflowing happiness
bursts out of me at every pore of my skin, like a perspiration; for on
my faith, and soul, and honour, the something is done at last, and the
only word to say now is- Right-all-right.'
  It may be necessary to explain here that Pesca prided himself on
being a perfect Englishman in his language, as well as in his dress,
manners, and amusements. Having picked up a few of our most familiar
colloquial expressions, he scattered them about over his
conversation whenever they happened to occur to him, turning them,
in his high relish for their sound and his general ignorance of
their sense, into compound words and repetitions of his own, and
always running them into each other, as if they consisted of one
long syllable.
  'Among the fine London houses where I teach the language of my
native country,' said the Professor, rushing into his long-deferred
explanation without another word of preface, 'there is one, mighty
fine, in the big place called Portland. You all know where that is?
Yes, yes- course-of-course. The fine house, my good dears, has got
inside it a fine family. A Mamma, fair and fat; three young Misses,
fair and fat; two young Misters, fair and fat; and a Papa, the fairest
and the fattest of all, who is a mighty merchant, up to his eyes in
gold- a fine man once, but seeing that he has got a naked head and two
chins, fine no longer at the present time. Now mind! I teach the
sublime Dante to the young Misses, and ah!- my-soul-bless-my-soul!- it
is not in human language to say how the sublime Dante puzzles the
pretty heads of all three! No matter- all in good time- and the more
lessons the better for me. Now mind! Imagine to yourselves that I am
teaching the young Misses to-day, as usual. We are all four of us down
together in the Hell of Dante. At the Seventh Circle- but no matter
for that: all the Circles are alike to the three young Misses, fair
and fat- at the Seventh Circle, nevertheless, my pupils are sticking
fast; and I, to set them going again, recite, explain, and blow myself
up red-hot with useless enthusiasm, when- a creak of boots in the
passage outside, and in comes the golden Papa, the mighty merchant
with the naked head and the two chins. Ha! my good dears, I am
closer than you think for to the business now. Have you been patient
so far, or have you said to yourselves "Deuce- what-the-deuce! Pesca
is long-winded to-night?"'
                                     {1ST_EPOCH|HARTRIGHT|III ^paragraph 15}
  We declared that we were deeply interested. The Professor went on:
  'In his hand the golden Papa has a letter; and after he has made his
excuse for disturbing us in our Infernal Region with the common mortal
Business of the house, he addresses himself to the three young Misses,
and begins, as you English begin everything in this blessed world that
you have to say, with a great O. "O, my dears," says the mighty
merchant, "I have got here a letter from my friend, Mr.__" (the name
has slipped out of my mind; but no matter; we shall come back to that;
yes, yes- right-all-right). So the Papa says, "I have got a letter
from my friend, the Mister; and he wants a recommend from me of a
drawing-master to go down to his house in the country."
My-soul-bless-my-soul! when I heard the golden Papa say those words,
if I had been big enough to reach up to him I should have put my
arms round his neck and pressed him to my bosom in a long and grateful
hug. As it was, I only bounced upon my chair. My seat was on thorns,
and my soul was on fire to speak; but I held my tongue and let Papa go
on. "Perhaps you know, my dears," says this good man of money,
twiddling his friend's letter this way and that in his golden
fingers and thumbs, "perhaps you know, my dears, of a drawing-master
that I can recommend?" The three young Misses all look at each
other, and then say (with the indispensable great O to begin), "O,
dear no, Papa! But here is Mr. Pesca-" At the mention of myself I
can hold no longer- the thought of you, my good dears, mounts like
blood to my head- I start from my seat, as if a spike had grown up
from the ground through the bottom of my chair- I address myself to
the mighty merchant, and I say (English phrase), "Dear sir, I have the
man! The first and foremost drawing-master of the world! Recommend him
by the post to-night, and send him off, bag and baggage" (English
phrase again- ha!), "send him off, bag and baggage, by the train
to-morrow!" "Stop, stop," says Papa, "is he a foreigner or an
Englishman?" "English to the bone of his back," I answer.
"Respectable?" says Papa. "Sir," I say (for this last question of
his outrages me, and I have done being familiar with him), "Sir, the
immortal fire of genius burns in this Englishman's bosom, and, what is
more, his father had it before him!" "Never mind," says the golden
barbarian of a Papa, "never mind, about his genius, Mr. Pesca. We
don't want genius in this country unless it is accompanied by
respectability- and then we are very glad to have it, very glad
indeed. Can your friend produce testimonials- letters that speak to
his character?" I wave my hand negligently. "Letters?" I say. "Ha!
my-soul-bless-my-soul! I should think so, indeed! Volumes of letters
and portfolios of testimonials, if you like?" "One or two will do,"
says this man of phlegm and money. "Let him send them to me, with
his name and address. And- stop, stop, Mr. Pesca- before you go to
your friend, you had better take a note." "Bank-note!" I say,
indignantly. "No bank-note, if you please, till my brave Englishman
has earned it first." "Bank-note!" says Papa, in a great surprise,
"who talked of bank-note? I mean a note of the terms- a memorandum
of what he is expected to do. Go on with your lesson, Mr. Pesca, and I
will give you the necessary extract from my friend's letter." Down
sits the man of merchandise and money to his pen, ink, and paper;
and down I go once again into the Hell of Dante, with my three young
Misses after me. In ten minutes' time the note is written, and the
boots of Papa are creaking themselves away in the passage outside.
From that moment, on my faith, and soul, and honour, I know nothing
more! The glorious thought that I have caught my opportunity at
last, and that my grateful service for my dearest friend in the
world is as good as done already, flies up into my head and makes me
drunk. How I pull my young Misses and myself out of our Infernal
Region again, how my other business is done afterwards, how my
little bit of dinner slides itself down my throat, I know no more than
a man in the moon. Enough for me, that here I am, with the mighty
merchant's note in my hand, as large as life, as hot as fire, and as
happy as a king! Ha! ha! ha! right-right-right-all-right!' Here the
Professor waved the memorandum of terms over his head, and ended his
long and voluble narrative with his shrill Italian parody on an
English cheer.
  My mother rose the moment he had done, with flushed cheeks and
brightened eyes. She caught the little man warmly by both hands.
  'My dear, good Pesca,' she said, 'I never doubted your true
affection for Walter- but I am more than ever persuaded of it now!'
  'I am sure we are very much obliged to Professor Pesca, for Walter's
sake,' added Sarah. She half rose, while she spoke, as if to
approach the armchair, in her turn; but, observing that Pesca was
rapturously kissing my mother's hands, looked serious, and resumed her
seat. 'If the familiar little man treats my mother in that way, how
will he treat me?' Faces sometimes tell truth; and that was
unquestionably the thought in Sarah's mind, as she sat down again.
                                     {1ST_EPOCH|HARTRIGHT|III ^paragraph 20}
  Although I myself was gratefully sensible of the kindness of Pesca's
motives, my spirits were hardly so much elevated as they ought to have
been by the prospect of future employment now placed before me. When
the Professor had quite done with my mother's hand, and when I had
warmly thanked him for his interference on my behalf, I asked to be
allowed to look at the note of terms which his respectable patron
had drawn up for my inspection.
  Pesca handed me the paper, with a triumphant flourish of the hand.
                                     {1ST_EPOCH|HARTRIGHT|III ^paragraph 25}
  'Read!' said the little man, majestically. 'I promise you, my
friend, the writing of the golden Papa speaks with a tongue of
trumpets for itself.'
  The note of terms was plain, straightforward, and comprehensive,
at any rate. It informed me,
  First, That Frederick Fairlie, Esq., of Limmeridge House,
Cumberland, wanted to engage the services of a thoroughly competent
drawing-master, for a period of four months certain.
  Secondly, That the duties which the master was expected to perform
would be of a twofold kind. He was to superintend the instruction of
two young ladies in the art of painting in water-colours; and he was
to devote his leisure time, afterwards, to the business of repairing
and mounting a valuable collection of drawings, which had been
suffered to fall into a condition of total neglect.
  Thirdly, That the terms offered to the person who should undertake
and properly perform these duties were four guineas a week; that he
was to reside at Limmeridge House; and that he was to be treated there
on the footing of a gentleman.
                                     {1ST_EPOCH|HARTRIGHT|III ^paragraph 30}
  Fourthly, and lastly, That no person need think of applying for this
situation unless he could furnish the most unexceptionable
references to character and abilities. The references were to be
sent to Mr. Fairlie's friend in London, who was empowered to
conclude all necessary arrangements. These instructions were
followed by the name and address of Pesca's employer in
Portland-place- and there the note, or memorandum, ended.
  The prospect which this offer of an engagement held out was
certainly an attractive one. The employment was likely to be both easy
and agreeable; it was proposed to me at the autumn time of the year,
when I was least occupied; and the terms, judging by my personal
experience in my profession, were surprisingly liberal. I knew this; I
knew that I ought to consider myself very fortunate if I succeeded
in securing the offered employment- and yet, no sooner had I read
the memorandum than I felt an inexplicable unwillingness within me
to stir in the matter. I had never in the whole of my previous
experience found my duty and my inclination so painfully and so
unaccountably at variance as I found them now.
  'Oh, Walter, your father never had such a chance as this!' said my
mother, when she had read the note of terms and had handed it back
to me.
  'Such distinguished people to know,' remarked Sarah, straightening
herself in her chair; 'and on such gratifying terms of equality too!'
  'Yes, yes; the terms, in every sense, are tempting enough,' I
replied, impatiently. 'But before I send in my testimonials, I
should like a little time to consider-'
                                     {1ST_EPOCH|HARTRIGHT|III ^paragraph 35}
  'Consider!' exclaimed my mother. 'Why, Walter, what is the matter
with you?'
  'Consider!' echoed my sister. 'What a very extraordinary thing to
say, under the circumstances!'
  'Consider!' chimed in the Professor. 'What is there to consider
about? Answer me this! Have you not been complaining of your health,
and have you not been longing for what you call a smack of the country
breeze? Well! there in your hand is the paper that offers you
perpetual choking mouthfuls of country breeze, for four months'
time. Is it not so? Ha? Again- you want money. Well! Is four golden
guineas a week nothing? My-soul-bless-my-soul! only give it to me-
and my boots shall creak like the golden Papa's, with a sense of the
overpowering richness of the man who walks in them! Four guineas a
week, and, more than that, the charming society of two young Misses;
and, more than that, your bed, your breakfast, your dinner, your
gorging English teas and lunches and drinks of foaming beer, all for
nothing- why, Walter, my dear good friend- deuce-what-the-deuce!-
for the first time in my life I have not eyes enough in my head to
look, and wonder at you!'
  Neither my mother's evident astonishment at my behaviour nor Pesca's
fervid enumeration of the advantages offered to me by the new
employment, had any effect in shaking my unreasonable disinclination
to go to Limmeridge House. After starting all the petty objections
that I could think of to going to Cumberland; and after hearing them
answered, one after another, to my own complete discomfiture, I
tried to set up a last obstacle by asking what was to become of my
pupils in London, while I was teaching Mr. Fairlie's young ladies to
sketch from nature. The obvious answer to this was, that the greater
part of them would be away on their autumn travels, and that the few
who remained at home might be confided to the care of one of my
brother drawing-masters, whose pupils I had once taken off his hands
under similar circumstances. My sister reminded me that this gentleman
had expressly placed his services at my disposal, during the present
season, in case I wished to leave town; my mother seriously appealed
to me not to let an idle caprice stand in the way of my own
interests and my own health; and Pesca piteously entreated that I
would not wound him to the heart, by rejecting the first grateful
offer of service that he had been able to make to the friend who had
saved his life.
  The evident sincerity and affection which inspired these
remonstrances would have influenced any man with an atom of good
feeling in his composition. Though I could not conquer my own
unaccountable perversity, I had at least virtue enough to be
heartily ashamed of it, and to end the discussion pleasantly by giving
way, and promising to do all that was wanted of me.
                                     {1ST_EPOCH|HARTRIGHT|III ^paragraph 40}
  The rest of the evening passed merrily enough in humorous
anticipations of my coming life with the two young ladies in
Cumberland. Pesca, inspired by our national grog, which appeared to
get into his head, in the most marvellous manner, five minutes after
it had gone down his throat, asserted his claims to be considered a
complete Englishman by making a series of speeches in rapid
succession; proposing my mother's health, my sister's health, my
health, and the healths, in mass, of Mr. Fairlie and the two young
Misses; pathetically returning thanks himself, immediately afterwards,
for the whole party. 'A secret, Walter,' said my little friend
confidently, as we walked home together. 'I am flushed by the
recollection of my own eloquence. My soul bursts itself with ambition.
One of these days, I go into your noble Parliament. It is the dream of
my whole life to be Honourable Pesca, M.P.!'
  The next morning I sent my testimonials to the Professor's
employer in Portland-place. Three days passed; and I concluded, with
secret satisfaction, that my papers had not been found sufficiently
explicit. On the fourth day, however, an answer came. It announced
that Mr. Fairlie accepted my services, and requested me to start for
Cumberland immediately. All the necessary instructions for my
journey were carefully and clearly added in a postscript.
  I made my arrangements, unwillingly enough, for leaving London early
the next day. Towards evening Pesca looked in, on his way to a
dinner-party, to bid me good-bye.
  'I shall dry my tears in your absence,' said the Professor, gaily,
'with this glorious thought. It is my auspicious hand that has given
the first push to your fortune in the world. Go, my friend! When
your sun shines in Cumberland (English proverb), in the name of
heaven, make your hay. Marry one of the two young Misses; become
Honourable Hartright, M. P.; and when you are on the top of the
ladder, remember that Pesca, at the bottom, has done it all!'
  I tried to laugh with my little friend over his parting jest, but my
spirits were not to be commanded. Something jarred in me almost
painfully, while he was speaking his light farewell words.
                                     {1ST_EPOCH|HARTRIGHT|III ^paragraph 45}
  When I was left alone again, nothing remained to be done but to walk
to the Hampstead Cottage and bid my mother and Sarah good-bye.

{1ST_EPOCH|HARTRIGHT|IV
                                  IV
-
  The heat had been painfully oppressive all day; and it was now a
close and sultry night.
  My mother and sister had spoken so many last words, and had begged
me to wait another five minutes so many times, that it was nearly
midnight when the servant locked the garden-gate behind me. I walked
forward a few paces on the shortest way back to London; then stopped
and hesitated.
  The moon was full and broad in the dark blue starless sky; and the
broken ground of the Heath looked wild enough, in the mysterious
light, to be hundreds of miles away from the great city that lay
beneath it. The idea of descending any sooner than I could help into
the heat and gloom of London repelled me. The prospect of going to bed
in my airless chambers, and the prospect of gradual suffocation,
seemed, in my present restless frame of mind and body, to be one and
the same thing. I determined to stroll home in the purer air, by the
most roundabout way I could take; to follow the white winding paths
across the lonely Heath; and to approach London through its most
open suburb by striking into the Finchley-road, and so getting back,
in the cool of the new morning, by the western side of the Regent's
Park.
  I wound my way down slowly over the Heath, enjoying the divine
stillness of the scene, and admiring the soft alternations of light
and shade as they followed each other over the broken ground on
every side of me. So long as I was proceeding through this first and
prettiest part of my nightwalk, my mind remained passively open to the
impressions produced by the view; and I thought but little on any
subject- indeed, so far as my own sensations were concerned, I can
hardly say that I thought at all.
  But when I had left the Heath, and had turned into the by-road,
where there was less to see, the ideas naturally engendered by the
approaching change in my habits and occupations gradually drew more
and more of my attention exclusively to themselves. By the time I
had arrived at the end of the road, I had become completely absorbed
in my own fanciful visions of Limmeridge House, of Mr. Fairlie, and of
the two ladies whose practice in the art of water-colour painting I
was so soon to superintend.
                                       {1ST_EPOCH|HARTRIGHT|IV ^paragraph 5}
  I had now arrived at that particular point of my walk where four
roads met- the road to Hampstead, along which I had returned; the road
to Finchley; the road to West End; and the road back to London. I
had mechanically turned in this latter direction, and was strolling
along the lonely high-road- idly wondering, I remember, what the
Cumberland young ladies would look like- when, in one moment, every
drop of blood in my body was brought to a stop by the touch of a
hand laid lightly and suddenly on my shoulder from behind me.
  I turned on the instant, with my fingers tightening round the handle
of my stick.
  There, in the middle of the broad, bright high-road- there, as if it
had that moment sprung out of the earth or dropped from the heaven-
stood the figure of a solitary Woman, dressed from head to foot in
white garments; her face bent in grave inquiry on mine, her hand
pointing to the dark cloud over London, as I faced her.
  I was far too seriously startled by the suddenness with which this
extraordinary apparition stood before me, in the dead of night and
in that lonely place, to ask what she wanted. The strange woman
spoke first.
  'Is that the road to London?' she said.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 10}
  I looked attentively at her, as she put that singular question to
me. It was then nearly one o'clock. All I could discern distinctly
by the moonlight, was a colourless, youthful face, meagre and sharp to
look at, about the cheeks and chin; large, grave,
wistfully-attentive eyes; nervous, uncertain lips; and light hair of a
pale, brownish-yellow hue. There was nothing wild, nothing immodest in
her manner: it was quiet and self-controlled, a little melancholy
and a little touched by suspicion; not exactly the manner of a lady,
and, at the same time, not the manner of a woman in the humblest
rank of life. The voice, little as I had yet heard of it, had
something curiously stiff and mechanical in its tones, and the
utterance was remarkably rapid. She held a small bag in her hand:
and her dress- bonnet, shawl, and gown all of white- was, so far as
I could guess, certainly not composed of very delicate or very
expensive materials. Her figure was slight, and rather above the
average height- her gait and actions free from the slightest
approach to extravagance. This was all that I could observe of her, in
the dim light and under the perplexingly-strange circumstances of
our meeting. What sort of a woman she was, and how she came to be
out alone in the high-road, an hour after midnight, I altogether
failed to guess. The one thing of which I felt certain was, that the
grossest of mankind could not have misconstrued her motive in
speaking, even at that suspiciously late hour and in that suspiciously
lonely place.
  'Did you hear me?' she said, still quietly and rapidly, and
without the least fretfulness or impatience. 'I asked if that was
the way to London.'
  'Yes,' I replied, 'that is the way: it leads to St. John's Wood
and the Regent's Park. You must excuse my not answering you before.
I was rather startled by your sudden appearance in the road; and I am,
even now, quite unable to account for it.'
  'You don't suspect me of doing anything wrong, do you? I have done
nothing wrong. I have met with an accident- I am very unfortunate in
being here alone so late. Why do you suspect me of doing wrong?'
  She spoke with unnecessary earnestness and agitation, and shrank
back from me several paces. I did my best to reassure her.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 15}
  'Pray don't suppose that I have any idea of suspecting you,' I said,
'or any other wish than to be of assistance to you, if I can. I only
wondered at your appearance in the road, because it seemed to me to be
empty the instant before I saw you.'
  She turned, and pointed back to a place at the junction of the
road to London and the road to Hampstead, where there was a gap in the
hedge.
  'I heard you coming,' she said, 'and hid there to see what sort of
man you were, before I risked speaking. I doubted and feared about
it till you passed; and then I was obliged to steal after you, and
touch you.'
  Steal after me and touch me? Why not call to me? Strange, to say the
least of it.
  'May I trust you?' she asked. 'You don't think the worse of me
because I have met with an accident?' She stopped in confusion;
shifted her bag from one hand the other; and sighed bitterly.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 20}
  The loneliness and helplessness of the woman touched me. The natural
impulse to assist her and to spare her, got the better of the
judgment, the caution, the worldly tact, which an older, wiser, and
colder man might have summoned to help him in this strange emergency.
  'You may trust me for any harmless purpose,' I said. 'If it troubles
you to explain your strange situation to me, don't think of
returning to the subject again. I have no right to ask you for any
explanations. Tell me how I can help you; and if I can, I will.'
  'You are very kind, and I am very, very thankful to have met you.'
The first touch of womanly tenderness that I had heard from her
trembled in her voice as she said the words; but no tears glistened in
those large, wistfully-attentive eyes of hers, which were still
fixed on me. 'I have only been in London once before,' she went on,
more and more rapidly; 'and I know nothing about that side of it,
yonder. Can I get a fly, or a carriage of any kind? Is it too late?
I don't know. If you could show me where to get a fly- and if you will
only promise not to interfere with me, and to let me leave you, when
and how I please- I have a friend in London who will be glad to
receive me- I want nothing else- will you promise?'
  She looked anxiously up and down the road; shifted her bag again
from one hand to the other; repeated the words, 'Will you promise?'
and looked hard in my face, with a pleading fear and confusion that it
troubled me to see.
  What could I do? Here was a stranger utterly and helplessly at my
mercy- and that stranger a forlorn woman. No house was near; no one
was passing whom I could consult; and no earthly right existed on my
part to give me a power of control over her even if I had known how to
exercise it. I trace these lines, self-distrustfully, with the shadows
of after-events darkening the very paper I write on; and still I
say, what could I do?
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 25}
  What I did do, was to try and gain time by questioning her.
  'Are you sure that your friend in London will receive you at such
a late hour as this?' I said.
  'Quite sure. Only say you will let me leave you when and how I
please- only say you won't interfere with me. Will you promise?'
  As she repeated the words for the third time, she came close to me
and laid her hand, with a sudden gentle stealthiness, on my bosom- a
thin hand; a cold hand (when I removed it with mine), even on that
sultry night. Remember that I was young; remember that the hand
which touched me was a woman's.
  'Will you promise?'
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 30}
  'Yes.'
  One word! The little familiar word that is on everybody's lips,
every hour in the day. Oh me! and I tremble, now, when I write it.
  We set our faces towards London, and walked on together in the first
still hour of the new day- I, and this woman, whose name, whose
character, whose story, whose objects in life, whose very presence
by my side, at that moment, were fathomless mysteries to me. It was
like a dream. Was I Walter Hartright? Was this the well-known,
uneventful road, where holiday people strolled on Sundays? Had I
really left, little more than an hour since, the quiet, decent,
conventionally-domestic atmosphere of my mother's cottage? I was too
bewildered- too conscious also of a vague sense of something like
self-reproach- to speak to my strange companion for some minutes. It
was her voice again that first broke the silence between us.
  'I want to ask you something,' she said, suddenly.
  'Do you know many people in London?'
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 35}
  'Yes, a great many.'
  'Many men of rank and title?' There was an unmistakable tone of
suspicion in the strange question. I hesitated about answering it.
  'Some,' I said, after a moment's silence.
  'Many'- she came to a full stop, and looked me searchingly in the
face- 'many men of the rank of Baronet?'
  Too much astonished to reply, I questioned her in my turn.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 40}
  'Why do you ask?'
  'Because I hope, for my own sake, there is one Baronet that you
don't know.'
  'Will you tell me his name?'
  'I can't- I daren't- I forget myself, when I mention it.' She
spoke loudly and almost fiercely, raised her clenched hand in the air,
and shook it passionately; then, on a sudden, controlled herself
again, and added, in tones lowered to a whisper: 'Tell me which of
them you know.'
  I could hardly refuse to humour her in such a trifle, and I
mentioned three names. Two, the names of fathers of families whose
daughters I taught; one, the name of a bachelor who had once taken
me a cruise in his yacht, to make sketches for him.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 45}
  'Ah! you don't know him,' she said, with a sigh of relief. 'Are
you a man of rank and title yourself?'
  'Far from it. I am only a drawing-master.'
  As the reply passed my lips- a little bitterly, perhaps- she took my
arm with the abruptness which characterised all her actions.
  'Not a man of rank and title,' she repeated to herself. 'Thank
God! I may trust him.'
  I had hitherto contrived to master my curiosity out of consideration
for my companion; but it got the better of me, now.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 50}
  'I am afraid you have serious reason to complain of some man of rank
and title?' I said. 'I am afraid the Baronet, whose name you are
unwilling to mention to me, has done you some grievous wrong? Is he
the cause of your being out here at this strange time of night?'
  'Don't ask me; don't make me talk of it,' she answered. 'I'm not
fit, now. I have been cruelly used and cruelly wronged. You will be
kinder than ever, if you will walk on fast, and not speak to me. I
sadly want to quiet myself, if I can.'
  We moved forward again at a quick pace; and for half an hour, at
least, not a word passed on either side. From time to time, being
forbidden to make any more inquiries, I stole a look at her face. It
was always the same; the lips close shut, the brow frowning, the
eyes looking straight forward, eagerly and yet absently. We had
reached the first houses, and were close on the new Wesleyan
College, before her set features relaxed, and she spoke once more.
  'Do you live in London?' she said.
  'Yes.' As I answered, it struck me that she might have formed some
intention of appealing to me for assistance or advice, and that I
ought to spare her a possible disappointment by warning her of my
approaching absence from home. So I added: 'But to-morrow I shall be
away from London for some time. I am going into the country.'
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 55}
  'Where?' she asked. 'North, or south?'
  'North- to Cumberland.'
  'Cumberland!' she repeated the word tenderly. 'Ah! I wish I was
going there too. I was once happy in Cumberland.'
  I tried again to lift the veil that hung between this woman and me.
  'Perhaps you were born,' I said, 'in the beautiful Lake country.'
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 60}
  'No,' she answered. 'I was born in Hampshire; but I once went to
school for a little while in Cumberland. Lakes? I don't remember any
lakes. It's Limmeridge village, and Limmeridge House, I should like to
see again.'
  It was my turn, now, to stop suddenly. In the excited state of my
curiosity, at that moment, the chance reference to Mr. Fairlie's place
of residence, on the lips of my strange companion, staggered me with
astonishment.
  'Did you hear anybody calling after us?' she asked, looking up and
down the road affrightedly, the instant I stopped.
  'No, no. I was only struck by the name of Limmeridge House- I
heard it mentioned by some Cumberland people a few days since.'
  'Ah! not my people. Mrs. Fairlie is dead; and her husband is dead;
and their little girl may be married and gone away by this time. I
can't say who lives at Limmeridge now. If any more are left there of
that name, I only know I love them for Mrs. Fairlie's sake.'
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 65}
  She seemed about to say more; but while she was speaking, we came
within view of the turnpike, at the top of the Avenue-road. Her hand
tightened round my arm, and she looked anxiously at the gate before
us.
  'Is the turnpike man looking out?' she asked.
  He was not looking out; no one else was near the place when we
passed through the gate. The sight of the gaslamps and houses seemed
to agitate her, and to make her impatient.
  'This is London,' she said. 'Do you see any carriage I can get? I am
tired and frightened. I want to shut myself in, and be driven away.'
  I explained to her that we must walk a little further to get to a
cabstand, unless we were fortunate enough to meet with an empty
vehicle; and then tried to resume the subject of Cumberland. It was
useless. The idea of shutting herself in, and being driven away, had
now got full possession of her mind. She could think and talk of
nothing else.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 70}
  We had hardly proceeded a third of the way down the Avenue-road,
when I saw a cab draw up at a house a few doors below us, on the
opposite side of the way. A gentleman got out and let himself in at
the garden door. I hailed the cab, as the driver mounted the box
again. When we crossed the road, my companion's impatience increased
to such an extent that she almost forced me to run.
  'It's so late,' she said. 'I am only in a hurry because it's so
late.'
  'I can't take you, sir, if you're not going towards
Tottenham-court-road,' said the driver, civilly, when I opened the cab
door. 'My horse is dead beat, and I can't get him no further than
the stable.'
  'Yes, yes. That will do for me. I'm going that way- I'm going that
way.' She spoke with breathless eagerness. and pressed by me into
the cab.
  I had assured myself that the man was sober as well as civil, before
I let her enter the vehicle. And now, when she was seated inside, I
entreated her to let me see her set down safely at her destination.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 75}
  'No, no, no,' she said, vehemently. 'I'm quite safe, and quite happy
now. If you are a gentleman, remember your promise. Let him drive
on, till I stop him. Thank you- oh! thank you, thank you!'
  My hand was on the cab door. She caught it in hers, kissed it, and
pushed it away. The cab drove off at the same moment- I started into
the road, with some vague idea of stopping it again, I hardly knew
why- hesitated from dread of frightening and distressing her-
called, at last, but not loudly enough to attract the driver's
attention. The sound of the wheels grew fainter in the distance- the
cab melted into the black shadows on the road- the woman in white
was gone.
-
  Ten minutes, or more, had passed. I was still on the same side of
the way; now mechanically walking forward a few paces; now stopping
again absently. At one moment, I found myself doubting the reality
of my own adventure; at another, I was perplexed and distressed by
an uneasy sense of having done wrong, which yet left me confusedly
ignorant of how I could have done right. I hardly knew where I was
going, or what I meant to do next; I was conscious of nothing but
the confusion of my own thoughts, when I was abruptly recalled to
myself- awakened I might almost say- by the sound of rapidly
approaching wheels close behind me.
  I was on the dark side of the road, in the thick shadow of some
garden trees, when I stopped to look round. On the opposite, and
lighter side of the way, a short distance below me, a policeman was
strolling along in the direction of the Regent's Park.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 80}
  The carriage passed me- an open chaise driven by two men.
  'Stop!' cried one. 'There's a policeman. Let's ask him.'
  The horse was instantly pulled up, a few yards beyond the dark place
where I stood.
  'Policeman!' cried the first speaker. 'Have you seen a woman pass
this way?'
  'What sort of woman, sir?'
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 85}
  'A woman in a lavender-coloured gown-'
  'No, no,' interposed the second man. 'The clothes we gave her were
found on her bed. She must have gone away in the clothes she wore when
she came to us. In white, policeman. A woman in white.'
  'I haven't seen her, sir.'
  'If you, or any of your men meet with the woman, stop her, and
send her in careful keeping to that address. I'll pay all expenses,
and a fair reward into the bargain.'
  The policeman looked at the card that was handed down to him.
                                      {1ST_EPOCH|HARTRIGHT|IV ^paragraph 90}
  'Why are we to stop her, sir? What has she done?'
  'Done! She has escaped from my Asylum. Don't forget: a woman in
white. Drive on.'

{1ST_EPOCH|HARTRIGHT|V
                                  V
-
  'She has escaped from my Asylum!'
  I cannot say with truth that the terrible inference which those
words suggested flashed upon me like a new revelation. Some of the
strange questions put to me by the woman in white, after my
ill-considered promise to leave her free to act as she pleased, had
suggested the conclusion either that she was naturally flighty and
unsettled, or that some recent shock of terror had disturbed the
balance of her faculties. But the idea of absolute insanity which we
all associate with the very name of an Asylum, had, I can honestly
declare, never occurred to me, in connexion with her. I had seen
nothing, in her language or her actions, to justify it at the time;
and, even with the new light thrown on her by the words which the
stranger had addressed to the policeman, I could see nothing to
justify it now.
  What had I done? Assisted the victim of the most horrible of all
false imprisonments to escape; or cast loose on the wide world of
London an unfortunate creature, whose actions it was my duty, and
every man's duty, mercifully to control? I turned sick at heart when
the question occurred to me, and when I felt self-reproachfully that
it was asked too late.
  In the disturbed state of my mind, it was useless to think of
going to bed, when I at last got back to my chambers in Clement's Inn.
Before many hours elapsed it would be necessary to start on my journey
to Cumberland. I sat down and tried, first to sketch, then to read-
but the woman in white got between me and my pencil, between me and my
book. Had the forlorn creature come to any harm? That was my first
thought, though I shrank selfishly from confronting it. Other thoughts
followed, on which it was less harrowing to dwell. Where had she
stopped the cab? What had become of her now? Had she been traced and
captured by the men in the chaise? Or was she still capable of
controlling her own actions; and were we two following our
widely-parted roads towards one point in the mysterious future, at
which we were to meet once more?
  It was a relief when the hour came to lock my door, to bid
farewell to London pursuits, London pupils, and London friends, and to
be in movement again towards new interests and a new life. Even the
bustle and confusion at the railway terminus, so wearisome and
bewildering at other times, roused me and did me good.
                                        {1ST_EPOCH|HARTRIGHT|V ^paragraph 5}
-
  My travelling instructions directed me to go to Carlisle, and then
to diverge by a branch railway which ran in the direction of the
coast. As a misfortune to begin with, our engine broke down between
Lancaster and Carlisle. The delay occasioned by this accident caused
me to be too late for the branch train, by which I was to have gone on
immediately. I had to wait some hours; and when a later train
finally deposited me at the nearest station to Limmeridge House, it
was past ten, and the night was so dark that I could hardly see my way
to the pony-chaise which Mr. Fairlie had ordered to be in waiting
for me.
  The driver was evidently discomposed by the lateness of my
arrival. He was in that state of highly-respectful sulkiness which
is peculiar to English servants. We drove away slowly through the
darkness in perfect silence. The roads were bad, and the dense
obscurity of the night increased the difficulty of getting over the
ground quickly. It was, by my watch, nearly an hour and a half from
the time of our leaving the station before I heard the sound of the
sea in the distance, and the crunch of our wheels on a smooth gravel
drive. We had passed one gate before entering the drive, and we passed
another before we drew up at the house. I was received by a solemn
man-servant out of livery, was informed that the family had retired
for the night, and was then led into a large and lofty room where my
supper was awaiting me, in a forlorn manner, at one extremity of a
lonesome mahogany wilderness of dining-table.
  I was too tired and out of spirits to eat or drink much,
especially with the solemn servant waiting on me as elaborately as
if a small dinner-party had arrived at the house instead of a solitary
man. In a quarter of an hour I was ready to be taken up to my
bedchamber. The solemn servant conducted me into a prettily
furnished room- said, 'Breakfast at nine o'clock, sir'- looked all
round him to see that everything was in its proper place- and
noiselessly withdrew.
  'What shall I see in my dreams to-night?' I thought to myself, as
I put out the candle; 'the woman in white? or the unknown
inhabitants of this Cumberland mansion?' It was a strange sensation to
be sleeping in the house, like a friend of the family, and yet not
to know one of the inmates even by sight!

{1ST_EPOCH|HARTRIGHT|VI
                                  VI
-
  When I rose the next morning and drew up my blind, the sea opened
before me joyously under the broad August sunlight, and the distant
coast of Scotland fringed the horizon with its lines of melting blue.
  The view was such a surprise, and such a change to me, after my
weary London experience of brick and mortar landscape, that I seemed
to burst into a new life and a new set of thoughts the moment I looked
at it. A confused sensation of having suddenly lost my familiarity
with the past, without acquiring any additional clearness of idea in
reference to the present or the future, took possession of my mind.
Circumstances that were but a few days old, faded back in my memory,
as if they had happened months and months since. Pesca's quaint
announcement of the means by which he had procured me my present
employment; the farewell evening I had passed with my mother and
sister; even my mysterious adventure on the way home from
Hampstead-had all become like events which might have occurred at some
former epoch of my existence. Although the woman in white was still in
my mind, the image of her seemed to have grown dull and faint already.
  A little before nine o'clock I descended to the ground-floor of
the house. The solemn man-servant of the night before met me wandering
among the passages, and compassionately showed me the way to the
breakfast-room.
  My first glance round me, as the man opened the door, disclosed a
well-furnished breakfast-table, standing in the middle of a long room,
with many windows in it. I looked from the table to the window
farthest from me, and saw a lady standing at it, with her back
turned towards me. The instant my eyes rested on her, I was struck
by the rare beauty of her form, and by the unaffected grace of her
attitude. Her figure was tall, yet not too tall; comely and
well-developed, yet not fat; her head set on her shoulders with an
easy, pliant firmness; her waist, perfection in the eyes of a man, for
it occupied its natural place, it filled out its natural circle, it
was visibly and delightfully undeformed by stays. She had not heard my
entrance into the room; and I allowed myself the luxury of admiring
her for a few moments, before I moved one of the chairs near me, as
the least embarrassing means of attracting her attention. She turned
towards me immediately. The easy elegance of every movement of her
limbs and body as soon as she began to advance from the far end of the
room, set me in a flutter of expectation to see her face clearly.
She left the window- and I said to myself, The lady is dark. She moved
forward a few steps- and I said to myself, The lady is young. She
approached nearer- and I said to myself (with a sense of surprise
which words fail me to express), The lady is ugly!
  Never was the old conventional maxim, that Nature cannot err, more
flatly contradicted- never was the fair promise of a lovely figure
more strangely and startlingly belied by the face and head that
crowned it. The lady's complexion was almost swarthy, and the dark
down on her upper lip was almost a moustache. She had a large, firm,
masculine mouth and jaw; prominent, piercing, resolute brown eyes; and
thick, coal-black hair, growing unusually low down on her forehead.
Her expression- bright, frank, and intelligent- appeared, while she
was silent, to be altogether wanting in those feminine attractions
of gentleness and pliability, without which the beauty of the
handsomest woman alive is beauty incomplete. To see such a face as
this set on shoulders that a sculptor would have longed to model- to
be charmed by the modest graces of action through which the
symmetrical limbs betrayed their beauty when they moved, and then to
be almost repelled by the masculine form and masculine look of the
features in which the perfectly shaped figure ended- was to feel a
sensation oddly akin to the helpless discomfort familiar to us all
in sleep, when we recognise yet cannot reconcile the anomalies and
contradictions of a dream.
                                       {1ST_EPOCH|HARTRIGHT|VI ^paragraph 5}
  'Mr. Hartright?' said the lady interrogatively; her dark face
lighting up with a smile, and softening and growing womanly the moment
she began to speak. 'We resigned all hope of you last night, and
went to bed as usual. Accept my apologies for our apparent want of
attention; and allow me to introduce myself as one of your pupils.
Shall we shake hands? I suppose we must come to it sooner or later-
and why not sooner?'
  These odd words of welcome were spoken in a clear, ringing, pleasant
voice. The offered hand- rather large, but beautifully formed- was
given to me with the easy, unaffected self-reliance of a highly-bred
woman. We sat down together at the breakfast-table in as cordial and
customary a manner as if we had known each other for years, and had
met at Limmeridge House to talk over old times by previous
appointment.
  'I hope you come here good-humouredly determined to make the best of
your position,' continued the lady. 'You will have to begin this
morning by putting up with no other company at breakfast than mine. My
sister is in her own room, nursing that essentially feminine malady, a
slight headache; and her old governess, Mrs. Vesey, is charitably
attending on her with restorative tea. My uncle, Mr. Fairlie, never
joins us at any of our meals: he is an invalid, and keeps bachelor
state in his own apartments. There is nobody else in the house but me.
Two young ladies have been staying here, but they went away yesterday,
in despair; and no wonder. All through their visit (in consequence
of Mr. Fairlie's invalid condition) we produced no such convenience in
the house as a flirtable, danceable, small-talkable creature of the
male sex; and the consequence was, we did nothing but quarrel,
especially at dinner-time. How can you expect four woman to dine
together alone every day, and not quarrel? We are such fools, we can't
entertain each other at table. You see I don't think much of my own
sex, Mr. Hartright- which will you have, tea or coffee?- no woman does
think much of her own sex, although few of them confess it as freely
as I do. Dear me, you look puzzled. Why? Are you wondering what you
will have for breakfast? or are you surprised at my careless way of
talking? In the first case, I advise you, as a friend, to have nothing
to do with that cold ham at your elbow, and to wait till the
omelette comes in. In the second case, I will give you some tea to
compose your spirits, and do all a woman can (which is very little,
by-the-by) to hold my tongue.' She handed me my cup of tea, laughing
gaily. Her light flow of talk, and her lively familiarity of manner
with a total stranger, were accompanied by an unaffected naturalness
and an easy inborn confidence in herself and her position, which would
have secured her the respect of the most audacious man breathing.
While it was impossible to be formal and reserved in her company, it
was more than impossible to take the faintest vestige of a liberty
with her, even in thought. I felt this instinctively, even while I
caught the infection of her own bright gaiety of spirits- even while I
did my best to answer her in her own frank, lively way.
  'Yes, yes,' she said, when I had suggested the only explanation I
could offer, to account for my perplexed looks, 'I understand. You are
such a perfect stranger in the house, that you are puzzled by my
familiar references to the worthy inhabitants. Natural enough: I ought
to have thought of it before. At any rate, I can set it right now.
Suppose I begin with myself, so as to get done with that part of the
subject as soon as possible? My name is Marian Halcombe; and I am as
inaccurate, as women usually are, in calling Mr. Fairlie my uncle, and
Miss Fairlie my sister. My mother was twice married: the first time to
Mr. Halcombe, my father; the second time to Mr. Fairlie, my
half-sister's father. Except that we are both orphans, we are in every
respect as unlike each other as possible. My father was a poor man,
and Miss Fairlie's father was a rich man. I have got nothing, and
she has a fortune. I am dark and ugly, and she is fair and pretty.
Everybody thinks me crabbed and odd (with perfect justice); and
everybody thinks her sweet-tempered and charming (with more justice
still). In short, she is an angel; and I am- Try some of that
marmalade, Mr. Hartright, and finish the sentence, in the name of
female propriety, for yourself. What am I to tell you about Mr.
Fairlie? Upon my honour, I hardly know. He is sure to send for you
after breakfast, and you can study him for yourself. In the
meantime, I may inform you, first, that he is the late Mr. Fairlie's
younger brother; secondly, that he is a single man; and, thirdly, that
he is Miss Fairlie's guardian. I won't live without her, and she can't
live without me; and that is how I come to be at Limmeridge House.
My sister and I are honestly fond of each other; which, you will
say, is perfectly unaccountable, under the circumstances, and I
quite agree with you- but so it is. You must please both of us, Mr.
Hartright, or please neither of us: and, what is still more trying,
you will be thrown entirely upon our society. Mrs. Vesey is an
excellent person, who possesses all the cardinal virtues, and counts
for nothing; and Mr. Fairlie is too great an invalid to be a companion
for anybody. I don't know what is the matter with him, and the doctors
don't know what is the matter with him, and he doesn't know himself
what is the matter with him. We all say it's on the nerves, and we
none of us know what we mean when we say it. However, I advise you
to humour his little peculiarities, when you see him to-day. Admire
his collection of coins, prints, and water-colour drawings, and you
will win his heart. Upon my word, if you can be contented with a quiet
country life, I don't see why you should not get on very well here.
From breakfast to lunch, Mr. Fairlie's drawings will occupy you. After
lunch, Miss Fairlie and I shoulder our sketch-books, and go out to
misrepresent nature, under your directions. Drawing is her favourite
whim, mind, not mine. Women can't draw- their minds are too flighty,
and their eyes are too inattentive. No matter my sister likes it; so I
waste paint and spoil paper, for her sake, as composedly as any
woman in England. As for the evenings, I think we can help you through
them. Miss Fairlie plays delightfully. For my own poor part, I don't
know one note of music from the other; but I can match you at chess,
backgammon, ecarte, and (with the inevitable female drawbacks) even at
billiards as well. What do you think of the programme? Can you
reconcile yourself to our quiet, regular life? or do you mean to be
restless, and secretly thirst for change and adventure, in the humdrum
atmosphere of Limmeridge House?'
  She had run on thus far, in her gracefully bantering way, with no
other interruptions on my part than the unimportant replies which
politeness required of me. The turn of the expression, however, in her
last question, or rather the one chance word, 'adventure,' lightly
as it fell from her lips, recalled my thoughts to my meeting with
the woman in white, and urged me to discover the connection which
the stranger's own reference to Mrs. Fairlie informed me must once
have existed between the nameless fugitive from the Asylum, and the
former mistress of Limmeridge House.
                                      {1ST_EPOCH|HARTRIGHT|VI ^paragraph 10}
  'Even if I were the most restless of mankind,' I said, 'I should
be in no danger of thirsting after adventures for some time to come.
The very night before I arrived at this house, I met with an
adventure; and the wonder and excitement of it, I can assure you, Miss
Halcombe, will last me for the whole term of my stay in Cumberland, if
not for a much longer period.'
  'You don't say so, Mr. Hartright! May I hear it?'
  'You have a claim to hear it. The chief person in the adventure
was a total stranger to me, and may perhaps be a total stranger to
you; but she certainly mentioned the name of the late Mrs. Fairlie
in terms of the sincerest gratitude and regard.'
  'Mentioned my mother's name! You interest me indescribably. Pray
go on.'
  I at once related the circumstances under which I had met the
woman in white, exactly as they had occurred; and I repeated what
she had said to me about Mrs. Fairlie and Limmeridge House, word for
word.
                                      {1ST_EPOCH|HARTRIGHT|VI ^paragraph 15}
  Miss Halcombe's bright resolute eyes looked eagerly into mine,
from the beginning of the narrative to the end. Her face expressed
vivid interest and astonishment, but nothing more. She was evidently
as far from knowing of any clue to the mystery as I was myself.
  'Are you quite sure of those words referring to my mother?' she
asked.
  'Quite sure,' I replied. 'Whoever she may be, the woman was once
at school in the village of Limmeridge, was treated with especial
kindness by Mrs. Fairlie, and, in grateful remembrance of that
kindness, feels an affectionate interest in all surviving members of
the family. She knew that Mrs. Fairlie and her husband were both dead;
and she spoke of Miss Fairlie as if they had known each other when
they were children.'
  'You said, I think, that she denied belonging to this place?'
  'Yes, she told me she came from Hampshire.'
                                      {1ST_EPOCH|HARTRIGHT|VI ^paragraph 20}
  'And you entirely failed to find out her name?'
  'Entirely.'
  'Very strange. I think you were quite justified, Mr. Hartright, in
giving the poor creature her liberty, for she seems to have done
nothing in your presence to show herself unfit to enjoy it. But I wish
you had been a little more resolute about finding out her name. We
must really clear up this mystery, in some way. You had better not
speak of it yet to Mr. Fairlie, or to my sister. They are both of
them, I am certain, quite as ignorant of who the woman is, and of what
her past history in connection with us can be, as I am myself. But
they are also, in widely different ways, rather nervous and sensitive;
and you would only fidget one and alarm the other to no purpose. As
for myself, I am all aflame with curiosity, and I devote my whole
energies to the business of discovery from this moment. When my mother
came here after her second marriage, she certainly established the
village school just as it exists at the present time. But the old
teachers are all dead, or gone elsewhere; and no enlightenment is to
be hoped for from that quarter. The only other alternative I can think
of-'
  At this point we were interrupted by the entrance of the servant,
with a message from Mr. Fairlie, intimating that he would be glad to
see me, as soon as I had done breakfast.
  'Wait in the hall,' said Miss Halcombe, answering the servant for
me, in her quick, ready way. 'Mr. Hartright will come out directly.
I was about to say,' she went on, addressing me again, 'that my sister
and I have a large collection of my mother's letters, addressed to
my father and to hers. In the absence of any other means of getting
information, I will pass the morning in looking over my mother's
correspondence with Mr. Fairlie. He was fond of London, and was
constantly away from his country home; and she was accustomed, at such
times, to write and report to him how things went on at Limmeridge.
Her letters are full of references to the school in which she took
so strong an interest; and I think it more than likely that I may have
discovered something when we meet again. The luncheon hour is two, Mr.
Hartright. I shall have the pleasure of introducing you to my sister
by that time, and we will occupy the afternoon in driving round the
neighbourhood and showing you all our pet points of view. Till two
o'clock, then, farewell.'
                                      {1ST_EPOCH|HARTRIGHT|VI ^paragraph 25}
  She nodded to me with the lively grace, the delightful refinement of
familiarity, which characterised all that she did and all that she
said; and disappeared by a door at the lower end of the room. As
soon as she had left me, I turned my steps towards the hall, and
followed the servant on my way, for the first time, to the presence of
Mr. Fairlie.

{1ST_EPOCH|HARTRIGHT|VII
                                 VII
-
  My conductor led me up-stairs into a passage which took us back to
the bedchamber in which I had slept during the past night; and opening
the door next to it begged me to look in.
  'I have my master's orders to show you your own sitting-room,
sir,' said the man, 'and to inquire if you approve of the situation
and the light.'
  I must have been hard to please, indeed, if I had not approved of
the room, and of everything about it. The bow-window looked out on the
same lovely view which I had admired, in the morning, from my bedroom.
The furniture was the perfection of luxury and beauty; the table in
the centre was bright with gaily bound books, elegant conveniences for
writing, and beautiful flowers; the second table, near the window, was
covered with all the necessary materials for mounting water-colour
drawings, and had a little easel attached to it, which I could
expand or fold up at will; the walls were hung with gaily tinted
chintz; and the floor was spread with Indian matting in maize-colour
and red. It was the prettiest and most luxurious little sitting-room I
had ever seen; and I admired it with the warmest enthusiasm.
  The solemn servant was far too highly trained to betray the
slightest satisfaction. He bowed with icy deference when my terms of
eulogy were all exhausted, and silently opened the door for me to go
out into the passage again.
  We turned a corner, and entered a long second passage, ascended a
short flight of stairs at the end, crossed a small circular upper
hall, and stopped in front of a door covered with dark baize. The
servant opened this door, and led me on a few yards to a second;
opened that also, and disclosed two curtains of pale sea-green silk
hanging before us; raised one of them noiselessly; softly uttered
the words, 'Mr. Hartright,' and left me.
                                      {1ST_EPOCH|HARTRIGHT|VII ^paragraph 5}
  I found myself in a large, lofty room, with a magnificent carved
ceiling, and with a carpet over the floor, so thick and soft that it
felt like piles of velvet under my feet. One side of the room was
occupied by a long bookcase of some rare inlaid wood that was quite
new to me. It was not more than six feet high, and the top was adorned
with statuettes in marble, ranged at regular distances one from the
other. On the opposite side stood two antique cabinets; and between
them, and above them, hung a picture of the Virgin and Child,
protected by glass, and bearing Raphael's name on the gilt tablet at
the bottom of the frame. On my right hand and on my left, as I stood
inside the door, were chiffoniers and little stands in buhl and
marqueterie, loaded with figures in Dresden china, with rare vases,
ivory ornaments, and toys and curiosities that sparkled at all
points with gold, silver, and precious stones. At the lower end of the
room, opposite to me, the windows were concealed and the sunlight
was tempered by large blinds of the same pale sea-green colour as
the curtains over the door. The light thus produced was deliciously
soft, mysterious, and subdued; it fell equally upon all the objects in
the room; it helped to intensify the deep silence, and the air of
profound seclusion that possessed the place; and it surrounded, with
an appropriate halo of repose, the solitary figure of the master of
the house, leaning back, listlessly composed, in a large easy-chair,
with a reading-easel fastened on one of its arms, and a little table
on the other.
  If a man's personal appearance, when he is out of his dressing-room,
and when he has passed forty, can be accepted as a safe guide to his
time of life- which is more than doubtful- Mr. Fairlie's age, when I
saw him, might have been reasonably computed at over fifty and under
sixty years. His beardless face was thin, worn, and transparently
pale, but not wrinkled; his nose was high and hooked; his eyes were of
a dim grayish blue, large, prominent, and rather red round the rims of
the eyelids; his hair was scanty, soft to look at, and of that light
sandy colour which is the last to disclose its own changes towards
gray. He was dressed in a dark frock-coat, of some substance much
thinner than cloth, and in waistcoat and trousers of spotless white.
His feet were effeminately small, and were clad in buff-coloured
silk stockings, and little womanish bronze-leather slippers. Two rings
adorned his white delicate hands, the value of which even my
inexperienced observation detected to be all but priceless. Upon the
whole, he had a frail, languidly-fretful, over-refined look- something
singularly and unpleasantly delicate in its association with a man,
and, at the same time, something which could by no possibility have
looked natural and appropriate if it had been transferred to the
personal appearance of a woman. My morning's experience of Miss
Halcombe had predisposed me to be pleased with everybody in the house;
but my sympathies shut themselves up resolutely at the first sight
of Mr. Fairlie.
  On approaching nearer to him, I discovered that he was not so
entirely without occupation as I had at first supposed. Placed amid
the other rare and beautiful objects on a large round table near
him, was a dwarf cabinet in ebony and silver, containing coins of
all shapes and sizes, set out in little drawers lined with dark purple
velvet. One of these drawers lay on the small table attached to his
chair; and near it were some tiny jewellers' brushes, a washleather
'stump,' and a little bottle of liquid, all waiting to be used in
various ways for the removal of any accidental impurities which
might be discovered on the coins. His frail white fingers were
listlessly toying with something which looked, to my uninstructed
eyes, like a dirty pewter medal with ragged edges, when I advanced
within a respectful distance of his chair, and stopped to make my bow.
  'So glad to possess you at Limmeridge, Mr. Hartright,' he said in
a querulous, croaking voice, which combined, in anything but an
agreeable manner, a discordantly high tone with a drowsily languid
utterance. 'Pray sit down. And don't trouble yourself to move the
chair, please. In the wretched state of my nerves, movement of any
kind is exquisitely painful to me. Have you seen your studio? Will
it do?'
  'I have just come from seeing the room, Mr. Fairlie; and I assure
you-'
                                     {1ST_EPOCH|HARTRIGHT|VII ^paragraph 10}
  He stopped me in the middle of the sentence, by closing his eyes,
and holding up one of his white hands imploringly. I paused in
astonishment; and the croaking voice honoured me with this
explanation:
  'Pray excuse me. But could you contrive to speak in a lower key?
In the wretched state of my nerves, loud sound of any kind is
indescribable torture to me. You will pardon an invalid? I only say to
you what the lamentable state of my health obliges me to say to
everybody. Yes. And you really like the room?'
  'I could wish for nothing prettier and nothing more comfortable,'
I answered, dropping my voice, and beginning to discover already
that Mr. Fairlie's selfish affectation and Mr. Fairlie's wretched
nerves meant one and the same thing.
  'So glad. You will find your position here, Mr. Hartright,
properly recognised. There is none of the horrid English barbarity
of feeling about the social position of an artist, in this house. So
much of my early life has been passed abroad, that I have quite cast
my insular skin in that respect. I wish I could say the same of the
gentry- detestable word, but I suppose I must use it- of the gentry in
the neighbourhood. They are sad Goths in Art, Mr. Hartright. People, I
do assure you, who would have opened their eyes in astonishment, if
they had seen Charles the Fifth pick up Titian's brush for him. Do you
mind putting this tray of coins back in the cabinet, and giving me the
next one to it? In the wretched state of my nerves, exertion of any
kind is unspeakably disagreeable to me. Yes. Thank you.'
  As a practical commentary on the liberal social theory which he
had just favoured me by illustrating, Mr. Fairlie's cool request
rather amused me. I put back one drawer and gave him the other, with
all possible politeness. He began trifling with the new set of coins
and the little brushes immediately; languidly looking at them and
admiring them all the time he was speaking to me.
                                     {1ST_EPOCH|HARTRIGHT|VII ^paragraph 15}
  'A thousand thanks and a thousand excuses. Do you like coins? Yes?
So glad we have another taste in common besides our taste for Art.
Now, about the pecuniary arrangements between us- do tell me- are they
satisfactory?
  'Most satisfactory, Mr. Fairlie.'
  'So glad. And- what next? Ah! I remember. Yes. In reference to the
consideration which you are good enough to accept for giving me the
benefit of your accomplishments in art, my steward will wait on you at
the end of the first week, to ascertain your wishes. And- what next?
Curious, is it not? I had a great deal more to say; and I appear to
have quite forgotten it. Do you mind touching the bell? In that
corner. Yes. Thank you.'
  I rang; and a new servant noiselessly made his appearance- a
foreigner, with a set smile and perfectly brushed hair- a valet
every inch of him.
  'Louis,' said Mr. Fairlie, dreamily dusting the tips of his
fingers with one of the tiny brushes for the coins, I made some
entries in my tablettes this morning. Find my tablettes. A thousand
pardons, Mr. Hartright, I'm afraid I bore you.'
                                     {1ST_EPOCH|HARTRIGHT|VII ^paragraph 20}
  As he wearily closed his eyes again, before I could answer, and as
he did most assuredly bore me, I sat silent, and looked up at the
Madonna and Child by Raphael. In the mean time, the valet left the
room, and returned shortly with a little ivory book. Mr. Fairlie,
after first relieving himself by a gentle sigh, let the book drop open
with one hand, and held up the tiny brush with the other, as a sign to
the servant to wait for further orders.
  'Yes. just so! said Mr. Fairlie, consulting the tablettes. 'Louis,
take down that portfolio.' He pointed, as he spoke, to several
portfolios placed near the window, on mahogany stands. 'No. Not the
one with the green back- that contains my Rembrandt etchings, Mr.
Hartright. Do you like etchings? Yes? So glad we have another taste in
common. The portfolio with the red back, Louis. Don't drop it! You
have no idea of the tortures I should suffer, Mr. Hartright, if
Louis dropped that portfolio. Is it safe on the chair? Do you
think it safe, Mr. Hartright? Yes? So glad. Will you oblige me by
looking at the drawings, if you really think they are quite safe.
Louis, go away. What an ass you are. Don't you see me holding the
tablettes? Do you suppose I want to hold them? Then why not relieve me
of the tablettes without being told? A thousand pardons, Mr.
Hartright; servants are such asses, are they not? Do tell me- what
do you think of the drawings? They have come from a sale in a shocking
state- I thought they smelt of horrid dealers' and brokers' fingers
when I looked at them last. Can you undertake them?'
  Although my nerves were not delicate enough to detect the odour of
plebeian fingers which had offended Mr. Fairlie's nostrils, my taste
was sufficiently educated to enable me to appreciate the value of
the drawings, while I turned them over. They were, for the most
part, really fine specimens of English water-colour Art; and they
had deserved much better treatment at the hands of their former
possessor than they appeared to have received.
  'The drawings,' I answered, 'require careful straining and mounting;
and, in my opinion, they are well worth-'
  'I beg your pardon,' interposed Mr. Fairlie. 'Do you mind my closing
my eyes while you speak? Even this light is too much for them. Yes?'
                                     {1ST_EPOCH|HARTRIGHT|VII ^paragraph 25}
  'I was about to say that the drawings are well worth all the time
and trouble-'
  Mr. Fairlie suddenly opened his eyes again, and rolled them with
an expression of helpless alarm in the direction of the window.
  'I entreat you to excuse me, Mr. Hartright,' he said in a feeble
flutter. 'But surely I hear some horrid children in the garden- my
private garden- below?'
  'I can't say, Mr. Fairlie. I heard nothing myself.'
  'Oblige me- you have been so very good in humouring my poor
nerves- oblige me by lifting up a corner of the blind. Don't let the
sun in on me, Mr. Hartright! Have you got the blind up? Yes? Then will
you be so very kind as to look into the garden and make quite sure?'
                                     {1ST_EPOCH|HARTRIGHT|VII ^paragraph 30}
  I complied with this new request. The garden was carefully walled
in, all round. Not a human creature, large or small, appeared in any
part of the sacred seclusion. I reported that gratifying fact to Mr.
Fairlie.
  'A thousand thanks. My fancy, I suppose. There are no children,
thank Heaven, in the house; but the servants (persons born without
nerves) will encourage the children from the Village. Such brats-
oh, dear me, such brats! Shall I confess it, Mr. Hartright?- I sadly
want a reform in the construction of children. Nature's only idea
seems to be to make them machines for the production of incessant
noise. Surely our delightful Raffaello's conception is infinitely
preferable?'
  He pointed to the picture of the Madonna, the upper part of which
represented the conventional cherubs of Italian Art, celestially
provided with sitting accommodation for their chins, on balloons of
buff-coloured cloud.
  'Quite a model family!' said Mr. Fairlie, leering at the cherubs.
'Such nice round faces, and such nice soft wings, and- nothing else.
No dirty little legs to run about on, and no noisy little lungs to
scream with. How immeasurably superior to the existing construction! I
will close my eyes again, if you will allow me. And you really can
manage the drawings? So glad. Is there anything else to settle? if
there is, I think I have forgotten it. Shall we ring for Louis again?'
  Being, by this time, quite as anxious, on my side, as Mr. Fairlie
evidently was on his, to bring the interview to a speedy conclusion, I
thought I would try to render the summoning of the servant
unnecessary, by offering the requisite suggestion on my own
responsibility.
                                     {1ST_EPOCH|HARTRIGHT|VII ^paragraph 35}
  'The only point, Mr. Fairlie, that remains to be discussed,' I said,
'refers, I think, to the instruction in sketching which I am engaged
to communicate to the two young ladies.'
  'Ah! just so,' said Mr. Fairlie. I wish I felt strong enough to go
into that part of the arrangement- but I don't. The ladies, who profit
by your kind services, Mr. Hartright, must settle, and decide and so
on, for themselves. My niece is fond of your charming art. She knows
just enough about it to be conscious of her own sad defects. Please
take pains with her. Yes. Is there anything else? No. We quite
understand each other- don't we? I have no right to detain you any
longer from your delightful pursuit- have I? So pleasant to have
settled everything- such a sensible relief to have done business. Do
you mind ringing for Louis to carry the portfolio to your own room?'
  'I will carry it there, myself, Mr. Fairlie, if you will allow me.'
  'Will you really? Are you strong enough? How nice to be so strong!
Are you sure you won't drop it? So glad to possess you at
Limmeridge, Mr. Hartright. I am such a sufferer that I hardly dare
hope to enjoy much of your society. Would you mind taking great
pains not to let the doors bang, and not to drop the portfolio?
Thank you. Gently with the curtains, please- the slightest noise
from them goes through me like a knife. Yes. Good morning!'
  When the sea-green curtains were closed, and when the two baize
doors were shut behind me, I stopped for a moment in the little
circular hall beyond, and drew a long, luxurious breath of relief.
It was like coming to the surface of the water after deep diving, to
find myself once more on the outside of Mr. Fairlie's room.
                                     {1ST_EPOCH|HARTRIGHT|VII ^paragraph 40}
  As soon as I was comfortably established for the morning in my
pretty little studio, the first resolution at which I arrived was to
turn my steps no more in the direction of the apartments occupied by
the master of the house, except in the very improbable event of his
honouring me with a special invitation to pay him another visit.
Having settled this satisfactory plan of future conduct, in
reference to Mr. Fairlie, I soon recovered the serenity of temper of
which my employer's haughty familiarity and impudent politeness had,
for the moment, deprived me. The remaining hours of the morning passed
away pleasantly enough, in looking over the drawings, arranging them
in sets, trimming their ragged edges, and accomplishing the other
necessary preparations in anticipation of the business of mounting
them. I ought, perhaps, to have made more progress than this; but,
as the luncheon time drew near, I grew restless and unsettled, and
felt unable to fix my attention on work, even though that work was
only of the humble manual kind.
  At two o'clock, I descended again to the breakfast-room, a little
anxiously. Expectations of some interest were connected with my
approaching reappearance in that part of the house. My introduction to
Miss Fairlie was now close at hand; and, if Miss Halcombe's search
through her mother's letters had produced the result which she
anticipated, the time had come for clearing up the mystery of the
woman in white.

{1ST_EPOCH|HARTRIGHT|VIII
                                 VIII
-
  When I entered the room, I found Miss Halcombe and an elderly lady
seated at the luncheon-table.
  The elderly lady, when I was presented to her, proved to be Miss
Fairlie's former governess, Mrs. Vesey, who had been briefly described
to me by my lively companion at the breakfast-table, as possessed of
'all the cardinal virtues, and counting for nothing.' I can do
little more than offer my humble testimony to the truthfulness of Miss
Halcombe's sketch of the old lady's character. Mrs. Vesey looked the
personification of human composure, and female amiability. A calm
enjoyment of a calm existence beamed in drowsy smiles on her plump,
placid face. Some of us rush through life, and some of us saunter
through life. Mrs. Vesey sat through life. Sat in the house, early
and late; sat in the garden; sat in unexpected window-seats in
passages; sat (on a camp-stool) when her friends tried to take her out
walking; sat before she looked at anything, before she talked of
anything, before she answered, Yes, or No, to the commonest
question- always with the same serene smile on her lips, the same
vacantly attentive turn of her head, the same snugly-comfortable
position of her hands and arms, under every possible change of
domestic circumstances. A mild, a compliant, an unutterably tranquil
and harmless old lady, who never by any chance suggested the idea that
she had been actually alive since the hour of her birth. Nature has so
much to do in this world, and is engaged in generating such a vast
variety of co-existing productions, that she must surely be now and
then too flurried and confused to distinguish between the different
processes that she is carrying on at the same time. Starting from this
point of view, it will always remain my private persuasion that Nature
was absorbed in making cabbages when Mrs. Vesey was born, and that the
good lady suffered the consequences of a vegetable preoccupation in
the mind of the Mother of us all.
  'Now, Mrs. Vesey,' said Miss Halcombe, looking brighter, sharper,
and readier than ever, by contrast with the undemonstrative old lady
at her side, 'what will you have? A cutlet?'
  Mrs. Vesey crossed her dimpled hands on the edge of the table;
smiled placidly; and said, 'Yes, dear.'
  'What is that opposite Mr. Hartright? Boiled chicken, is it not? I
thought you liked boiled chicken better than cutlet, Mrs. Vesey?'
                                     {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 5}
  Mrs. Vesey took her dimpled hands off the edge of the table and
crossed them on her lap instead; nodded contemplatively at the
boiled chicken, and said, 'Yes, dear.'
  'Well, but which will you have, to-day? Shall Mr. Hartright give you
some chicken? or shall I give you some cutlet?'
  Mrs. Vesey put one of her dimpled hands back again on the edge of
the table; hesitated drowsily; and said, 'Which you please, dear.'
  'Mercy on me! it's a question for your taste, my good lady, not
for mine. Suppose you have a little of both? and suppose you begin
with the chicken, because Mr. Hartright looks devoured by anxiety to
carve for you.'
  Mrs. Vesey put the other dimpled hand back on the edge of the table;
brightened dimly, one moment; went out again, the next; bowed
obediently, and said, 'If you please, sir.'
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 10}
  Surely a mild, a compliant, an unutterably tranquil and harmless old
lady? But enough, perhaps, for the present, of Mrs. Vesey.
-
  All this time, there were no signs of Miss Fairlie. We finished
our luncheon; and still she never appeared. Miss Halcombe, whose quick
eye nothing escaped, noticed the looks that I cast, from time to time,
in the direction of the door.
  'I understand you, Mr. Hartright,' she said; 'you are wondering what
has become of your other pupil. She has been down stairs, and has
got over her headache; but has not sufficiently recovered her appetite
to join us at lunch. If you will put yourself under my charge, I think
I can undertake to find her somewhere in the garden.'
  She took up a parasol, lying on a chair near her, and led the way
out, by a long window at the bottom of the room, which opened on to
the lawn. It is almost unnecessary to say that we left Mrs. Vesey
still seated at the table, with her dimpled hands still crossed on the
edge of it; apparently settled in that position for the rest of the
afternoon.
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 15}
  As we crossed the lawn, Miss Halcombe looked at me significantly,
and shook her head.
  'That mysterious adventure of yours,' she said, 'still remains
involved in its own appropriate midnight darkness. I have been all the
morning looking over my mother's letters, and I have made no
discoveries yet. However, don't despair, Mr. Hartright. This is a
matter of curiosity; and you have got a woman for your ally. Under
such conditions success is certain, sooner or later. The letters are
not exhausted. I have three packets still left, and you may
confidently rely on my spending the whole evening over them.'
  Here, then, was one of my anticipations of the morning still
unfulfilled. I began to wonder, next, whether my introduction to
Miss Fairlie would disappoint the expectations that I had been forming
of her since breakfast-time.
  'And how did you get on with Mr. Fairlie?' inquired Miss Halcombe,
as we left the lawn and turned into a shrubbery. 'Was he
particularly nervous this morning? Never mind considering about your
answer, Mr. Hartright. The mere fact of your being obliged to consider
is enough for me. I see in your face that he was particularly
nervous; and, as I am amiably unwilling to throw you into the same
condition, I ask no more.'
  We turned off into a winding path while she was speaking, and
approached a pretty summer-house, built of wood, in the form of a
miniature Swiss chalet. The one room of the summer-house, as we
ascended the steps of the door, was occupied by a young lady. She
was standing near a rustic table, looking out at the inland view of
moor and hill presented by a gap in the trees, and absently turning
over the leaves of a little sketch-book that lay at her side. This was
Miss Fairlie.
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 20}
  How can I describe her? How can I separate her from my own
sensations, and from all that has happened in the later time? How
can I see her again as she looked when my eyes first rested on her- as
she should look, now, to the eyes that are about to see her in these
pages?
  The water-colour drawing that I made of Laura Fairlie, at an after
period, in the place and attitude in which I first saw her, lies on my
desk while I write. I look at it, and there dawns upon me brightly,
from the dark greenish-brown background of the summer-house, a
light, youthful figure, clothed in a simple muslin dress, the
pattern of it formed by broad alternate stripes of delicate blue and
white. A scarf of the same material sits crisply and closely round her
shoulders, and a little straw hat of the natural colour, plainly and
sparingly trimmed with ribbon to match the gown, covers her head,
and throws its soft pearly shadow over the upper part of her face. Her
hair is of so faint and pale a brown- not flaxen, and yet almost as
light; not golden, and yet almost as glossy- that it nearly melts,
here and there, into the shadow of the hat. It is plainly parted and
drawn back over her ears, and the line of it ripples naturally as it
crosses her forehead. The eyebrows are rather darker than the hair;
and the eyes are of that soft, limpid, turquoise blue, so often sung
by the poets, so seldom seen in real life. Lovely eyes in colour,
lovely eyes in form- large and tender and quietly thoughtful- but
beautiful above all things in the clear truthfulness of look that
dwells in their inmost depths, and shines through all their changes of
expression with the light of a purer and a better world. The charm-
most gently and yet most distinctly expressed- which they shed over
the whole face, so covers and transforms its little natural human
blemishes elsewhere, that it is difficult to estimate the relative
merits and defects of the other features. It is hard to see that the
lower part of the face is too delicately refined away towards the chin
to be in full and fair proportion with the upper part; that the
nose, in escaping the aquiline bend (always hard and cruel in a woman,
no matter how abstractedly perfect it may be), has erred a little in
the other extreme, and has missed the ideal straightness of line;
and that the sweet, sensitive lips are subject to a slight nervous
contraction, when she smiles, which draws them upward a little at
one corner, towards the cheek. It might be possible to note these
blemishes in another woman's face, but it is not easy to dwell on them
in hers, so subtly are they connected with all that is individual
and characteristic in her expression, and so closely does the
expression depend for its full play and life, in every other
feature, on the moving impulse of the eyes.
  Does my poor portrait of her, my fond, patient labour of long and
happy days, show me these things? Ah, how few of them are in the dim
mechanical drawing, and how many in the mind with which I regard it! A
fair, delicate girl, in a pretty light dress, trifling with the leaves
of a sketch-book, while she looks up from it with truthful, innocent
blue eyes- that is all the drawing can say; all, perhaps, that even
the deeper reach of thought and pen can say in their language, either.
The woman who first gives life, light, and form to our shadowy
conceptions of beauty, fills a void in our spiritual nature that has
remained unknown to us till she appeared. Sympathies that lie too deep
for words, too deep almost for thoughts, are touched, at such times,
by other charms than those which the senses feel and which the
resources of expression can realise. The mystery which underlies the
beauty of women is never raised above the reach of all expression
until it has claimed kindred with the deeper mystery in our own souls.
Then, and then only, has it passed beyond the narrow region on which
light falls, in this world, from the pencil and the pen.
  Think of her as you thought of the first woman who quickened the
pulses within you that the rest of her sex had no art to stir. Let the
kind, candid blue eyes meet yours, as they met mine, with the one
matchless look which we both remember so well. Let her voice speak the
music that you once loved best, attuned as sweetly to your ear as to
mine. Let her footstep, as she comes and goes, in these pages, be like
that other footstep to whose airy fall your own heart once beat
time. Take her as the visionary nursling of your own fancy; and she
will grow upon you, all the more clearly, as the living woman who
dwells in mine.
  Among the sensations that crowded on me, when my eyes first looked
upon her- familiar sensations which we all know, which spring to
life in most of our hearts, die again in so many, and renew their
bright existence in so few- there was one that troubled and
perplexed me; one that seemed strangely inconsistent and unaccountably
out of place in Miss Fairlie's presence.
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 25}
  Mingling with the vivid impression produced by the charm of her fair
face and head, her sweet expression, and her winning simplicity of
manner, was another impression, which, in a shadowy way, suggested
to me the idea of something wanting. At one time it seemed like
something wanting in her; at another, like something wanting in
myself, which hindered me from understanding her as I ought. The
impression was always strongest, in the most contradictory manner,
when she looked at me; or, in other words, when I was most conscious
of the harmony and charm of her face, and yet, at the same time,
most troubled by the sense of an incompleteness which it was
impossible to discover. Something wanting, something wanting- and
where it was, and what it was, I could not say.
  The effect of this curious caprice of fancy (as I thought it then)
was not of a nature to set me at my ease, during a first interview
with Miss Fairlie. The few kind words of welcome which she spoke found
me hardly self-possessed enough to thank her in the customary
phrases of reply. Observing my hesitation, and no doubt attributing
it, naturally enough, to some momentary shyness on my part, Miss
Halcombe took the business of talking, as easily and readily as usual,
into her own hands.
  'Look there, Mr. Hartright,' she said, pointing to the sketch-book
on the table, and to the little delicate wandering hand that was still
trifling with it. 'Surely you will acknowledge that your model pupil
is found at last? The moment she hears that you are in the house,
she seizes her inestimable sketch-book, looks universal Nature
straight in the face, and longs to begin!'
  Miss Fairlie laughed with a ready good-humour, which broke out as
brightly as if it had been part of the sunshine above us, over her
lovely face.
  'I must not take credit to myself where no credit is due,' she said,
her clear, truthful blue eyes looking alternately at Miss Halcombe and
at me. 'Fond as I am of drawing, I am so conscious of my own ignorance
that I am more afraid than anxious to begin. Now I know you are
here, Mr. Hartright, I find myself looking over my sketches, as I used
to look over my lessons when I was a little girl, and when I was sadly
afraid that I should turn out not fit to be heard.'
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 30}
  She made the confession very prettily and simply, and, with
quaint, childish earnestness, drew the sketch-book away close to her
own side of the table. Miss Halcombe cut the knot of the little
embarrassment forthwith, in her resolute, downright way.
  'Good, bad, or indifferent,' she said, 'the pupil's sketches must
pass through the fiery ordeal of the master's judgment- and there's an
end of it. Suppose we take them with us in the carriage, Laura, and
let Mr. Hartright see them, for the first time, under circumstances of
perpetual jolting and interruption? If we can only confuse him all
through the drive, between Nature as it is, when he looks up at the
view, and Nature as it is not, when he looks down again at our
sketch-books, we shall drive him into the last desperate refuge of
paying us compliments, and shall slip through his professional fingers
with our pet feathers of vanity all unruffled.'
  'I hope Mr. Hartright will pay me no compliments,' said Miss
Fairlie, as we all left the summer-house.
  'May I venture to inquire why you express that hope?' I asked.
  'Because I shall believe all that you say to me,' she answered,
simply. In those few words she unconsciously gave me the key to her
whole character; to that generous trust in others which, in her
nature, grew innocently out of the sense of her own truth. I only knew
it intuitively then. I know it by experience now.
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 35}
  We merely waited to rouse good Mrs. Vesey from the place which she
still occupied at the deserted luncheon-table, before we entered the
open carriage for our promised drive. The old lady and Miss Halcombe
occupied the back seat; and Miss Fairlie and I sat together in
front, with the sketch-book open between us, fairly exhibited at
last to my professional eyes. All serious criticism on the drawings,
even if I had been disposed to volunteer it, was rendered impossible
by Miss Halcombe's lively resolution to see nothing but the ridiculous
side of the Fine Arts, as practised by herself, her sister, and ladies
in general. I can remember the conversation that passed far more
easily than the sketches that I mechanically looked over. That part of
the talk, especially, in which Miss Fairlie took any share is still as
vividly impressed on my memory as if I had heard it only a few hours
ago.
  Yes! let me acknowledge that, on this first day, I let the charm
of her presence lure me from the recollection of myself and my
position. The most trifling of the questions that she put to me, on
the subject of using her pencil and mixing her colours; the
slightest alterations of expression in the lovely eyes that looked
into mine, with such an earnest desire to learn all that I could
teach, and to discover all that I could show, attracted more of my
attention than the finest view we passed through, or the grandest
changes of light and shade, as they flowed into each other over the
waving moorland and the level beach. At any time, and under any
circumstances of human interest, is it not strange to see how little
real hold the objects of the natural world amid which we live can gain
on our hearts and minds? We go to Nature for comfort in trouble, and
sympathy in joy, only in books. Admiration of those beauties of the
inanimate world, which modern poetry so largely and so eloquently
describes, is not, even in the best of us, one of the original
instincts of our nature. As children, we none of us possess it. No
uninstructed man or woman possesses it. Those whose lives are most
exclusively passed amid the ever-changing wonders of sea and land
are also those who are most universally insensible to every aspect
of Nature not directly associated with the human interest of their
calling. Our capacity of appreciating the beauties of the earth we
live on is, in truth, one of the civilized accomplishments which we
all learn, as an Art; and, more, that very capacity is rarely
practised by any of us except when our minds are most indolent and
most unoccupied. How much share have the attractions of Nature ever
had in the pleasurable or painful interests and emotions of
ourselves or our friends? What space do they ever occupy in the
thousand little narratives of personal experience which pass every day
by word of mouth from one of us to the other? All that our minds can
compass, all that our hearts can learn, can be accomplished with equal
certainty, equal profit, and equal satisfaction to ourselves, in the
poorest as in the richest prospect that the face of the earth can
show. There is surely a reason for this want of inborn sympathy
between the creature and the creation around it, a reason which may
perhaps be found in the widely differing destinies of man and his
earthly sphere. The grandest mountain prospect that the eye can
range over is appointed to annihilation. The smallest human interest
that the pure heart can feel is appointed to immortality.
  We had been out nearly three hours, when the carriage again passed
through the gates of Limmeridge House.
  On our way back, I had let the ladies settle for themselves the
first point of view which they were to sketch, under my
instructions, on the afternoon of the next day. When they withdrew
to dress for dinner, and when I was alone again in my little
sitting-room, my spirits seemed to leave me on a sudden. I felt ill at
ease and dissatisfied with myself, I hardly knew why. Perhaps I was
now conscious, for the first time, of having enjoyed our drive too
much in the character of a guest, and too little in the character of a
drawing-master. Perhaps that strange sense of something wanting,
either in Miss Fairlie, or in myself, which had perplexed me when I
was first introduced to her, haunted me still. Anyhow, it was a relief
to my spirits when the dinner-hour called me out of my solitude, and
took me back to the society of the ladies of the house.
  I was struck, on entering the drawing-room, by the curious contrast,
rather in material than in colour, of the dresses which they now wore.
While Mrs. Vesey and Miss Halcombe were richly clad (each in the
manner most becoming to her age), the first in silver-gray, and the
second in that delicate primrose-yellow colour which matches so well
with a dark complexion and black hair, Miss Fairlie was unpretendingly
and almost poorly dressed in plain white, muslin. It was spotlessly
pure; it was beautifully put on; but still it was the sort of dress
which the wife or daughter of a poor man might have worn; and it
made her, so far as externals went, look less affluent in
circumstances than her own governess. At a later period, when I learnt
to know more of Miss Fairlie's character, I discovered that this
curious contrast, on the wrong side, was due to her natural delicacy
of feeling and natural intensity of aversion to the slightest personal
display of her own wealth. Neither Mrs. Vesey nor Miss Halcombe
could ever induce her to let the advantage in dress desert the two
ladies who were poor, to lean to the side of the one lady who was
rich.
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 40}
  When the dinner was over, we returned together to the
drawing-room. Although Mr. Fairlie (emulating the magnificent
condescension of the monarch who had picked up Titian's brush for him)
had instructed his butler to consult my wishes in relation to the wine
that I might prefer after dinner, I was resolute enough to resist
the temptation of sitting in solitary grandeur among bottles of my own
choosing, and sensible enough to ask the ladies' permission to leave
the table with them habitually, on the civilised foreign plan,
during the period of my residence at Limmeridge House.
  The drawing-room, to which we had now withdrawn for the rest of
the evening, was on the ground-floor, and was of the same shape and
size as the breakfast-room. Large glass doors at the lower end
opened on to a terrace, beautifully ornamented along its whole
length with a profusion of flowers. The soft, hazy twilight was just
shading leaf and blossom alike into harmony with its own sober hues,
as we entered the room; and the sweet evening scent of the flowers met
us with its fragrant welcome through the open glass doors. Good Mrs.
Vesey (always the first of the party to sit down) took possession of
an arm-chair in a corner, and dozed off comfortably to sleep. At my
request, Miss Fairlie placed herself at the piano. As I followed her
to a seat near the instrument, I saw Miss Halcombe retire into a
recess of one of the side windows, to proceed with the search
through her mother's letters by the last quiet rays of the evening
light.
  How vividly that peaceful home-picture of the drawing-room comes
back to me while I write! From the place where I sat I could see
Miss Halcombe's graceful figure, half of it in soft light, half in
mysterious shadow, bending intently over the letters in her lap;
while, nearer to me, the fair profile of the player at the piano was
just delicately defined against the faintly deepening background of
the inner wall of the room. Outside, on the terrace, the clustering
flowers and long grasses and creepers waved so gently in the light
evening air, that the sound of their rustling never reached us. The
sky was without a cloud; and the dawning mystery of moonlight began to
tremble already in the region of the eastern heaven. The sense of
peace and seclusion soothed all thought and feeling into a rapt,
unearthly repose; and the balmy quiet that deepened ever with the
deepening light, seemed to hover over us with a gentler influence
still, when there stole upon it from the piano the heavenly tenderness
of the music of Mozart. It was an evening of sights and sounds never
to forget.
  We all sat silent in the places we had chosen- Mrs. Vesey still
sleeping, Miss Fairlie still playing, Miss Halcombe still reading-
till the light failed us. By this time the moon had stolen round to
the terrace, and soft, mysterious rays of light were slanting
already across the lower end of the room. The change from the twilight
obscurity was so beautiful, that we banished the lamps, by common
consent, when the servant brought them in; and kept the large room
unlighted, except by the glimmer of the two candles at the piano.
  For half an hour more, the music still went on. After that, the
beauty of the moonlight view on the terrace tempted Miss Fairlie out
to look at it, and I followed her. When the candles at the piano had
been lighted, Miss Halcombe had changed her place, so as to continue
her examination of the letters by their assistance. We left her, on
a low chair, at one side of the instrument, so absorbed over her
reading that she did not seem to notice when we moved.
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 45}
  We had been out on the terrace together, just in front of the
glass doors, hardly so long as five minutes, I should think; and
Miss Fairlie was, by my advice, just tying her white handkerchief over
her head as a precaution against the night air- when I heard Miss
Halcombe's voice- low, eager, and altered from its natural lively
tone- pronounce my name.
  'Mr. Hartright,' she said, 'will you come here for a minute? I
want to speak to you.'
  I entered the room again immediately. The piano stood about half way
down along the inner wall. On the side of the instrument farthest from
the terrace, Miss Halcombe was sitting with the letters scattered on
her lap, and with one in her hand selected from them, and held close
to the candle. On the side nearest to the terrace there stood a low
ottoman, on which I took my place. In this position, I was not far
from the glass doors; and I could see Miss Fairlie plainly, as she
passed and repassed the opening on to the terrace; walking slowly from
end to end of it in the full radiance of the moon.
  'I want you to listen while I read the concluding passages in this
letter,' said Miss Halcombe. 'Tell me if you think they throw any
light upon your strange adventure on the road to London. The letter is
addressed by my mother to her second husband, Mr. Fairlie; and the
date refers to a period of between eleven and twelve years since. At
that time, Mr. and Mrs. Fairlie, and my half-sister Laura, had been
living for years in this house; and I was away from them, completing
my education at a school in Paris.'
  She looked and spoke earnestly, and, as I thought, a little
uneasily, as well. At the moment when she raised the letter to the
candle before beginning to read it, Miss Fairlie passed us on the
terrace, looked in for a moment, and, seeing that we were engaged,
slowly walked on.
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 50}
  Miss Halcombe began to read, as follows:
-
  '"You will be tired, my dear Philip, of hearing perpetually about my
schools and my scholars. Lay the blame, pray, on the dull uniformity
of life at Limmeridge, and not on me. Besides, this time, I have
something really interesting to tell you about a new scholar.
  '"You know old Mrs. Kempe, at the village shop. Well, after years of
ailing, the doctor has at last given her up, and she is dying
slowly, day by day. Her only living relation, a sister, arrived last
week to take care of her. This sister comes all the way from
Hampshire- her name is Mrs. Catherick. Four days ago Mrs. Catherick
came here to see me, and brought her only child with her, a sweet
little girl about a year older than our darling Laura-"'
-
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 55}
  As the last sentence fell from the reader's lips, Miss Fairlie
passed us on the terrace once more. She was softly singing to
herself one of the melodies which she had been playing earlier in
the evening. Miss Halcombe waited till she had passed out of sight
again; and then went on with the letter:
-
  '"Mrs. Catherick is a decent, well-behaved, respectable woman;
middle aged, and with the remains of having been moderately, only
moderately, nice-looking. There is something in her manner and in
her appearance, however, which I can't make out. She is reserved about
herself to the point of downright secrecy; and there is a look in
her face- I can't describe it- which suggests to me that she has
something on her mind. She is altogether what you would call a walking
mystery. Her errand at Limmeridge House, however, was simple enough.
When she left Hampshire to nurse her sister, Mrs. Kempe, through her
last illness, she had been obliged to bring her daughter with her,
through having no one at home to take care of the little girl. Mrs.
Kempe may die in a week's time, or may linger on for months; and
Mrs. Catherick's object was to ask me to let her daughter, Anne,
have the benefit of attending my school; subject to the condition of
her being removed from it to go home again with her mother, after Mrs.
Kempe's death. I consented at once, and when Laura and I went out
for our walk, we took the little girl (who is just eleven years old)
to the school, that very day."'
-
  Once more, Miss Fairlie's figure, bright and soft in its snowy
muslin dress- her face prettily framed by the white folds of the
handkerchief which she had tied under her chin- passed by us in the
moonlight. Once more, Miss Halcombe waited till she was out of
sight; and then went on:
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 60}
-
  '"I have taken a violent fancy, Philip, to my new scholar, for a
reason which I mean to keep till the last for the sake of surprising
you. Her mother having told me as little about the child as she told
me of herself I was left to discover (which I did on the first day
when we tried her at lessons) that the poor little thing's intellect
is not developed as it ought to be at her age. Seeing this, I had
her up to the house the next day, and privately arranged with the
doctor to come and watch her and question her, and tell me what he
thought. His opinion is that she will grow out of it. But he says
her careful bringing-up at school is a matter of great importance just
now, because her unusual slowness in acquiring ideas implies an
unusual tenacity in keeping them, when they are once received into her
mind. Now, my love, you must not imagine, in your off-hand way, that I
have been attaching myself to an idiot. This poor little Anne
Catherick is a sweet, affectionate, grateful girl; and says the
quaintest, prettiest things (as you shall judge by an instance), in
the most oddly sudden, surprised, half-frightened way. Although she is
dressed very neatly, her clothes show a sad want of taste in colour
and pattern. So I arranged, yesterday, that some of our darling
Laura's old white frocks and white hats should be altered for Anne
Catherick; explaining to her that little girls of her complexion
looked neater and better all in white than in anything else. She
hesitated and seemed puzzled for a minute; then flushed up, and
appeared to understand. Her little hand clasped mine suddenly. She
kissed it, Philip; and said (oh, so earnestly!), 'I will always wear
white as long as I live. It will help me to remember you, ma'am, and
to think that I am pleasing you still, when I go away and see you no
more.' This is only one specimen of the quaint things she says so
prettily. Poor little soul! She shall have a stock of white frocks,
made with good deep tucks, to let out for her as she grows-"'
-
  Miss Halcombe paused, and looked at me across the piano.
  'Did the forlorn woman whom you met in the highroad seem young?
she asked. 'Young enough to be two or three-and-twenty?'
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 65}
  'Yes, Miss Halcombe, as young as that.'
  'And she was strangely dressed, from head to foot, all in white?'
  'All in white.'
  While the answer was passing my lips, Miss Fairlie glided into
view on the terrace, for the third time. Instead of proceeding on
her walk, she stopped, with her back turned towards us; and, leaning
on the balustrade of the terrace, looked down into the garden
beyond. My eyes fixed upon the white gleam of her muslin gown and
head-dress in the moonlight, and a sensation, for which I can find
no name- a sensation that quickened my pulse, and raised a
fluttering at my heart- began to steal over me.
  'All in white?' Miss Halcombe repeated. 'The most important
sentences in the letter, Mr. Hartright, are those at the end, which
I will read to you immediately. But I can't help dwelling a little
upon the coincidence of the white costume of the woman you met, and
the white frocks which produced that strange answer from my mother's
little scholar. The doctor may have been wrong when he discovered
the child's defects of intellect, and predicted that she would "grow
out of them." She may never have grown out of them; and the old
grateful fancy about dressing in white, which was a serious feeling to
the girl, may be a serious feeling to the woman still.'
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 70}
  I said a few words in answer- I hardly know what. All my attention
was concentrated on the white gleam of Miss Fairlie's muslin dress.
  'Listen to the last sentences of the letter,' said Miss Halcombe. 'I
think they will surprise you.'
  As she raised the letter to the light of the candle, Miss Fairlie
turned from the balustrade, looked doubtfully up and down the terrace,
advanced a step towards the glass doors, and then stopped, facing us.
  Meanwhile, Miss Halcombe read me the last sentences to which she had
referred:
-
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 75}
  '"And now, my love, seeing that I am at the end of my paper, now for
the real reason, the surprising reason, for my fondness for little
Anne Catherick. My dear Philip, although she is not half so pretty,
she is nevertheless, by one of those extraordinary caprices of
accidental resemblance which one sometimes sees, the living
likeness, in her hair, her complexion, the colour of her eyes, and the
shape of her face-"'
  I started up from the ottoman, before Miss Halcombe could
pronounce the next words. A thrill of the same feeling which ran
through me when the touch was laid upon my shoulder on the lonely
high-road, chilled me again.
  There stood Miss Fairlie, a white figure, alone in the moonlight; in
her attitude, in the turn of her head, in her complexion, in the shape
of her face, the living image, at that distance and under those
circumstances, of the woman in white! The doubt which had troubled
my mind for hours and hours past, flashed into conviction in an
instant. That 'something wanting' was my own recognition of the
ominous likeness between the fugitive from the asylum and my pupil
at Limmeridge House.
  'You see it!' said Miss Halcombe. She dropped the useless letter,
and her eyes flashed as they met mine. 'You see it now, as my mother
saw it eleven years since!'
  'I see it- more unwillingly than I can say. To associate that
forlorn, friendless, lost woman, even by an accidental likeness
only, with Miss Fairlie, seems like casting a shadow on the future
of the bright creature who stands looking at us now. Let me lose the
impression again, as soon as possible. Call her in, out of the
dreary moonlight- pray call her in!'
                                    {1ST_EPOCH|HARTRIGHT|VIII ^paragraph 80}
  'Mr. Hartright, you surprise me. Whatever women may be, I thought
that men, in the nineteenth century, were above superstition.'
  'Pray call her in!'
  'Hush, hush! She is coming of her own accord. Say nothing in her
presence. Let this discovery of the likeness be kept a secret
between you and me. Come in, Laura; come in, and wake Mrs. Vesey
with the piano. Mr. Hartright is petitioning for some more music,
and he wants it, this time, of the lightest and liveliest kind.'

{1ST_EPOCH|HARTRIGHT|IX
                                  IX
-
  So ended my eventful first day at Limmeridge House.
  Miss Halcombe and I kept our secret. After the discovery of the
likeness no fresh light seemed destined to break over the mystery of
the woman in white. At the first safe opportunity Miss Halcombe
cautiously led her half-sister to speak of their mother, of old times,
and of Anne Catherick. Miss Fairlie's recollections of the little
scholar at Limmeridge were, however, only of the most vague and
general kind. She remembered the likeness between herself and her
mother's favourite pupil, as something which had been supposed to
exist in past times; but she did not refer to the gift of the white
dresses, or to the singular form of words in which the child had
artlessly expressed her gratitude for them. She remembered that Anne
had remained at Limmeridge for a few months only, and had then left it
to go back to her home in Hampshire; but she could not say whether the
mother and daughter had ever returned, or had ever been heard of
afterwards. No further search, on Miss Halcombe's part, through the
few letters of Mrs. Fairlie's writing which she had left unread,
assisted in clearing up the uncertainties still left to perplex us. We
had identified the unhappy woman whom I had met in the night-time,
with Anne Catherick- we had made some advance, at least, towards
connecting the probably defective condition of the poor creature's
intellect with the peculiarity of her being dressed all in white,
and with the continuance, in her maturer years, of her childish
gratitude towards Mrs. Fairlie- and there, so far as we knew at that
time, our discoveries had ended.
-
  The days passed on, the weeks passed on; and the track of the golden
autumn wound its bright way visibly through the green summer of the
trees. Peaceful, fast-flowing, happy time! my story glides by you now,
as swiftly as you once glided by me. Of all the treasures of enjoyment
that you poured so freely into my heart, how much is left me that
has purpose and value enough to be written on this page? Nothing but
the saddest of all confessions that a man can make- the confession
of his own folly.
  The secret which that confession discloses should be told with
little effort, for it has indirectly escaped me already. The poor weak
words which have failed to describe Miss Fairlie, have succeeded in
betraying the sensations she awakened in me. It is so with us all. Our
words are giants when they do us an injury, and dwarfs when they do us
a service.
                                       {1ST_EPOCH|HARTRIGHT|IX ^paragraph 5}
  I loved her.
  Ah! how well I know all the sadness and all the mockery that is
contained in those three words. I can sigh over my mournful confession
with the tenderest woman who reads it and pities me. I can laugh at it
as bitterly as the hardest man who tosses it from him in contempt. I
loved her! Feel for me, or despise me, I confess it with the same
immovable resolution to own the truth.
  Was there no excuse for me? There was some excuse to be found,
surely, in the conditions under which my term of hired service was
passed at Limmeridge House.
  My morning hours succeeded each other calmly in the quiet and
seclusion of my own room. I had just work enough to do, in mounting my
employer's drawings, to keep my hands and eyes pleasurably employed,
while my mind was left free to enjoy the dangerous luxury of its own
unbridled thoughts. A perilous solitude, for it lasted long enough
to enervate, not long enough to fortify me. A perilous solitude, for
it was followed by afternoons and evenings spent, day after day and
week after week, alone in the society of two women, one of whom
possessed all the accomplishments of grace, wit, and high-breeding,
the other all the charms of beauty, gentleness, and simple truth, that
can purify and subdue the heart of man. Not a day passed, in that
dangerous intimacy of teacher and pupil, in which my hand was not
close to Miss Fairlie's; my cheek, as we bent together over her
sketch-book, almost touching hers. The more attentively she watched
every movement of my brush, the more closely I was breathing the
perfume of her hair, and the warm fragrance of her breath. It was part
of my service, to live in the very light of her eyes- at one time to
be bending over her, so close to her bosom as to tremble at the
thought of touching it; at another, to feel her bending over me,
bending so close to see what I was about, that her voice sank low when
she spoke to me, and her ribbons brushed my cheek in the wind before
she could draw them back.
  The evenings which followed the sketching excursions of the
afternoon, varied, rather than checked, these innocent, these
inevitable familiarities. My natural fondness for the music which
she played with such tender feeling, such delicate womanly taste,
and her natural enjoyment of giving me back, by the practice of her
art, the pleasure which I had offered to her by the practice of
mine, only wove another tie which drew us closer and closer to one
another. The accidents of conversation; the simple habits which
regulated even such a little thing as the position of our places at
table; the play of Miss Halcombe's ever-ready raillery, always
directed against my anxiety, as teacher, while it sparkled over her
enthusiasm as pupil; the harmless expression of poor Mrs. Vesey's
drowsy approval which connected Miss Fairlie and me as two model young
people who never disturbed her- every one of these trifles, and many
more, combined to fold us together in the same domestic atmosphere,
and to lead us both insensibly to the same hopeless end.
                                      {1ST_EPOCH|HARTRIGHT|IX ^paragraph 10}
  I should have remembered my position, and have put myself secretly
on my guard. I did so; but not till it was too late. All the
discretion, all the experience, which had availed me with other women,
and secured me against other temptations, failed me with her. It had
been my profession, for years past, to be in this close contact with
young girls of all ages, and of all orders of beauty. I had accepted
the position as part of my calling in life; I had trained myself to
leave all the sympathies natural to my age in my employer's outer
hall, as coolly as I left my umbrella there before I went up-stairs. I
had long since learnt to understand, composedly and as a matter of
course, that my situation in life was considered a guarantee against
any of my female pupils feeling more than the most ordinary interest
in me, and that I was admitted among beautiful and captivating
women, much as a harmless domestic animal is admitted among them. This
guardian experience I had gained early; this guardian experience had
sternly and strictly guided me straight along my own poor narrow path,
without once letting me stray aside, to the right hand or to the left.
And now, I and my trusty talisman were parted for the first time. Yes,
my hardly-earned self-control was as completely lost to me as if I had
never possessed it; lost to me, as it is lost every day to other
men, in other critical situations, where women are concerned. I
know, now, that I should have questioned myself from the first. I
should have asked why any room in the house was better than home to me
when she entered it, and barren as a desert when she went out again-
why I always noticed and remembered the little changes in her dress
that I had noticed and remembered in no other woman's before- why I
saw her, heard her, and touched her (when we shook hands at night
and morning) as I had never seen, heard, and touched any other woman
in my life? I should have looked into my own heart, and found this new
growth springing up there, and plucked it out while it was young.
Why was this easiest, simplest work of self-culture always too much
for me? The explanation has been written already in the three words
that were many enough, and plain enough, for my confession. I loved
her.
  The days passed, the weeks passed; it was approaching the third
month of my stay in Cumberland. The delicious monotony of life in
our calm seclusion, flowed on with me like a smooth stream with a
swimmer who glides down the current. All memory of the past, all
thought of the future, all sense of the falseness and hopelessness
of my own position, lay hushed within me into deceitful rest. Lulled
by the Syren-song that my own heart sung to me, with eyes shut to
all sight, and ears closed to all sound of danger, I drifted nearer
and nearer to the fatal rocks. The warning that aroused me at last,
and startled me into sudden, self-accusing consciousness of my own
weakness, was the plainest, the truest, the kindest of all warnings,
for it came silently from her.
  We had parted one night, as usual. No word had fallen from my
lips, at that time or at any time before it, that could betray me or
startle her into sudden knowledge of the truth. But, when we met again
in the morning, a change had come over her- a change that told me all.
  I shrank then- I shrink still- from invading the innermost sanctuary
of her heart, and laying it open to others, as I have laid open my
own. Let it be enough to say that the time when she first surprised my
secret, was, I firmly believe, the time when she first surprised her
own, and the time, also, when she changed towards me in the interval
of one night. Her nature, too truthful to deceive others, was too
noble to deceive itself. When the doubt that I had hushed asleep,
first laid its weary weight on her heart, the true face owned all, and
said, in its own frank simple language- I am sorry for him; I am sorry
for myself.
  It said this, and more, which I could not then interpret. I
understood but too well the change in her manner, to greater
kindness and quicker readiness in interpreting all my wishes, before
others- to constraint and sadness, and nervous anxiety to absorb
herself in the first occupation she could seize on, whenever we
happened to be left together alone. I understood why the sweet
sensitive lips smiled so rarely and so restrainedly now; and why the
clear blue eyes looked at me, sometimes with the pity of an angel,
sometimes with the innocent perplexity of a child. But the change
meant more than this. There was a coldness in her hand, there was an
unnatural immobility in her face, there was in all her movements the
mute expression of constant fear and clinging self-reproach. The
sensations that I could trace to herself and to me, the unacknowledged
sensations that we were feeling in common, were not these. There
were certain elements of the change in her that were still secretly
drawing us together, and others that were, as secretly, beginning to
drive us apart.
                                      {1ST_EPOCH|HARTRIGHT|IX ^paragraph 15}
  In my doubt and perplexity, in my vague suspicion of something
hidden which I was left to find by my own unaided efforts, I
examined Miss Halcombe's looks and manner for enlightenment. Living in
such intimacy as ours, no serious alteration could take place in any
one of us which did not sympathetically affect the others. The
change in Miss Fairlie was reflected in her half-sister. Although
not a word escaped Miss Halcombe which hinted at an altered state of
feeling towards myself, her penetrating eyes had contracted a new
habit of always watching me. Sometimes, the look was like suppressed
anger; sometimes, like suppressed dread; sometimes, like neither- like
nothing, in short, which I could understand. A week elapsed, leaving
us all three still in this position of secret constraint towards one
another. My situation, aggravated by the sense of my own miserable
weakness and forgetfulness of myself, now too late awakened in me, was
becoming intolerable. I felt that I must cast off the oppression under
which I was living, at once and for ever- yet how to act for the best,
or what to say first, was more than I could tell.
  From this position of helplessness and humiliation, I was rescued by
Miss Halcombe. Her lips told me the bitter, the necessary, the
unexpected truth; her hearty kindness sustained me under the shock
of hearing it; her sense and courage turned to its right use an
event which threatened the worst that could happen, to me and to
others, in Limmeridge House.

{1ST_EPOCH|HARTRIGHT|X
                                  X
-
  It was on a Thursday in the week, and nearly at the end of the third
month of my sojourn in Cumberland.
  In the morning, when I went down into the breakfast-room, at the
usual hour, Miss Halcombe, for the first time since I had known her,
was absent from her customary place at the table.
  Miss Fairlie was out on the lawn. She bowed to me, but did not
come in. Not a word had dropped from my lips, or from hers, that could
unsettle either of us- and yet the same unacknowledged sense of
embarrassment made us shrink alike from meeting one another alone. She
waited on the lawn; and I waited in the breakfast-room, till Mrs.
Vesey or Miss Halcombe came in. How quickly I should have joined
her; how readily we should have shaken hands, and glided into our
customary talk, only a fortnight ago.
  In a few minutes, Miss Halcombe entered. She had a preoccupied look,
and she made her apologies for being late, rather absently.
  'I have been detained,' she said, 'by a consultation with Mr.
Fairlie on a domestic matter which he wished to speak to me about.'
                                        {1ST_EPOCH|HARTRIGHT|X ^paragraph 5}
  Miss Fairlie came in from the garden; and the usual morning greeting
passed between us. Her hand struck colder to mine than ever. She did
not look at me; and she was very pale. Even Mrs. Vesey noticed it,
when she entered the room a moment after.
  'I suppose it is the change in the wind,' said the old lady. The
winter is coming- ah, my love, the winter is coming soon!'
  In her heart and in mine it had come already!
  Our morning meal- once so fun of pleasant good-humoured discussion
of the plans for the day- was short and silent. Miss Fairlie seemed to
feel the oppression of the long pauses in the conversation; and looked
appealingly to her sister to fill them up. Miss Halcombe, after once
or twice hesitating and checking herself, in a most uncharacteristic
manner, spoke at last.
  'I have seen your uncle this morning, Laura,' she said. 'He thinks
the purple room is the one that ought to be got ready; and he confirms
what I told you. Monday is the day- not Tuesday.'
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 10}
  While these words were being spoken, Miss Fairlie looked down at the
table beneath her. Her fingers moved nervously among the crumbs that
were scattered on the cloth. The paleness on her cheeks spread to
her lips, and the lips themselves trembled visibly. I was not the only
person present who noticed this. Miss Halcombe saw it, too; and at
once set us the example of rising from table.
  Mrs. Vesey and Miss Fairlie left the room together. The kind
sorrowful blue eyes looked at me, for a moment, with the prescient
sadness of a coming and a long farewell. I felt the answering pang
in my own heart- the pang that told me I must lose her soon, and
love her the more unchangeably for the loss.
  I turned towards the garden, when the door had closed on her. Miss
Halcombe was standing with her hat in her hand, and her shawl over her
arm, by the large window that led out to the lawn, and was looking
at me attentively.
  'Have you any leisure time to spare,' she asked, 'before you begin
to work in your own room?'
  'Certainly, Miss Halcombe. I have always time at your service.'
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 15}
  'I want to say a word to you in private, Mr. Hartright. Get your
hat, and come out into the garden. We are not likely to be disturbed
there at this hour in the morning.'
  As we stepped out on to the lawn, one of the under-gardeners- a mere
lad- passed us on his way to the house, with a letter in his hand.
Miss Halcombe stopped him.
  'Is that letter for me?' she asked.
  'Nay, miss; it's just said to be for Miss Fairlie,' answered the
lad, holding out the letter as he spoke.
  Miss Halcombe took it from him, and looked at the address.
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 20}
  'A strange handwriting,' she said to herself. 'Who can Laura's
correspondent be? Where did you get this?' she continued, addressing
the gardener.
  'Well, miss,' said the lad, 'I just got it from a woman.'
  'What woman?'
  'A woman well stricken in age.'
  'Oh, an old woman. Any one you knew?'
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 25}
  'I canna' tak' it on mysel' to say that she was other than a
stranger to me.'
  'Which way did she go?'
  'That gate,' said the under-gardener, turning with great
deliberation towards the south, and embracing the whole of that part
of England with one comprehensive sweep of his arm.
  'Curious,' said Miss Halcombe; I suppose it must be a
begging-letter. 'There,' she added, handing the letter back to the
lad, 'take it to the house, and give it to one of the servants. And
now, Mr. Hartright, if you have no objection, let us walk this way.'
  She led me across the lawn, along the same path by which I had
followed her on the day after my arrival at Limmeridge. At the
little summer-house in which Laura Fairlie and I had first seen each
other, she stopped, and broke the silence which she had steadily
maintained while we were walking together.
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 30}
  'What I have to say to you, I can say here.'
  With those words, she entered the summer-house, took one of the
chairs at the little round table inside, and signed to me to take
the other. I suspected what was coming when she spoke to me in the
breakfast-room; I felt certain of it now.
  'Mr. Hartright,' she said, 'I am going to begin by making a frank
avowal to you. I am going to say- without phrase-making, which I
detest; or paying compliments, which I heartily despise- that I have
come, in the course of your residence with us, to feel a strong
friendly regard for you. I was predisposed in your favour when you
first told me of your conduct towards that unhappy woman whom you
met under such remarkable circumstances. Your management of the affair
might not have been prudent; but it showed the self-control, the
delicacy, and the compassion of a man who was naturally a gentleman.
It made me expect good things from you; and you have not
disappointed my expectations.'
  She paused- but held up her hand at the same time, as a sign that
she awaited no answer from me before she proceeded. When I entered the
summer-house, no thought was in me of the woman in white. But, now,
Miss Halcombe's own words had put the memory of my adventure back in
my mind. It remained there throughout the interview- remained, and not
without a result.
  'As your friend,' she proceeded, 'I am going to tell you, at once,
in my own plain, blunt, downright language, that I have discovered
your secret- without help, or hint, mind, from any one else. Mr.
Hartright, you have thoughtlessly allowed yourself to form an
attachment- a serious and devoted attachment, I am afraid- to my
sister, Laura. I don't put you to the pain of confessing it, in so
many words, because I see and know that you are too honest to deny it.
I don't even blame you- I pity you for opening your heart to a
hopeless affection. You have not attempted to take any underhand
advantage- you have not spoken to my sister in secret. You are
guilty of weakness and want of attention to your own best interests,
but of nothing worse. If you had acted, in any single respect, less
delicately and less modestly, I should have told you to leave the
house, without an instant's notice, or an instant's consultation of
anybody. As it is, I blame the misfortune of your years and your
position- I don't blame you. Shake hands- I have given you pain; I
am going to give you more; but there is no help for it- shake hands
with your friend, Marian Halcombe, first.'
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 35}
  The sudden kindness- the warm, high-minded, fearless sympathy
which met me on such mercifully-equal terms, which appealed with
such delicate and generous abruptness straight to my heart, my honour,
and my courage, overcame me in an instant. I tried to look at her,
when she took my hand, but my eyes were dim. I tried to thank her, but
my voice failed me.
  'Listen to me,' she said, considerately avoiding all notice of my
loss of self-control. 'Listen to me, and let us get it over at once.
It is a real true relief to me that I am not obliged, in what I have
now to say, to enter into the question- the hard and cruel question as
I think it- of social inequalities. Circumstances which will try you
to the quick, spare me the ungracious necessity of paining a man who
has lived in friendly intimacy under the same roof with myself by
any humiliating reference to matters of rank and station. You must
leave Limmeridge House, Mr. Hartright, before more harm is done. It is
my duty to say that to you; and it would be equally my duty to say it,
under precisely the same serious necessity, if you were the
representative of the oldest and wealthiest family in England. You
must leave us, not because you are a teacher of drawing-'
  She waited a moment; turned her face full on me; and, reaching
across the table, laid her hand firmly on my arm.
  'Not because you are a teacher of drawing,' she repeated, 'but
because Laura Fairlie is engaged to be married.'
  The last word went like a bullet to my heart. My arm lost all
sensation of the hand that grasped it. I never moved and never
spoke. The sharp autumn breeze that scattered the dead leaves at our
feet, came as cold to me, on a sudden, as if my own mad hopes were
dead leaves, too, whirled away by the wind like the rest. Hopes!
Betrothed, or not betrothed, she was equally far from me. Would
other men have remembered that in my place? Not if they had loved
her as I did.
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 40}
  The pang passed; and nothing but the dull numbing pain of it
remained. I felt Miss Halcombe's hand again, tightening its hold on my
arm- I raised my head, and looked at her. Her large black eyes were
rooted on me, watching the white change on my face, which I felt,
and which she saw.
  'Crush it!' she said. 'Here, where you first saw her, crush it!
Don't shrink under it like a woman. Tear it out; trample it under foot
like a man!'
  The suppressed vehemence with which she spoke; the strength which
her will- concentrated in the look she fixed on me, and in the hold on
my arm that she had not yet relinquished- communicated to mine,
steadied me. We both waited for a minute, in silence. At the end of
that time, I had justified her generous faith in my manhood; I had,
outwardly at least, recovered my self-control.
  'Are you yourself again?'
  'Enough myself, Miss Halcombe, to ask your pardon and hers. Enough
myself, to be guided by your advice, and to prove my gratitude in that
way, if I can prove it in no other.'
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 45}
  'You have proved it already,' she answered, 'by those words. Mr.
Hartright, concealment is at an end between us. I cannot affect to
hide from you, what my sister has unconsciously shown to me. You
must leave us for her sake, as well as for your own. Your presence
here, your necessary intimacy with us, harmless as it has been, God
knows, in all other respects, has unsteadied her and made her
wretched. I, who love her better than my own life- I, who have
learnt to believe in that pure, noble innocent nature as I believe
in my religion- know but too well the secret misery of self-reproach
that she has been suffering, since the first shadow of a feeling
disloyal to her marriage engagement entered her heart in spite of her.
I don't say- it would be useless to attempt to say it, after what
has happened- that her engagement has ever had a strong hold on her
affections. It is an engagement of honour, not of love- her father
sanctioned it on his death-bed, two years since - she herself
neither welcomed it, nor shrank from it- she was content to make it.
Till you came here, she was in the position of hundreds of other
women, who marry men without being greatly attracted to them or
greatly repelled by them, and who learn to love them (when they
don't learn to hate!) after marriage, instead of before. I hope more
earnestly than words can say- and you should have the self-sacrificing
courage to hope too- that the new thoughts and feelings which have
disturbed the old calmness and the old content, have not taken root
too deeply to be ever removed. Your absence (if I had less belief in
your honour, and your courage, and your sense, I should not trust to
them as I am trusting now)- your absence will help my efforts; and
time will help us all three. It is something to know that my first
confidence in you was not all misplaced. It is something to know
that you will not be less honest, less manly, less considerate towards
the pupil whose relation to yourself you have had the misfortune to
forget, than towards the stranger and the outcast whose appeal to
you was not made in vain.'
  Again the chance reference to the woman in white! Was there no
possibility of speaking of Miss Fairlie and of me without raising
the memory of Anne Catherick, and setting her between us like a
fatality that it was hopeless to avoid?
  'Tell me what apology I can make to Mr. Fairlie for breaking my
engagement,' I said. 'Tell me when to go after that apology is
accepted. I promise implicit obedience to you and to your advice.'
  'Time is, every way, of importance,' she answered. 'You heard me
refer this morning to Monday next, and to the necessity of setting the
purple room in order. The visitor whom we expect on Monday-'
  I could not wait for her to be more explicit. Knowing what I knew
now, the memory of Miss Fairlie's look and manner at the
breakfast-table told me that the expected visitor at Limmeridge
House was her future husband. I tried to force it back; but
something rose within me at that moment stronger than my own will; and
I interrupted Miss Halcombe.
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 50}
  'Let me go to-day,' I said, bitterly. 'The sooner the better.'
  'No; not to-day,' she replied. 'The only reason you can assign to
Mr. Fairlie for your departure, before the end of your engagement,
must be that an unforeseen necessity compels you to ask his permission
to return at once to London. You must wait till to-morrow to tell
him that, at the time when the post comes in, because he will then
understand the sudden change in your plans, by associating it with the
arrival of a letter from London. It is miserable and sickening to
descend to deceit, even of the most harmless kind- but I know Mr.
Fairlie, and if you once excite his suspicions that you are trifling
with him, he will refuse to release you. Speak to him on Friday
morning; occupy yourself afterwards (for the sake of your own
interests with your employer), in leaving your unfinished work in as
little confusion as possible; and quit this place on Saturday. It will
be time enough, then, Mr. Hartright, for you, and for all of us.'
  Before I could assure her that she might depend on my acting in
the strictest accordance with her wishes, we were both startled by
advancing footsteps in the shrubbery. Some one was coming from the
house to seek for us! I felt the blood rush into my cheeks, and then
leave them again. Could the third person who was fast approaching
us, at such a time and under such circumstances, be Miss Fairlie?
  It was a relief- so sadly, so hopelessly was my position towards her
changed already- it was absolutely a relief to me, when the person who
had disturbed us appeared at the entrance of the summer-house, and
proved to be only Miss Fairlie's maid.
  'Could I speak to you for a moment, miss?' said the girl, in
rather a flurried, unsettled manner.
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 55}
  Miss Halcombe descended the steps into the shrubbery, and walked
aside a few paces with the maid.
  Left by myself, my mind reverted, with a sense of forlorn
wretchedness which it is not in any words that I can find to describe,
to my approaching return to the solitude and the despair of my
lonely London home. Thoughts of my kind old mother, and of my
sister, who had rejoiced with her so innocently over my prospects in
Cumberland- thoughts whose long banishment from my heart it was now my
shame and my reproach to realise for the first time- came back to me
with the loving mournfulness of old, neglected friends. My mother
and my sister, what would they feel when I returned to them from my
broken engagement, with the confession of my miserable secret- they
who had parted from me so hopefully on that last happy night in the
Hampstead cottage!
  Anne Catherick again! Even the memory of the farewell evening with
my mother and my sister could not return to me now, unconnected with
that other memory of the moonlight walk back to London. What did it
mean? Were that woman and I to meet once more? It was possible, at the
least. Did she know that I lived in London? Yes; I had told her so,
either before or after that strange question of hers, when she had
asked me so distrustfully if I knew many men of the rank of Baronet.
Either before or after- my mind was not calm enough, then, to remember
which.
  A few minutes elapsed before Miss Halcombe dismissed the maid and
came back to me. She, too, looked flurried and unsettled, now.
  'We have arranged all that is necessary, Mr. Hartright,' she said.
'We have understood each other, as friends should; and we may go
back at once to the house. To tell you the truth, I am uneasy about
Laura. She has sent to say she wants to see me directly; and the
maid reports that her mistress is apparently very much agitated by a
letter that she has received this morning- the same letter, no
doubt, which I sent on to the house before we came here.'
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 60}
  We retraced our steps together hastily along the shrubbery path.
Although Miss Halcombe had ended all that she thought it necessary
to say, on her side, I had not ended all that I wanted to say on mine.
From the moment when I had discovered that the expected visitor at
Limmeridge was Miss Fairlie's future husband, I had felt a bitter
curiosity, a burning envious eagerness, to know who he was. It was
possible that a future opportunity of putting the question might not
easily offer; so I risked asking it on our way back to the house.
  'Now that you are kind enough to tell me we have understood each
other, Miss Halcombe,' I said; 'now that you are sure of my
gratitude for your forbearance and my obedience to your wishes, may
I venture to ask who'- (I hesitated; I had forced myself to think of
him, but it was harder still to speak of him, as her promised
husband)- 'who the gentleman engaged to Miss Fairlie, is?'
  Her mind was evidently occupied with the message she had received
from her sister. She answered, in a hasty, absent way:
  'A gentleman of large property, in Hampshire.'
  Hampshire! Anne Catherick's native place. Again, and yet again,
the woman in white. There was a fatality in it.
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 65}
  'And his name?' I said, as quietly and indifferently as I could.
  'Sir Percival Glyde.'
  Sir- Sir Percival! Anne Catherick's question- that suspicious
question about the men of the rank of Baronet whom I might happen to
know- had hardly been dismissed from my mind by Miss Halcombe's return
to me in the summer-house, before it was recalled again by her own
answer. I stopped suddenly, and looked at her.
  'Sir Percival Glyde,' she repeated, imagining that I had not heard
her former reply.
  'Knight or Baronet?' I asked with an agitation that I could hide
no longer.
                                       {1ST_EPOCH|HARTRIGHT|X ^paragraph 70}
  She paused for a moment, and then answered, rather coldly:
  'Baronet, of course.'

{1ST_EPOCH|HARTRIGHT|XI
                                  XI
-
  Not a word more was said, on either side, as we walked back to the
house. Miss Halcombe hastened immediately to her sister's room; and
I withdrew to my studio to set in order all of Mr. Fairlie's
drawings that I had not yet mounted and restored before I resigned
them to the care of other hands. Thoughts that I had hitherto
restrained, thoughts that made my position harder than ever to endure,
crowded on me now that I was alone.
  She was engaged to be married; and her future husband was Sir
Percival Glyde. A man of the rank of baronet, and the owner of
property in Hampshire.
  There were hundreds of baronets in England, and dozens of landowners
in Hampshire. judging by the ordinary rules of evidence, I had not the
shadow of a reason, thus far, for connecting Sir Percival Glyde with
the suspicious words of inquiry that had been spoken to me by the
woman in white. And yet, I did connect him with them. Was it because
he had now become associated in my mind with Miss Fairlie; Miss
Fairlie being, in her turn, associated with Anne Catherick, since
the night when I had discovered the ominous likeness between them? Had
the events of the morning so unnerved me already that I was at the
mercy of any delusion which common chances and common coincidences
might suggest to my imagination? Impossible to say. I could only
feel that what had passed between Miss Halcombe and myself, on our way
from the summer-house, had affected me very strangely. The
foreboding of some undiscoverable danger lying hid from us all in
the darkness of the future, was strong on me. The doubt whether I
was not linked already to a chain of events which even my
approaching departure from Cumberland would be powerless to snap
asunder- the doubt whether we any of us saw the end as the end would
really be- gathered more and more darkly over my mind. Poignant as
it was, the sense of suffering caused by the miserable end of my
brief, presumptuous love, seemed to be blunted and deadened by the
still stronger sense of something obscurely impending, something
invisibly threatening, that Time was holding over our heads.
  I had been engaged with the drawings little more than half an
hour, when there was a knock at the door. It opened, on my
answering; and, to my surprise, Miss Halcombe entered the room.
  Her manner was angry and agitated. She caught up a chair for herself
before I could give her one; and sat down in it, close at my side.
                                       {1ST_EPOCH|HARTRIGHT|XI ^paragraph 5}
  'Mr. Hartright,' she said, 'I had hoped that all painful subjects of
conversation were exhausted between us, for to-day at least. But it is
not to be so. There is some underhand villainy at work to frighten
my sister about her approaching marriage. You saw me send the gardener
on to the house, with a letter addressed, in a strange handwriting, to
Miss Fairlie?'
  'Certainly.'
  'The letter is an anonymous letter- a vile attempt to injure Sir
Percival Glyde in my sister's estimation. It has so agitated and
alarmed her that I have had the greatest possible difficulty in
composing her spirits sufficiently to allow me to leave her room and
come here. I know this is a family matter on which I ought not to
consult you, and in which you can feel no concern or interest-'
  'I beg your pardon, Miss Halcombe. I feel the strongest, possible
concern and interest in anything that affects Miss Fairlie's happiness
or yours.'
  'I am glad to hear you say so. You are the only person in the house,
or out of it, who can advise me. Mr. Fairlie, in his state of health
and with his horror of difficulties and mysteries of all kinds, is not
to be thought of. The clergyman is a good, weak man, who knows nothing
out of the routine of his duties; and our neighbors are just the
sort of comfortable, jog-trot acquaintances whom one cannot disturb in
times of trouble and danger. What I want to know is this: ought I,
at once, to take such steps as I can to discover the writer of the
letter? or ought I to wait, and apply to Mr. Fairlie's legal adviser
to-morrow? It is a question- perhaps a very important one- of
gaining or losing a day. Tell me what you think, Mr. Hartright. If
necessity had not already obliged me to take you into my confidence
under very delicate circumstances, even my helpless situation would,
perhaps, be no excuse for me. But, as things are, I cannot surely be
wrong, after all that has passed between us, in forgetting that you
are a friend of only three months' standing.'
                                      {1ST_EPOCH|HARTRIGHT|XI ^paragraph 10}
  She gave me the letter. It began abruptly, without any preliminary
form of address, as follows:
-
  'Do you believe in dreams? I hope, for your own sake, that you do.
See what Scripture says about dreams and their fulfilment (Genesis xl.
8, xli. 25; Daniel iv. 18-25); and take the warning I send you
before it is too late.
  'Last night, I dreamed about you, Miss Fairlie. I dreamed that I was
standing inside the communion rails of a church; I on one side of
the altar table, and the clergyman, with his surplice and his
prayer-book, on the other.
  'After a time, there walked towards us, down the aisle of the
church, a man and a woman, coming to be married. You were the woman.
You looked so pretty and innocent in your beautiful white silk
dress, and your long white lace veil, that my heart felt for you and
the tears came into my eyes.
                                      {1ST_EPOCH|HARTRIGHT|XI ^paragraph 15}
  'They were tears of pity, young lady, that heaven blesses; and,
instead of falling from my eyes like the every-day tears that we all
of us shed, they turned into two rays of light which slanted nearer
and nearer to the man standing at the altar with you, till they
touched his breast. The two rays sprang in arches like two rainbows,
between me and him. I looked along them; and I saw down into his
inmost heart.
  'The outside of the man you were marrying was fair enough to see. He
was neither tall, nor short- he was a little below the middle size.
A light, active, high-spirited man- about five-and-forty years old, to
look at. He had a pale face, and was bald over the forehead, but had
dark hair on the rest of his head. His beard was shaven on his chin,
but was let to grow, of a fine rich brown, on his cheeks and his upper
lip. His eyes were brown too, and very bright; his nose straight and
handsome and delicate enough to have done for a woman's. His hands the
same. He was troubled from time to time with a dry hacking cough;
and when he put up his white right hand to his mouth, he showed the
red scar of an old wound across the back of it. Have I dreamt of the
right man? You know best, Miss Fairlie; and you can say if I was
deceived or not. Read next, what I saw beneath the outside- I
entreat you, read, and profit.
  'I looked along the two rays of light; and I saw down into his
inmost heart. It was black as night; and on it were written in red
flaming letters which are the handwriting of the fallen angel:
"Without pity and without remorse. He has strewn with misery the paths
of others, and he will live to strew with misery the path of this
woman by his side." I read that; and then the rays of light shifted
and pointed over his shoulder; and there, behind him, stood a fiend,
laughing. And the rays of light shifted once more, and pointed over
your shoulder; and there, behind you, stood an angel weeping. And
the rays of light shifted for the third time, and pointed straight
between you and that man. They widened and widened, thrusting you both
asunder, one from the other. And the clergyman looked for the
marriage-service in vain; it was gone out of the book, and he shut
up the leaves, and put it from him in despair. And I woke with my eyes
full of tears and my heart beating- for I believe in dreams.
  'Believe, too, Miss Fairlie- I beg of you, for your own sake,
believe as I do. Joseph and Daniel, and others in Scripture,
believed in dreams. Inquire into the past life of that man with the
scar on his hand, before you say the words that make you his miserable
wife. I don't give you this warning on my account, but on yours. I
have an interest in your well-being that will live as long as I draw
breath. Your mother's daughter has a tender place in my heart- for
your mother was my first, my best, my only friend.'
-
                                      {1ST_EPOCH|HARTRIGHT|XI ^paragraph 20}
  There, the extraordinary letter ended, without signature of any
sort.
  The handwriting afforded no prospect of a clue. It was traced on
ruled lines, in the cramped, conventional, copybook character,
technically termed 'small hand.' It was feeble and faint, and
defaced by blots, but had otherwise nothing to distinguish it.
  'That is not an illiterate letter,' said Miss Halcombe, and, at
the same time, it is surely too incoherent to be the letter of an
educated person in the higher ranks of life. The reference to the
bridal dress and veil, and other little expressions, seem to point
to it as the production of some woman. What do you think, Mr.
Hartright?'
  'I think so too. It seems to me to be not only the letter of a
woman, but of a woman whose mind must be-'
  'Deranged?' suggested Miss Halcombe. 'It struck me in that light,
too.'
                                      {1ST_EPOCH|HARTRIGHT|XI ^paragraph 25}
  I did not answer. While I was speaking, my eyes rested on the last
sentence of the letter: 'Your mother's daughter has a tender place
in my heart- for your mother was my first, my best, my only friend.'
Those words and the doubt which had just escaped me as to the sanity
of the writer of the letter, acting together on my mind, suggested
an idea, which I was literally afraid to express openly, or even to
encourage secretly. I began to doubt whether my own faculties were not
in danger of losing their balance. It seemed almost like a monomania
to be tracing back everything strange that happened, everything
unexpected that was said, always to the same hidden source and the
same sinister influence. I resolved, this time, in defence of my own
courage, and my own sense, to come to no decision that plain fact
did not warrant, and to turn my back resolutely on everything that
tempted me in the shape of surmise.
  'If we have any chance of tracing the person who has written
this,' I said, returning the letter to Miss Halcombe, 'there can be no
harm in seizing our opportunity the moment it offers. I think we ought
to speak to the gardener again about the elderly woman who gave him
the letter, and then to continue our inquiries in the village. But
first let me ask a question. You mentioned just now the alternative of
consulting Mr. Fairlie's legal adviser to-morrow. Is there no
possibility of communicating with him earlier? Why not to-day?'
  'I can only explain,' replied Miss Halcombe, 'by entering into
certain particulars, connected with my sister's marriage engagement,
which I did not think it necessary or desirable to mention to you this
morning. One of Sir Percival Glyde's objects in coming here, on
Monday, is to fix the period of his marriage, which has hitherto
been left quite unsettled. He is anxious that the event should take
place before the end of the year.'
  'Does Miss Fairlie know of that wish?' I asked, eagerly.
  'She has no suspicion of it; and, after what has happened, I shall
not take the responsibility upon myself of enlightening her. Sir
Percival has only mentioned his views to Mr. Fairlie, who has told
me himself that he is ready and anxious, as Laura's guardian, to
forward them. He has written to London, to the family solicitor, Mr.
Gilmore. Mr. Gilmore happens to be away in Glasgow on business; and he
has replied by proposing to stop at Limmeridge House, on his way
back to town. He will arrive to-morrow, and will stay with us a few
days, so as to allow Sir Percival time to plead his own cause. If he
succeeds, Mr. Gilmore will then return to London, taking with him
his instructions for my sister's marriage-settlement. You understand
now, Mr. Hartright, why I speak of waiting to take legal advice
until to-morrow? Mr. Gilmore is the old and tried friend of two
generations of Fairlie's; and we can trust him, as we could trust no
one else.'
                                      {1ST_EPOCH|HARTRIGHT|XI ^paragraph 30}
  The marriage-settlement! The mere hearing of those two words stung
me with a jealous despair that was poison to my higher and better
instincts. I began to think- it is hard to confess this, but I must
suppress nothing from beginning to end of the terrible story that I
now stand committed to reveal- I began to think, with a hateful
eagerness of hope, of the vague charges against Sir Percival Glyde
which the anonymous letter contained. What if those wild accusations
rested on a foundation of truth? What if their truth could be proved
before the fatal words of consent were spoken, and the
marriage-settlement was drawn? I have tried to think, since, that
the feeling which then animated me began and ended in pure devotion to
Miss Fairlie's interests. But I have never succeeded in deceiving
myself into believing it; and I must not now attempt to deceive
others. The feeling began and ended in reckless, vindictive,
hopeless hatred of the man who was to marry her.
  'If we are to find out anything,' I said, speaking under the new
influence which was now directing me, we had better not let another
minute slip by us unemployed. I can only suggest, once more, the
propriety of questioning the gardener a second time, and of
inquiring in the village immediately afterwards.
  'I think I may be of help to you in both cases,' said Miss Halcombe,
rising. 'Let us go, Mr. Hartright, at once, and do the best we can
together.'
  I had the door in my hand to open it for her- but I stopped, on a
sudden, to ask an important question before we set forth.
  'One of the paragraphs of the anonymous letter,' I said, 'contains
some sentences of minute personal description. Sir Percival Glyde's
name is not mentioned, I know- but does that description at all
resemble him?'
                                      {1ST_EPOCH|HARTRIGHT|XI ^paragraph 35}
  'Accurately; even in stating his age to be forty-five-'
  Forty-five; and she was not yet twenty-one! Men of his age married
wives of her age every day: and experience had shown those marriages
to be often the happiest ones. I knew that- and yet even the mention
of his age, when I contrasted it with hers, added to my blind hatred
and distrust of him.
  'Accurately,' Miss Halcombe continued, 'even to the scar on his
right hand, which is the scar of a wound that he received years
since when he was travelling in Italy. There can be no doubt that
every peculiarity of his personal appearance is thoroughly well
known to the writer of the letter.'
  'Even a cough that he is troubled with is mentioned, if I remember
right?'
  'Yes, and mentioned correctly. He treats it lightly himself,
though it sometimes makes his friends anxious about him.'
                                      {1ST_EPOCH|HARTRIGHT|XI ^paragraph 40}
  'I suppose no whispers have ever been heard against his character?'
  'Mr. Hartright! I hope you are not unjust enough to let that
infamous letter influence you?'
  I felt the blood rush into my cheeks, for I knew that it had
influenced me.
  'I hope not,' I answered, confusedly. 'Perhaps I had no right to ask
the question.'
  'I am not sorry you asked it,' she said, 'for it enables me to do
justice to Sir Percival's reputation. Not a whisper, Mr. Hartright,
has ever reached me, or my family, against him. He has fought
successfully two contested elections; and has come out of the ordeal
unscathed. A man who can do that, in England, is a man whose character
is established.'
                                      {1ST_EPOCH|HARTRIGHT|XI ^paragraph 45}
  I opened the door for her in silence, and followed her out. She
had not convinced me. If the recording angel had come down from heaven
to confirm her, and had opened his book to my mortal eyes, the
recording angel would not have convinced me.
  We found the gardener at work as usual. No amount of questioning
could extract a single answer of any importance from the lad's
impenetrable stupidity. The woman who had given him the letter was
an elderly woman; she had not spoken a word to him; and she had gone
away towards the south in a great hurry. That was all the gardener
could tell us.
  The village lay southward of the house. So to the village we went
next.

{1ST_EPOCH|HARTRIGHT|XII
                                 XII
-
  Our inquiries at Limmeridge were patiently pursued in all
directions, and among all sorts and conditions of people. But
nothing came of them. Three of the villagers did certainly assure us
that they had seen the woman; but as they were quite unable to
describe her, and quite incapable of agreeing about the exact
direction in which she was proceeding when they last saw her, these
three bright exceptions to the general rule of total ignorance
afforded no more real assistance to us than the mass of their
unhelpful and unobservant neighbours.
  The course of our useless investigations brought us, in time, to the
end of the village at which the schools established by Mrs. Fairlie
were situated. As we passed the side of the building appropriated to
the use of the boys, I suggested the propriety of making a last
inquiry of the schoolmaster, whom we might presume to be, in virtue of
his office, the most intelligent man in the place.
  'I am afraid the schoolmaster must have been occupied with his
scholars,' said Miss Halcombe, 'just at the time when the woman passed
through the village, and returned again. However we can but try.'
  We entered the playground enclosure, and walked by the schoolroom
window, to get round to the door, which was situated at the back of
the building. I stopped for a moment at the window and looked in.
  The schoolmaster was sitting at his high desk, with his back to
me, apparently haranguing the pupils, who were all gathered together
in front of him, with one exception. The one exception was a sturdy
white-headed boy, standing apart from all the rest on a stool in a
corner- a forlorn little Crusoe, isolated in his own desert island
of solitary penal disgrace.
                                      {1ST_EPOCH|HARTRIGHT|XII ^paragraph 5}
  The door, when we got round to it, was ajar; and the
schoolmaster's voice reached us plainly, as we both stopped for a
minute under the porch.
  'Now, boys,' said the voice, 'mind what I tell you. If I hear
another word spoken about ghosts in this school, it will be the
worst for all of you. There are no such things as ghosts; and,
therefore, any boy who believes in ghosts believes in what can't
possibly be; and a boy who belongs to Limmeridge School, and
believes in what can't possibly be, sets up his back against reason
and discipline, and must be punished accordingly. You all see Jacob
Postlethwaite standing up on the stool there in disgrace. He has
been punished, not because he said he saw a ghost last night, but
because he is too impudent and too obstinate to listen to reason;
and because he persists in saying he saw the ghost after I have told
him that no such thing can possibly be. If nothing else will do, I
mean to cane the ghost out of Jacob Postlethwaite; and if the thing
spreads among any of the rest of you, I mean to go a step farther, and
cane the ghost out of the whole school.'
  'We seem to have chosen an awkward moment for our visit,' said
Miss Halcombe, pushing open the door, at the end of the schoolmaster's
address, and leading the way in.
  Our appearance produced a strong sensation among the boys. They
appeared to think that we had arrived for the express purpose of
seeing Jacob Postlethwaite caned.
  'Go home all of you to dinner,' said the schoolmaster, 'except
Jacob. Jacob must stop where he is; and the ghost may bring him his
dinner, if the ghost pleases.'
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 10}
  Jacob's fortitude deserted him at the double disappearance of his
schoolfellows and his prospect of dinner. He took his hands out of his
pockets, looked hard at his knuckles, raised them with great
deliberation to his eyes, and, when they got there, ground them
round and round slowly, accompanying the action by short spasms of
sniffing, which followed each other at regular intervals- the nasal
minute guns of juvenile distress.
  'We came here to ask you a question, Mr. Dempster,' said Miss
Halcombe, addressing the schoolmaster; 'and we little expected to find
you occupied in exorcising a ghost. What does it all mean? What has
really happened?'
  'That wicked boy has been frightening the whole school, Miss
Halcombe, by declaring that he saw a ghost yesterday evening,'
answered the master. 'And he still persists in his absurd story, in
spite of all that I can say to him.'
  'Most extraordinary,' said Miss Halcombe. 'I should not have thought
it possible that any of the boys had imagination enough to see a
ghost. This is a new accession indeed to the hard labour of forming
the youthful mind at Limmeridge- and I heartily wish you well
through it, Mr. Dempster. In the mean time, let me explain why you see
me here, and what it is I want.'
  She then put the same question to the schoolmaster, which we had
asked already of almost every one else in the village. It was met by
the same discouraging answer. Mr. Dempster had not set eyes on the
stranger of whom we were in search.
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 15}
  'We may as well return to the house, Mr. Hartright,' said Miss
Halcombe; 'the information we want is evidently not to be found.'
  She had bowed to Mr. Dempster, and was about to leave the
schoolroom, when the forlorn position of Jacob Postlethwaite,
piteously sniffing on the stool of penitence, attracted her
attention as she passed him, and made her stop good-humouredly to
speak a word to the little prisoner before she opened the door.
  'You foolish boy,' she said, 'why don't you beg Mr. Dempster's
pardon, and hold your tongue about the ghost?'
  'Eh!- but I saw t' ghaist,' persisted Jacob Postlethwaite, with a
stare of terror and a burst of tears.
  'Stuff and nonsense! You saw nothing of the kind. Ghost indeed! What
ghost-'
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 20}
  'I beg your pardon, Miss Halcombe,' interposed the schoolmaster, a
little uneasily- 'but I think you had better not question the boy. The
obstinate folly of his story is beyond all belief; and you might
lead him into ignorantly-'
  'Ignorantly, what?' inquired Miss Halcombe, sharply.
  'Ignorantly shocking your feelings,' said Mr. Dempster, looking very
much discomposed.
  'Upon my word, Mr. Dempster, you pay my feelings a great
compliment in thinking them weak enough to be shocked by such an
urchin as that!' She turned with an air of satirical defiance to
little Jacob, and began to question him directly. 'Come!' she said; 'I
mean to know all about this. You naughty boy, when did you see the
ghost?'
  'Yester'een, at the gloaming,' replied Jacob.
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 25}
  'Oh! you saw it yesterday evening, in the twilight? And what was
it like?'
  'Arl in white- as a ghaist should be,' answered the ghost-seer, with
a confidence beyond his years.
  'And where was it?'
  'Away yander, in t' kirkyard- where a ghaist ought to be.'
  'As a "ghaist" should be- where a "ghaist" ought to be- why, you
little fool, you talk as if the manners and customs of ghosts had been
familiar to you from your infancy! You have got your story at your
fingers' ends, at any rate. I suppose I shall hear next that you can
actually tell me whose ghost it was?'
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 30}
  'Eh! but I just can,' replied Jacob, nodding his head with an air of
gloomy triumph.
  Mr. Dempster had already tried several times to speak, while Miss
Halcombe was examining his pupil; and he now interposed resolutely
enough to make himself heard.
  'Excuse me, Miss Halcombe,' he said, 'if I venture to say that you
are only encouraging the boy by asking him these questions.'
  'I will merely ask one more, Mr. Dempster, and then I shall be quite
satisfied. Well,' she continued, turning to the boy, 'and whose
ghost was it?'
  'T' ghaist of Mistress Fairlie,' answered Jacob in a whisper.
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 35}
  The effect which this extraordinary reply produced on Miss Halcombe,
fully justified the anxiety which the schoolmaster had shown to
prevent her from hearing it. Her face crimsoned with indignation-
she turned upon little Jacob with an angry suddenness which
terrified him into a fresh burst of tears- opened her lips to speak to
him- then controlled herself- and addressed the master instead of
the boy.
  'It is useless,' she said, 'to hold such a child as that responsible
for what he says. I have little doubt that the idea has been put
into his head by others. If there are people in this village, Mr.
Dempster, who have forgotten the respect and gratitude due from
every soul in it to my mother's memory, I will find them out; and,
if I have any influence with Mr. Fairlie, they shall suffer for it.'
  'I hope- indeed, I am sure, Miss Halcombe- that you are mistaken,'
said the schoolmaster. 'The matter begins and ends with the boy's
own perversity and folly. He saw, or thought he saw, a woman in white,
yesterday evening, as he was passing the churchyard; and the figure,
real or fancied, was standing by the marble cross, which he and
every one else in Limmeridge knows to be the monument over Mrs.
Fairlie's grave. These two circumstances are surely sufficient to have
suggested to the boy himself the answer which has so naturally shocked
you?'
  Although Miss Halcombe did not seem to be convinced, she evidently
felt that the schoolmaster's statement of the case was too sensible to
be openly combated. She merely replied by thanking him for his
attention, and by promising to see him again when her doubts were
satisfied. This said, she bowed, and led the way out of the
schoolroom.
  Throughout the whole of this strange scene, I had stood apart,
listening attentively, and drawing my own conclusions. As soon as we
were alone again, Miss Halcombe asked me if I had formed any opinion
on what I had heard.
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 40}
  'A very strong opinion,' I answered; 'the boy's story, as I believe,
has a foundation in fact. I confess I am anxious to see the monument
over Mrs. Fairlie's grave, and to examine the ground about it.'
 'You shall see the grave.'
  She paused after making that reply, and reflected a little as we
walked on. 'What has happened in the schoolroom,' she resumed, 'has so
completely distracted my attention from the subject of the letter,
that I feel a little bewildered when I try to return to it. Must we
give up all idea of making any further inquiries, and wait to place
the thing in Mr. Gilmore's hands, to-morrow?'
  'By no means, Miss Halcombe. What has happened in the schoolroom
encourages me to persevere in the investigation.'
  'Why does it encourage you?'
  'Because it strengthens a suspicion I felt, when you gave me the
letter to read.'
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 45}
  'I suppose you had your reasons, Mr. Hartright, for concealing
that suspicion from me till this moment?'
  'I was afraid to encourage it in myself. I thought it was utterly
preposterous- I distrusted it as the result of some perversity in my
own imagination. But I can do so no longer. Not only the boy's own
answers to your questions, but even a chance expression that dropped
from the schoolmaster's lips in explaining his story, have forced
the idea back into my mind. Events may yet prove that idea to be a
delusion, Miss Halcombe; but the belief is strong in me, at this
moment, that the fancied ghost in the churchyard, and the writer of
the anonymous letter, are one and the same person.'
  She stopped, turned pale, and looked me eagerly in the face.
  'What person?'
  'The schoolmaster unconsciously told you. When he spoke of the
figure that the boy saw in the church yard, he called it "a woman in
white."'
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 50}
  'Not Anne Catherick!'
  'Yes, Anne Catherick.'
  She put her hand through my arm, and leaned on it heavily.
  'I don't know why,' she said, in low tones, 'but there is
something in this suspicion of yours that seems to startle and unnerve
me. I feel-' She stopped, and tried to laugh it off. 'Mr.
Hartright,' she went on, 'I will show you the grave, and then go
back at once to the house. I had better not leave Laura too long
alone. I had better go back, and sit with her.'
  We were close to the churchyard when she spoke. The church, a dreary
building of gray stone, was situated in a little valley, so as to be
sheltered from the bleak winds blowing over the moorland all round it.
The burial-ground advanced, from the side of the church, a little
way up the slope of the hill. It was surrounded by a rough, low
stone wall, and was bare and open to the sky, except at one extremity,
where a brook trickled down the stony hill side, and a clump of
dwarf trees threw their narrow shadows over the short, meagre grass.
Just beyond the brook and the trees, and not far from one of the three
stone stiles which afforded entrance, at various points, to the
churchyard, rose the white marble cross that distinguished Mrs.
Fairlie's grave from the humbler monuments scattered about it.
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 55}
  'I need go no farther with you,' said Miss Halcombe. pointing to the
grave. 'You will let me know if you find anything to confirm the
idea you have just mentioned to me. Let us meet again at the house.'
  She left me. I descended at once to the churchyard, and crossed
the stile which led directly to Mrs. Fairlie's grave.
  The grass about it was too short, and the ground too hard, to show
any marks of footsteps. Disappointed thus far, I next looked
attentively at the cross, and at the square block of marble below
it, on which the inscription was cut.
  The natural whiteness of the cross was a little clouded, here and
there, by weather-stains; and rather more than one half of the
square block beneath it, on the side which bore the inscription, was
in the same condition. The other half, however, attracted my attention
at once by its singular freedom from stain or impurity of any kind.
I looked closer, and saw that it had been cleaned- recently cleaned,
in a downward direction from top to bottom. The boundary line
between the part that had been cleaned and the part that had not,
was traceable wherever the inscription left a blank space of marble-
sharply traceable as a line that had been produced by artificial
means. Who had begun the cleansing of the marble, and who had left
it unfinished?
  I looked about me, wondering how the question was to be solved. No
sign of a habitation could be discerned from the point at which I
was standing; the burial-ground was left in the lonely possession of
the dead. I returned to the church, and walked round it till I came to
the back of the building; then crossed the boundary wall beyond, by
another of the stone stiles; and found myself at the head of a path
leading down into a deserted stone quarry. Against one side of the
quarry a, little two room cottage was built; and just outside the door
an old woman was engaged in washing.
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 60}
  I walked up to her, and entered into conversation about the church
and burial-ground. She was ready enough to talk; and almost the
first words she said informed me that her husband filled the two
offices of clerk and sexton. I said a few words next in praise of Mrs.
Fairlie's monument. The old woman shook her head, and told me I had
not seen it at its best. It was her husband's business to look after
it; but he had been so ailing and weak, for months and months past,
that he had hardly been able to crawl into church on Sundays to do his
duty; and the monument had been neglected in consequence. He was
getting a little better now; and, in a week or ten days' time, he
hoped to be strong enough to set to work and clean it.
  This information- extracted from a long rambling answer, in the
broadest Cumberland dialect- told me all that I most wanted to know. I
gave the poor woman a trifle, and returned at once to Limmeridge
House.
  The partial cleansing of the monument had evidently been
accomplished by a strange hand. Connecting what I had discovered, thus
far, with what I had suspected after hearing the story of the ghost
seen at twilight, I wanted nothing more to confirm my resolution to
watch Mrs. Fairlie's grave, in secret, that evening; returning to it
at sunset, and waiting within sight of it till the night fell. The
work of cleansing the monument had been left unfinished; and the
person by whom it had been begun might return to complete it.
  On getting back to the house, I informed Miss Halcombe of what I
intended to do. She looked surprised and uneasy, while I was
explaining my purpose; but she made no positive objection to the
execution of it. She only said, 'I hope it may end well.' Just as
she was leaving me again, I stopped her to inquire, as calmly as I
could, after Miss Fairlie's health. She was in better spirits; and
Miss Halcombe hoped she might be induced to take a little walking
exercise while the afternoon sun lasted.
  I returned to my own room, to resume setting the drawings in
order. It was necessary to do this, and doubly necessary to keep my
mind employed on anything that would help to distract my attention
from myself, and from the hopeless future that lay before me. From
time to time, I paused in my work to look out of window and watch
the sky as the sun sank nearer and nearer to the horizon. On one of
those occasions I saw a figure on the broad gravel walk under my
window. It was Miss Fairlie.
                                     {1ST_EPOCH|HARTRIGHT|XII ^paragraph 65}
  I had not seen her since the morning; and I had hardly spoken to her
then. Another day at Limmeridge was all that remained to me; and after
that day my eyes might never look on her again. This thought was
enough to hold me at the window. I had sufficient consideration for
her, to arrange the blind so that she might not see me if she looked
up; but I had no strength to resist the temptation of letting my eyes,
at least, follow her as far as they could on her walk.
  She was dressed in a brown cloak, with a plain black silk gown under
it. On her head was the same simple straw hat which she had worn on
the morning when we first met. A veil was attached to it now, which
hid her face from me. By her side, trotted a little Italian greyhound,
the pet companion of all her walks, smartly dressed in a scarlet cloth
wrapper, to keep the sharp air from his delicate skin. She did not
seem to notice the dog. She walked straight forward, with her head
drooping a little, and her arms folded in her cloak. The dead leaves
which had whirled in the wind before me, when I had heard of her
marriage engagement in the morning, whirled in the wind before her,
and rose and fell and scattered themselves at her feet, as she
walked on in the pale waning sunlight. The dog shivered and
trembled, and pressed against her dress impatiently for notice and
encouragement. But she never heeded him. She walked on, farther and
farther away from me, with the dead leaves whirling about her on the
path- walked on, till my aching eyes could see her no more, and I
was left alone again with my own heavy heart.
  In another hour's time, I had done my work, and the sunset was at
hand. I got my hat and coat in the hall, and slipped out of the
house without meeting anyone.
  The clouds were wild in the western heaven, and the wind blew
chill from the sea. Far as the shore was, the sound of the surf
swept over the intervening moorland, and beat drearily in my ears,
when I entered the churchyard. Not a living creature was in sight. The
place looked lonelier than ever, as I chose my position, and waited
and watched, with my eyes on the white cross that rose over Mrs.
Fairlie's grave.

{1ST_EPOCH|HARTRIGHT|XIII
                                 XIII
-
  The exposed situation of the churchyard had obliged me to be
cautious in choosing the position that I was to occupy.
  The main entrance to the church was on the side next to the
burial-ground; and the door was screened by a porch walled in on
either side. After some little hesitation, caused by natural
reluctance to conceal myself, indispensable as that concealment was to
the object in view, I had resolved on entering the porch. A loophole
window was pierced in each of its side walls. Through one of these
windows I could see Mrs. Fairlie's grave. The other looked towards the
stone quarry in which the sexton's cottage was built. Before me,
fronting the porch entrance, was a patch of bare burial-ground, a line
of low stone wall, and a strip of lonely brown hill, with the sunset
clouds sailing heavily over it before the strong, steady wind. No
living creature was visible or audible- no bird flew by me; no dog
barked from the sexton's cottage. The pauses in the dull beating of
the surf were filled up by the dreary rustling of the dwarf trees near
the grave, and the cold faint bubble of the brook over its stony
bed. A dreary scene and a dreary hour. My spirits sank fast as I
counted out the minutes of the evening in my hiding-place under the
church porch.
  It was not twilight yet- the light of the setting sun still lingered
in the heavens, and little more than the first half-hour of my
solitary watch had elapsed- when I heard footsteps, and a voice. The
footsteps were approaching from the other side of the church; and
the voice was a woman's.
  'Don't you fret, my dear, about the letter,' said the voice. 'I gave
it to the lad quite safe, and the lad he took it from me without a
word. He went his way and I went mine; and not a living soul
followed me, afterwards- that I'll warrant.'
  These words strung up my attention to a pitch of expectation that
was almost painful. There was a pause of silence, but the footsteps
still advanced. In another moment, two persons, both women, passed
within my range of view from the porch window. They were walking
straight towards the grave; and therefore they had their backs
turned towards me.
                                     {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 5}
  One of the women was dressed in a bonnet and shawl. The other wore a
long travelling-cloak of a dark-blue colour, with the hood drawn
over her head. A few inches of her gown were visible below the
cloak. My heart beat fast as I noted the colour- it was white.
  After advancing about half-way between the church and the grave,
they stopped; and the woman in the cloak turned her head towards her
companion. But her side face, which a bonnet might now have allowed me
to see, was hidden by the heavy, projecting edge of the hood.
  'Mind you keep that comfortable warm cloak on,' said the same
voice which I had already heard- the voice of the woman in the
shawl. 'Mrs. Todd is right about your looking too particular,
yesterday, all in white. I'll walk about a little, while you're
here; churchyards being not at all in my way, whatever they may be
in yours. Finish what you want to do, before I come back; and let us
be sure and get home again before night.'
  With those words, she turned about, and retracing her steps,
advanced with her face towards me. It was the face of an elderly
woman, brown, rugged, and healthy, with nothing dishonest or
suspicious in the look of it. Close to the church, she stopped to pull
her shawl closer round her.
  'Queer,' she said to herself, 'always queer, with her whims and
her ways, ever since I can remember her. Harmless, though- as
harmless, poor soul, as a little child.'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 10}
  She sighed; looked about the burial-ground nervously; shook her head
as if the dreary prospect by no means pleased her; and disappeared
round the corner of the church.
  I doubted for a moment whether I ought to follow and speak to her,
or not. My intense anxiety to find myself face to face with her
companion helped me to decide in the negative. I could ensure seeing
the woman in the shawl by waiting near the churchyard until she came
back- although it seemed more than doubtful whether she could give
me the information of which I was in search. The person who had
delivered the letter was of little consequence. The person who had
written it was the one centre of interest, and the one source of
information; and that person I now felt convinced was before me in the
churchyard.
  While these ideas were passing through my mind, I saw the woman in
the cloak approach close to the grave, and stand looking at it for a
little while. She then glanced all round her, and, taking a white
linen cloth or handkerchief from under her cloak, turned aside towards
the brook. The little stream ran into the churchyard under a tiny
archway in the bottom of the wall, and ran out again, after a
winding course of a few dozen yards, under a similar opening. She
dipped the cloth in the water, and returned to the grave. I saw her
kiss the white cross; then kneel down before the inscription, and
apply her wet cloth to the cleansing of it.
  After considering how I could show myself with the least possible
chance of frightening her, I resolved to cross the wall before me,
to skirt round it outside, and to enter the churchyard again by the
stile near the grave, in order that she might see me as I
approached. She was so absorbed over her employment that she did not
hear me coming until I had stepped over the stile. Then she looked up,
started to her feet with a faint cry, and stood facing me in
speechless and motionless terror.
  'Don't be frightened,' I said. 'Surely, you remember me?'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 15}
  I stopped while I spoke- then advanced a few steps gently- then
stopped again- and so approached by little and little, till I was
close to her. If there had been any doubt still left in my mind, it
must have been now set at rest. There, speaking affrightedly for
itself- there was the same face confronting me over Mrs. Fairlie's
grave, which had first looked into mine on the high-road by night.
  'You remember me?' I said. 'We met very late, and I helped you to
find the way to London. Surely you have not forgotten that?'
  Her features relaxed, and she drew a heavy breath of relief. I saw
the new life of recognition stirring slowly under the deathlike
stillness which fear had set on her face.
  'Don't attempt to speak to me, just yet,' I went on. 'Take time to
recover yourself- take time to feel quite certain that I am a friend.'
  'You are very kind to me,' she murmured. 'As kind now, as you were
then.'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 20}
  She stopped, and I kept silence on my side. I was not granting
time for composure to her only, I was gaining time also for myself.
Under the wan wild evening light, that woman and I were met together
again; a grave between us, the dead about us, the lonesome hills
closing us round on every side. The time, the place, the circumstances
under which we now stood face to face in the evening stillness of that
dreary valley; the life-long interests which might hang suspended on
the next chance words that passed between us; the sense that, for
aught I knew to the contrary, the whole future of Laura Fairlie's life
might be determined, for good or for evil, by my winning or losing the
confidence of the forlorn creature who stood trembling by her mother's
grave- all threatened to shake the steadiness and the self-control
on which every inch of the progress I might yet make now depended. I
tried hard, as I felt this, to possess myself of all my resources; I
did my utmost to turn the few moments for reflection to the best
account.
  'Are you calmer, now?' I said, as soon as I thought it time to speak
again. 'Can you talk to me, without feeling frightened, and without
forgetting that I am a friend?'
  'How did you come here?' she asked, without noticing what I had just
said to her.
  'Don't you remember my telling you, when we last met, that I was
going to Cumberland? I have been in Cumberland ever since; I have been
staying all the time at Limmeridge House.'
  'At Limmeridge House!' Her pale face brightened as she repeated
the words; her wandering eyes fixed on me with a sudden interest. 'Ah,
how happy you must have been!' she said, looking at me eagerly without
a shadow of its former distrust left in her expression.
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 25}
  I took advantage of her newly-aroused confidence in me, to observe
her face, with an attention and a curiosity which I had hitherto
restrained myself from showing, for caution's sake. I looked at her,
with my mind full of that other lovely face which had so ominously
recalled her to my memory on the terrace by moonlight. I had seen Anne
Catherick's likeness in Miss Fairlie. I now saw Miss Fairlie's
likeness in Anne Catherick- saw it all the more clearly because the
points of dissimilarity between the two were presented to me as well
as the points of resemblance. In the general outline of the
countenance and general proportion of the features; in the colour of
the hair and in the little nervous uncertainty about the lips; in
the height and size of the figure, and the carriage of the head and
body, the likeness appeared even more startling than I had ever felt
it to be yet. But there the resemblance ended, and the
dissimilarity, in details, began. The delicate beauty of Miss
Fairlie's complexion, the transparent clearness of her eyes, the
smooth purity of her skin, the tender bloom of colour on her lips,
were all missing from the worn, weary face that was now turned towards
mine. Although I hated myself even for thinking such a thing, still,
while I looked at the woman before me, the idea would force itself
into my mind that one sad change, in the future, was all that was
wanting to make the likeness complete, which I now saw to be so
imperfect in detail. If ever sorrow and suffering set their
profaning marks on the youth and beauty of Miss Fairlie's face,
then, and then only, Anne Catherick and she would be the
twin-sisters of chance resemblance, the living reflexions of one
another.
  I shuddered at the thought. There was something horrible in the
blind unreasoning distrust of the future which the mere passage of
it through my mind seemed to imply. It was a welcome interruption to
be roused by feeling Anne Catherick's hand laid on my shoulder. The
touch was as stealthy and as sudden as that other touch, which had
petrified me from head to foot on the night when we first met.
  'You are looking at me; and you are thinking of something,' she said
with her strange, breathless rapidity of utterance. 'What is it?'
  'Nothing extraordinary,' I answered. 'I was only wondering how you
came here.'
  'I came with a friend who is very good to me. I have only been
here two days.'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 30}
  'And you found your way to this place yesterday?'
  'How do you know that?'
  'I only guessed it.'
  She turned from me, and knelt down before the inscription once more.
  'Where should I go, if not here?' she said. 'The friend who was
better than a mother to me, is the only friend I have to visit at
Limmeridge. Oh, it makes my heart ache to see a stain on her tomb!
It ought to be kept white as snow, for her sake. I was tempted to
begin cleaning it yesterday; and I can't help coming back to go on
with it to-day. Is there anything wrong in that? I hope not. Surely
nothing can be wrong that I do for Mrs. Fairlie's sake?'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 35}
  The old grateful sense of her benefactress's kindness was
evidently the ruling idea still in the poor creature's mind- the
narrow mind which had but too plainly opened to no other lasting
impression since that first impression of her younger and happier
days. I saw that my best chance of winning her confidence lay in
encouraging her to proceed with the artless employment which she had
come into the burial-ground to pursue. She resumed it at once, on my
telling her she might do so; touching the hard marble as tenderly as
if it had been a sentient thing, and whispering the words of the
inscription to herself, over and over again, as if the lost days of
her girlhood had returned and she was patiently learning her lesson
once more at Mrs. Fairlie's knees.
  'Should you wonder very much,' I said, preparing the way as
cautiously as I could for the questions that were to come, 'if I owned
that it is a satisfaction to me, as well as a surprise, to see you
here? I felt very uneasy about you after you left me in the cab.'
  She looked up quickly and suspiciously.
  'Uneasy,' she repeated. 'Why.'
  'A strange thing happened, after we parted, that night. Two men
overtook me in a chaise. They did not see where I was standing; but
they stopped near me, and spoke to a policeman, on the other side of
the way.'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 40}
  She instantly suspended her employment. The hand holding the damp
cloth with which she had been cleaning the inscription, dropped to her
side. The other hand grasped the marble cross at the head of the
grave. Her face turned towards me slowly, with the blank look of
terror set rigidly on it once more. I went on at all hazards; it was
too late now to draw back.
  'The two men spoke to the policeman,' I said, 'and asked him if he
had seen you. He had not seen you; and then one of the men spoke
again, and said you had escaped from his Asylum.'
  She sprang to her feet, as if my last words had set the pursuers
on her track.
  'Stop! and hear the end,' I cried. 'Stop! and you shall know how I
befriended you. A word from me would have told the men which way you
had gone- and I never spoke that word. I helped your escape- I made it
safe and certain. Think, try to think. Try to understand what I tell
you.'
  My manner seemed to influence her more than my words. She made an
effort to grasp the new idea. Her hands shifted the damp cloth
hesitatingly from one to the other, exactly as they had shifted the
little travelling-bag on the night when I first saw her. Slowly the
purpose of my words seemed to force its way through the confusion
and agitation of her mind. Slowly, her features relaxed, and her
eyes looked at me with their expression gaining in curiosity what it
was fast losing in fear.
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 45}
  'You don't think I ought to be back in the Asylum, do you?' she
said.
  'Certainly not. I am glad you escaped from it; I am glad I helped
you.'
  'Yes, yes; you did help me indeed; you helped me at the hard
part,' she went on, a little vacantly. 'It was easy to escape, or I
should not have got away. They never suspected me as they suspected
the others. I was so quiet, and so obedient, and so easily frightened.
The finding London was the hard part; and there you helped me. Did I
thank you at the time? I thank you now, very kindly.'
  'Was the Asylum far from where you met me? Come! show that you
believe me to be your friend, and tell me where it was.'
  She mentioned the place- a private Asylum, as its situation informed
me; a private Asylum not very far from the spot where I had seen
her- and then, with evident suspicion of the use to which I might
put her answer, anxiously repeated her former inquiry: 'You don't
think I ought to be taken back, do you?'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 50}
  'Once again, I am glad you escaped; I am glad you prospered well,
after you left me,' I answered. 'You said you had a friend in London
to go to. Did you find the friend?'
  'Yes. It was very late; but there was a girl up at needlework in the
house, and she helped me to rouse Mrs. Clements. Mrs. Clements is my
friend. A good, kind woman, but not like Mrs. Fairlie. Ah, no,
nobody is like Mrs. Fairlie!'
  'Is Mrs. Clements an old friend of yours? Have you known her a
long time?'
  'Yes; she was a neighbour of ours once, at home, in Hampshire; and
liked me, and took care of me when I was a little girl. Years ago,
when she went away from us, she wrote down in my prayer-book for me,
where she was going to live in London, and she said, "If you are
ever in trouble, Anne, come to me. I have no husband alive to say me
nay, and no children to look after; and I will take care of you." Kind
words, were they not? I suppose I remember them because they were
kind. It's little enough I remember besides- little enough, little
enough!'
  'Had you no father or mother to take care of you?'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 55}
  'Father? I never saw him; I never heard mother speak of him. Father?
Ah, dear! he is dead I suppose.'
  'And your mother?'
  'I don't get on well with her. We are a trouble and a fear to each
other.'
  A trouble and a fear to each other! At those words, the suspicion
crossed my mind, for the first time, that her mother might be the
person who had placed her under restraint.
  'Don't ask me about mother,' she went on. 'I'd rather talk of Mrs.
Clements. Mrs. Clements is like you, she doesn't think that I ought to
be back in the Asylum; and she is as glad as you are that I escaped
from it. She cried over my misfortune, and said it must be kept secret
from everybody.'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 60}
  Her 'misfortune.' In what sense was she using that word? In a
sense which might explain her motive in writing the anonymous
letter? In a sense which might show it to be the too common and too
customary motive that has led many a woman to interpose anonymous
hindrances to the marriage of the man who has ruined her? I resolved
to attempt the clearing up of this doubt, before more words passed
between us on either side.
  'What misfortune?' I asked.
  'The misfortune of my being shut up,' she answered, with every
appearance of feeling surprised at my question. 'What other misfortune
could there be?'
  I determined to persist, as delicately and forbearingly as possible.
It was of very great importance that I should be absolutely sure of
every step in the investigation which I now gained in advance.
  'There is another misfortune,' I said, 'to which a woman may be
liable, and by which she may suffer life-long sorrow and shame.'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 65}
  'What is it?' she asked, eagerly.
  'The misfortune of believing too innocently in her own virtue, and
in the faith and honour of the man she loves,' I answered.
  She looked up at me, with the artless bewilderment of a child. Not
the slightest confusion or change of colour; not the faintest trace of
any secret consciousness of shame struggling to the surface,
appeared in her face- that face which betrayed every other emotion
with such transparent clearness. No words that ever were spoken
could have assured me, as her look and manner now assured me, that the
motive which I had assigned for her writing the letter and sending
it to Miss Fairlie was plainly and distinctly the wrong one. That
doubt, at any rate, was now set at rest; but the very removal of it
opened a new prospect of uncertainty. The letter, as I knew from
positive testimony, pointed at Sir Percival Glyde, though it did not
name him. She must have had some strong motive, originating in some
deep sense of injury, for secretly denouncing him to Miss Fairlie,
in such terms as she had employed- and that motive was
unquestionably not to be traced to the loss of her innocence and her
character. Whatever wrong he might have inflicted on her was not of
that nature. Of what nature could it be?
  'I don't understand you,' she said, after evidently trying hard, and
trying in vain to discover the meaning of the words I had last said to
her.
  'Never mind,' I answered. 'Let us go on with what we were talking
about. Tell me how long you stayed with Mrs. Clements in London, and
how you came here.'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 70}
  'How long?' she repeated. 'I stayed with Mrs. Clements till we
both came to this place, two days ago.'
  'You are living in the village, then?' I said. 'It is strange I
should not have heard of you, though you have only been here two
days.'
  'No, no; not in the village. Three miles away at a farm. Do you know
the farm? They call it Todd's Corner.'
  I remembered the place perfectly; we had often passed by it in our
drives. It was one of the oldest farms in the neighbourhood,
situated in a solitary, sheltered spot, inland at the junction of
two hills.
  'They are relations of Mrs. Clements at Todd's Corner,' she went on,
'and they had often asked her to go and see them. She said she would
go, and take me with her, for the quiet and the fresh air. It was very
kind, was it not? I would have gone anywhere to be quiet, and safe,
and out of the way. But when I heard Todd's Corner was near
Limmeridge- oh! I was so happy I would have walked all the way
barefoot to get there, and see the schools and the village and
Limmeridge House again. They are very good people at Todd's Corner.
I hope I shall stay there a long time. There is only one thing I don't
like about them, and don't like about Mrs. Clements-'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 75}
  'What is it?'
  'They will tease me about dressing all in white- they say it looks
so particular. How do they know? Mrs. Fairlie knew best. Mrs.
Fairlie would never have made me wear this ugly blue cloak! Ah! she
was fond of white in her lifetime; and here is white stone about her
grave- and I am making it whiter for her sake. She often wore white
herself; and she always dressed her little daughter in white. Is
Miss Fairlie well and happy? Does she wear white now, as she used when
she was a girl?'
  Her voice sank when she put the questions about Miss Fairlie; and
she turned her head farther and farther away from me. I thought I
detected, in the alteration of her manner, an uneasy consciousness
of the risk she had run in sending the anonymous letter; and I
instantly determined so to frame my answer as to surprise her into
owning it.
  'Miss Fairlie is not very well or very happy this morning,' I said.
  She murmured a few words; but they were spoken so confusedly, and in
such a low tone, that I could not even guess at what they meant.
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 80}
  'Did you ask me why Miss Fairlie was neither well nor happy this
morning?' I continued.
  'No,' she said, quickly and eagerly- 'oh, no, I never asked that.'
  'I will tell you without your asking,' I went on.
  'Miss Fairlie has received your letter.'
  She had been down on her knees for some little time past,
carefully removing the last weather-stains left about the
inscription while we were speaking together. The first sentence of the
words I had just addressed to her made her pause in her occupation,
and turn slowly without rising from her knees, so as to face me. The
second sentence literally petrified her. The cloth she had been
holding dropped from her hands; her lips fell apart; all the little
colour that there was naturally in her face left it in an instant.
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 85}
  'How do you know?' she said, faintly. 'Who showed it to you?' The
blood rushed back into her face- rushed overwhelmingly, as the sense
rushed upon her mind that her own words had betrayed her. She struck
her hands together in despair. 'I never wrote it,' she gasped,
affrightedly; 'I know nothing about it!'
  'Yes,' I said, 'you wrote it, and you know about it. It was wrong to
send such a letter; it was wrong to frighten Miss Fairlie. If you
had anything to say that it was right and necessary for her to hear,
you should have gone yourself to Limmeridge House; you should have
spoken to the young lady with your own lips.'
  She crouched down over the flat stone of the grave, till her face
was hidden on it; and made no reply.
  'Miss Fairlie will be as good and kind to you as her mother was,
if you mean well,' I went on. 'Miss Fairlie will keep your secret, and
not let you come to any harm. Will you see her to-morrow at the
farm? Will you meet her in the garden at Limmeridge House?'
  'Oh, if I could die, and be hidden and at rest with you!' Her lips
murmured the words close on the grave-stone; murmured them in tones of
passionate endearment, to the dead remains beneath. 'You know how
I love your child, for your sake! Oh, Mrs. Fairlie! Mrs. Fairlie! tell
me how to save her. Be my darling and my mother once more, and tell me
what to do for the best.'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 90}
  I heard her lips kissing the stone: I saw her hands beating on it
passionately. The sound and the sight deeply affected me. I stooped
down, and took the poor helpless hands tenderly in mine, and tried
to soothe her.
  It was useless. She snatched her hands from me, and never moved
her face from the stone. Seeing the urgent necessity of quieting her
at any hazard and by any means, I appealed to the only anxiety that
she appeared to feel, in connexion with me and with my opinion of her-
the anxiety to convince me of her fitness to be mistress of her own
actions.
  'Come, come,' I said, gently. 'Try to compose yourself, or you
will make me alter my opinion of you. Don't let me think that the
person who put you in the Asylum, might have had some excuse-'
  The next words died away on my lips. The instant I risked that
chance reference to the person who had put her in the Asylum, she
sprang up on her knees. A most extraordinary and startling change
passed over her. Her face, at all ordinary times so touching to look
at, in its nervous sensitiveness, weakness, and uncertainty, became
suddenly darkened by an expression of maniacally intense hatred and
fear, which communicated a wild, unnatural force to every feature. Her
eyes dilated in the dim evening light, like the eyes of a wild animal.
She caught up the cloth that had fallen at her side, as if it had been
a living creature that she could kill, and crushed it in both her
hands with such convulsive strength that the few drops of moisture
left in it trickled down on the stone beneath her.
  'Talk of something else,' she said, whispering through her teeth. 'I
shall lose myself if you talk of that.'
                                    {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 95}
  Every vestige of the gentler thoughts which had filled her mind
hardly a minute since seemed to be swept from it now. It was evident
that the impression left by Mrs. Fairlie's kindness was not, as I
had supposed, the only strong impression on her memory. With the
grateful remembrance of her school-days at Limmeridge, there existed
the vindictive remembrance of the wrong inflicted on her by her
confinement in the Asylum. Who had done that wrong? Could it really be
her mother?
  It was hard to give up pursuing the inquiry to that final point; but
I forced myself to abandon all idea of continuing it. Seeing her as
I saw her now, it would have been cruel to think of anything but the
necessity and the humanity of restoring her composure.
  'I will talk of nothing to distress you,' I said, soothingly.
  'You want something,' she answered, sharply and suspiciously. 'Don't
look at me like that. Speak to me; tell me what you want.'
  'I only want you to quiet yourself, and, when you are calmer, to
think over what I have said.'
                                   {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 100}
  'Said?' She paused; twisted the cloth in her hands, backwards and
forwards; and whispered to herself, 'What is it he said?' She turned
again towards me, and shook her head impatiently. 'Why don't you
help me?' she asked, with angry suddenness.
  'Yes, yes,' I said; 'I will help you; and you will soon remember.
I asked you to see Miss Fairlie to-morrow, and to tell her the truth
about the letter.'
  'Ah! Miss Fairlie- Fairlie- Fairlie-'
  The mere utterance of the loved familiar name seemed to quiet her.
Her face softened and grew like itself again.
  'You need have no fear of Miss Fairlie,' I continued; 'and no fear
of getting into trouble through the letter. She knows so much about it
already, that you will have no difficulty in telling her all. There
can be little necessity for concealment where there is hardly anything
left to conceal. You mention no names in the letter; but Miss
Fairlie knows that the person you write of is Sir Percival Glyde-'
                                   {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 105}
  The instant I pronounced that name she started to her feet; and a
scream burst from her that rang through the churchyard and made my
heart leap in me with the terror of it. The dark deformity of the
expression which had just left her face, lowered on it once more, with
doubled and trebled intensity. The shriek at the name, the
reiterated look of hatred and fear that instantly followed, told
all. Not even a last doubt now remained. Her mother was guiltless of
imprisoning her in the Asylum. A man had shut her up- and that man was
Sir Percival Glyde.
  The scream had reached other ears than mine. On one side, I heard
the door of the sexton's cottage open; on the other, I heard the voice
of her companion, the woman in the shawl, the woman whom she had
spoken of as Mrs. Clements.
  'I'm coming! I'm coming!' cried the voice from behind the clump of
dwarf trees.
  In a moment more, Mrs. Clements hurried into view. 'Who are you?'
she cried, facing me resolutely, as she set her foot on the stile.
'How dare you frighten a poor helpless woman like that?'
  She was at Anne Catherick's side, and had put one arm around her,
before I could answer. 'What is it, my dear?' she said. 'What has he
done to you?'
                                   {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 110}
  'Nothing,' the poor creature answered. 'Nothing. I'm only
frightened.'
  Mrs. Clements turned on me with a fearless indignation, for which
I respected her.
  'I should be heartily ashamed of myself if I deserved that angry
look,' I said. 'But I do not deserve it. I have unfortunately startled
her, without intending it. This is not the first time she has seen me.
Ask her yourself, and she will tell you that I am incapable of
willingly harming her or any woman.'
  I spoke distinctly, so that Anne Catherick might hear and understand
me; and I saw that the words and their meaning had reached her.
  'Yes, yes,' she said; 'he was good to me once; he helped me-' She
whispered the rest into her friend's ear.
                                   {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 115}
  'Strange, indeed!' said Mrs. Clements, with a look of perplexity.
'It makes all the difference, though. I'm sorry I spoke so rough to
you, sir; but you must own that appearances looked suspicious to a
stranger. It's more my fault than yours, for humouring her whims,
and letting her be alone in such a place as this. Come, my dear-
come home now.'
  I thought the good woman looked a little uneasy at the prospect of
the walk back, and I offered to go with them until they were both
within sight of home. Mrs. Clements thanked me civilly, and
declined. She said they were sure to meet some of the
farm-labourers, as soon as they got to the moor.
  'Try to forgive me,' I said, when Anne Catherick took her friend's
arm to go away. Innocent as I had been of any intention to terrify and
agitate her, my heart smote me as I looked at the poor, pale,
frightened face.
  'I will try,' she answered. 'But you know too much; I'm afraid
you'll always frighten me now.'
  Mrs. Clements glanced at me, and shook her head pityingly.
                                   {1ST_EPOCH|HARTRIGHT|XIII ^paragraph 120}
  'Good night, sir,' she said. 'You couldn't help it, I know; but I
wish it was me you had frightened, and not her.'
  They moved away a few steps. I thought they had left me; but Anne
suddenly stopped, and separated herself from her friend.
  'Wait a little,' she said. 'I must say good-by.' She returned to the
grave, rested both hands tenderly on the marble cross, and kissed it.
  'I'm better now,' she sighed, looking up at me quietly. 'I forgive
you.'
  She joined her companion again, and they left the burial-ground. I
saw them stop near the church, and speak to the sexton's wife, who had
come from the cottage, and had waited, watching us from a distance.
Then they went on again up the path that led to the moor. I looked
after Anne Catherick as she disappeared, till all trace of her had
faded in the twilight- looked as anxiously and sorrowfully as if
that was the last I was to see in this weary world of the woman in
white.

{1ST_EPOCH|HARTRIGHT|XIV
                                 XIV
-
  Half an hour later, I was back at the house, and was informing
Miss Halcombe of all that had happened.
  She listened to me from beginning to end, with a steady, silent
attention, which, in a woman of her temperament and disposition, was
the strongest proof that could be offered of the serious manner in
which my narrative affected her.
  'My mind misgives me,' was all she said when I had done. 'My mind
misgives me sadly about the future.'
  'The future may depend,' I suggested, 'on the use we make of the
present. It is not improbable that Anne Catherick may speak more
readily and unreservedly to a woman than she has spoken to me. If Miss
Fairlie-'
  'Not to be thought of for a moment,' interposed Miss Halcombe, in
her most decided manner.
                                      {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 5}
  'Let me suggest, then,' I continued, 'that you should see Anne
Catherick yourself, and do all you can to win her confidence. For my
own part, I shrink from the idea of alarming the poor creature a
second time, as I have most unhappily alarmed her already. Do you
see any objection to accompanying me to the farmhouse to-morrow?'
  'None whatever. I will go anywhere and do anything to serve
Laura's interests. What did you say the place was called?'
  'You must know it well. It is called Todd's Corner.'
  'Certainly. Todd's Corner is one of Mr. Fairlie's farms. Our
dairymaid here is the farmer's second daughter. She goes backwards and
forwards constantly, between this house and her father's farm; and she
may have heard or seen something which it may be useful to us to know.
Shall I ascertain, at once, if the girl is down stairs?'
  She rang the bell, and sent the servant with his message. He
returned, and announced that the dairymaid was then at the farm. She
had not been there for the last three days; and the housekeeper had
given her leave to go home, for an hour or two, that evening.
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 10}
  'I can speak to her to-morrow,' said Miss Halcombe, when the servant
had left the room again. 'In the mean time, let me thoroughly
understand the object to be gained by my interview with Anne
Catherick. Is there no doubt in your mind that the person who confined
her in the Asylum was Sir Percival Glyde?'
  'There is not the shadow of a doubt. The only mystery that
remains, is the mystery of his motive. Looking to the great
difference between his station in life and hers, which seems to
preclude an idea of the most distant relationship between them, it
is of the last importance- even assuming that she really required to
be placed under restraint- to know why he should have been the
person to assume the serious responsibility of shutting her up-'
  'In a private Asylum, I think you said?'
  'Yes, in a private Asylum, where a sum of money which no poor person
could afford to give, must have been paid for her maintenance as a
patient.'
  'I see where the doubt lies, Mr. Hartright; and I promise you that
it shall be set at rest, whether Anne Catherick assists us to-morrow
or not. Sir Percival Glyde shall not be long in this house without
satisfying Mr. Gilmore, and satisfying me. My sister's future is my
dearest care in life; and I have influence enough over her to give
me some power, where her marriage is, concerned, in the disposal of
it.'
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 15}
  We parted for the night.
-
  After breakfast, the next morning, an obstacle, which the events
of the evening before had put out of my memory, interposed to
prevent our proceeding immediately to the farm. This was my last day
at Limmeridge House; and it was necessary, as soon as the post came
in, to follow Miss Halcombe's advice, and to ask Mr. Fairlie's
permission to shorten my engagement by a month, in consideration of an
unforeseen necessity for my return to London.
  Fortunately for the probability of this excuse, so far as
appearances were concerned, the post brought me two letters from
London friends, that morning. I took them away at once to my own room;
and sent the servant with a message to Mr. Fairlie, requesting to know
when I could see him on a matter of business.
  I awaited the man's return, free from the slightest feeling of
anxiety about the manner in which his master might receive my
application. With Mr. Fairlie's leave or without it, I must go. The
consciousness- of having now taken the first step on the dreary
journey which was henceforth to separate my life from Miss Fairlie's
seemed to have blunted my sensibility to every consideration connected
with myself. I had done with my poor man's touchy pride; I had done
with all my little artist vanities. No insolence of Mr. Fairlie's,
if he chose to be insolent, could wound me now.
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 20}
  The servant returned with a message for which I was not
unprepared. Mr. Fairlie regretted that the state of his health, on
that particular morning, was such as to preclude all hope of his
having the pleasure of receiving me. He begged, therefore, that I
would accept his apologies, and kindly communicate what I had to
say, in the form of a letter. Similar messages to this had reached me,
at various intervals, during my three months' residence in the
house. Throughout the whole of that period, Mr. Fairlie had been
rejoiced to 'possess' me, but had never been well enough to see me for
a second time. The servant took every fresh batch of drawings that I
mounted and restored, back to his master, with my 'respects;' and
returned empty-handed with Mr. Fairlie's 'kind compliments,' 'best
thanks,' and 'sincere regrets' that the state of his health still
obliged him to remain a solitary prisoner in his own room. A more
satisfactory arrangement to both sides could not possibly have been
adopted. It would be hard to say which of us, under the circumstances,
felt the most grateful sense of obligation to Mr. Fairlie's
accommodating nerves.
  I sat down at once to write the letter, expressing myself in it as
civilly, as clearly, and as briefly as possible. Mr. Fairlie did not
hurry his reply. Nearly an hour elapsed before the answer was placed
in my hands. It was written with beautiful regularity and neatness
of character, in violet-coloured ink, on notepaper as smooth as
ivory and almost as thick as cardboard; and it addressed me in these
terms 'Mr. Fairlie's compliments to Mr. Hartright. Mr. Fairlie is more
surprised and disappointed than he can say (in the present state of
his health) by Mr. Hartright's application. Mr. Fairlie is not a man
of business, but he has consulted his steward, who is, and that person
confirms Mr. Fairlie's opinion that Mr. Hartright's request to be
allowed to break his engagement cannot be justified by any necessity
whatever, excepting perhaps a case of life and death. If the
highly-appreciative feeling towards Art and its professors, which it
is the consolation and happiness of Mr. Fairlie's suffering
existence to cultivate, could be easily shaken, Mr. Hartright's
present proceeding would have shaken it. It has not done so- except in
the instance of Mr. Hartright himself.
  'Having stated his opinion- so far, that is to say, as acute nervous
suffering will allow him to state anything- Mr. Fairlie has nothing to
add but the expression of his decision, in reference to the highly
irregular application that has been made to him. Perfect repose of
body and mind being to the last degree important in his case, Mr.
Fairlie will not suffer Mr. Hartright to disturb that repose by
remaining in the house under circumstances of an essentially
irritating nature to both sides. Accordingly, Mr. Fairlie waives his
right of refusal, purely with a view to the preservation of his own
tranquillity- and informs Mr. Hartright that he may go.'
-
  I folded the letter up, and put it away with my other papers. The
time had been when I should have resented it as an insult; I
accepted it, now, as a written release from my engagement. It was
off my mind, it was almost out of my memory, when I went down stairs
to the breakfast-room, and informed Miss Halcombe that I was ready
to walk with her to the farm.
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 25}
  'Has Mr. Fairlie given you a satisfactory answer?' she asked, as
we left the house.
  'He has allowed me to go, Miss Halcombe.' She looked up at me
quickly; and then, for the first time since I had known her, took my
arm of her own accord. No words could have expressed so delicately
that she understood how the permission to leave my employment had been
granted, and that she gave me her sympathy, not as my superior, but as
my friend. I had not felt the man's insolent letter; but I felt deeply
the woman's atoning kindness.
  On our way to the farm we arranged that Miss Halcombe was to enter
the house alone, and that I was to wait outside, within call. We
adopted this mode of proceeding from an apprehension that my presence,
after what had happened in the churchyard the evening before, might
have the effect of renewing Anne Catherick's nervous dread, and of
rendering her additionally distrustful of the advances of a lady who
was a stranger to her. Miss Halcombe left me, with the intention of
speaking, in the first instance, to the farmer's wife (of whose
friendly readiness to help her in any way she was well assured), while
I waited for her in the near neighbourhood of the house.
  I had fully expected to be left alone, for some time. To my
surprise, however, little more than five minutes had elapsed, before
Miss Halcombe returned.
  'Does Anne Catherick refuse to see you?' I asked in astonishment.
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 30}
  'Anne Catherick is gone,' replied Miss Halcombe.
  'Gone!'
  'Gone, with Mrs. Clements. They both left the farm at eight
o'clock this morning.'
  I could say nothing- I could only feel that our last chance of
discovery had gone with them.
  'All that Mrs. Todd knows about her guests, I know,' Miss Halcombe
went on; 'and it leaves me, as it leaves her, in the dark. They both
came back safe, last night, after they left you, and they passed the
first part of the evening with Mr. Todd's family, as usual. just
before supper-time, however, Anne Catherick startled them all by being
suddenly seized with faintness. She had had a similar attack, of a
less alarming kind, on the day she arrived at the farm; and Mrs.
Todd had connected it, on that occasion, with something she was
reading at the time in our local newspaper, which lay on the farm
table, and which she had taken up only a minute or two before.
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 35}
  'Does Mrs. Todd know what particular passage in the newspaper
affected her in that way?' I inquired.
  'No,' replied Miss Halcombe. 'She had looked it over, and had seen
nothing in it to agitate any one. I asked leave, however, to look it
over in my turn; and at the very first page I opened I found that
the editor had enriched his small stock of news by drawing upon our
family affairs, and had published my sister's marriage engagement,
among his other announcements, copied from the London papers, of
Marriages in High Life. I concluded at once that this was the
paragraph which had so strangely affected Anne Catherick; and I
thought I saw in it, also, the origin of the letter which she sent
to our house the next day.'
  'There can be no doubt in either case. But what did you hear about
her second attack of faintness yesterday evening?'
  'Nothing. The cause of it is a complete mystery. There was no
stranger in the room. The only visitor was our dairymaid, who, as I
told you, is one of Mr. Todd's daughters; and the only conversation
was the usual gossip about local affairs. They heard her cry out,
and saw her turn deadly pale, without the slightest apparent reason.
Mrs. Todd and Mrs. Clements took her up-stairs; and Mrs. Clements
remained with her. They were heard talking together until long after
the usual bedtime; and, early this morning, Mrs. Clements took Mrs.
Todd aside, and amazed her beyond all power of expression, by saying
that they must go. The only explanation Mrs. Todd could extract from
her guest was, that something had happened, which was not the fault of
any one at the farm-house, but which was serious enough to make Anne
Catherick resolve to leave Limmeridge immediately. It was quite
useless to press Mrs. Clements to be more explicit. She only shook her
head, and said that, for Anne's sake, she must beg and pray that no
one would question her. All she could repeat, with every appearance of
being seriously agitated herself, was that Anne must go, that she must
go with her, and that the destination to which they might both
betake themselves must be kept a secret from everybody. I spare you
the recital of Mrs. Todd's hospitable remonstrances and refusals. It
ended in her driving them both to the nearest station, more than three
hours since. She tried hard, on the way, to get them to speak more
plainly; but without success. And she set them down outside the
station-door, so hurt and offended by the unceremonious abruptness
of their departure and their unfriendly reluctance to place the
least confidence in her, that she drove away in anger, without so much
as stopping to bid them good-by. That is exactly what has taken place.
Search your own memory, Mr. Hartright, and tell me if anything
happened in the burial-ground yesterday evening which can at all
account for the extraordinary departure of those two women this
morning.'
  'I should like to account first, Miss Halcombe, for the sudden
change in Anne Catherick which alarmed them at the farm-house, hours
after she and I had parted, and when time enough had elapsed to
quiet any violent agitation that I might have been unfortunate
enough to cause. Did you inquire particularly about the gossip which
was going on in the room when she turned faint?'
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 40}
  'Yes. But Mrs. Todd's household affairs seem to have divided her
attention, that evening, with the talk in the farm-house parlour.
She could only tell me that it was "just the news"- meaning, I
suppose, that they all talked as usual about each other.'
  'The dairymaid's memory may be better than her mother's,' I said.
'It may be as well for you to speak to the girl, Miss Halcombe, as
soon as we get back.'
  My suggestion was acted on the moment we returned to the house. Miss
Halcombe led me round to the servant's offices, and we found the
girl in the dairy, with her sleeves tucked up to her shoulders,
cleaning a large milk-pan, and singing blithely over her work.
  'I have brought this gentleman to see your dairy, Hannah,' said Miss
Halcombe. 'It is one of the sights of the house, and it always does
you credit.'
  The girl blushed and curtseyed, and said, shyly, that she hoped
she always did her best to keep things neat and clean.
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 45}
  'We have just come from your father's,' Miss Halcombe continued.
'You were there yesterday evening, I hear; and you found visitors at
the house?'
  'Yes, miss.'
  'One of them was taken faint and ill, I am told? I suppose nothing
was said or done to frighten her? You were not talking of anything
very terrible, were you?'
  'Oh, no, miss!' said the girl, laughing. 'We were only talking of
the news.'
  'Your sisters told you the news at Todd's Corner, I suppose?'
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 50}
  'Yes, miss.'
  'And you told them the news at Limmeridge House?'
  'Yes, miss. And I'm quite sure nothing was said to frighten the poor
thing, for I was talking when she was taken ill. It gave me quite a
turn, miss, to see it, never having been taken faint myself.'
  Before any more questions could be put to her, she was called away
to receive a basket of eggs at the dairy door. As she left us, I
whispered to Miss Halcombe:
  'Ask her if she happened to mention, last night, that visitors
were expected at Limmeridge House.'
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 55}
  Miss Halcombe showed me, by a look, that she understood, and put the
question as soon as the dairymaid returned to us.
  'Oh, yes, miss; I mentioned that,' said the girl simply. 'The
company coming, and the accident to the brindled cow, was all the news
I had to take to the farm.'
  'Did you mention names? Did you tell them that Sir Percival Glyde
was expected on Monday?'
  'Yes, miss- I told them Sir Percival Glyde was coming. I hope
there was no harm in it; I hope I didn't do wrong.'
  'Oh no, no harm. Come, Mr. Hartright; Hannah will begin to think
us in the way, if we interrupt her any longer over her work.'
                                     {1ST_EPOCH|HARTRIGHT|XIV ^paragraph 60}
  We stopped and looked at one another, the moment we were alone
again.
  'Is there any doubt in your mind, now, Miss Halcombe?'
  'Sir Percival Glyde shall remove that doubt, Mr. Hartright- or,
Laura Fairlie shall never be his wife.'

{1ST_EPOCH|HARTRIGHT|XV
                                  XV
-
  As we walked round to the front of the house, a fly from the railway
approached us along the drive. Miss Halcombe waited on the door
steps until the fly drew up; and then advanced to shake hands with
an old gentleman, who got out briskly the moment the steps were let
down. Mr. Gilmore had arrived.
  I looked at him, when we were introduced to each other, with an
interest and a curiosity which I could hardly conceal. This old man
was to remain at Limmeridge House after I had left it; he was to
hear Sir Percival Glyde's explanation, and was to give Miss Halcombe
the assistance of his experience in forming her judgment; he was to
wait until the question of the marriage was set at rest; and his hand,
if that question were decided in the affirmative, was to draw the
settlement which bound Miss Fairlie irrevocably to her engagement.
Even then, when I knew nothing by comparison with what I know now, I
looked at the family lawyer with an interest which I had never felt
before in the presence of any man breathing who was a total stranger
to me.
  In external appearance, Mr. Gilmore was the exact opposite of the
conventional idea of an old lawyer. His complexion was florid; his
white hair was worn rather long and kept carefully brushed; his
black coat, waistcoat, and trousers, fitted him with perfect neatness;
his white cravat was carefully tied; and his lavender-coloured kid
gloves might have adored the hands of a fashionable clergyman, without
fear and without reproach. His manners were pleasantly marked by the
formal grace and refinement of the old school of politeness, quickened
by the invigorating sharpness and readiness of a man whose business in
life obliges him always to keep his faculties in good working order. A
sanguine constitution and fair prospects to begin with; a long
subsequent career of creditable and comfortable prosperity; a
cheerful, diligent, widely-respected old age- such were the general
impressions I derived from my introduction to Mr. Gilmore; and it is
but fair to him to add, that the knowledge I gained by later and
better experience only tended to confirm them.
  I left the old gentleman and Miss Halcombe to enter the house
together, and to talk of family matters undisturbed by the restraint
of a stranger's presence. They crossed the hall on their way to the
drawing-room; and I descended the steps again, to wander about the
garden alone.
  My hours were numbered at Limmeridge House; my departure the next
morning was irrevocably settled; my share in the investigation which
the anonymous letter had rendered necessary, was at an end. No harm
could be done to any one but myself, if I let my heart loose again,
for the little time that was left me, from the cold cruelty of
restraint which necessity had forced me to inflict upon it, and took
my farewell of the scenes which were associated with the brief
dreamtime of my happiness and my love.
                                       {1ST_EPOCH|HARTRIGHT|XV ^paragraph 5}
  I turned instinctively to the walk beneath my study-window, where
I had seen her the evening before with her little dog; and followed
the path which her dear feet had trodden so often, till I came to
the wicket gate that led into her rose garden. The winter bareness
spread drearily over it, now. The flowers that she had taught me to
distinguish by their names, the flowers that I had taught her to paint
from, were gone; and the tiny white paths that led between the beds,
were damp and green already. I went on to the avenue of trees, where
we had breathed together the warm fragrance of August evenings;
where we had admired together the myriad combinations of shade and
sunlight that dappled the ground at our feet. The leaves fell about me
from the groaning branches, and the earthy decay in the atmosphere
chilled me to the bones. A little farther on, and I was out of the
grounds, and following the lane that wound gently upward to the
nearest hills. The old felled tree by the wayside, on which we had sat
to rest, was sodden with rain; and the tuft of ferns and grasses which
I had drawn for her, nestling under the rough stone wall in front of
us, had turned to a pool of water, stagnating round an island of
draggled weeds. I gained the summit of the hill; and looked at the
view which we had so often admired in the happier time. It was cold
and barren- it was no longer the view that I remembered. The
sunshine of her presence was far from me; the charm of her voice no
longer murmured in my ear. She had talked to me, on the spot from
which I now looked down, of her father, who was her last surviving
parent; had told me how fond of each other they had been, and how
sadly she missed him still, when she entered certain rooms in the
house, and when she took up forgotten occupations and amusements
with which he had been associated. Was the view that I had seen, while
listening to those words, the view that I saw now, standing on the
hill-top by myself? I turned, and left it; I wound my way back
again, over the moor, and round the sandhills, down to the beach.
There was the white rage of the surf, and the multitudinous glory of
the leaping waves- but where was the place on which she had once drawn
idle figures with her parasol in the sand; the place where we had
sat together, while she talked to me about myself and my home, while
she asked me a woman's minutely observant questions about my mother
and my sister, and innocently wondered whether I should ever leave
my lonely chambers and have a wife and a house of my own? Wind and
wave had long since smoothed out the trace of her which she had left
in those marks on the sand. I looked over the wide monotony of the
sea-side prospect, and the place in which we two had idled away the
sunny hours, was as lost to me as if I had never known it, as
strange to me as if I stood already on a foreign shore.
  The empty silence of the beach struck cold to my heart. I returned
to the house and the garden, where traces were left to speak of her at
every turn.
  On the west terrace walk, I met Mr. Gilmore. He was evidently in
search of me, for he quickened his pace when we caught sight of each
other. The state of my spirits little fitted me for the society of a
stranger. But the meeting was inevitable; and I resigned myself to
make the best of it.
  'You are the very person I wanted to see,' said the old gentleman.
'I had two words to say to you, my dear sir; and, if you have no
objection, I will avail myself of the present opportunity. To put it
plainly, Miss Halcombe and I have been talking over family affairs-
affairs which are the cause of my being here- and, in the course of
our conversation, she was naturally led to tell me of this
unpleasant matter connected with the anonymous letter, and of the
share which you have most creditably and properly taken in the
proceedings so far. That share, I quite understand, gives you an
interest which you might not otherwise have felt, in knowing that
the future management of the investigation, which you have begun, will
be placed in safe hands. My dear sir, make yourself quite easy on that
point- it will be placed in my hands.'
  'You are, in every way, Mr. Gilmore, much fitter to advise and to
act in the matter than I am. Is it an indiscretion, on my part, to ask
if you have decided yet on a course of proceeding?'
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 10}
  'So far as it is possible to decide, Mr. Hartright, I have
decided. I mean to send a copy of the letter, accompanied by a
statement of the circumstances, to Sir Percival Glyde's solicitor in
London, with whom I have some acquaintance. The letter itself, I shall
keep here, to show to Sir Percival as soon as he arrives. The
tracing of the two women, I have already provided for, by sending
one of Mr. Fairlie's servants- a confidential person- to the station
to make inquiries: the man has his money and his directions, and he
will follow the women in the event of his finding any clue. This is
all that can be done until Sir Percival comes on Monday. I have no
doubt myself that every explanation which can be expected from a
gentleman and a man of honour, he will readily give. Sir Percival
stands very high, sir- an eminent position, a reputation above
suspicion- I feel quite easy about results; quite easy, I am
rejoiced to assure you. Things of this sort happen constantly in my
experience. Anonymous letters- unfortunate woman- sad state of
society. I don't deny that there are peculiar complications in this
case; but the case itself is, most unhappily, common- common.'
  'I am afraid, Mr. Gilmore, I have the misfortune to differ from
you in the view I take of the case.'
  'Just so, my dear sir- just so. I am an old man; and I take the
practical view. You are a young man; and you take the romantic view.
Let us not dispute about our views. I live, professionally, in an
atmosphere of disputation, Mr. Hartright; and I am only too glad to
escape from it, as I am escaping here. We will wait for events- yes,
yes, yes; we will wait for events. Charming place, this. Good
shooting? Probably not- none of Mr. Fairlie's land is preserved, I
think. Charming place, though; and delightful people. You draw and
paint, I hear, Mr. Hartright? Enviable accomplishment. What style?
  We dropped into general conversation- or, rather, Mr. Gilmore
talked, and I listened. My attention was far from him, and from the
topics on which he discoursed so fluently. The solitary walk of the
last two hours had wrought its effect on me- it had set the idea in my
mind of hastening my departure from Limmeridge House. Why should I
prolong the hard trial of saying farewell by one unnecessary minute?
What further service was required of me by anyone? There was no useful
purpose to be served by my stay in Cumberland; there was no
restriction of time in the permission to leave which my employer had
granted to me. Why not end it, there and then.
  I determined to end it. There were some hours of daylight still
left- there was no reason why my journey back to London should not
begin on that afternoon. I made the first civil excuse that occurred
to me for leaving Mr. Gilmore; and returned at once to the house.
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 15}
  On my way up to my own room, I met Miss Halcombe on the stairs.
She saw, by the hurry of my movements and the change in my manner,
that I had some new purpose in view; and asked what had happened.
  I told her the reasons which induced me to think of hastening my
departure, exactly as I have told them here.
  'No, no,' she said, earnestly and kindly, 'leave us like a friend;
break bread with us once more. Stay here and dine; stay here and
help us to spend our last evening with you as happily, as like our
first evenings, as we can. It is my invitation; Mrs. Vesey's
invitation-' she hesitated a little, and then added, 'Laura's
invitation as well.'
  I promised to remain. God knows I had no wish to leave even the
shadow of a sorrowful impression with any one of them.
  My own room was the best place for me till the dinner bell rang. I
waited there till it was time to go down stairs.
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 20}
  I had not spoken to Miss Fairlie- I had not even seen her- all
that day. The first meeting with her, when I entered the drawing-room,
was a hard trial to her self-control and to mine. She, too, had done
her best to make our last evening renew the golden bygone time- the
time that could never come again. She had put on the dress which I
used to admire more than any other that she possessed- a dark blue
silk, trimmed quaintly and prettily with old-fashioned lace; she
came forward to meet me with her former readiness; she gave me her
hand with the frank, innocent good will of happier days. The cold
fingers that trembled round mine; the pale cheeks with a bright red
spot burning in the midst of them; the faint smile that struggled to
live on her lips and died away from them while I looked at it, told me
at what sacrifice of herself her outward composure was maintained.
My heart could take her no closer to me, or I should have loved her
then as I had never loved her yet.
  Mr. Gilmore was a great assistance to us. He was in high good
humour, and he led the conversation with unflagging spirit. Miss
Halcombe seconded him resolutely; and I did all I could to follow
her example. The kind blue eyes, whose slightest changes of expression
I had learnt to interpret so well, looked at me appealingly when we
first sat down to table. Help my sister- the sweet anxious face seemed
to say- help my sister and you will help me.
  We got through the dinner, to all outward appearance at least,
happily enough. When the ladies had risen from table, and Mr.
Gilmore and I were left alone in the dining-room, a new interest
presented itself to occupy our attention, and to give me an
opportunity of quieting myself by a few minutes of needful and welcome
silence. The servant who had been despatched to trace Anne Catherick
and Mrs. Clements, returned with his report, and was shown into the
dining-room immediately.
  'Well,' said Mr. Gilmore, 'what have you found out?'
  'I have found out, sir,' answered the man, 'that both the women took
tickets, at our station here, for Carlisle.'
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 25}
  'You went to Carlisle, of course, when you heard that?'
  'I did, sir; but I am sorry to say I could find no further trace
of them.'
  'You inquired at the railway?'
  'Yes, sir.'
  'And at the different inns?'
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 30}
  'Yes, sir.'
  'And you left the statement I wrote for you, at the police station?'
  'I did, sir.'
  'Well, my friend, you have done all you could, and I have done all I
could; and there the matter must rest till further notice. We have
played our trump cards, Mr. Hartright,' continued the old gentleman,
when the servant had withdrawn. 'For the present, at least, the
women have out-manoeuvred us; and our only resource, now, is to wait
till Sir Percival Glyde comes here on Monday next. Won't you fill your
glass again? Good bottle of port, that- sound, substantial, old
wine. I have got better in my own cellar, though.'
  We returned to the drawing-room- the room in which the happiest
evenings of my life had been passed; the room which, after this last
night, I was never to see again. Its aspect was altered since the days
had shortened and the weather had grown cold. The glass doors on the
terrace side were closed, and hidden by thick curtains. Instead of the
soft twilight obscurity, in which we used to sit, the bright radiant
glow of lamplight now dazzled my eyes. All was changed- in-doors and
out, all was changed.
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 35}
  Miss Halcombe and Mr. Gilmore sat down together at the card-table;
Mrs. Vesey took her customary chair. There was no restraint on the
disposal of their evening; and I felt the restraint on the
disposal of mine all the more painfully from observing it. I saw
Miss Fairlie lingering near the music stand. The time had been when
I might have joined her there. I waited irresolutely- I knew neither
where to go nor what to do next. She cast one quick glance at me, took
a piece of music suddenly from the stand, and came towards me of her
own accord.
  'Shall I play some of those little melodies of Mozart's, which you
used to like so much?' she asked, opening the music nervously, and
looking down at it while she spoke.
  Before I could thank her, she hastened to the piano. The chair
near it, which I had always been accustomed to occupy, stood empty.
She struck a few chords- then glanced round at me- then looked back
again at her music.
  'Won't you take your old place?' she said, speaking very abruptly,
and in very low tones.
  'I may take it on the last night,' I answered.
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 40}
   She did not reply: she kept her attention riveted on the music-
music which she knew by memory, which she had played over and over
again, in former times, without the book. I only knew that she had
heard me, I only knew that she was aware of my being close to her,
by seeing the red spot on the cheek that was nearest to me, fade
out, and the face grow pale all over.
  'I am very sorry you are going,' she said, her voice almost
sinking to a whisper; her eyes looking more and more intently at the
music; her fingers flying over the keys of the piano with a strange
feverish energy which I had never noticed in her before.
  'I shall remember those kind words, Miss Fairlie, long after
to-morrow has come and gone.'
  The paleness grew whiter on her face, and she turned it farther away
from me.
  'Don't speak of to-morrow,' she said. 'Let the music speak to us
of to-night, in a happier language than ours.'
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 45}
  Her lips trembled- a faint sigh fluttered from them, which she tried
vainly to suppress. Her fingers wavered on the piano; she struck a
false note; confused herself in trying to set it right; and dropped
her hands angrily on her lap. Miss Halcombe and Mr. Gilmore looked
up in astonishment from the card-table at which they were playing.
Even Mrs. Vesey, dozing in her chair, woke at the sudden cessation
of the music, and inquired what had happened.
  'You play at whist, Mr. Hartright? ' asked Miss Halcombe, with her
eyes directed significantly at the place I occupied.
  I knew what she meant; I knew she was right; and I rose at once to
go to the card-table. As I left the piano, Miss Fairlie turned a
page of the music, and touched the keys again with a surer hand.
  'I will play it,' she said, striking the notes almost
passionately. 'I will play it on the last night.'
  'Come, Mrs. Vesey,' said Miss Halcombe; 'Mr. Gilmore and I are tired
of ecarte- come and be Mr. Hartright's partner at whist.'
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 50}
  The old lawyer smiled satirically. His had been the winning hand;
and he had just turned up a king. He evidently attributed Miss
Halcombe's abrupt change in the card-table arrangements to a lady's
inability to play the losing game.
  The rest of the evening passed without a word or a look from her.
She kept her place at the piano; and I kept mine at the card-table.
She played unintermittingly- played as if the music was her only
refuge from herself. Sometimes, her fingers touched the notes with a
lingering fondness, a soft, plaintive, dying tenderness, unutterably
beautiful and mournful to hear- sometimes, they faltered and failed
her, or hurried over the instrument mechanically, as if their task was
a burden to them. But still, change and waver as they might in the
expression they imparted to the music, their resolution to play
never faltered. She only rose from the piano when we all rose to say
good night.
  Mrs. Vesey was the nearest to the door, and the first to shake hands
with me.
  'I shall not see you again, Mr. Hartright,' said the old lady. 'I am
truly sorry you are going away. You have been very kind and attentive;
and an old woman, like me, feels kindness and attention. I wish you
happy, sir- I wish you a kind good-by.'
  Mr. Gilmore came next.
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 55}
  'I hope we shall have a future opportunity of bettering our
acquaintance, Mr. Hartright. You quite understand about that little
matter of business being safe in my hands? Yes, yes, of course.
Bless me, how cold it is! Don't let me keep you at the door. Bon
voyage, my dear sir- bon voyage, as the French say.'
  Miss Halcombe followed.
  'Half-past seven to-morrow morning,' she said; then added, in a
whisper, 'I have heard and seen more than you think. Your conduct
to-night has made me your friend for life.'
  Miss Fairlie came last. I could not trust myself to look at her,
when I took her hand, and when I thought of the next morning.
  'My departure must be a very early one,' I said. 'I shall be gone,
Miss Fairlie, before you-'
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 60}
  'No, no,' she interposed, hastily; 'not before I am out of my
room. I shall be down to breakfast with Marian. I am not so
ungrateful, not so forgetful of the past three months-'
  Her voice failed her; her hand closed gently round mine- then
dropped it suddenly. Before I could say, 'Good night,' she was gone.
  The end comes fast to meet me- comes inevitably, as the light of the
last morning came at Limmeridge House.
  It was barely half-past seven when I went down stairs- but I found
them both at the breakfast-table waiting for me. In the chill air,
in the dim light, in the gloomy morning silence of the house, we three
sat down together, and tried to eat, tried to talk. The struggle to
preserve appearances was hopeless and useless; and I rose to end it.
  As I held out my hand, as Miss Halcombe, who was nearest to me, took
it, Miss Fairlie turned away suddenly, and hurried from the room.
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 65}
  'Better so,' said Miss Halcombe, when the door had closed- 'better
so, for you and for her.'
  I waited a moment before I could speak- it was hard to lose her,
without a parting word, or a parting look. I controlled myself; I
tried to take leave of Miss Halcombe in fitting terms; but all the
farewell words I would fain have spoken, dwindled to one sentence.
  'Have I deserved that you should write to me?' was all I could say.
  'You have nobly deserved everything that I can do for you, as long
as we both live. Whatever the end is, you shall know it.'
  'And if I can ever be of help again, at any future time, long
after the memory of my presumption and my folly is forgotten-'
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 70}
  I could add no more. My voice faltered, my eyes moistened, in
spite of me.
  She caught me by both hands- she pressed them with the strong,
steady grasp of a man- her dark eyes glittered- her brown complexion
flushed deep- the force and energy of her face glowed and grew
beautiful with the pure inner light of her generosity and her pity.
  'I will trust you- if ever the time comes, I will trust you as
my friend and her friend; as my brother and her brother.'
She stopped; drew me nearer to her- the fearless, noble creature-
touched my forehead, sister-like, with her lips; and called me by my
Christian name. 'God bless you, Walter!' she said. 'Wait here alone,
and compose yourself- I had better not stay for both our sakes; I
had better see you go from the balcony upstairs.'
  She left the room. I turned away towards the window, where nothing
faced me but the lonely autumn landscape- I turned away to master
myself, before I, too, left the room in my turn, and left it for ever.
  A minute passed- it could hardly have been more- when I heard the
door open again softly; and the rustling of a woman's dress on the
carpet, moved towards me. My heart beat violently as I turned round.
Miss Fairlie was approaching me from the farther end of the room.
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 75}
  She stopped and hesitated, when our eyes met, and when she saw
that we were alone. Then, with that courage which women lose so
often in the small emergency, and so seldom in the great, she came
on nearer to me, strangely pale and strangely quiet, drawing one
hand after her along the table by which she walked, and holding
something at her side, in the other, which was hidden by the folds
of her dress.
  'I only went into the drawing-room,' she said, 'to look for this. It
may remind you of your visit here, and of the friends you leave behind
you. You told me I had improved very much when I did it- and I thought
you might like-'
  She turned her head away, and offered me a little sketch drawn
throughout by her own pencil, of the summer-house in which we had
first met. The paper trembled in her hand as she held it out to me-
trembled in mine, as I took it from her.
  I was afraid to say what I felt- I only answered: 'It shall never
leave me; all my life long it shall be the treasure that I prize most.
I am very grateful for it- very grateful to you, for not letting
me go away without bidding you good-by.'
  'Oh!' she said, innocently, 'how could I let you go, after we have
passed so many happy days together!'
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 80}
  'Those days may never return, Miss Fairlie- my way of life and yours
are very far apart. But if a time should come, when the devotion of my
whole heart and soul and strength will give you a moment's
happiness, or spare you a moment's sorrow, will you try to remember
the poor drawing-master who has taught you? Miss Halcombe has promised
to trust me- will you promise, too?'
  The farewell sadness in the kind blue eyes shone dimly through her
gathering tears.
  'I promise it,' she said, in broken tones. 'Oh, don't look at me
like that! I promise it with all my heart.'
  I ventured a little nearer to her, and held out my hand.
  'You have many friends who love you, Miss Fairlie. Your happy future
is the dear object of many hopes. May I say, at parting, that it is
the dear object of my hopes too?'
                                      {1ST_EPOCH|HARTRIGHT|XV ^paragraph 85}
  The tears flowed fast down her cheeks. She rested one trembling hand
on the table to steady herself, while she gave me the other. I took it
in mine- I held it fast. My head drooped over it, my tears fell on it,
my lips pressed it- not in love; oh, not in love, at that last moment,
but in the agony and the self-abandonment of despair.
  'For God's sake, leave me!' she said faintly.
  The confession of her heart's secret burst from her in those
pleading words. I had no right to hear them, no right to answer
them: they were the words that banished me, in the name of her
sacred weakness, from the room. It was all over. I dropped her hand; I
said no more. The blinding tears shut her out from my eyes, and I
dashed them away to look at her for the last time. One look as she
sank into a chair, as her arms fell on the table, as her fair head
dropped on them wearily. One farewell look; and the door had closed
upon her- the great gulf of separation had opened between us- the
image of Laura Fairlie was a memory of the past already.
-
                  The End of Hartright's Narrative.

{1ST_EPOCH|GILMORE|I
               The Story continued by VINCENT GILMORE,
                     of Chancery Lane, Solicitor
                                  I
-
  I write these lines at the request of my friend, Mr. Walter
Hartright. They are intended to convey a description of certain events
which seriously affected Miss Fairlie's interests, and which took
place after the period of Mr. Hartright's departure from Limmeridge
House.
  There is no need for me to say whether my own opinion does or does
not sanction the disclosure of the remarkable family story, of which
my narrative forms an important component part. Mr. Hartright has
taken that responsibility on himself; and circumstances yet to be
related will show that he has amply earned the right to do so, if he
chooses to exercise it. The plan he has adopted for presenting the
story to others, in the most truthful and most vivid manner,
requires that it should be told, at each successive stage in the march
of events, by the persons who were directly concerned in those
events at the time of their occurrence. My appearance here, as
narrator, is the necessary consequence of this arrangement. I was
present during the sojourn of Sir Percival Glyde in Cumberland, and
was personally concerned in one important result of his short
residence under Mr. Fairlie's roof. It is my duty, therefore, to add
these new links to the chain of events, and to take up the chain
itself at the point where, for the present only, Mr. Hartright has
dropped it.
-
                                          {1ST_EPOCH|GILMORE|I ^paragraph 5}
  I arrived at Limmeridge House, on Friday the second of November.
  My object was to remain at Mr. Fairlie's until the arrival of Sir
Percival Glyde. If that event led to the appointment of any given
day for Sir Percival's union with Miss Fairlie, I was to take the
necessary instructions back with me to London, and to occupy myself in
drawing the lady's marriage-settlement.
  On the Friday I was not favoured by Mr. Fairlie with an interview.
He had been, or had fancied himself to be, an invalid for years
past; and he was not well enough to receive me. Miss Halcombe was
the first member of the family whom I saw. She met me at the house
door; and introduced me to Mr. Hartright, who had been staying at
Limmeridge for some time past.
  I did not see Miss Fairlie until later in the day, at dinner time.
She was not looking well, and I was sorry to observe it. She is a
sweet, lovable girl, as amiable and attentive to every one about her
as her excellent mother used to be- though, personally speaking, she
takes after her father. Mrs. Fairlie had dark eyes and hair; and her
elder daughter, Miss Halcombe, strongly reminds me of her. Miss
Fairlie played to us in the evening- not so well as usual, I
thought. We had a rubber at whist; a mere profanation, so far as
play was concerned, of that noble game. I had been favourably
impressed by Mr. Hartright, on our first introduction to one
another; but I soon discovered that he was not free from the social
failings incidental to his age. There are three things that none of
the young men of the present generation can do. They can't sit over
their wine; they can't play at whist; and they can't pay a lady a
compliment. Mr. Hartright was no exception to the general rule.
Otherwise, even in those early days and on that short acquaintance, he
struck me as being a modest and gentlemanlike young man.
  So the Friday passed. I say nothing about the more serious matters
which engaged my attention on that day- the anonymous letter to Miss
Fairlie; the measures I thought it right to adopt when the matter
was mentioned to me; and the conviction I entertained that every
possible explanation of the circumstances would be readily afforded by
Sir Percival Glyde, having been fully noticed, as I understand, in the
narrative which precedes this.
                                         {1ST_EPOCH|GILMORE|I ^paragraph 10}
  On the Saturday, Mr. Hartright had left before I got down to
breakfast. Miss Fairlie kept her room all day; and Miss Halcombe
appeared to me to be out of spirits. The house was not what it used to
be in the time of Mr. and Mrs. Philip Fairlie. I took a walk by myself
in the forenoon; and looked about at some of the places which I
first saw when I was staying at Limmeridge to transact family
business, more than thirty years since. They were not what they used
to be either.
  At two o'clock Mr. Fairlie sent to say he was well enough to see me.
He had not altered, at any rate, since I first knew him. His talk
was to the same purpose as usual- all about himself and his
ailments, his wonderful coins, and his matchless Rembrandt etchings.
The moment I tried to speak of the business that had brought me to his
house, he shut his eyes and said I 'upset' him. I persisted in
upsetting him by returning again and again to the subject. All I could
ascertain was that he looked on his niece's marriage as a settled
thing, that her father had sanctioned it, that he sanctioned it
himself, that it was a desirable marriage, and that he should be
personally rejoiced when the worry of it was over. As to the
settlements, if I would consult his niece, and afterwards dive as
deeply as I pleased into my own knowledge of the family affairs, and
get everything ready, and limit his share in the business, as
guardian, to saying, Yes, at the right moment- why of course he
would meet my views, and everybody else's views, with infinite
pleasure. In the mean time, there I saw him, a helpless sufferer,
confined to his room. Did I think he looked as if he wanted teasing?
No. Then why tease him?
  I might, perhaps, have been a little astonished at this
extraordinary absence of all self-assertion on Mr. Fairlie's part,
in the character of guardian, if my knowledge of the family affairs
had not been sufficient to remind me that he was a single man, and
that he had nothing more than a life-interest in the Limmeridge
property. As matters stood, therefore, I was neither surprised nor
disappointed at the result of the interview. Mr. Fairlie had simply
justified my expectations- and there was an end of it.
  Sunday was a dull day, out of doors and in. A letter arrived for
me from Sir Percival Glyde's solicitor, acknowledging the receipt of
my copy of the anonymous letter, and my accompanying statement of
the case. Miss Fairlie joined us in the afternoon, looking pale and
depressed, and altogether unlike herself. I had some talk with her,
and ventured on a delicate allusion to Sir Percival. She listened, and
said nothing. All other subjects she pursued willingly; but this
subject she allowed to drop. I began to doubt whether she might not be
repenting of her engagement- just as young ladies often do, when
repentance comes too late.
  On Monday Sir Percival Glyde arrived.
                                         {1ST_EPOCH|GILMORE|I ^paragraph 15}
  I found him to be a most prepossessing man, so far as manners and
appearance were concerned. He looked rather older than I had expected;
his head being bald over the forehead, and his face somewhat marked
and worn. But his movements were as active and his spirits as high
as a young man's. His meeting with Miss Halcombe was delightfully
hearty and unaffected; and his reception of me, upon my being
presented to him, was so easy and pleasant that we got on together
like old friends. Miss Fairlie was not with us when he arrived, but
she entered the room about ten minutes afterwards. Sir Percival rose
and paid his compliments with perfect grace. His evident concern on
seeing the change- for the worse in the young lady's looks was
expressed with a mixture of tenderness and respect, with an unassuming
delicacy of tone, voice, and manner, which did equal credit to his
good breeding and his good sense. I was rather surprised, under
these circumstances, to see that Miss Fairlie continued to be
constrained and uneasy in his presence, and that she took the first
opportunity of leaving the room again. Sir Percival neither noticed
the restraint in her reception of him, nor her sudden withdrawal
from our society. He had not obtruded his attentions on her while
she was present, and he did not embarrass Miss Halcombe by any
allusion to her departure when she was gone. His tact and taste were
never at fault on this or on any other occasion while I was in his
company at Limmeridge House.
  As soon as Miss Fairlie had left the room, he spared us all
embarrassment on the subject of the anonymous letter, by adverting
to it of his own accord. He had stopped in London on his way from
Hampshire; had seen his solicitor; had read the documents forwarded by
me; and had travelled on to Cumberland, anxious to satisfy our minds
by the speediest and the fullest explanation that words could
convey. On hearing him express himself to this effect, I offered him
the original letter which I had kept for his inspection. He thanked
me, and declined to look at it; saying that he had seen the copy,
and that he was quite willing to leave the original in our hands.
  The statement itself, on which he immediately entered, was as simple
and satisfactory as I had all along anticipated it would be.
  Mrs. Catherick, he informed us, had, in past years, laid him under
some obligations for faithful services rendered to his family
connexions and to himself. She had been doubly unfortunate in being
married to a husband who had deserted her, and in having an only child
whose mental faculties had been in a disturbed condition from a very
early age. Although her marriage had removed her to a part of
Hampshire far distant from the neighbourhood in which Sir Percival's
property was situated, he had taken care not to lose sight of her; his
friendly feeling towards the poor woman, in consideration of her
past services, having been greatly strengthened by his admiration of
the patience and courage with which she supported her calamities. In
course of time, the symptoms of mental affliction in her unhappy
daughter increased to such a serious extent, as to make it a matter of
necessity to place her under proper medical care. Mrs. Catherick
herself recognised this necessity; but she also felt the prejudice
common to persons occupying her respectable station, against
allowing her child to be admitted, as a pauper, into a public
Asylum. Sir Percival had respected this prejudice, as he respected
honest independence of feeling in any rank of life; and had resolved
to mark his grateful sense of Mrs. Catherick's early attachment to the
interests of himself and his family, by defraying the expense of her
daughter's maintenance in a trustworthy private Asylum. To her
mother's regret, and to his own regret, the unfortunate creature had
discovered the share which circumstances had induced him to take in
placing her under restraint, and had conceived the most intense hatred
and distrust of him in consequence. To that hatred and distrust- which
had expressed itself in various ways in the Asylum- the anonymous
letter, written after her escape, was plainly attributable. If Miss
Halcombe's or Mr. Gilmore's recollection of the document did not
confirm that view, or if they wished for any additional particulars
about the Asylum (the address of which he mentioned, as well as the
names and addresses of the two doctors on whose certificates the
patient was admitted), he was ready to answer any question and to
clear up any uncertainty. He had done his duty to the unhappy young
woman, by instructing his solicitor to spare no expense in tracing
her, and in restoring her once more to medical care; and he was now
only anxious to do his duty towards Miss Fairlie and towards her
family, in the same plain, straightforward way.
  I was the first to speak in answer to this appeal. My own course was
plain to me. It is the great beauty of the Law that it can dispute any
human statement, made under any circumstances, and reduced to any
form. If I had felt professionally called upon to set up a case
against Sir Percival Glyde, on the strength of his own explanation,
I could have done so beyond all doubt. But my duty did not lie in this
direction: my function was of the purely judicial kind. I was to weigh
the explanation we had just heard; to allow all due force to the
high reputation of the gentleman who offered it; and to decide
honestly whether the probabilities, on Sir Percival's own showing,
were plainly with him, or plainly against him. My own conviction was
that they were plainly with him; and I accordingly declared that his
explanation was, to my mind, unquestionably a satisfactory one.
                                         {1ST_EPOCH|GILMORE|I ^paragraph 20}
  Miss Halcombe, after looking at me very earnestly, said a few words,
on her side, to the same effect- with a certain hesitation of
manner, however, which the circumstances did not seem to me to
warrant. I am unable to say, positively, whether Sir Percival
noticed this or not. My opinion is that he did; seeing that he
pointedly resumed the subject, although he might, now, with all
propriety, have allowed it to drop.
  'If my plain statement of facts had only been addressed to Mr.
Gilmore,' he said, 'I should consider any further reference to this
unhappy matter as unnecessary. I may fairly expect Mr. Gilmore, as a
gentleman, to believe me on my word; and when he has done me that
justice, all discussion of the subject between us has come to an
end. But my position with a lady is not the same. I owe to her, what I
would concede to no man alive- a proof of the truth of my assertion.
You cannot ask for that proof, Miss Halcombe; and it is therefore my
duty to you, and still more to Miss Fairlie, to offer it. May I beg
that you will write at once to the mother of this unfortunate woman-
to Mrs. Catherick- to ask for her testimony in support of the
explanation which I have just offered to you.' I saw Miss Halcombe
change colour, and look a little uneasy. Sir Percival's suggestion,
politely as it was expressed, appeared to her, as it appeared to me,
to point, very delicately, at the hesitation which her manner had
betrayed a moment or two since.
  'I hope, Sir Percival, you don't do me the injustice to suppose that
I distrust you,' she said, quickly.
  'Certainly not, Miss Halcombe. I make my proposal purely as an act
of attention to you. Will you excuse my obstinacy if I still venture
to press it?'
  He walked to the writing-table, as he spoke; drew a chair to it; and
opened the paper case.
                                         {1ST_EPOCH|GILMORE|I ^paragraph 25}
  'Let me beg you to write the note,' he said, 'as a favour to me.
It need not occupy you more than a few minutes. You have only to ask
Mrs. Catherick two questions. First, if her daughter was placed in the
Asylum with her knowledge and approval. Secondly, if the share I
took in the matter was such as to merit the expression of her
gratitude towards myself? Mr. Gilmore's mind is at ease on this
unpleasant subject; and your mind is at ease- pray set my mind at ease
also, by writing the note.'
  'You oblige me to grant your request, Sir Percival, when I would
much rather refuse it.' With those words Miss Halcombe rose from her
place and went to the writing-table. Sir Percival thanked her,
handed her a pen, and then walked away towards the fireplace. Miss
Fairlie's little Italian greyhound was lying on the rug. He held out
his hand, and called to the dog good-humouredly.
  'Come, Nina,' he said; 'we remember each other, don't we?'
  The little beast, cowardly and cross-grained as pet-dogs usually
are, looked up at him sharply, shrank away from his outstretched hand,
whined, shivered, and hid itself under a sofa. It was scarcely
possible that he could have been put out by such a trifle as a dog's
reception of him- but I observed, nevertheless, that he walked away
towards the window very suddenly. Perhaps his temper is irritable at
times? If so, I can sympathise with him. My temper is irritable at
times, too.
  Miss Halcombe was not long in writing the note. When it was done,
she rose from the writing-table, and handed the open sheet of paper to
Sir Percival. He bowed; took it from her; folded it up immediately,
without looking at the contents; sealed it; wrote the address; and
handed it back to her in silence. I never saw anything more gracefully
and more becomingly done, in my life.
                                         {1ST_EPOCH|GILMORE|I ^paragraph 30}
  'You insist on my posting this letter, Sir Percival?' said Miss
Halcombe.
  'I beg you will post it,' he answered. 'And now that it is written
and sealed up, allow me to ask one or two last questions about the
unhappy woman to whom it refers. I have read the communication which
Mr. Gilmore kindly addressed to my solicitor, describing the
circumstances under which the writer of the anonymous letter was
identified. But there are certain points to which that statement
does not refer. Did Anne Catherick see Miss Fairlie?'
  'Certainly not,' replied Miss Halcombe.
  'Did she see you?'
  'No.'
                                         {1ST_EPOCH|GILMORE|I ^paragraph 35}
  'She saw nobody from the house, then, except a certain Mr.
Hartright, who accidentally met with her in the churchyard here?'
  'Nobody else.'
  'Mr. Hartright was employed at Limmeridge as a drawing-master, I
believe? Is he a member of one of the Water-Colour Societies?'
  'I believe he is,' answered Miss Halcombe.
  He paused for a moment, as if he was thinking over the last
answer, and then added:
                                         {1ST_EPOCH|GILMORE|I ^paragraph 40}
   'Did you find out where Anne Catherick was living, when she was
in this neighbourhood?'
  'Yes. At a farm on the moor, called Todd's Corner.'
  'It is a duty we all owe to the poor creature herself to trace her,'
continued Sir Percival. 'She may have said something at Todd's
Corner which may help us to find her. I will go there, and make
inquiries on the chance. In the mean time, as I cannot prevail on
myself to discuss this painful subject with Miss Fairlie, may I beg,
Miss Halcombe, that you will kindly undertake to give her the
necessary explanation, deferring it of course until you have
received the reply to that note.'
  Miss Halcombe promised to comply with his request. He thanked her-
nodded pleasantly- and left us, to go and establish himself in his own
room. As he opened the door, the cross-grained greyhound poked out her
sharp muzzle from under the sofa, and barked and snapped at him.
  'A good morning's work, Miss Halcombe,' I said, as soon as we were
alone. 'Here is an anxious day well ended already.'
                                         {1ST_EPOCH|GILMORE|I ^paragraph 45}
  'Yes,' she answered; 'no doubt. I am very glad your mind is
satisfied.'
  'My mind! Surely, with that note in your hand, your mind is at
ease, too?'
  'Oh, yes- how can it be otherwise? I know the thing could not be,'
she went on, speaking more to herself than to me; 'but I almost wish
Walter Hartright had stayed here long enough to be present at the
explanation, and to hear the proposal to me to write this note.'
  I was a little surprised- perhaps a little piqued, also, by these
last words.
  'Events, it is true, connected Mr. Hartright very remarkably with
the affair of the letter,' I said; 'and I readily admit that he
conducted himself, all things considered, with great delicacy and
discretion. But I am quite at a loss to understand what useful
influence his presence could have exercised in relation to the
effect of Sir Percival's statement on your mind or mine.'
                                         {1ST_EPOCH|GILMORE|I ^paragraph 50}
  'It was only a fancy,' she said, absently. 'There is no need to
discuss it, Mr. Gilmore. Your experience ought to be, and is, the best
guide I can desire.'
  I did not altogether like her thrusting the whole responsibility, in
this marked manner, on my shoulders. If Mr. Fairlie had done it, I
should not have been surprised. But resolute, clear-minded Miss
Halcombe, was the very last person in the world whom I should have
expected to find shrinking from the expression of an opinion of her
own.
  'If any doubts still trouble you,' I said, 'why not mention them
to me at once? Tell me plainly, have you any reason to distrust Sir
Percival Glyde?'
  'None whatever.'
  'Do you see anything improbable, or contradictory, in his
explanation?'
                                         {1ST_EPOCH|GILMORE|I ^paragraph 55}
  'How can I say I do, after the proof he has offered me of the
truth of it? Can there be better testimony in his favour, Mr. Gilmore,
than the testimony of the woman's mother?'
  'None better. If the answer to your note of inquiry proves to be
satisfactory, I, for one, cannot see what more any friend of Sir
Percival's can possibly expect from him.'
  'Then we will post the note,' she said, rising to leave the room,
'and dismiss all further reference to the subject, until the answer
arrives. Don't attach any weight to my hesitation. I can give no
better reason for it than that I have been over-anxious about Laura
lately; and anxiety, Mr. Gilmore, unsettles the strongest of us.'
  She left me abruptly: her naturally firm voice faltering as she
spoke those last words. A sensitive, vehement, passionate nature- a
woman of ten thousand in these trivial, superficial times. I had known
her from her earliest years; I had seen her tested, as she grew up, in
more than one trying family crisis, and my long experience made me
attach an importance to her hesitation under the circumstances here
detailed, which I should certainly not have felt in the case of
another woman. I could see no cause for any uneasiness or any doubt;
but she had made me a little uneasy, and a little doubtful,
nevertheless. In my youth, I should have chafed and fretted under
the irritation of my own unreasonable state of mind. In my age, I knew
better; and went out philosophically to walk it off.

{1ST_EPOCH|GILMORE|II
                                  II
-
  We all met again at dinner-time.
  Sir Percival was in such boisterous high spirits that I hardly
recognised him as the same man whose quiet tact, refinement, and
good sense had impressed me so strongly at the interview of the
morning. The only trace of his former self that I could detect,
reappeared, every now and then, in his manner towards Miss Fairlie.
A look or a word from her, suspended his loudest laugh, checked his
gayest flow of talk, and rendered him all attention to her, and to
no one else at table, in an instant. Although he never openly tried to
draw her into the conversation, he never lost the slightest chance she
gave him of letting her drift into it by accident, and of saying the
words to her, under those favourable circumstances, which a man with
less tact and delicacy would have pointedly addressed to her the
moment they occurred to him. Rather to my surprise, Miss Fairlie
appeared to be sensible of his attentions, without being moved by
them. She was a little confused from time to time, when he looked at
her, or spoke to her; but she never warmed towards him. Rank, fortune,
good breeding, good looks, the respect of a gentleman, and the
devotion of a lover were all humbly placed at her feet, and, so far as
appearances went, were all offered in vain.
  On the next day, the Tuesday, Sir Percival went in the morning
(taking one of the servants with him as a guide) to Todd's Corner. His
inquiries, as I afterwards heard, led to no results. On his return, he
had an interview with Mr. Fairlie; and in the afternoon he and Miss
Halcombe rode out together. Nothing else happened worthy of record.
The evening passed as usual. There was no change in Sir Percival,
and no change in Miss Fairlie.
  The Wednesday's post brought with it an event- the reply from Mrs.
Catherick. I took a copy of the document, which I have preserved,
and which I may as well present in this place. It ran as follows:-
-
                                         {1ST_EPOCH|GILMORE|II ^paragraph 5}
  'MADAM,- I beg to acknowledge the receipt of your letter,
inquiring whether my daughter, Anne, was placed under medical
superintendence with my knowledge and approval, and whether the
share taken in the matter by Sir Percival Glyde was such as to merit
the expression of my gratitude towards that gentleman. Be pleased to
accept my answer in the affirmative to both those questions, and
believe me to remain, your obedient servant,
                                          'JANE ANNE CATHERICK.'
-
  Short, sharp, and to the point: in form, rather a business-like
letter for a woman to write; in substance, as plain a confirmation
as could be desired of Sir Percival Glyde's statement. This was my
opinion, and with certain minor reservations, Miss Halcombe's
opinion also. Sir Percival, when the letter was shown to him, did
not appear to be struck by the sharp, short tone of it. He told us
that Mrs. Catherick was a woman of few words, a clear-headed,
straightforward, unimaginative person, who wrote briefly and
plainly, just as she spoke.
  The next duty to be accomplished, now that the answer had been
received, was to acquaint Miss Fairlie with Sir Percival's
explanation. Miss Halcombe had undertaken to do this, and had left the
room to go to her sister, when she suddenly returned again, and sat
down by the easy-chair in which I was reading the newspaper. Sir
Percival had gone out a minute before to look at the stables, and no
one was in the room but ourselves.
                                        {1ST_EPOCH|GILMORE|II ^paragraph 10}
  'I suppose we have really and truly done all we can?' she said,
turning and twisting Mrs. Catherick's letter in her hand.
  'If we are friends of Sir Percival's, who know him and trust him, we
have done all, and more than all, that is necessary,' I answered, a
little annoyed by this return of her hesitation. 'But if we are
enemies who suspect him-'
  'That alternative is not even to be thought of,' she interposed. 'We
are Sir Percival's friends; and, if generosity and forbearance can add
to our regard for him, we ought to be Sir Percival's admirers as well.
You know that he saw Mr. Fairlie yesterday, and that he afterwards
went out with me?'
  'Yes. I saw you riding away together.'
  'We began the ride by talking about Anne Catherick, and about the
singular manner in which Mr. Hartright met with her. But we soon
dropped that subject; and Sir Percival spoke next, in the most
unselfish terms, of his engagement with Laura. He said he had observed
that she was out of spirits, and he was willing, if not informed to
the contrary, to attribute to that cause the alteration in her
manner towards him during his present visit. If, however, there was
any more serious reason for the change, he would entreat that no
constraint might be placed on her inclinations either by Mr. Fairlie
or by me. All he asked, in that case, was that she would recall to
mind, for the last time, what the circumstances were under which the
engagement between them was made, and what his conduct had been from
the beginning of the courtship to the present time. If, after due
reflection on those two subjects, she seriously desired that he should
withdraw his pretensions to the honour of becoming her husband- and if
she would tell him so plainly, with her own lips- he would sacrifice
himself by leaving her perfectly free to withdraw from the
engagement.'
                                        {1ST_EPOCH|GILMORE|II ^paragraph 15}
  'No man could say more than that, Miss Halcombe. As to my
experience, few men in his situation would have said as much.'
  She paused after I had spoken those words, and looked at me with a
singular expression of perplexity and distress.
  'I accuse nobody and I suspect nothing,' she broke out, abruptly.
'But I cannot and will not accept the responsibility of persuading
Laura to this marriage.'
  'That is exactly the course which Sir Percival Glyde has himself
requested you to take,' I replied, in astonishment. 'He has begged you
not to force her inclinations.'
  'And he indirectly obliges me to force them, if I give her his
message.'
                                        {1ST_EPOCH|GILMORE|II ^paragraph 20}
  'How can that possibly be?'
  'Consult your own knowledge of Laura, Mr. Gilmore. If I tell her
to reflect on the circumstances of her engagement, I at once appeal to
two of the strongest feelings in her nature- to her love for her
father's memory, and to her strict regard for truth. You know that she
never broke a promise in her life; you know that she entered on this
engagement at the beginning of her father's fatal illness, and that he
spoke hopefully and happily of her marriage to Sir Percival Glyde on
his death-bed.'
  I own that I was a little shocked at this view of the case.
  'Surely,' I said, 'you don't mean to infer that when Sir Percival
spoke to you yesterday, he speculated on such a result as you have
just mentioned?'
  Her frank, fearless face answered for her before she spoke.
                                        {1ST_EPOCH|GILMORE|II ^paragraph 25}
  'Do you think I would remain an instant in the company of any man
whom I suspected of such baseness as that?' she asked, angrily.
  I liked to feel her hearty indignation flash out on me in that
way. We see so much malice and so little indignation in my profession.
  'In that case,' I said, 'excuse me if I tell you, in our legal
phrase, that you are travelling out of the record. Whatever the
consequences may be, Sir Percival has a right to expect that your
sister should carefully consider her engagement from every
reasonable point of view before she claims her release from it. If
that unlucky letter has prejudiced her against him go at once and tell
her that he has cleared himself in your eyes and in mine. What
objection can she urge against him after that? What excuse can she
possibly have for changing her mind about a man whom she had virtually
accepted for her husband more than two years ago?'
  'In the eyes of law and reason, Mr. Gilmore, no excuse, I dare
say. If she still hesitates, and if I still hesitate, you must
attribute our strange conduct, if you like, to caprice in both
cases, and we must bear the imputation as well as we can.'
  With those words, she suddenly rose, and left me. When a sensible
woman has a serious question put to her, and evades it by a flippant
answer, it is a sure sign, in ninety-nine cases out of a hundred, that
she has something to conceal. I returned to the perusal of the
newspaper, strongly suspecting that Miss Halcombe and Miss Fairlie had
a secret between them which they were keeping from Sir Percival and
keeping from me. I thought this hard on both of us- especially on
Sir Percival.
                                        {1ST_EPOCH|GILMORE|II ^paragraph 30}
  My doubts- or, to speak more correctly, my convictions- were
confirmed by Miss Halcombe's language and manner, when I saw her again
later in the day. She was suspiciously brief and reserved in telling
me the result of her interview with her sister. Miss Fairlie, it
appeared, had listened quietly while the affair of the letter was
placed before her in the right point of view; but when Miss Halcombe
next proceeded to say that the object of Sir Percival's visit at
Limmeridge was to prevail on her to let a day be fixed for the
marriage, she checked all further reference to the subject by
begging for time. If Sir Percival would consent to spare her for the
present, she would undertake to give him his final answer before the
end of the year. She pleaded for this delay with such anxiety and
agitation, that Miss Halcombe had promised to use her influence, if
necessary, to obtain it; and there, at Miss Fairlie's earnest
entreaty, all further discussion of the marriage question had ended.
  The purely temporary arrangement thus proposed might have been
convenient enough to the young lady; but it proved somewhat
embarrassing to the writer of these lines. That morning's post had
brought a letter from my partner, which obliged me to return to town
the next day, by the afternoon train. It was extremely probable that I
should find no second opportunity of presenting myself at Limmeridge
House during the remainder of the year. In that case, supposing Miss
Fairlie ultimately decided on holding to her engagement, my
necessary personal communication with her, before I drew her
settlement, would become something like a downright impossibility; and
we should be obliged to commit to writing questions which ought always
to be discussed on both sides by word of mouth. I said nothing about
this difficulty, until Sir Percival had been consulted on the
subject of the desired delay. He was too gallant a gentleman not to
grant the request immediately. When Miss Halcombe informed me of
this I told her that I must absolutely speak to her sister, before I
left Limmeridge; and it was, therefore, arranged that I should see
Miss Fairlie in her own sitting-room, the next morning. She did not
come down to dinner, or join us in the evening. Indisposition was
the excuse; and I thought Sir Percival looked, as well he might, a
little annoyed when he heard of it.
  The next morning, as soon as breakfast was over, I went up to Miss
Fairlie's sitting-room. The poor girl looked so pale and sad, and came
forward to welcome me so readily and prettily, that the resolution
to lecture her on her caprice and indecision, which I had been forming
all the way upstairs, failed me on the spot. I led her back to the
chair from which she had risen, and placed myself opposite to her. Her
cross-grained pet greyhound was in the room, and I fully expected a
barking and snapping reception. Strange to say, the whimsical little
brute falsified my expectations by jumping into my lap, and poking its
sharp muzzle familiarly into my hand the moment I sat down.
  'You used often to sit on my knee when you were a child, my dear,' I
said, 'and now your little dog seems determined to succeed you in
the vacant throne. Is that pretty drawing your doing?'
  I pointed to a little album, which lay on the table by her side, and
which she had evidently been looking over when I came in. The page
that lay open had a small water-colour landscape very neatly mounted
on it. This was the drawing which had suggested my question: an idle
question enough- but how could I begin to talk of business to her
the moment I opened my lips?
                                        {1ST_EPOCH|GILMORE|II ^paragraph 35}
  'No,' she said, looking away from the drawing rather confusedly; 'it
is not my doing.'
  Her fingers had a restless habit, which I remembered in her as a
child, of always playing with the first thing that came to hand,
whenever any one was talking to her. On this occasion they wandered to
the album, and toyed absently about the margin of the little
water-colour drawing. The expression of melancholy deepened on her
face. She did not look at the drawing, or look at me. Her eyes moved
uneasily from object to object in the room; betraying plainly that she
suspected what my purpose was in coming to speak to her. Seeing
that, I thought it best to get to the purpose with as little delay
as possible.
  One of the errands, my dear, which brings me here is to bid you
good-by,' I began. 'I must get back to London to-day; and, before I
leave, I want to have a word with you on the subject of your own
affairs.'
  'I am very sorry you are going, Mr. Gilmore,' she said, looking at
me kindly. 'It is like the happy old times to have you here.'
  'I hope I may be able to come back, and recall those pleasant
memories once more,' I continued; 'but as there is some uncertainty
about the future, I must take my opportunity when I can get it, and
speak to you now. I am your old lawyer and your old friend; and I
may remind you, I am sure, without offence, of the possibility of your
marrying Sir Percival Glyde.'
                                        {1ST_EPOCH|GILMORE|II ^paragraph 40}
  She took her hand off the little album as suddenly as if it had
turned hot and burnt her. Her fingers twined together nervously in her
lap; her eyes looked down again at the floor; and an expression of
constraint settled on her face which looked almost like an
expression of pain.
  'Is it absolutely necessary to speak of my marriage engagement?' she
asked, in low tones.
  'It is necessary to refer to it,' I answered; 'but not to dwell on
it. Let us merely say that you may marry, or that you may not marry.
In the first case, I must be prepared, beforehand, to draw your
settlement; and I ought not to do that without, as a matter of
politeness, first consulting you. This may be my only chance of
hearing what your wishes are. Let us, therefore, suppose the case of
your marrying, and let me inform you, in as few words as possible,
what your position is now, and what you may make it, if you please, in
the future.'
  I explained to her the object of a marriage-settlement; and then
told her exactly what her prospects were- in the first place, on her
coming of age, and, in the second place, on the decease of her
uncle- marking the distinction between the property in which she had a
life interest only, and the property which was left at her own
control. She listened attentively, with the constrained expression
still on her face, and her hands, still nervously clasped together
in her lap.
  'And now,' I said, in conclusion, 'tell me if you can think of any
condition which, in the case we have supposed, you would wish me to
make for you- subject, of course, to your guardian's approval, as
you are not yet of age.'
                                        {1ST_EPOCH|GILMORE|II ^paragraph 45}
  She moved uneasily in her chair- then looked in my face, on a sudden
very earnestly.
  'If it does happen,' she began, faintly; 'if I am-
  'If you are married,' I added, helping her out.
  'Don't let him part me from Marian,' she cried, with a sudden
outbreak of energy. 'Oh, Mr. Gilmore, pray make it law that Marian
is to live with me!'
  Under other circumstances I might perhaps have been amused at this
essentially feminine interpretation of my question, and of the long
explanation which had preceded it. But her looks and tones, when she
spoke, were of a kind to make me more than serious- they distressed
me. Her words, few as they were, betrayed a desperate clinging to
the past which boded ill for the future.
                                        {1ST_EPOCH|GILMORE|II ^paragraph 50}
  'Your having Marian Halcombe to live with you, can easily be settled
by private arrangement,' I said. 'You hardly understood my question, I
think. It referred to your own property- to the disposal of your
money. Supposing you were to make a will, when you come of age, who
would you like the money to go to?'
  'Marian has been mother and sister both to me,' said the good,
affectionate girl, her pretty blue eyes glistening while she spoke.
'May I leave it to Marian, Mr. Gilmore?'
  'Certainly, my love, I answered. 'But remember what a large sum it
is. Would you like it all to go to Miss Halcombe?'
  She hesitated; her colour came and went; and her hand stole back
again to the little album.
  'Not all of it,' she said. 'There is some one else, besides Marian-'
                                        {1ST_EPOCH|GILMORE|II ^paragraph 55}
  She stopped; her colour heightened; and the fingers of the hand that
rested upon the album beat gently on the margin of the drawing, as
if her memory had set them going mechanically with the remembrance
of a favourite tune.
  'You mean some other member of the family besides Miss Halcombe?'
I suggested, seeing her at a loss to proceed.
  The heightening colour spread to her forehead and her neck, and
the nervous fingers suddenly clasped themselves fast round the edge of
the book.
  'There is some one else,' she said, not noticing my last words,
though she had evidently heard them; 'there is some one else who might
like a little keepsake, if- if I might leave it. There would be no
harm, if I should die first-'
  She paused again. The colour that had spread over her cheeks
suddenly, as suddenly left them. The hand on the album resigned its
hold, trembled a little, and moved the book away from her. She
looked at me for an instant- then turned her head aside in the
chair. Her handkerchief fell to the floor as she changed her position,
and she hurriedly hid her face from me in her hands.
                                        {1ST_EPOCH|GILMORE|II ^paragraph 60}
  Sad! To remember her, as I did, the liveliest, happiest child that
ever laughed the day through; and to see her now, in the flower of her
age and her beauty, so broken and so brought down as this!
  In the distress that she caused me, I forgot the years that had
passed, and the change they had made in our position towards one
another. I moved my chair close to her, and picked up her handkerchief
from the carpet, and drew her hands from her face gently. 'Don't
cry, my love,' I said, and dried the tears that were gathering in
her eyes, with my own hand, as if she had been the little Laura
Fairlie of ten long years ago.
  It was the best way I could have taken to compose her. She laid
her head on my shoulder, and smiled faintly through her tears.
  'I am very sorry for forgetting myself,' she said, artlessly. 'I
have not been well- I have felt sadly weak and nervous lately; and I
often cry without reason when I am alone. I am better now; I can
answer you as I ought, Mr. Gilmore, I can indeed.'
  'No, no, my dear,' I replied; 'we will consider the subject as
done with for the present. You have said enough to sanction my
taking the best possible care of your interests; and we can settle
details at another opportunity. Let us have done with business, now,
and talk of something else.'
                                        {1ST_EPOCH|GILMORE|II ^paragraph 65}
  I led her at once into speaking on other topics. In ten minutes'
time, she was in better spirits; and I rose to take my leave.
  'Come here again,' she said earnestly. 'I will try to be worthier of
your kind feeling for me and for my interests if you will only come
again.'
  Still clinging to the past- that past which I represented to her, in
my way, as Miss Halcombe did in hers! It troubled me sorely to see her
looking back, at the beginning of her career, just as I look back at
the end of mine.
  'If I do come again, I hope I shall find you better,' I said-
'better and happier. God bless you, my dear!'
  She only answered by putting up her cheek to me to be kissed. Even
lawyers have hearts; and mine ached a little as I took leave of her.
                                        {1ST_EPOCH|GILMORE|II ^paragraph 70}
  The whole interview between us had hardly lasted more than half an
hour- she had not breathed a word, in my presence, to explain the
mystery of her evident distress and dismay at the prospect of her
marriage- and yet she had contrived to win me over to her side of
the question, I neither knew how or why. I had entered the room,
feeling that Sir Percival Glyde had fair reason to complain of the
manner in which she was treating him. I left it, secretly hoping
that matters might end in her taking him at his word and claiming
her release. A man of my age and experience ought to have known better
than to vacillate in this unreasonable manner. I can make no excuse
for myself; I can only tell the truth, and say- so it was.
  The hour for my departure was now drawing near. I sent to Mr.
Fairlie to say that I would wait on him to take leave if he liked, but
that he must excuse my being rather in a hurry. He sent a message
back, written in pencil on a slip of paper: 'Kind love and best
wishes, dear Gilmore. Hurry of any kind is inexpressibly injurious
to me. Pray take care of yourself. Good-by.'
  Just before I left, I saw Miss Halcombe, for a moment, alone.
  'Have you said all you wanted to Laura?' she asked.
  'Yes,' I replied. 'She is very weak and nervous- I am glad she has
you to take care of her.'
                                        {1ST_EPOCH|GILMORE|II ^paragraph 75}
  Miss Halcombe's sharp eyes studied my face attentively.
  'You are altering your opinion about Laura,' she said. 'You are
readier to make allowances for her than you were yesterday.'
  No sensible man ever engages, unprepared, in a fencing match of
words with a woman. I only answered:
  'Let me know what happens. I will do nothing till I hear from you.'
  She still looked hard in my face. 'I wish it was all over, and
well over, Mr. Gilmore- and so do you.' With those words she left me.
                                        {1ST_EPOCH|GILMORE|II ^paragraph 80}
  Sir Percival most politely insisted on seeing me to the carriage
door.
  'If you are ever in my neighbourhood,' he said, 'pray don't forget
that I am sincerely anxious to improve our acquaintance. The tried and
trusted old friend of this family will be always a welcome visitor
in any house of mine.'
  A really irresistible man- courteous, considerate, delightfully free
from pride- a gentleman, every inch of him. As I drove away to the
station, I felt as if I could cheerfully do anything to promote the
interests of Sir Percival Glyde- anything in the world, except drawing
the marriage-settlement of his wife.

{1ST_EPOCH|GILMORE|III
                                 III
-
  A week passed, after my return to London, without the receipt of any
communication from Miss Halcombe.
  On the eighth day, a letter in her handwriting was placed among
the other letters on my table.
  It announced that Sir Percival Glyde had been definitely accepted,
and that the marriage was to take place, as he had originally desired,
before the end of the year. In all probability the ceremony would be
performed during the last fortnight in December. Miss Fairlie's
twenty-first birthday was late in March. She would, therefore, by this
arrangement, become Sir Percival's wife about three months before
she was of age.
  I ought not to have been surprised, I ought not to have been
sorry; but I was surprised and sorry, nevertheless. Some little
disappointment, caused by the unsatisfactory shortness of Miss
Halcombe's letter, mingled itself with these feelings, and contributed
its share towards upsetting my serenity for the day. In six lines my
correspondent announced the proposed marriage; in three more, she told
me that Sir Percival had left Cumberland to return to his house in
Hampshire; and in two concluding sentences she informed me, first,
that Laura was sadly in want of change and cheerful society; secondly,
that she had resolved to try the effect of some such change forthwith,
by taking her sister away with her on a visit to certain old friends
in Yorkshire. There the letter ended, without a word to explain what
the circumstances were which had decided Miss Fairlie to accept Sir
Percival Glyde in one short week from the time when I had last seen
her.
  At a later period, the cause of this sudden determination was
fully explained to me. It is not my business to relate it imperfectly,
on hearsay evidence. The circumstances came within the personal
experience of Miss Halcombe; and, when her narrative succeeds mine,
she will describe them in every particular, exactly as they
happened. In the mean time, the plain duty for me to perform- before
I, in my turn, lay down my pen and withdraw from the story- is to
relate the one remaining event connected with Miss Fairlie's
proposed marriage in which I was concerned, namely, the drawing of the
settlement.
                                        {1ST_EPOCH|GILMORE|III ^paragraph 5}
  It is impossible to refer intelligibly to this document, without
first entering into certain particulars, in relation to the bride's
pecuniary affairs. I will try to make my explanation briefly and
plainly, and to keep it free from professional obscurities and
technicalities. The matter is of the utmost importance. I warn all
readers of these lines that Miss Fairlie's inheritance is a very
serious part of Miss Fairlie's story; and that Mr. Gilmore's
experience, in this particular, must be their experience also, if they
wish to understand the narratives which are yet to come.
  Miss Fairlie's expectations, then, were of a twofold kind;
comprising her possible inheritance of real property, or land, when
her uncle died, and her absolute inheritance of personal property,
or money, when she came of age.
  Let us take the land first.
  In the time of Miss Fairlie's paternal grandfather (whom we will
call Mr. Fairlie, the elder) the entailed succession to the Limmeridge
estate stood thus:
  Mr. Fairlie, the elder, died and left three sons, Philip, Frederick,
and Arthur. As eldest son, Philip succeeded to the estate. If he
died without leaving a son, the property went to the second brother,
Frederick. And if Frederick died also without leaving a son, the
property went to the third brother, Arthur.
                                       {1ST_EPOCH|GILMORE|III ^paragraph 10}
  As events turned out, Mr. Philip Fairlie died leaving an only
daughter, the Laura of this story; and the estate, in consequence,
went, in course of law, to the second brother, Frederick, a single
man. The third brother, Arthur, had died, many years before the
decease of Philip, leaving a son and a daughter. The son, at the age
of eighteen, was drowned at Oxford. His death left Laura, the daughter
of Mr. Philip Fairlie, presumptive heiress to the estate; with every
chance of succeeding to it, in the ordinary course of nature, on her
Uncle Frederick's death, if the said Frederick died without leaving
male issue.
  Except in the event, then, of Mr. Frederick Fairlie's marrying and
leaving an heir (the two very last things in the world that he was
likely to do), his niece, Laura, would have the property on his death;
possessing, it must be remembered, nothing more than a life-interest
in it. If she died single, or died childless, the estate would
revert to her cousin Magdalen, the daughter of Mr. Arthur Fairlie.
If she married, with a proper settlement- or, in other words, with the
settlement I meant to make for her- the income from the estate (a good
three thousand a year) would, during her lifetime, be at her own
disposal. If she died before her husband, he would naturally expect to
be left in the enjoyment of the income, for his lifetime. If she had
a son, that son would be the heir, to the exclusion of her cousin
Magdalen. Thus, Sir Percival's prospects in marrying Miss Fairlie
(so far as his wife's expectations from real property were
concerned) promised him these two advantages, on Mr. Frederick
Fairlie's death: First, the use of three thousand a year (by his
wife's permission, while she lived, and, in his own right, on her
death, if he survived her); and, secondly, the inheritance of
Limmeridge for his son, if he had one.
  So much for the landed property, and for the disposal of the
income from it, on the occasion of Miss Fairlie's marriage. Thus
far, no difficulty or difference of opinion on the lady's settlement
was at all likely to arise between Sir Percival's lawyer and myself.
  The personal estate, or, in other words, the money to which Miss
Fairlie would become entitled on reaching the age of twenty-one years,
is the next point to consider.
  This part of her inheritance was, in itself, a comfortable little
fortune. It was derived under her father's will, and it amounted to
the sum of twenty thousand pounds. Besides this, she had a life
interest in ten thousand pounds more; which latter amount was to go,
on her decease, to her aunt Eleanor, her father's only sister. It will
greatly assist in setting the family affairs before the reader in
the clearest possible light, if I stop here for a moment, to explain
why the aunt had been kept waiting for her legacy until the death of
the niece.
                                       {1ST_EPOCH|GILMORE|III ^paragraph 15}
  Mr. Philip Fairlie had lived on excellent terms with his sister
Eleanor, as long as she remained a single woman. But when her marriage
took place, somewhat late in life, and when that marriage united her
to an Italian gentleman, named Fosco- or, rather to an Italian
nobleman, seeing that he rejoiced in the title of Count- Mr. Fairlie
disapproved of her conduct so strongly that he ceased to hold any
communication with her, and even went the length of striking her
name out of his will. The other members of the family all thought this
serious manifestation of resentment at his sister's marriage more or
less unreasonable. Count Fosco, though not a rich man, was not a
penniless adventurer either. He had a small, but sufficient income
of his own; he had lived many years in England; and he held an
excellent position in society. These recommendations, however, availed
nothing with Mr. Fairlie. In many of his opinions he was an Englishman
of the old school; and he hated a foreigner, simply and solely because
he was a foreigner. The utmost that he could be prevailed on to do, in
after years, mainly at Miss Fairlie's intercession, was to restore his
sister's name to its former place in his will, but to keep her waiting
for her legacy by giving the income of the money to his daughter for
life, and the money itself, if her aunt died before her, to her cousin
Magdalen. Considering the relative ages of the two ladies, the
aunt's chance, in the ordinary course of nature, of receiving the
ten thousand pounds, was thus rendered doubtful in the extreme; and
Madame Fosco resented her brother's treatment of her as unjustly as
usual in such cases, by refusing to see her niece, and declining to
believe that Miss Fairlie's intercession had ever been exerted to
restore her name to Mr. Fairlie's will.
  Such was the history of the ten thousand pounds. Here again no
difficulty could arise with Sir Percival's legal adviser. The income
would be at the wife's disposal, and the principal would go to her
aunt, or her cousin, on her death.
  All preliminary explanations being now cleared out of the way, I
come, at last, to the real knot of the case- to the twenty thousand
pounds.
  This sum was absolutely Miss Fairlie's own, on her completing her
twenty-first year; and the whole future disposition of it depended, in
the first instance, on the conditions I could obtain for her in her
marriage-settlement. The other clauses contained in that document were
of a formal kind, and need not be recited here. But the clause
relating to the money is too important to be passed over. A few
lines will be sufficient to give the necessary abstract of it.
  My stipulation in regard to the twenty thousand pounds, was simply
this: The whole amount was to be settled so as to give the income to
the lady for her life; afterwards to Sir Percival for his life; and
the principal to the children of the marriage. In default of issue,
the principal was to be disposed of as the lady might by her will
direct, for which purpose I reserved to her the right of making a
will. The effect of these conditions may be thus summed up. If Lady
Glyde died without leaving children, her half-sister Miss Halcombe,
and any other relatives or friends whom she might be anxious to
benefit, would, on her husband's death, divide among them such
shares of her money as she desired them to have. If, on the other
hand, she died, leaving children, then their interest, naturally and
necessarily, superseded all other interests whatsoever. This was the
clause; and no one who reads it, can fail, I think, to agree with me
that it meted out equal justice to all parties.
                                       {1ST_EPOCH|GILMORE|III ^paragraph 20}
  We shall see how my proposals were met on the husband's side.
  At the time when Miss Halcombe's letter reached me, I was even
more busily occupied than usual. But I contrived to make leisure for
the settlement. I had drawn it, and had sent it for approval to Sir
Percival's solicitor, in less than a week from the time when Miss
Halcombe had informed me of the proposed marriage.
  After a lapse of two days, the document was returned to me, with
notes and remarks of the baronet's lawyer. His objections, in general,
proved to be of the most trifling and technical kind, until he came to
the clause relating to the twenty thousand pounds. Against this, there
were double lines drawn in red ink, and the following note was
appended to them:
  'Not admissible. The principal to go to Sir Percival Glyde, in the
event of his surviving Lady Glyde, and there being no issue.'
  That is to say, not one farthing of the twenty thousand pounds was
to go to Miss Halcombe, or to any other relative or friend of Lady
Glyde's. The whole sum, if she left no children, was to slip into
the pockets of her husband.
                                       {1ST_EPOCH|GILMORE|III ^paragraph 25}
  The answer I wrote to this audacious proposal was as short and sharp
as I could make it. 'My dear sir. Miss Fairlie's settlement. I
maintain the clause to which you object, exactly as it stands. Yours
truly.' The rejoinder came back in a quarter of an hour. 'My dear sir.
Miss Fairlie's settlement. I maintain the red ink to which you object,
exactly as it stands. Yours truly.' In the detestable slang of the
day, we were now both 'at a dead-lock,' and nothing was left for it
but to refer to our clients on either side.
  As matters stood, my client- Miss Fairlie not having yet completed
her twenty-first year- Mr. Frederick Fairlie, was her guardian. I
wrote by that day's post and put the case before him exactly as it
stood; not only urging every argument I could think of to induce him
to maintain the clause as I had drawn it, but stating to him plainly
the mercenary motive which was at the bottom of the opposition to my
settlement of the twenty thousand pounds. The knowledge of Sir
Percival's affairs which I had necessarily gained when the
provisions of the deed on his side were submitted in due course to
my examination, had but too plainly informed me that the debts on
his estate were enormous, and that his income, though nominally a
large one, was, virtually, for a man in his position, next to nothing.
The want of ready money was the practical necessity of Sir
Percival's existence; and his lawyer's note on the clause in the
settlement was nothing but the frankly selfish expression of it.
  Mr. Fairlie's answer reached me by return of post, and proved to
be wandering and irrelevant in the extreme. Turned into plain English,
it practically expressed itself to this effect: 'Would dear Gilmore be
so very obliging as not to worry his friend and client about such a
trifle as a remote contingency? Was it likely that a young woman of
twenty-one would die before a man of forty-five, and die without
children? On the other hand, in such a miserable world as this, was it
possible to over-estimate the value of peace and quietness? If those
two heavenly blessings were offered in exchange for such an earthly
trifle as a remote chance of twenty thousand pounds, was it not a fair
bargain? Surely, yes. Then why not make it?'
  I threw the letter away in disgust. Just as it had fluttered to
the ground, there was a knock at my door; and Sir Percival's
solicitor, Mr. Merriman, was shown in. There are many varieties of
sharp practitioners in this world, but, I think, the hardest of all to
deal with are the men who overreach you under the disguise of
inveterate good humour. A fat, well-fed, smiling, friendly man of
business is of all parties to a bargain the most hopeless to deal
with. Mr. Merriman was one of this class.
  'And how is good Mr. Gilmore?' he began, all in a glow with the
warmth of his own amiability. 'Glad to see you, sir, in such excellent
health. I was passing your door; and I thought I would look in, in
case you might have something to say to me. Do- now pray let us settle
this little difference of ours by word of mouth, if we can! Have you
heard from your client yet?'
                                       {1ST_EPOCH|GILMORE|III ^paragraph 30}
  'Yes. Have you heard from yours?'
  'My dear, good sir! I wish I had heard from him to any purpose- I
wish, with all my heart, the responsibility was off my shoulders;
but he is obstinate,- or, let me rather say, resolute- and he won't
take it off. "Merriman, I leave details to you. Do what you think
right for my interests; and consider me as having personally withdrawn
from the business until it is all over." Those were Sir Percival's
words a fortnight ago; and all I can get him to do now is to repeat
them. I am not a hard man, Mr. Gilmore, as you know. Personally and
privately, I do assure you, I should like to sponge out that note of
mine at this very moment. But if Sir Percival won't go into the
matter, if Sir Percival will blindly leave all his interests in my
sole care, what course can I possibly take except the course of
asserting them? My hands are bound- don't you see, my dear sir?- my
hands are bound.'
  'You maintain your note on the clause, then, to the letter?' I said.
  'Yes- deuce take it! I have no other alternative.' He walked to
the fireplace, and warmed himself, humming the fag end of a tune in
a rich convivial bass voice. 'What does your side say?' he went on;
'now pray tell me- what does your side say?'
  I was ashamed to tell him. I attempted to gain time- nay, I did
worse. My legal instincts got the better of me; and I even tried to
bargain.
                                       {1ST_EPOCH|GILMORE|III ^paragraph 35}
  'Twenty thousand pounds is rather a large sum to be given up by
the lady's friends at two days' notice,' I said.
  'Very true,' replied Mr. Merriman, looking down thoughtfully at
his boots. 'Properly put, sir- most properly put!'
  'A compromise, recognising the interests of the lady's family as
well as the interests of the husband might not, perhaps, have
frightened my client quite so much.' I went on. 'Come! come! this
contingency resolves itself into a matter of bargaining after all.
What is the least you will take?'
  'The least we will take,' said Mr Merriman, 'is nineteen-thousand-
nine-hundred-and-ninety-nine-pounds-nineteen-shillings-and-eleven-
pence-three-farthings. Ha! ha! ha! Excuse me, Mr. Gilmore. I must have
my little joke.'
  'Little enough!' I remarked. 'The joke is just worth the odd
farthing it was made for.'
                                       {1ST_EPOCH|GILMORE|III ^paragraph 40}
  Mr. Merriman was delighted. He laughed over my retort till the
room rang again. I was not half so good-humoured, on my side; I came
back to business, and closed the interview.
  'This is Friday,' I said. 'Give us till Tuesday next for our final
answer.'
  'By all means,' replied Mr. Merriman. 'Longer, my dear sir, if you
like.' He took up his hat to go; and then addressed me again. 'By
the way,' he said, 'your clients in Cumberland have not heard anything
more of the woman who wrote the anonymous letter, have they?'
  'Nothing more,' I answered. 'Have you found no trace of her?'
  'Not yet,' said my legal friend. 'But we don't despair. Sir Percival
has his suspicions that Somebody is keeping her in hiding; and we
are having that Somebody watched.'
                                       {1ST_EPOCH|GILMORE|III ^paragraph 45}
  'You mean the old woman who was with her in Cumberland,' I said.
  'Quite another party, sir,' answered Mr. Merriman. 'We don't
happen to have laid hands on the old woman yet. Our Somebody is a man.
We have got him close under our eye here in London: and we strongly
suspect he had something to do with helping her in the first
instance to escape from the Asylum. Sir Percival wanted to question
him, at once, but I said, "No. Questioning him will only put him on
his guard: watch him, and wait." We shall see what happens. A
dangerous woman to be at large, Mr. Gilmore; nobody knows what she may
do next. I wish you good morning, sir. On Tuesday next I shall hope
for the pleasure of hearing from you.' He smiled amiably and went out.
  My mind had been rather absent during the latter part of the
conversation with my legal friend. I was so anxious about the matter
of the settlement, that I had little attention to give to any other
subject; and, the moment I was left alone again, I began to think over
what my next proceeding ought to be.
  In the case of any other client, I should have acted on my
instructions, however personally distasteful to me, and have given
up the point about the twenty thousand pounds on the spot. But I could
not act with this business-like indifference towards Miss Fairlie. I
had an honest feeling of affection and admiration for her; I
remembered gratefully that her father had been the kindest patron
and friend to me that ever man had; I had felt towards her, while I
was drawing the settlement, as I might have felt, if I had not been an
old bachelor, towards a daughter of my own; and I was determined to
spare no personal sacrifice in her service and where her interests
were concerned. Writing a second time to Mr. Fairlie was not to be
thought of; it would only be giving him a second opportunity of
slipping through my fingers. Seeing him and personally remonstrating
with him, might possibly be of more use. The next day was Saturday.
I determined to take a return ticket, and jolt my old bones down to
Cumberland, on the chance of persuading him to adopt the just, the
independent, and the honourable course. It was a poor chance enough,
no doubt; but, when I had tried it, my conscience would be at ease.
I should then have done all that a man in my position could do to
serve the interests of my old friend's only child.
  The weather on Saturday was beautiful, a west wind and a bright sun.
Having felt latterly a return of that fulness and oppression of the
head, against which my doctor warned me so seriously more than two
years since, I resolved to take the opportunity of getting a little
extra exercise, by sending my bag on before me, and walking to the
terminus in Euston-square. As I came out into Holborn, a gentleman
walking by rapidly, stopped and spoke to me. It was Mr. Walter
Hartright.
                                       {1ST_EPOCH|GILMORE|III ^paragraph 50}
  If he had not been the first to greet me, I should certainly have
passed him. He was so changed that I hardly knew him again. His face
looked pale and haggard- his manner was hurried and uncertain- and his
dress, which I remembered as neat and gentleman-like when I saw him at
Limmeridge, was so slovenly now, that I should really have been
ashamed of the appearance of it on one of my own clerks.
  'Have you been long back from Cumberland?' he asked. 'I heard from
Miss Halcombe lately. I am aware that Sir Percival Glyde's explanation
has been considered satisfactory. Will the marriage take place soon?
Do you happen to know, Mr. Gilmore?'
  He spoke so fast, and crowded his questions together so strangely
and confusedly that I could hardly follow him. However accidentally
intimate he might have been with the family at Limmeridge, I could not
see that he had any right to expect information on their private
affairs; and I determined to drop him, as easily as might be, on the
subject of Miss Fairlie's marriage.
  'Time will show, Mr. Hartright,' I said- 'time will show. I dare say
if we look out for the marriage in the papers we shall not be far
wrong. Excuse my noticing it- but I am sorry to see you not looking so
well as you were when we last met.'
  A momentary nervous contraction quivered about his lips and eyes,
and made me half reproach myself for having answered him in such a
significantly guarded manner.
                                       {1ST_EPOCH|GILMORE|III ^paragraph 55}
  'I had no right to ask about her marriage,' he said, bitterly. 'I
must wait to see it in the newspapers like other people. Yes,' he went
on, before I could make any apologies. 'I have not been well lately. I
am going to another country, to try a change of scene and
occupation. Miss Halcombe has kindly assisted me with her influence,
and my testimonials have been found satisfactory. It is a long
distance off- but I don't care where I go, what the climate is, or how
long I am away.' He looked about him, while he said this, at the
throng of strangers passing us by on either side, in a strange,
suspicious manner, as if he thought that some of them might be
watching us.
  'I wish you well through it, and safe back again,' I said; and
then added, so as not to keep him altogether at arm's length on the
subject of the Fairlies, 'I am going down to Limmeridge to-day on
business. Miss Halcombe and Miss Fairlie are away just now, on a visit
to some friends in Yorkshire.'
  His eyes brightened, and he seemed about to say something in answer;
but the same momentary nervous spasm crossed his face again. He took
my hand, pressed it hard, and disappeared among the crowd, without
saying another word. Though he was little more than a stranger to
me, I waited for a moment, looking after him almost with a feeling
of regret. I had gained, in my profession, sufficient experience of
young men, to know what the outward signs and tokens were of their
beginning to go wrong; and, when I resumed my walk to the railway, I
am sorry to say I felt more than doubtful about Mr. Hartright's
future.

{1ST_EPOCH|GILMORE|IV
                                  IV
-
  Leaving by an early train, I got to Limmeridge in time for dinner.
The house was oppressively empty and dull. I had expected that good
Mrs. Vesey would have been company for me in the absence of the
young ladies; but she was confined to her room by a cold. The servants
were so surprised at seeing me that they hurried and bustled absurdly,
and made all sorts of annoying mistakes. Even the butler, who was
old enough to have known better, brought me a bottle of port that
was chilled. The reports of Mr. Fairlie's health were just as usual;
and when I sent up a message to announce my arrival, I was told that
he would be delighted to see me the next morning, but that the
sudden news of my appearance had prostrated him with palpitations
for the rest of the evening. The wind howled dismally all night, and
strange cracking and groaning noises sounded here, there, and
everywhere in the empty house. I slept as wretchedly as possible;
and got up, in a mighty bad humour, to breakfast by myself the next
morning.
  At ten o'clock I was conducted to Mr. Fairlie's apartments. He was
in his usual room, his usual chair, and his usual aggravating state of
mind and body. When I went in, his valet was standing before him,
holding up for inspection a heavy volume of etchings, as long and as
broad as my office writing-desk. The miserable foreigner grinned in
the most abject manner, and looked ready to drop with fatigue, while
his master composedly turned over the etchings, and brought their
hidden beauties to light with the help of a magnifying glass.
  'You very best of good old friends,' said Mr. Fairlie, leaning
back lazily before he could look at me, 'are you quite well? How
nice of you to come here and see me in my solitude. Dear Gilmore!'
  I had expected that the valet would be dismissed when I appeared;
but nothing of the sort happened. There he stood, in front of his
master's chair, trembling under the weight of the etchings; and
there Mr. Fairlie sat, serenely twirling the magnifying glass
between his white fingers and thumbs.
  'I have come to speak to you on a very important matter,' I said;
'and you will therefore excuse me, if I suggest that we had better
be alone.'
                                         {1ST_EPOCH|GILMORE|IV ^paragraph 5}
  The unfortunate valet looked at me gratefully. Mr. Fairlie faintly
repeated my last three words, 'better be alone,' with every appearance
of the utmost possible astonishment.
  I was in no humour for trifling; and I resolved to make him
understand what I meant.
  'Oblige me by giving that man permission to withdraw,' I said,
pointing to the valet.
  Mr. Fairlie arched his eyebrows, and pursed up his lips, in
sarcastic surprise.
  'Man?' he repeated. 'You provoking old Gilmore, what can you
possibly mean by calling him a man? He's nothing of the sort. He might
have been a man half an hour ago, before I wanted my etchings; and
he may be a man half an hour hence, when I don't want them any longer.
At present he is simply a portfolio stand. Why object, Gilmore, to a
portfolio stand?'
                                        {1ST_EPOCH|GILMORE|IV ^paragraph 10}
  'I do object. For the third time, Mr. Fairlie, I beg that we may
be alone.'
  'My tone and manner left him no alternative but to comply with my
request. He looked at the servant, and pointed peevishly to a chair at
his side.
  'Put down the etchings and go away,' he said. 'Don't upset me by
losing my place. Have you, or have you not, lost my place? Are you
sure you have not? And have you put my hand-bell quite within my
reach? Yes? Then, why the devil don't you go?'
  The valet went out. Mr. Fairlie twisted himself round in his
chair, polished the magnifying glass with his delicate cambric
handkerchief, and indulged himself with a sidelong inspection of the
open volume of etchings. It was not easy to keep my temper under these
circumstances; but I did keep it.
  'I have come here at great personal inconvenience,' I said, 'to
serve the interests of your niece and your family; and I think I
have established some slight claim to be favoured with your
attention in return.'
                                        {1ST_EPOCH|GILMORE|IV ^paragraph 15}
  'Don't bully me!' exclaimed Mr. Fairlie, falling back helplessly
in the chair, and closing his eyes. 'Please don't bully me. I'm not
strong enough.'
  I was determined not to let him provoke me, for Laura Fairlie's
sake.
  'My object,' I went on, 'is to entreat you to reconsider your
letter, and not to force me to abandon the just rights of your
niece, and of all who belong to her. Let me state the case to you once
more, and for the last time.'
  Mr. Fairlie shook his head and sighed piteously.
  'This is heartless of you, Gilmore- very heartless,' he said. 'Never
mind; go on.'
                                        {1ST_EPOCH|GILMORE|IV ^paragraph 20}
  I put all the points to him carefully; I set the matter before him
in every conceivable light. He lay back in the chair the whole time
I was speaking, with his eyes closed. When I had done, he opened
them indolently, took his silver smelling-bottle from the table, and
sniffed at it with an air of gentle relish.
  'Good Gilmore!' he said, between the sniffs, 'how very nice this
is of you! How you reconcile one to human nature!'
  'Give me a plain answer to a plain question, Mr. Fairlie. I tell you
again, Sir Percival Glyde has no shadow of a claim to expect more than
the income of the money. The money itself, if your niece has no
children, ought to be under her control, and to return to her
family. If you stand firm, Sir Percival must give way- he must give
way, I tell you, or he exposes himself to the base imputation of
marrying Miss Fairlie entirely from mercenary motives.'
  Mr. Fairlie shook the silver smelling-bottle at me playfully.
  'You dear old Gilmore; how you do hate rank and family, don't you?
How you detest Glyde, because he happens to be a baronet. What a
Radical you are- oh, dear me, what a Radical you are!'
                                        {1ST_EPOCH|GILMORE|IV ^paragraph 25}
  A Radical!!! I could put up with a good deal of provocation, but,
after holding the soundest Conservative principles all my life, I
could not put up with being called a Radical. My blood boiled at it-
I started out of my chair- I was speechless with indignation.
  'Don't shake the room!' cried Mr. Fairlie- 'for Heaven's sake, don't
shake the room! Worthiest of all possible Gilmores, I meant no
offence. My own views are so extremely liberal that I think I am a
Radical myself. Yes. We are a pair of Radicals. Please don't be angry.
I can't quarrel- I haven't stamina enough. Shall we drop the
subject? Yes. Come and look at these sweet etchings. Do let me teach
you to understand the heavenly pearliness of these lines. Do, now,
there's a good Gilmore!'
  While he was maundering on in this way I was, fortunately for my own
self-respect, returning to my senses. When I spoke again I was
composed enough to treat his impertinence with the silent contempt
that it deserved.
  'You are entirely wrong, sir,' I said, 'in supposing that I speak
from any prejudice against Sir Percival Glyde. I may regret that he
has so unreservedly resigned himself in this matter to his lawyer's
direction as to make any appeal to himself impossible; but I am not
prejudiced against him. What I have said would equally apply to any
other man in his situation, high or low. The principle I maintain is a
recognised principle. If you were to apply at the nearest town here,
to the first respectable solicitor you could find, he would tell
you, as a stranger, what I tell you, as a friend. He would inform
you that it is against all rule to abandon the lady's money entirely
to the man she marries. He would decline, on grounds of common legal
caution, to give the husband, under any circumstances whatever, an
interest of twenty thousand pounds in his wife's death.'
  'Would he really, Gilmore?' said Mr. Fairlie. 'If he said anything
half so horrid I do assure you I should tinkle my bell for Louis,
and have him sent out of the house immediately.'
                                        {1ST_EPOCH|GILMORE|IV ^paragraph 30}
  'You shall not irritate me, Mr. Fairlie- for your niece's sake and
for her father's sake, you shall not irritate me. You shall take the
whole responsibility of this discreditable settlement on your own
shoulders before I leave the room.'
  'Don't!- now please, don't' said Mr. Fairlie. Think how precious
your time is, Gilmore; and don't throw it away. I would dispute with
you if I could, but I can't- I haven't stamina enough. You want to
upset me, to upset yourself, to upset Glyde, and to upset Laura;
and- oh, dear me!- all for the sake of the very last thing in the
world that is likely to happen. No, dear friend- in the interests of
peace and quietness, positively No!'
  'I am to understand, then, that you hold by the determination
expressed in your letter?'
  'Yes, please. So glad we understand each other at last. Sit down
again- do!'
  I walked at once to the door; and Mr. Fairlie resignedly 'tinkled'
his hand-bell. Before I left the room I turned round and addressed him
for the last time.
                                        {1ST_EPOCH|GILMORE|IV ^paragraph 35}
  'Whatever happens in the future, sir,' I said, 'remember that my
plain duty of warning you has been performed. As the faithful friend
and servant of your family, I tell you, at parting, that no daughter
of mine should be married to any man alive under such a settlement
as you are forcing me to make for Miss Fairlie.'
  The door opened behind me, and the valet stood waiting on the
threshold.
  'Louis,' said Mr. Fairlie, 'show Mr. Gilmore out, and then come back
and hold up my etchings for me again. Make them give you a good
lunch down stairs. Do, Gilmore, make my idle beasts of servants give
you a good lunch!'
  I was too much disgusted to reply; I turned on my heel, and left him
in silence. There was an up train at two o'clock in the afternoon; and
by that train I returned to London.
  On the Tuesday I sent in the altered settlement, which practically
disinherited the very persons whom Miss Fairlie's own lips had
informed me she was most anxious to benefit. I had no choice.
Another lawyer would have drawn up the deed if I had refused to
undertake it.
                                        {1ST_EPOCH|GILMORE|IV ^paragraph 40}
-
  My task is done. My personal share in the events of the family story
extends no farther than the point which I have just reached. Other
pens than mine will describe the strange circumstances which are now
shortly to follow. Seriously and sorrowfully, I close this brief
record. Seriously and sorrowfully, I repeat here the parting words
that I spoke at Limmeridge House:- No daughter of mine should have
been married to any man alive under such a settlement as I was
compelled to make for Laura Fairlie.
-
                 The End of Mr. Gilmore's Narrative.

{1ST_EPOCH|HALCOMBE|I
               The Story continued by MARIAN HALCOMBE,
                      in Extracts from her Diary
                                  I
-
                                     Limmeridge House, Nov. 8th.
-
              *       *       *       *       *       * *(1)
                                         {1ST_EPOCH|HALCOMBE|I ^paragraph 5}
-
  *(1) The passages omitted, here and elsewhere, in Miss Halcombe's
Diary, are only those which bear no reference to Miss Fairlie or to
any of the persons with whom she is associated in these pages.
-
  This morning Mr. Gilmore left us.
  His interview with Laura had evidently grieved and surprised him
more than he liked to confess. I felt afraid, from his look and manner
when we parted, that she might have inadvertently betrayed to him
the real secret of her depression and my anxiety. This doubt grew on
me so, after he had gone, that I declined riding out with Sir
Percival, and went up to Laura's room instead.
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 10}
  I have been sadly distrustful of myself, in this difficult and
lamentable matter, ever since I found out my own ignorance of the
strength of Laura's unhappy attachment. I ought to have known that the
delicacy and forbearance and sense of honour which drew me to poor
Hartright, and made me so sincerely admire and respect him, were
just the qualities to appeal most irresistibly to Laura's natural
sensitiveness and natural generosity of nature. And yet, until she
opened her heart to me of her own accord, I had no suspicion that this
new feeling had taken root so deeply. I once thought time and care
might remove it. I now fear that it will remain with her and alter her
for life. The discovery that I have committed such an error in
judgment as this, makes me hesitate about everything else. I
hesitate about Sir Percival, in the face of the plainest proofs. I
hesitate even in speaking to Laura. On this very morning, I doubted,
with my hand on the door, whether I should ask her, the questions I
had come to put, or not.
  When I went into her room, I found her walking up and down in
great impatience. She looked flushed and excited; and she came forward
at once, and spoke to me before I could open my lips.
  'I wanted you,' she said. 'Come and sit down on the sofa with me.
Marian! I can bear this no longer- I must and will end it.'
  There was too much colour in her cheeks, too much energy in her
manner, too much firmness in her voice. The little book of Hartright's
drawings- the fatal book that she will dream over whenever she is
alone- was in one of her hands. I began by gently and firmly taking it
from her, and putting it out of sight on a side table.
  'Tell me quietly, my darling, what you wish to do,' I said. 'Has Mr.
Gilmore been advising you?'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 15}
  She shook her head. 'No, not in what I am thinking of now. He was
very kind and good to me, Marian,- and I am ashamed to say I
distressed him by crying. I am miserably helpless; I can't control
myself. For my own sake and for all our sakes, I must have courage
enough to end it.'
  'Do you mean courage enough to claim your release?' I asked.
  'No,' she said, simply. 'Courage, dear, to tell the truth.'
  She put her arms round my neck, and rested her head quietly on my
bosom. On the opposite wall hung the miniature portrait of her father.
I bent over her, and saw that she was looking at it while her head lay
on my breast.
  'I can never claim my release from my engagement,' she went on.
'Whatever way it ends, it must end wretchedly for me. All I can
do, Marian, is not to add the remembrance that I have broken my
promise and forgotten my father's dying words, to make that
wretchedness worse.'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 20}
  'What is it you propose, then?' I asked.
  'To tell Sir Percival Glyde the truth, with my own lips,' she
answered, 'and to let him release me, if he will, not because I ask
him, but because he knows all.'
  'What do you mean, Laura, by "all?" Sir Percival will know enough
(he has told me so himself) if he knows that the engagement is opposed
to your own wishes.'
  'Can I tell him that, when the engagement was made for me by my
father, with my own consent? I should have kept my promise; not
happily, I am afraid, but still contentedly-' she stopped, turned
her face to me, and laid her cheek close against mine- 'I should
have kept my engagement, Marian, if another love had not grown up in
my heart, which was not there when I first promised to be Sir
Percival's wife.'
  'Laura! you will never lower yourself by making a confession to
him?'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 25}
  'I shall lower myself, indeed, if I gain my release by hiding from
him what he has a right to know.'
  'He has not the shadow of a right to know it!'
  'Wrong, Marian, wrong! I ought to deceive no one- least of all the
man to whom my father gave me, and to whom I gave myself.' She put her
lips to mine, and kissed me. 'My own love,' she said softly, 'you
are so much too fond of me and so much too proud of me, that you
forget, in my case, what you would remember in your own. Better that
Sir Percival should doubt my motives and misjudge my conduct if he
will, than that I should be first false to him in thought, and then
mean enough to serve my own interests by hiding the falsehood.'
  I held her away from me in astonishment. For the first time in our
lives, we had changed places; the resolution was all on her side,
the hesitation all on mine. I looked into the pale, quiet, resigned
young face; I saw the pure, innocent heart, in the loving eyes that
looked back at me- and the poor worldly cautions and objections that
rose to my lips, dwindled and died away in their own emptiness. I hung
my head in silence. In her place, the despicably small pride which
makes so many women deceitful, would have been my pride, and would
have made me deceitful, too.
  'Don't be angry with me, Marian,' she said, mistaking my silence.
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 30}
  I only answered by drawing her close to me again. I was afraid of
crying if I spoke. My tears do not flow so easily as they ought-
they come almost like men's tears, with sobs that seem to tear me in
pieces, and that frighten every one about me.
  'I have thought of this, love, for many days,' she went on,
twining and twisting my hair with that childish restlessness in her
fingers, which poor Mrs. Vesey still tries so patiently and so
vainly to cure her of- 'I have thought of it very seriously, and I can
be sure of my courage, when my own conscience tells me I am right. Let
me speak to him to-morrow- in your presence, Marian. I will say
nothing that is wrong, nothing that you or I need be ashamed of-
but, oh, it will ease my heart so to end this miserable concealment!
Only let me know and feel that I have no deception to answer for on my
side; and then, when he has heard what I have to say, let him act
towards me as he will.'
  She sighed, and put her head back in its old position on my bosom.
Sad misgivings about what the end would be, weighed upon my mind; but,
still distrusting myself, I told her that I would do as she wished.
She thanked me, and we passed gradually into talking of other things.
  At dinner she joined us again, and was more easy and more herself
with Sir Percival, than I have seen her yet. In the evening she went
to the piano, choosing new music of the dexterous, tuneless, florid
kind. The lovely old melodies of Mozart, which poor Hartright was so
fond of, she has never played since he left. The book is no longer
in the music-stand. She took the volume away herself, so that nobody
might find it out and ask her to play from it.
  I had no opportunity of discovering whether her purpose of the
morning had changed or not, until she wished Sir Percival
good-night- and then her own words informed me that it was
unaltered. She said, very quietly, that she wished to speak to him,
after breakfast, and that he would find her in her sitting-room with
me. He changed colour at those words, and I felt his hand trembling
a little when it came to my turn to take it. The event of the next
morning would decide his future life; and he evidently knew it.
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 35}
  I went in, as usual, through the door between our two bed-rooms,
to bid Laura good-night before she went to sleep. In stooping over her
to kiss her, I saw the little book of Hartright's drawings half hidden
under her pillow, just in the place where she used to hide her
favourite toys when she was a child. I could not find it in my heart
to say anything; but I pointed to the book and shook my head. She
reached both hands up to my cheeks, and drew my face down to hers till
our lips met.
  'Leave it there to-night,' she whispered; 'to-morrow may be cruel,
and may make me say good-by to it for ever.'
-
  9th.- The first event of the morning was not of a kind to raise my
spirits; a letter arrived for me, from poor Walter Hartright. It is
the answer to mine, describing the manner in which Sir Percival
cleared himself of the suspicions raised by Anne Catherick's letter.
He writes shortly and bitterly about Sir Percival's explanations; only
saying that he has no right to offer an opinion on the conduct of
those who are above him. This is sad; but his occasional references to
himself grieve me still more. He says that the effort to return to his
old habits and pursuits, grows harder instead of easier to him,
every day; and he implores me, if I have any interest, to exert it
to get him employment that will necessitate his absence from
England, and take him among new scenes and new people. I have been
made all the readier to comply with this request, by a passage at
the end of his letter, which has almost alarmed me.
  After mentioning that he has neither seen nor heard anything of Anne
Catherick, he suddenly breaks off, and hints in the most abrupt,
mysterious manner, that he has been perpetually watched and followed
by strange men ever since he returned to London. He acknowledges
that he cannot prove this extraordinary suspicion by fixing on any
particular persons; but he declares that the suspicion itself is
present to him night and day. This has frightened me, because it looks
as if his one fixed idea about Laura was becoming too much for his
mind. I will write immediately to some of my mother's influential
old friends in London, and press his claims on their notice. Change of
scene and change of occupation may really be the salvation of him at
this crisis in his life.
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 40}
  Greatly to my relief, Sir Percival sent an apology for not joining
us at breakfast. He had taken an early cup of coffee in his own
room, and he was still engaged there in writing letters. At eleven
o'clock, if that hour was convenient, he would do himself the honour
of waiting on Miss Fairlie and Miss Halcombe.
  My eyes were on Laura's face while the message was being
delivered. I had found her unaccountably quiet and composed on going
into her room in the morning; and so she remained all through
breakfast. Even when we were sitting together on the sofa in her room,
waiting for Sir Percival, she still preserved her self-control.
  'Don't be afraid of me, Marian,' was all she said: 'I may forget
myself with an old friend like Mr. Gilmore, or with a dear sister like
you: but I will not forget myself with Sir Percival Glyde.'
  I looked at her, and listened to her in silent surprise. Through all
the years of our close intimacy, this passive force in her character
had been hidden from me- hidden even from herself, till love found it,
and suffering called it forth.
  As the clock on the mantelpiece struck eleven, Sir Percival
knocked at the door, and came in. There was suppressed anxiety and
agitation in every line of his face. The dry, sharp cough, which
teases him at most times, seemed to be troubling him more
incessantly than ever. He sat down opposite to us at the table; and
Laura remained by me. I looked attentively at them both, and he was
the paler of the two.
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 45}
  He said a few unimportant words, with a visible effort to preserve
his customary ease of manner. But his voice was not to be steadied,
and the restless uneasiness in his eyes was not to be concealed. He
must have felt this himself; for he stopped in the middle of a
sentence, and gave up even the attempt to hide his embarrassment any
longer.
  There was just one moment of dead silence before Laura addressed
him.
  'I wish to speak to you, Sir Percival,' she said, 'on a subject that
is very important to us both. My sister is here, because her
presence helps me, and gives me confidence. She has not suggested
one word of what I am going to say: I speak from my own thoughts,
not from hers. I am sure you will be kind enough to understand that,
before I go any farther?'
  Sir Percival bowed. She had proceeded thus far, with perfect outward
tranquillity, and perfect propriety of manner. She looked at him,
and he looked at her. They seemed, at the outset at least, resolved to
understand one another plainly.
  'I have heard from Marian,' she went on, 'that I have only to
claim my release from our engagement, to obtain that release from you.
It was forbearing and generous on your part, Sir Percival, to send
me such a message. It is only doing you justice to say that I am
grateful for the offer; and I hope and believe that it is only doing
myself justice to tell you that I decline to accept it.'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 50}
  His attentive face relaxed a little. But I saw one of his feet,
softly, quietly, incessantly beating on the carpet under the table;
and I felt that he was secretly as anxious as ever.
  'I have not forgotten,' she said, 'that you asked my father's
permission before you honoured me with a proposal of marriage.
Perhaps, you have not forgotten, either, what I said when I
consented to our engagement? I ventured to tell you that my father's
influence and advice had mainly decided me to give you my promise. I
was guided by my father, because I had always found him the truest
of all advisers, the best and fondest of all protectors and friends. I
have lost him now; I have only his memory to love; but my faith in
that dear dead friend has never been shaken. I believe, at this
moment, as truly as I ever believed, that he knew what was best, and
that his hopes and wishes ought to be my hopes and wishes too.'
  Her voice trembled, for the first time. Her restless fingers stole
their way into my lap, and held fast by one of my hands. There was
another moment of silence; and then Sir Percival spoke.
  'May I ask,' he said, 'if I have ever proved myself unworthy of
the trust, which it has been hitherto my greatest honour and
greatest happiness to possess?'
  'I have found nothing in your conduct to blame,' she answered.
'You have always treated me with the same delicacy and the same
forbearance. You have deserved my trust; and, what is of far more
importance in my estimation, you have deserved my father's trust,
out of which mine grew. You have given me no excuse, even if I had
wanted to find one, for asking to be released from my pledge. What I
have said so far, has been spoken with the wish to acknowledge my
whole obligation to you. My regard for that obligation, my regard
for my father's memory, and my regard for my own promise, all forbid
me to set the example, on my side, of withdrawing from our present
position. The breaking of our engagement must be entirely your wish
and your act, Sir Percival- not mine.'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 55}
  The uneasy beating of his foot suddenly stopped; and he leaned
forward eagerly across the table.
  'My act?' he said. 'What reason can there be, on my side, for
withdrawing?'
  I heard her breath quickening; I felt her hand growing cold. In
spite of what she had said to me, when we were alone, I began to be
afraid of her. I was wrong.
  'A reason that it is very hard to tell you,' she answered. 'There is
a change in me, Sir Percival- a change which is serious enough to
justify you, to your self and to me, in breaking off our engagement.'
  His face turned so pale again, that even his lips lost their colour.
He raised the arm which lay on the table; turned a little away in
his chair; and supported his head on his hand, so that his profile
only was presented to us.
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 60}
  'What change?' he asked. The tone in which he put the question
jarred on me- there was something painfully suppressed in it.
  She sighed heavily, and leaned towards me a little, so as to rest
her shoulder against mine. I felt her trembling, and tried to spare
her by speaking myself. She stopped me by a warning pressure of her
hand, and then addressed Sir Percival once more; but, this time,
without looking at him.
  'I have heard,' she said, 'and I believe it, that the fondest and
truest of all affections is the affection which a woman ought to
bear to her husband. When our engagement began, that affection was
mine to give, if I could, and yours to win, if you could. Will you
pardon me, and spare me, Sir Percival, if I acknowledge that it is not
so any longer?'
  A few tears gathered in her eyes, and dropped over her cheeks
slowly, as she paused and waited for his answer. He did not utter a
word. At the beginning of her reply he had moved the hand on which his
head rested, so that it hid his face. I saw nothing but the upper part
of his figure at the table. Not a muscle of him moved. The fingers
of the hand which supported his head were dented deep in his hair.
They might have expressed hidden anger, or hidden grief- it was hard
to say which- there was no significant trembling in them. There was
nothing, absolutely nothing to tell the secret of his thoughts at that
moment- the moment which was the crisis of his life and the crisis
of hers.
  I was determined to make him declare himself, for Laura's sake.
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 65}
  'Sir Percival!' I interposed, sharply, 'have you nothing to say,
when my sister has said so much? More, in my opinion,' I added, my
unlucky temper getting the better of me, 'than any man alive, in
your position, has a right to hear from her.'
  That last rash sentence opened a way for him by which to escape me
if he chose; and he instantly took advantage of it.
  'Pardon me, Miss Halcombe,' he said, still keeping his hand over his
face- 'pardon me, if I remind you that I have claimed no such right.'
  The few plain words which would have brought him back to the point
from which he had wandered, were just on my lips, when Laura checked
me by speaking again.
  'I hope I have not made my painful acknowledgment in vain,' she
continued. I hope it has secured me your entire confidence in what I
have still to say?'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 70}
  'Pray be assured of it.' He made that brief reply, warmly;
dropping his hand on the table, while he spoke, and turning towards us
again. Whatever outward change had passed over him, was gone now.
His face was eager and expectant- it expressed nothing but the most
intense anxiety to hear her next words.
  'I wish you to understand that I have not spoken from any selfish
motive,' she said. 'If you leave me, Sir Percival, after what you have
just heard, you do not leave me to marry another man- you only allow
me to remain a single woman for the rest of my life. My fault
towards you has begun and ended in my own thoughts. It can never go
any farther. No word has passed-' She hesitated, in doubt about the
expression she should use next; hesitated, in a momentary confusion
which it was very sad and very painful to see. 'No word has passed,'
she patiently and resolutely resumed, 'between myself and the person
to whom I am now referring for the first and last time in your
presence of my feelings towards him, or of his feelings towards me- no
word ever can pass- neither he nor I are likely, in this world, to
meet again. I earnestly beg you to spare me from saying any more,
and to believe me, on my word, in what I have just told you. It is the
truth, Sir Percival- the truth which I think my promised husband has a
claim to hear, at any sacrifice of my own feelings. I trust to his
generosity to pardon me, and to his honour to keep my secret.'
  'Both those trusts are sacred to me,' he said, 'and both shall be
sacredly kept.'
  After answering in those terms, he paused, and looked at her, as
if he was waiting to hear more.
  'I have said all I wish to say,' she added, quietly- 'I have said
more than enough to justify you in withdrawing from your engagement.'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 75}
  'You have said more than enough,' he answered, 'to make it the
dearest object of my life to keep the engagement.' With those
words he rose from his chair, and advanced a few steps towards the
place where she was sitting.
  She started violently, and a faint cry of surprise escaped her.
Every word she had spoken had innocently betrayed her purity and truth
to a man who thoroughly understood the priceless value of a pure and
true woman. Her own noble conduct had been the hidden enemy,
throughout, of all the hopes she had trusted to it. I had dreaded this
from the first. I would have prevented it, if she had allowed me the
smallest chance of doing so. I even waited and watched, now, when
the harm was done, for a word from Sir Percival that would give me the
opportunity of putting him in the wrong.
  'You have left it to me, Miss Fairlie, to resign you,' he
continued. 'I am not heartless enough to resign a woman who has just
shown herself to be the noblest of her sex.'
  He spoke with such warmth and feeling, with such passionate
enthusiasm and yet with such perfect delicacy, that she raised her
head, flushed up a little, and looked at him with sudden animation and
spirit.
  'No!' she said, firmly. 'The most wretched of her sex, if she must
give herself in marriage when she cannot give her love.'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 80}
  'May she not give it in the future,' he asked, 'if the one object of
her husband's life is to deserve it?'
  'Never!' she answered. 'If you still persist in maintaining our
engagement, I may be your true and faithful wife, Sir Percival- your
loving wife, if I know my own heart, never!'
  She looked so irresistibly beautiful as she said those brave words
that no man alive could have steeled his heart against her. I tried
hard to feel that Sir Percival was to blame, and to say so; but my
womanhood would pity him, in spite of myself.
  'I gratefully accept your faith and truth,' he said. 'The least that
you can offer is more to me than the utmost that I could hope for
from any other woman in the world.'
  Her left hand still held mine; but her right hand hung listlessly at
her side. He raised it gently to his lips- touched it with them,
rather than kissed it- bowed to me- and then, with perfect delicacy
and discretion, silently quitted the room.
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 85}
  She neither moved, nor said a word, when he was gone- she sat by
me cold and still, with her eyes fixed on the ground. I saw it was
hopeless and useless to speak; and I only put my arm round her, and
held her to me in silence. We remained together so, for what seemed
a long and weary time- so long and so weary, that I grew uneasy and
spoke to her softly, in the hope of producing a change.
  The sound of my voice seemed to startle her into consciousness.
She suddenly drew herself away from me, and rose to her feet.
  'I must submit, Marian, as well as I can,' she said. 'My new life
has its hard duties; and one of them begins to-day.'
  As she spoke, she went to a side-table near the window, on which her
sketching materials were placed; gathered them together carefully; and
put them in a drawer of her cabinet. She locked the drawer, and
brought the key to me.
  'I must part from everything that reminds me of him,' she said.
'Keep the key wherever you please- I shall never want it again.'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 90}
  Before I could say a word, she had turned away to her bookcase,
and had taken from it the album that contained Walter Hartright's
drawings. She hesitated for a moment, holding the little volume fondly
in her hands- then lifted it to her lips and kissed it.
  'Oh, Laura! Laura!' I said, not angrily, not reprovingly- with
nothing but sorrow in my voice, and nothing but sorrow in my heart.
  'It is the last time, Marian,' she pleaded. 'I am bidding it
good-bye for ever.'
  She laid the book on the table, and drew out the comb that
fastened her hair. It fell, in its matchless beauty, over her back and
shoulders, and dropped round her, far below her waist. She separated
one long, thin lock from the rest, cut it off, and pinned it
carefully, in the form of a circle, on the first blank page of the
album. The moment it was fastened, she closed the volume hurriedly,
and placed it in my hands.
  'You write to him, and he writes to you,' she said. While I am
alive, if he asks after me, always tell him I am well, and never say I
am unhappy. Don't distress him, Marian- for my sake, don't
distress him. If I die first, promise you will give him this little
book of his drawings, with my hair in it. There can be no harm, when I
am gone, in telling him that I put it there with my own hands. And
say- oh, Marian, say for me, then, what I can never say for myself-
say I loved him!'
                                        {1ST_EPOCH|HALCOMBE|I ^paragraph 95}
  She flung her arms round my neck, and whispered the last words in my
ear with a passionate delight in uttering them which it almost broke
my heart to hear. All the long restraint she had imposed on herself,
gave way in that first last outburst of tenderness. She broke from
me with hysterical vehemence, and threw herself on the sofa, in a
paroxysm of sobs and tears, that shook her from head to foot.
  I tried vainly to soothe her and reason with her; she was past being
soothed, and past being reasoned with. It was the sad, sudden end
for us two, of this memorable day. When the fit had worn itself out,
she was too exhausted to speak. She slumbered towards the afternoon;
and I put away the book of drawings so that she might not see it
when she woke. My face was calm, whatever my heart might be, when
she opened her eyes again and looked at me. We said no more to each
other about the distressing interview of the morning. Sir Percival's
name was not mentioned. Walter Hartright was not alluded to again by
either of us for the remainder of the day.
-
  10th.- Finding that she was composed and like herself, this morning,
I returned to the painful subject of yesterday, for the sole purpose
of imploring her to let me speak to Sir Percival and Mr. Fairlie, more
plainly and strongly than she could speak to either of them herself,
about this lamentable marriage. She interposed, gently but firmly,
in the middle of my remonstrances.
  'I left yesterday to decide,' she said; 'and yesterday has
decided. It is too late to go back.'
                                       {1ST_EPOCH|HALCOMBE|I ^paragraph 100}
  Sir Percival spoke to me this afternoon, about what had passed in
Laura's room. He assured me that the unparalleled trust she had placed
in him had awakened such an answering conviction of her innocence
and integrity in his mind, that he was guiltless of having felt even a
moment's unworthy jealousy, either at the time when he was in her
presence, or afterwards when he had withdrawn from it. Deeply as he
lamented the unfortunate attachment which had hindered the progress he
might otherwise have made in her esteem and regard, he firmly believed
that it had remained unacknowledged in the past, and that it would
remain, under all changes of circumstance which it was possible to
contemplate, unacknowledged in the future. This was his absolute
conviction; and the strongest proof he could give of it was the
assurance, which he now offered, that he felt no curiosity to know
whether the attachment was of recent date or not, or who had been
the object of it. His implicit confidence in Miss Fairlie made him
satisfied with what she had thought fit to say to him, and he was
honestly innocent of the slightest feeling of anxiety to hear more.
  He waited, after saying those words, and looked at me. I was so
conscious of my unreasonable prejudice against him- so conscious of an
unworthy suspicion, that he might be speculating on my impulsively
answering the very questions which he had just described himself as
resolved not to ask- that I evaded all reference to this part of the
subject with something like a feeling of confusion on my own part.
At the same time, I was resolved not to lose even the smallest
opportunity of trying to plead Laura's cause; and I told him boldly
that I regretted his generosity had not carried him one step
farther, and induced him to withdraw from the engagement altogether.
  Here, again, he disarmed me by not attempting to defend himself.
He would merely beg me to remember the difference there was between
his allowing Miss Fairlie to give him up, which was a matter of
submission only, and his forcing himself to give up Miss Fairlie,
which was, in other words, asking him to be the suicide of his own
hopes. Her conduct of the day before had so strengthened the
unchangeable love and admiration of two long years, that all active
contention against those feelings, on his part, was henceforth
entirely out of his power. I must think him weak, selfish, unfeeling
towards the very woman whom he idolised, and he must bow to my opinion
as resignedly as he could; only putting it to me, at the same time,
whether her future as a single woman, pining under an unhappily placed
attachment which she could never acknowledge, could be said to promise
her a much brighter prospect than her future as the wife of a man
who worshipped the very ground she walked on? In the last case there
was hope from time, however slight it might be- in the first case,
on her own showing, there was no hope at all.
  I answered him- more because my tongue is a woman's, and must
answer, than because I had anything convincing to say. It was only too
plain that the course Laura had adopted the day before, had offered
him the advantage if he chose to take it- and that he had chosen
to take it. I felt this at the time, and I feel it just as strongly
now, while I write these lines, in my own room. The one hope left,
is that his motives really spring, as he says they do, from the
irresistible strength of his attachment to Laura.
  Before I close my diary for to-night, I must record that I wrote
to-day in poor Hartright's interest, to two of my mother's old friends
in London- both men of influence and position. If they can do anything
for him, I am quite sure they will. Except Laura, I never was more
anxious about any one than I am now about Walter. All that has
happened since he left us has only increased my strong regard and
sympathy for him. I hope I am doing right in trying to help him to
employment abroad- I hope, most earnestly and anxiously, that it
will end well.
                                       {1ST_EPOCH|HALCOMBE|I ^paragraph 105}
-
  11th.- Sir Percival had an interview with Mr. Fairlie; and I was
sent for to join them.
  I found Mr. Fairlie greatly relieved at the prospect of the
'family worry' (as he was pleased to describe his niece's marriage)
being settled at last. So far I did not feel called on to say anything
to him about my own opinion; but when he proceeded, in his most
aggravatingly languid manner, to suggest that the time for the
marriage had better be settled next, in accordance with Sir Percival's
wishes, I enjoyed the satisfaction of assailing Mr. Fairlie's nerves
with as strong a protest against hurrying Laura's decision as I
could put into words. Sir Percival immediately assured me that he felt
the force of my objection, and begged me to believe that the
proposal had not been made in consequence of any interference on his
part. Mr. Fairlie leaned back in his chair, closed his eyes, said we
both of us did honour to human nature, and then repeated his
suggestion, as coolly as if neither Sir Percival nor I had said a word
in opposition to it. It ended in my flatly declining to mention the
subject to Laura, unless she first approached it of her own accord.
I left the room at once, after making that declaration. Sir Percival
looked seriously embarrassed and distressed. Mr. Fairlie stretched out
his lazy legs on his velvet footstool; and said, 'Dear Marian! how I
envy you your robust nervous system! Don't bang the door!'
  On going to Laura's room, I found that she had asked for me, and
that Mrs. Vesey had informed her that I was with Mr. Fairlie. She
inquired at once what I had been wanted for; and I told her all that
had passed, without attempting to conceal the vexation and annoyance
that I really felt. Her answer surprised and distressed me
inexpressibly; it was the very last reply that I should have
expected her to make.
  'My uncle is right,' she said. 'I have caused trouble and anxiety
enough to you, and to all about me. Let me cause no more, Marian-
let Sir Percival decide.' I remonstrated warmly: but nothing that I
could say moved her.
                                       {1ST_EPOCH|HALCOMBE|I ^paragraph 110}
  'I am held to my engagement,' she replied; 'I have broken with my
old life. The evil day will not come the less surely because I put
it off. No, Marian! once again, my uncle is right. I have caused
trouble enough and anxiety enough; and I will cause no more.'
  She used to be pliability itself; but she was now inflexibly passive
in her resignation- I might almost say in her despair. Dearly as I
love her, I should have been less pained if she had been violently
agitated; it was so shockingly unlike her natural character to see her
as cold and insensible as I saw her now.
-
  12th.- Sir Percival put some questions to me, at breakfast, about
Laura, which left me no choice but to tell him, what she had said.
  While we were talking, she herself came down and joined us. She
was just as unnaturally composed in Sir Percival's presence as she had
been in mine. When breakfast was over, he had an opportunity of saying
a few words to her privately, in a recess of one of the windows.
They were not more than two or three minutes together; and, on their
separating, she left the room with Mrs. Vesey, while Sir Percival came
to me. He said he had entreated her to favour him by maintaining her
privilege of fixing the time for the marriage at her own will and
pleasure. In reply, she had merely expressed her acknowledgments,
and had desired him to mention what his wishes were to Miss Halcombe.
                                       {1ST_EPOCH|HALCOMBE|I ^paragraph 115}
  I have no patience to write more. In this instance, as in every
other, Sir Percival has carried his point, with the utmost possible
credit to himself, in spite of everything that I can say or do. His
wishes are now, what they were, of course, when he first came here;
and Laura having resigned herself to the one inevitable sacrifice of
the marriage, remains as coldly hopeless and enduring as ever. In
parting with the little occupations and relics that reminded her of
Hartright, she seems to have parted with all her tenderness and all
her impressibility. It is only three o'clock in the afternoon while
I write these lines, and Sir Percival has left us already, in the
happy hurry of a bridegroom, to prepare for the bride's reception at
his house in Hampshire. Unless some extraordinary event happens to
prevent it, they will be married exactly at the time when he wished to
be married- before the end of the year. My very fingers burn as I
write it!
-
 13th.- A sleepless night, through uneasiness about Laura. Towards the
morning, I came to a resolution to try what change of scene would do
to rouse her. She cannot surely remain in her present torpor of
insensibility, if I take her away from Limmeridge and surround her
with the pleasant faces of old friends? After some consideration, I
decided on writing to the Arnolds, in Yorkshire. They are simple,
kind-hearted, hospitable people; and she has known them from her
childhood. When I had put the letter in the post-bag, I told her
what I had done. It would have been a relief to me if she had shown
the spirit to resist and object. But no- she only said, 'I will go
anywhere with you, Marian. I dare say you are right- I dare say the
change will do me good.'
-
  14th.- I wrote to Mr. Gilmore, informing him that there was really a
prospect of this miserable marriage taking place, and also
mentioning my idea of trying what change of scene would do for
Laura. I had no heart to go into particulars. Time enough for them,
when we get nearer to the end of the year.
-
  15th.- Three letters for me. The first, from the Arnolds, full of
delight at the prospect of seeing Laura and me. The second, from one
of the gentlemen to whom I wrote on Walter Hartright's behalf,
informing me that he has been fortunate enough to find an
opportunity of complying with my request. The third, from Walter
himself, thanking me, poor fellow, in the warmest terms, for giving
him an opportunity of leaving his home, his country, and his
friends. A private expedition to make excavations among the ruined
cities of Central America is, it seems, about to sail from
Liverpool. The draughtsman who had been already appointed to accompany
it, has lost heart, and withdrawn at the eleventh hour; and Walter
is to fill his place. He is to be engaged for six months certain, from
the time of the landing in Honduras, and for a year afterwards, if the
excavations are successful, and if the funds hold out. His letter ends
with a promise to write me a farewell line, when they are all on board
ship, and when the pilot leaves them. I can only hope and pray
earnestly that he and I are both acting in this matter for the best.
It seems such a serious step for him to take, that the mere
contemplation of it startles me. And yet, in his unhappy position, how
can I expect him, or wish him, to remain at home?
                                       {1ST_EPOCH|HALCOMBE|I ^paragraph 120}
-
  16th.- The carriage is at the door. Laura and I set out on our visit
to the Arnolds to-day.
-
              *       *       *       *       *       *
-
                                       {1ST_EPOCH|HALCOMBE|I ^paragraph 125}
                                     Polesdean Lodge, Yorkshire.
-
  23rd.- A week in these new scenes and among these kind-hearted
people has done her some good, though not so much as I had hoped. I
have resolved to prolong our stay for another week at least. It is
useless to go back to Limmeridge, till there is an absolute
necessity for our return.
-
  24th.- Sad news by this morning's post. The expedition to Central
America sailed on the twenty-first. We have parted with a true man; we
have lost a faithful friend. Walter Hartright has left England.
                                       {1ST_EPOCH|HALCOMBE|I ^paragraph 130}
-
  25th.- Sad news yesterday; ominous news to-day. Sir Percival Glyde
has written to Mr. Fairlie; and Mr. Fairlie has written to Laura and
me, to recall us to Limmeridge immediately.
  What can this mean? Has the day for the marriage been fixed in our
absence?

{1ST_EPOCH|HALCOMBE|II
                                  II
-
                                               Limmeridge House.
-
  NOVEMBER 27th.- My forebodings are realised. The marriage is fixed
for the twenty-second of December.
  The day after we left for Polesdean Lodge, Sir Percival wrote, it
seems, to Mr. Fairlie, to say that the necessary repairs and
alterations in his house in Hampshire would occupy a much longer
time in completion than he had originally anticipated. The proper
estimates were to be submitted to him as soon as possible; and it
would greatly facilitate his entering into definite arrangements
with the workpeople, if he could be informed of the exact period at
which the wedding ceremony might be expected to take place. He could
then make all his calculations in reference to time, besides writing
the necessary apologies to friends who had been engaged to visit him
that winter, and who could not, of course, be received when the
house was in the hands of the workmen.
  To this letter Mr. Fairlie had replied by requesting Sir Percival
himself to suggest a day for the marriage, subject to Miss Fairlie's
approval, which her guardian willingly undertook to do his best to
obtain. Sir Percival wrote back by the next post, and proposed (in
accordance with his own views and wishes, from the first) the latter
part of December- perhaps the twenty-second, or twenty-fourth, or
any other day that the lady and her guardian might prefer. The lady
not being at hand to speak for herself, her guardian had decided, in
her absence, on the earliest day mentioned- the twenty-second of
December- and had written to recall us to Limmeridge in consequence.
                                        {1ST_EPOCH|HALCOMBE|II ^paragraph 5}
  After explaining these particulars to me at a private interview
yesterday Mr. Fairlie suggested, in his most amiable manner, that I
should open the necessary negotiations to-day. Feeling that resistance
was useless, unless I could first obtain Laura's authority to make it,
I consented to speak to her, but declared, at the same time, that I
would on no consideration undertake to gain her consent to Sir
Percival's wishes. Mr. Fairlie complimented me on my 'excellent
conscience,' much as he would have complimented me, if we had been out
walking, on my 'excellent constitution,' and seemed perfectly
satisfied, so far, with having simply shifted one more family
responsibility from his own shoulders to mine.
  This morning, I spoke to Laura as I had promised. The composure- I
may almost say, the insensibility- which she has so strangely and so
resolutely maintained ever since Sir Percival left us, was not proof
against the shock of the news I had to tell her. She turned pale,
and trembled violently.
  'Not so soon!' she pleaded. 'Oh, Marian, not so soon!'
  The slightest hint she could give was enough for me. I rose to leave
the room, and fight her battle for her at once with Mr. Fairlie.
  Just as my hand was on the door, she caught fast hold of my dress,
and stopped me.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 10}
  'Let me go!' I said. 'My tongue burns to tell your uncle that he and
Sir Percival are not to have it an their own way.'
  She sighed bitterly, and still held my dress.
  'No!' she said, faintly. 'Too late, Marian, too late!'
  'Not a minute too late,' I retorted. 'The question of time is
our question- and trust me, Laura, to take a woman's full
advantage of it.'
  I unclasped her hand from my gown while I spoke; but she slipped
both her arms round my waist at the same moment, and held me more
effectually than ever.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 15}
  'It will only involve us in more trouble and more confusion,' she
said. 'It will set you and my uncle at variance, and bring Sir
Percival here again with fresh causes of complaint-'
  'So much the better,' I cried out, passionately. 'Who cares for
his causes of complaint? Are you to break your heart to set his mind
at ease? No man under heaven deserves these sacrifices from us
women. Men! They are the enemies of our innocence and our peace-
they drag us away from our parents' love and our sisters'
friendship- they take us body and soul to themselves, and fasten our
helpless lives to theirs as they chain up a dog to his kennel. And
what does the best of them give us in return? Let me go, Laura- I'm
mad when I think of it!'
  The tears- miserable, weak, women's tears of vexation and rage-
started to my eyes. She smiled sadly; and put her handkerchief over my
face, to hide for me the betrayal of my own weakness- the weakness
of all others which she knew I most despised.
  'Oh, Marian!' she said. 'You crying! Think what you would say to
me, if the places were changed, and if those tears were mine. All your
love and courage and devotion will not alter what must happen,
sooner or later. Let my uncle have his way. Let us have no more
troubles and heart-burnings that any sacrifice of mine can prevent.
Say you will live with me, Marian, when I am married- and say no
more.'
  But I did say more. I forced back the contemptible tears that were
no relief to me, and that only distressed her; and reasoned and
pleaded as calmly as I could. It was of no avail. She made me twice
repeat the promise to live with her when she was married, and then
suddenly asked a question which turned my sorrow and my sympathy for
her into a new direction.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 20}
  'While we were at Polesdean,' she said, 'you had a letter, Marian-'
  Her altered tone; the abrupt manner in which she looked away from
me, and hid her face on my shoulder; the hesitation which silenced her
before she had completed her question, all told me, but too plainly,
to whom the half-expressed inquiry pointed.
  'I thought, Laura, that you and I were never to refer to him again,'
I said, gently.
  'You had a letter from him?' she persisted.
  'Yes,' I replied, 'if you must know it.'
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 25}
  'Do you mean to write to him again?'
  I hesitated. I had been afraid to tell her of his absence from
England, or of the manner in which my exertions to serve his new hopes
and projects had connected me with his departure. What answer could
I make? He was gone where no letters could reach him for months,
perhaps for years, to come.
  'Suppose I do mean to write to him again,' I said, at last. 'What
then, Laura?'
  Her cheek grew burning hot against my neck; and her arms trembled
and tightened round me.
  'Don't tell him about the twenty-second,' she whispered. 'Promise,
Marian- pray promise you will not even mention my name to him when you
write next.'
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 30}
  I gave the promise. No words can say how sorrowfully I gave it.
She instantly took her arm from my waist, walked away to the window,
and stood looking out, with her back to me. After a moment she spoke
once more, but without turning round, without allowing me to catch the
smallest glimpse of her face.
  'Are you going to my uncle's room?' she asked. Will you say that I
consent to whatever arrangement he may think best? Never mind
leaving me, Marian. I shall be better alone for a little while.'
  I went out. If, as soon as I got into the passage, I could have
transported Mr. Fairlie and Sir Percival Glyde to the uttermost ends
of the earth, by lifting one of my fingers, that finger would have
been raised without an instant's hesitation. For once my unhappy
temper now stood my friend. I should have broken down altogether and
burst into a violent fit of crying, if my tears had not been all burnt
up in the heat of my anger. As it was, I dashed into Mr. Fairlie's
room- called to him as harshly as possible, 'Laura consents to the
twenty-second'- and dashed out again without waiting for a word of
answer. I banged the door after me; and I hope I shattered Mr.
Fairlie's nervous system for the rest of the day.
-
  28th.- This morning, I read poor Hartright's farewell letter over
again, a doubt having crossed my mind since yesterday, whether I am
acting wisely in concealing the fact of his departure from Laura.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 35}
  On reflection, I still think I am right. The allusions in his letter
to the preparations made for the expedition to Central America, all
show that the leaders of it know it to be dangerous. If the
discovery of this makes me uneasy, what would it make her? It is
bad enough to feel that his departure has deprived us of the friend of
all others to whose devotion we could trust, in the hour of need, if
ever that hour comes and finds us helpless. But it is far worse to
know that he has gone from us to face the perils of a bad climate, a
wild country, and a disturbed population. Surely it would be a cruel
candour to tell Laura this, without a pressing and a positive
necessity for it?
  I almost doubt whether I ought not to go a step farther, and burn
the letter at once, for fear of its one day falling into wrong
hands. It not only refers to Laura in terms which ought to remain a
secret for ever between the writer and me; but it reiterates his
suspicion- so obstinate, so unaccountable, and so alarming- that he
has been secretly watched since he left Limmeridge. He declares that
he saw the faces of the two strange men, who followed him about the
streets of London, watching him among the crowd which gathered at
Liverpool to see the expedition embark; and he positively asserts that
he heard the name of Anne Catherick pronounced behind him, as he got
into the boat. His own words, are, 'These events have a meaning, these
events must lead to a result. The mystery of Anne Catherick is not
cleared up yet. She may never cross my path again; but if ever she
crosses yours, make better use of the opportunity, Miss Halcombe, than
I made of it. I speak on strong conviction; I entreat you to
remember what I say.' These are his own expressions. There is no
danger of my forgetting them- my memory is only too ready to dwell
on any words of Hartright's that refer to Anne Catherick. But there is
danger in my keeping the letter. The merest accident might place it at
the mercy of strangers. I may fall ill; I may die. Better to burn it
at once, and have one anxiety the less.
  It is burnt! The ashes of his farewell letter- the last he may
ever write to me- lie in a few black fragments on the hearth. Is
this the sad end to all that sad story? Oh, not the end-surely, surely
not the end already!
-
  29th.- The preparations for the marriage have begun. The
dressmaker has come to receive her orders. Laura is perfectly
impassive, perfectly careless about the question of all others in
which a woman's personal interests are most closely bound up. She
has left it all to the dressmaker and to me. If poor Hartright had
been the baronet, and the husband of her father's choice, how
differently she would have behaved! How anxious and capricious she
would have been; and what a hard task the best of dressmakers would
have found it to please her!
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 40}
-
  30th.- We hear every day from Sir Percival. The last news is, that
the alterations in his house will occupy from four to six months,
before they can be properly completed. If painters, paper-hangers, and
upholsterers could make happiness as well as splendour, I should be
interested about their proceedings in Laura's future home. As it is,
the only part of Sir Percival's last letter which does not leave me as
it found me, perfectly indifferent to all his plans and projects, is
the part which refers to the wedding tour. He proposes, as Laura is
delicate, and as the winter threatens to be unusually severe, to
take her to Rome, and to remain in Italy until the early part of
next summer. If this plan should not be approved, he is equally ready,
although he has no establishment of his own in town, to spend the
season in London, in the most suitable furnished house that can be
obtained for the purpose.
  Putting myself and my own feelings entirely out of the question
(which it is my duty to do, and which I have done), I, for one, have
no doubt of the propriety of adopting the first of these proposals. In
either case, a separation between Laura and me is inevitable. It
will be a longer separation, in the event of their going abroad,
than it would be in the event of their remaining in London- but we
must set against this disadvantage, the benefit to Laura on the
other side, of passing the winter in a mild climate, and, more than
that, the immense assistance in raising her spirits, and reconciling
her to her new existence, which the mere wonder and excitement of
travelling for the first time in her life in the most interesting
country in the world, must surely afford. She is not of a
disposition to find resources in the conventional gaieties and
excitements of London. They would only make the first oppression of
this lamentable marriage fall the heavier on her. I dread the
beginning of her new life more than words can tell; but I see some
hope for her if she travels- none if she remains at home.
  It is strange to look back at this latest entry in my journal and to
find that I am writing of the marriage and the parting with Laura,
as people write of a settled thing. It seems so cold and so
unfeeling to be looking at the future already in this cruelly composed
way. But what other way is possible, now that the time is drawing so
near? Before another month is over our heads, she will be his
Laura instead of mine! His Laura! I am as little able to realise the
idea which those two words convey- my mind feels almost as dulled
and stunned by it- as if writing of her marriage were like writing
of her death.
-
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 45}
  DECEMBER 1st.- A sad, sad day; a day that I have no heart to
describe at any length. After weekly putting it off, last night, I was
obliged to speak to her this morning of Sir Percival's proposal
about the wedding tour.
  In the full conviction that I should be with her, wherever she went,
the poor child- for a child she is still in many things- was almost
happy at the prospect of seeing the wonders of Florence and Rome and
Naples. It nearly broke my heart to dispel her delusion, and to
bring her face to face with the hard truth. I was obliged to tell
her that no man tolerates a rival- not even a woman rival- in his
wife's affections, when he first marries, whatever he may do
afterwards. I was obliged to warn her, that my chance of living with
her permanently under her own roof, depended entirely on my not
arousing Sir Percival's jealousy and distrust by standing between them
at the beginning of their marriage, in the position of the chosen
depositary of his wife's closest secrets. Drop by drop, I poured the
profaning bitterness of this world's wisdom into that pure heart and
that innocent mind, while every higher and better feeling within me
recoiled from my miserable task. It is over now. She has learnt her
hard, her inevitable lesson. The simple illusions, of her girlhood are
gone; and my hand has stripped them off. Better mine than his- that is
all my consolation- better mine than his.
  So the first proposal is the proposal accepted. They are to go to
Italy, and I am to arrange, with Sir Percival's permission, for
meeting them and staying with them, when they return to England. In
other words, I am to ask a personal favour, for the first time in my
life, and to ask it of the man of all others to whom I least desire to
owe a serious obligation of any kind. Well! I think I could do even
more than that, for Laura's sake.
-
  2nd.- On looking back, I find myself always referring to Sir
Percival in disparaging terms. In the turn affairs have now taken, I
must and will root out my prejudice against him. I cannot think how it
first got into my mind. It certainly never existed in former times.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 50}
  Is it Laura's reluctance to become his wife that has set me
against him? Have Hartright's perfectly intelligible prejudices
infected me without my suspecting their influence? Does that letter of
Anne Catherick's still leave a lurking distrust in my mind, in spite
of Sir Percival's explanation, and of the proof in my possession of
the truth of it? I cannot account for the state of my own feelings:
the one thing I am certain of is, that it is my duty- doubly my
duty, now- not to wrong Sir Percival by unjustly distrusting him. If
it has got to be a habit with me always to write of him in the same
unfavourable manner, I must and will break myself of this unworthy
tendency, even though the effort should force me to close the pages of
my journal till the marriage is over! I am seriously dissatisfied with
myself- I will write no more to-day.
-
              *       *       *       *       *       *
-
  DECEMBER 16th.- A whole fortnight has passed; and I have not once
opened these pages. I have been long enough away from my journal, to
come back to it, with a healthier and better mind, I hope, so far as
Sir Percival is concerned.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 55}
  There is not much to record of the past two weeks. The dresses are
almost all finished; and the new travelling trunks have been sent here
from London. Poor dear Laura hardly leaves me for a moment, all day;
and, last night, when neither of us could sleep, she came and crept
into my bed to talk to me there. 'I shall lose you so soon, Marian,'
she said; 'I must make the most of you while I can.'
  They are to be married at Limmeridge Church; and, thank Heaven,
not one of the neighbours is to be invited to the ceremony. The only
visitor will be our old friend, Mr. Arnold, who is to come from
Polesdean, to give Laura away; her uncle being far too delicate to
trust himself outside the door in such inclement weather as we now
have. If I were not determined, from this day fourth, to see nothing
but the bright side of our prospects, the melancholy absence of any
male relative of Laura's, at the most important moment of her life,
would make me very gloomy and very distrustful of the future. But I
have done with gloom and distrust- that is to say, I have done with
writing about either the one or the other in this journal.
  Sir Percival is to arrive to-morrow. He offered, in case we wished
to treat him on terms of rigid etiquette, to write and ask our
clergyman to grant him the hospitality of the rectory, during the
short period of his sojourn at Limmeridge, before the marriage.
Under the circumstances, neither Mr. Fairlie nor I thought it at all
necessary for us to trouble ourselves about attending to trifling
forms and ceremonies. In our wild moorland country, and in this
great lonely house, we may well claim to be beyond the reach of the
trivial conventionalities which hamper people in other places. I wrote
to Sir Percival to thank him for his polite offer, and to beg that
he would occupy his old rooms, just as usual, at Limmeridge House.
-
  17th.- He arrived to-day, looking, as I thought, a little worn and
anxious, but still talking and laughing like a man in the best
possible spirits. He brought with him some really beautiful
presents, in jewelry, which Laura received with her best grace, and,
outwardly at least, with perfect self-possession. The only sign I
can detect of the struggle it must cost her to preserve appearances at
this trying time, expresses itself in a sudden unwillingness, on her
part, ever to be left alone. Instead of retreating to her own room, as
usual, she seems to dread going there. When I went upstairs to-day,
after lunch, to put on my bonnet for a walk, she volunteered to join
me; and, again, before dinner, she threw the door open between our two
rooms, so that we might talk to each other while we were dressing.
'Keep me always doing something,' she said; 'keep me always in company
with somebody. Don't let me think- that is all I ask now, Marian-
don't let me think.'
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 60}
  This sad change in her only increases her attractions for Sir
Percival. He interprets it, I can see, to his own advantage. There
is a feverish flush in her cheeks, a feverish brightness in her
eyes, which he welcomes as the return of her beauty and the recovery
of her spirits. She talked to-day at dinner with a gaiety and
carelessness so false, so shockingly out of her character, that I
secretly longed to silence her and take her away. Sir Percival's
delight and surprise appeared to be beyond all expression. The anxiety
which I had noticed on his face when he arrived, totally disappeared
from it; and he looked, even to my eyes, a good ten years younger than
he really is.
  There can be no doubt- though some strange perversity prevents me
from seeing it myself- there can be no doubt that Laura's future
husband is a very handsome man. Regular features form a personal
advantage to begin with- and he has them. Bright brown eyes, either in
man or woman, are a great attraction- and he has them. Even
baldness, when it is only baldness over the forehead (as in his case),
is rather becoming, than not, in a man, for it heightens the head
and adds to the intelligence of the face. Grace and ease of
movement; untiring animation of manner; ready, pliant,
conversational powers- all these are unquestionable merits, and all
these he certainly possesses. Surely Mr. Gilmore, ignorant as he is of
Laura's secret, was not to blame for feeling surprised that she should
repent of her marriage engagement? Any one else in his place, would
have shared our good old friend's opinion. If I were asked, at this
moment, to say plainly what defects I have discovered in Sir Percival,
I could only point out two. One, his incessant restlessness and
excitability- which may be caused, naturally enough, by unusual energy
of character. The other, his short, sharp, ill-tempered manner of
speaking to the servants- which may be only a bad habit, after all.
No: I cannot dispute it, and I will not dispute it- Sir Percival is
a very handsome and a very agreeable man. There! I have written it
down, at last, and I am glad it's over.
-
  18th.- Feeling weary and depressed, this morning, I left Laura
with Mrs. Vesey, and went out alone for one of my brisk mid-day walks,
which I have discontinued too much of late. I took the dry airy
road, over the moor, that leads to Todd's Corner. After having been
out half an hour, I was excessively surprised to see Sir Percival
approaching me from the direction of the farm. He was walking rapidly,
swinging his stick; his head erect as usual, and his shooting jacket
flying open in the wind. When we met, he did not wait for me to ask
any questions- he told me, at once, that he had been to the farm to
inquire if Mr. or Mrs. Todd had received any tidings, since his last
visit to Limmeridge, of Anne Catherick.
  'You found, of course, that they had heard nothing?' I said.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 65}
  'Nothing whatever,' he replied. 'I begin to be seriously afraid that
we have lost her. Do you happen to know,' he continued, looking me
in the face very attentively, 'if the artist- Mr. Hartright- is in a
position to give us any further information?'
  'He has neither heard of her, nor seen her, since he left
Cumberland,' I answered.
  'Very sad,' said Sir Percival, speaking like a man who was
disappointed, and yet, oddly enough, looking, at the same time, like a
man who was relieved. 'It is impossible to say what misfortunes may
not have happened to the miserable creature. I am inexpressibly
annoyed at the failure of all my efforts to restore her to the care
and protection which she so urgently needs.' This time he really
looked annoyed. I said a few sympathising words, and we then talked of
other subjects, on our way back to the house. Surely, my chance
meeting with him on the moor has disclosed another favourable trait in
his character? Surely, it was singularly considerate and unselfish
of him to think of Anne Catherick on the eve of his marriage, and to
go all the way to Todd's Corner to make inquiries about her, when he
might have passed the time so much more agreeably in Laura's
society? Considering that he can only have acted from motives of
pure charity, his conduct, under the circumstances, shows unusual good
feeling, and deserves extraordinary praise. Well! I give him
extraordinary praise- and there's an end of it.
-
  19th.- More discoveries in the inexhaustible mine of Sir
Percival's virtues.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 70}
  To-day, I approached the subject of my proposed sojourn under his
wife's roof, when he brings her back to England. I had hardly
dropped my first hint in this direction, before he caught me warmly by
the hand, and said I had made the very offer to him, which he had
been, on his side, most anxious to make to me. I was the companion
of all others whom he most sincerely longed to secure for his wife;
and he begged me to believe that I had conferred a lasting favour on
him by making the proposal to live with Laura after her marriage,
exactly as I had always lived with her before it.
  When I had thanked him, in her name and mine, for his considerate
kindness to both of us, we passed next to the subject of his wedding
tour, and began to talk of the English society in Rome to which
Laura was to be introduced. He ran over the names of several friends
whom he expected to meet abroad this winter. They were all English, as
well as I can remember, with one exception. The one exception was
Count Fosco.
  The mention of the Count's name, and the discovery that he and his
wife are likely to meet the bride and bridegroom on the continent,
puts Laura's marriage, for the first time, in a distinctly
favourable light. It is likely to be the means of healing a family
feud. Hitherto Madame Fosco has chosen to forget her obligations as
Laura's aunt, out of sheer spite against the late Mr. Fairlie for
his conduct in the affair of the legacy. Now, however, she can persist
in this course of conduct no longer. Sir Percival and Count Fosco
are old and fast friends, and their wives will have no choice but to
meet on civil terms. Madame Fosco, in her maiden days, was one of
the most impertinent women I ever met with- capricious, exacting,
and vain to the last degree of absurdity. If her husband has succeeded
in bringing her to her senses, he deserves the gratitude of every
member of the family- and he may have mine to begin with.
  I am becoming anxious to know the Count. He is the most intimate
friend of Laura's husband; and, in that capacity, he excites my
strongest interest. Neither Laura nor I have ever seen him. All I know
of him is that his accidental presence, years ago, on the steps of the
Trinita del Monte at Rome, assisted Sir Percival's escape from robbery
and assassination, at the critical moment when he was wounded in the
hand, and might, the next instant, have been wounded in the heart. I
remember also that, at the time of the late Mr. Fairlie's absurd
objections to his sister's marriage, the Count wrote him a very
temperate and sensible letter on the subject, which, I am ashamed to
say, remained unanswered. This is all I know of Sir Percival's friend.
I wonder if he will ever come to England? I wonder if I shall like
him?
  My pen is running away into mere speculation. Let me return to sober
matter of fact. It is certain that Sir Percival's reception of my
venturesome proposal to live with his wife, was more than kind, it was
almost affectionate. I am sure Laura's husband will have no reason
to complain of me, if I can only go on as I have begun. I have already
declared him to be handsome, agreeable, full of good feeling towards
the unfortunate, and full of affectionate kindness towards me. Really,
I hardly know myself again, in my new character of Sir Percival's
warmest friend.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 75}
-
  20th.- I hate Sir Percival! I flatly deny his good looks. I consider
him to be eminently ill-tempered and disagreeable, and totally wanting
in kindness and good feeling. Last night, the cards for the married
couple were sent home. Laura opened the packet, and saw her future
name in print, for the first time. Sir Percival looked over her
shoulder familiarly at the new card which had already transformed Miss
Fairlie into Lady Glyde- smiled with the most odious self-complacency-
and whispered something in her ear. I don't know what it was- Laura
has refused to tell me- but I saw her face turn to such a deadly
whiteness that I thought she would have fainted. He took no notice
of the change: he seemed to be barbarously unconscious that he had
said anything to pain her. All my old feelings of hostility towards
him revived on the instant; and all the hours that have passed, since,
have done nothing to dissipate them. I am more unreasonable and more
unjust than ever. In three words- how glibly my pen writes them!- in
three words, I hate him.
-
  21st.- Have the anxieties of this anxious time shaken me a little,
at last? I have been writing, for the last few days, in a tone of
levity which, Heaven knows, is far enough from my heart, and which
it has rather shocked me to discover on looking back at the entries in
my journal.
  Perhaps I may have caught the feverish excitement of Laura's
spirits, for the last week. If so, the fit has already passed away
from me, and has left me in a very strange state of mind. A persistent
idea has been forcing itself on my attention, ever since last night,
that something will yet happen to prevent the marriage. What has
produced this singular fancy? Is it the indirect result of my
apprehensions for Laura's future? Or has it been unconsciously
suggested to me by the increasing restlessness and irritability
which I have certainly observed in Sir Percival's manner as the
wedding-day draws nearer and nearer? Impossible to say. I know that
I have the idea- surely the wildest idea, under the circumstances,
that ever entered a woman's head?- but try as I may, I cannot trace it
back to its source.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 80}
  This last day has been all confusion and wretchedness. How can I
write about it?- and yet, I must write. Anything is better than
brooding over my own gloomy thoughts.
  Kind Mrs. Vesey, whom we have all too much overlooked and
forgotten of late, innocently caused us a sad morning to begin with.
She has been, for months past, secretly making a warm Shetland shawl
for her dear pupil- a most beautiful and surprising piece of work to
be done by a woman at her age and with her habits. The gift was
presented this morning; and poor warm-hearted Laura completely broke
down when the shawl was put proudly on her shoulders by the loving old
friend and guardian of her motherless childhood. I was hardly
allowed time to quiet them both, or even to dry my own eyes, when I
was sent for by Mr. Fairlie, to be favoured with a long recital of his
arrangements for the preservation of his own tranquillity on the
wedding-day.
  'Dear Laura' was to receive his present- a shabby ring, with her
affectionate uncle's hair, for an ornament, instead of a precious
stone, and with a heartless French inscription, inside, about
congenial sentiments and eternal friendship- 'dear Laura' was to
receive this tender tribute from my hands immediately, so that she
might have plenty of time to recover from the agitation produced by
the gift, before she appeared in Mr. Fairlie's presence. 'Dear
Laura' was to pay him a little visit that evening, and to be kind
enough not to make a scene. 'Dear Laura' was to pay him another little
visit in her wedding-dress, the next morning, and to be kind enough,
again, not to make a scene. 'Dear Laura' was to look in once more
for the third time, before going away, but without harrowing his
feelings by saying when she was going away, and without tears- 'in
the name of pity, in the name of everything, dear Marian, that is most
affectionate and most domestic and most delightfully and charmingly
self-composed, without tears!' I was so exasperated by this
miserable selfish trifling, at such a time, that I should certainly
have shocked Mr. Fairlie by some of the hardest and rudest truths he
has ever heard in his life, if the arrival of Mr. Arnold from
Polesdean had not called me away to new duties down stairs.
  The rest of the day is indescribable. I believe no one in the
house really knew how it passed. The confusion of small events, all
huddled together one on the other, bewildered everybody. There were
dresses sent home, that had been forgotten; there were trunks to be
packed and unpacked and packed again; there were presents from friends
far and near, friends high and low. We were all needlessly hurried;
all nervously expectant of the morrow. Sir Percival, especially, was
too restless, now, to remain five minutes together in the same
place. That short, sharp cough of his troubled him more than ever.
He was in and out of doors all day long: and he seemed to grow so
inquisitive, on a sudden, that he questioned the very strangers who
came on small errands to the house. Add to all this, the one perpetual
thought, in Laura's mind and mine, that we were to part the next
day, and the haunting dread, unexpressed by either of us, and yet ever
present to both, that this deplorable marriage might prove to be the
one fatal error of her life and the one hopeless sorrow of mine. For
the first time in all the years of our close and happy intercourse
we almost avoided looking each other in the face; and we refrained, by
common consent, from speaking together in private, through the whole
evening. I can dwell on it no longer. Whatever future sorrows may be
in store for me, I shall always look back on this twenty-first of
December as the most comfortless and most miserable day of my life.
  I am writing these lines in the solitude of my own room, long
after midnight; having just come back from a stolen look at Laura in
her pretty little white bed- the bed she has occupied since the days
of her girlhood.
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 85}
  There she lay, unconscious that I was looking at her- quiet, more
quiet than I had dared to hope, but not sleeping. The glimmer of the
night-light showed me that her eyes were only partially closed: the
traces of tears glistened between her eyelids. My little keepsake-
only a brooch- lay on the table at her bedside, with her
prayer-book, and the miniature portrait of her father which she
takes with her wherever she goes. I waited a moment, looking at her
from behind her pillow, as she lay beneath me, with one arm and hand
resting on the white coverlid, so still, so quietly breathing, that
the frill on her night-dress never moved- I waited, looking at her, as
I have seen her thousands of times, as I shall never see her again-
and then stole back to my room. My own love! with all your wealth, and
all your beauty, how friendless you are! The one man who would give
his heart's life to serve you, is far away, tossing, this stormy
night, on the awful sea. Who else is left to you? No father, no
brother- no living creature but the helpless, useless woman who writes
these sad lines, and watches by you for the morning, in sorrow that
she cannot compose, in doubt that she cannot conquer. Oh, what a trust
is to be placed in that man's hands to-morrow! If ever he forgets
it; if ever he injures a hair of her head!-
-
  THE TWENTY-SECOND OF DECEMBER. Seven o'clock.
  A wild unsettled morning. She has just risen- better and calmer, now
that the time has come, than she was yesterday.
                         -------------------
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 90}
  Ten o'clock. She is dressed. We have kissed each other; we have
promised each other not to lose courage. I am away for a moment in
my own room. In the whirl and confusion of my thoughts, I can detect
that strange fancy of some hindrance happening to stop the marriage,
still hanging about my mind. Is it hanging about his mind, too? I
see him from the window, moving hither and thither uneasily among
the carriages at the door.- How can I write such folly! The marriage
is a certainty. In less than half an hour we start for the church.
                         -------------------
  Eleven o'clock. It is all over. They are married.
                         -------------------
  Three o'clock. They are gone! I am blind with crying- I can
write no more-
                                       {1ST_EPOCH|HALCOMBE|II ^paragraph 95}
-
              *       *       *       *       *       *
-
              [The First Epoch of the Story closes here]

{2ND_EPOCH|HALCOMBE|I
                           THE SECOND EPOCH
-
                The Story continued by MARIAN HALCOMBE
                                  I
-
              *       *       *       *       *       *
-
                                         {2ND_EPOCH|HALCOMBE|I ^paragraph 5}
                                     Blackwater Park, Hampshire.
-
  JUNE 11th, 1850.- Six months to look back on- six long, lonely
months, since Laura and I last saw each other!
  How many days have I still to wait? Only one! To-morrow, the
twelfth, the travellers return to England. I can hardly realise my own
happiness; I can hardly believe that the next four-and-twenty hours
will complete the last days of separation between Laura and me.
  She and her husband have been in Italy all the winter, and
afterwards in the Tyrol. They come back, accompanied by Count Fosco
and his wife, who propose to settle somewhere in the neighbourhood
of London, and who have engaged to stay at Blackwater Park for the
summer months before deciding on a place of residence. So long as
Laura returns, no matter who returns with her. Sir Percival may fill
the house from floor to ceiling, if he likes, on condition that his
wife and I inhabit it together.
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 10}
  Meanwhile, here I am, established at Blackwater Park; 'the ancient
and interesting seat' (as the county history obligingly informs me)
'of Sir Percival Glyde, Bart.'- and the future abiding-place (as I now
venture to add on my account) of plain Marian Halcombe, spinster,
now settled in a snug little sitting-room, with a cup of tea by her
side, and all her earthly possessions ranged round her in three
boxes and a bag.
  I left Limmeridge yesterday; having received Laura's delightful
letter from Paris, the day before. I had been previously uncertain
whether I was to meet them in London, or in Hampshire; but this last
letter informed me, that Sir Percival proposed to land at Southampton,
and to travel straight on to his country-house. He has spent so much
money abroad, that he has none left to defray the expenses of living
in London, for the remainder of the season; and he is economically
resolved to pass the summer and autumn quietly at Blackwater. Laura
has had more than enough of excitement and change of scene; and is
pleased at the prospect of country tranquillity and retirement which
her husband's prudence provides for her. As for me, I am ready to be
happy anywhere in her society. We are all, therefore, well contented
in our various ways, to begin with.
  Last night, I slept in London, and was delayed there so long,
to-day, by various calls and commissions, that I did not reach
Blackwater, this evening, till after dusk.
  Judging by my vague impressions of the place, thus far, it is the
exact opposite of Limmeridge.
  The house is situated on a dead flat, and seems to be shut in-
almost suffocated, to my north-country notions, by trees. I have
seen nobody, but the man-servant who opened the door to me, and the
housekeeper, a very civil person who showed me the way to my own room,
and got me my tea. I have a nice little boudoir and bedroom, at the
end of a long passage, on the first floor. The servants' and some of
the spare rooms are on the second floor; and all the living rooms
are on the ground floor. I have not seen one of them yet, and I know
nothing about the house, except that one wing of it is said to be five
hundred years old, that it had a moat round it once, and that it
gets its name of Blackwater from a lake in the park.
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 15}
  Eleven o'clock has just struck, in a ghostly and solemn manner, from
a turret over the centre of the house, which I saw when I came in. A
large dog has been woke, apparently by the sound of the bell, and is
howling and yawning drearily, somewhere round a corner. I hear echoing
footsteps in the passages below, and the iron thumping of bolts and
bars at the house door. The servants are evidently going to bed. Shall
I follow their example?
  No: I am not half sleepy enough. Sleepy, did I say? I feel as if I
should never close my eyes again. The bare anticipation of seeing that
dear face and hearing that well-known voice to-morrow, keeps me in a
perpetual fever of excitement. If I only had the privileges of a
man, I would order out Sir Percival's best horse instantly, and tear
away on a night-gallop, eastward, to meet the rising sun- a long,
hard, heavy, ceaseless gallop of hours and hours, like the famous
highwayman's ride to York. Being, however, nothing but a woman,
condemned to patience, propriety, and petticoats, for life, I must
respect the housekeeper's opinions, and try to compose myself in
some feeble and feminine way.
  Reading is out of the question- I can't fix my attention on books.
Let me try if I can write myself into sleepiness and fatigue. My
journal has been very much neglected of late. What can I recall-
standing, as I now do, on the threshold of a new life- of persons
and events, of chances and changes, during the past six months- the
long, weary, empty interval since Laura's wedding-day?
-
  Walter Hartright is uppermost in my memory; and he passes first in
the shadowy procession of my absent friends. I received a few lines
from him, after the landing of the expedition in Honduras, written
more cheerfully and hopefully than he has written yet. A month or
six weeks later, I saw an abstract from an American newspaper,
describing the departure of the adventurers on their inland journey.
They were last seen entering a wild primeval forest, each man with his
rifle on his shoulder and his baggage at his back. Since that time,
civilisation has lost all trace of them. Not a line more have I
received from Walter; not a fragment of news from the expedition has
appeared in any of the public journals.
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 20}
  The same dense, disheartening obscurity hangs over the fate and
fortunes of Anne Catherick, and her companion, Mrs. Clements.
Nothing whatever has been heard of either of them. Whether they are in
the country or out of it, whether they are living or dead, no one
knows. Even Sir Percival's solicitor has lost all hope, and has
ordered the useless search after the fugitives to be finally given up.
  Our good old friend Mr. Gilmore has met with a sad check in his
active professional career. Early in the spring, we were alarmed by
hearing that he had been found insensible at his desk, and that the
seizure was pronounced to be an apoplectic fit. He had been long
complaining of fulness and oppression in the head; and his doctor
had warned him of the consequences that would follow his persistency
in continuing to work, early and late, as if he was still a young man.
The result now is that he has been positively ordered to keep out of
his office for a year to come, at least, and to seek repose of body
and relief of mind by altogether changing his usual mode of life.
The business is left, accordingly, to be carried on by his partner;
and he is, himself, at this moment, away in Germany, visiting some
relations who are settled there in mercantile pursuits. Thus,
another true friend, and trustworthy adviser, is lost to us- lost, I
earnestly hope and trust, for a time only.
  Poor Mrs. Vesey travelled with me, as far as London. It was
impossible to abandon her to solitude- at Limmeridge, after Laura
and I had both left the house; and we have arranged that she is to
live with an unmarried younger sister of hers, who keeps a school at
Clapham. She is to come here this autumn to visit her pupil- I might
almost say her adopted child. I saw the good old lady safe to her
destination; and left her in the care of her relative, quietly happy
at the prospect of seeing Laura again, in a few months' time.
  As for Mr. Fairlie, I believe I am guilty of no injustice if I
describe him as being unutterably relieved by having the house clear
of us women. The idea of his missing his niece is simply preposterous-
he used to let months pass, in the old times, without attempting to
see her- and, in my case and Mrs. Vesey's, I take leave to consider
his telling us both that he was half heart-broken at our departure, to
be equivalent to a confession that he was secretly rejoiced to get rid
of us. His last caprice has led him to keep two photographers
incessantly employed in producing sun-pictures of all the treasures
and curiosities in his possession. One complete copy of the collection
of the photographs is to be presented to the Mechanics' Institution of
Carlisle, mounted on the finest cardboard, with ostentatious
red-letter inscriptions underneath. 'Madonna and Child, by Raphael. In
the possession of Frederick Fairlie, Esquire.' 'Copper coin of the
period of Tiglath Pileser. In the possession of Frederick Fairlie,
Esquire.' 'Unique Rembrandt etching. Known all over Europe, as The
Smudge, from a printer's blot in the corner which exists in no
other copy. Valued at three hundred guineas. In the possession of
Frederick Fairlie, Esquire.' Dozens of photographs of this sort, and
all inscribed in this manner, were completed before I left Cumberland;
and hundreds more remain to be done. With this new interest to
occupy him, Mr. Fairlie will be a happy man for months and months to
come; and the two unfortunate photographers will share the social
martyrdom which he has hitherto inflicted on his valet alone.
  So much for the persons and events which hold the foremost place
in my memory. What, next, of the one person who holds the foremost
place in my heart? Laura has been present to my thoughts all the while
I have been writing these lines. What can I recall of her, during
the past six months, before I close my journal for the night?
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 25}
  I have only her letters to guide me; and, on the most important of
all the questions which our correspondence can discuss, every one of
those letters leaves me in the dark.
  Does he treat her kindly? Is she happier now than she was when I
parted with her on the wedding-day? All my letters have contained
these two inquiries, put more or less directly, now in one form, and
now in another; and all, on that point only, have remained without
reply, or have been answered as if my questions merely related to
the state of her health. She informs me, over and over again, that she
is perfectly well; that travelling agrees with her; that she is
getting through the winter, for the first time in her life, without
catching cold- but not a word can I find anywhere which tells me
plainly that she is reconciled to her marriage, and that she can now
look back to the twenty-second of December without any bitter feelings
of repentance and regret. The name of her husband is only mentioned in
her letters, as she might mention the name of a friend who was
travelling with them, and who had undertaken to make all the
arrangements for the journey. 'Sir Percival' has settled that we leave
on such a day; 'Sir Percival' has decided that we travel by such a
road. Sometimes she writes, 'Percival' only, but very seldom- in
nine cases out of ten, she gives him his title.
  I cannot find that his habits and opinions have changed and coloured
hers in any single particular. The usual moral transformation which is
insensibly wrought in a young, fresh, sensitive woman by her marriage,
seems never to have taken place in Laura. She writes of her own
thoughts and impressions, amid all the wonders she has seen, exactly
as she might have written to some one else, if I had been travelling
with her instead of her husband. I see no betrayal anywhere, of
sympathy of any kind existing between them. Even when she wanders from
the subject of her travels, and occupies herself with the prospects
that await her in England, her speculations are busied with her future
as my sister, and persistently neglect to notice her future as Sir
Percival's wife. In all this, there is no under-tone of complaint,
to warn me that she is absolutely unhappy in her married life. The
impression I have derived from our correspondence does not, thank God,
lead me to any such distressing conclusion as that. I only see a sad
torpor, an unchangeable indifference, when I turn my mind from her
in the old character of a sister, and look at her, through the
medium of her letters, in the new character of a wife. In other words,
it is always Laura Fairlie who has been writing to me for the last six
months, and never Lady Glyde.
  The strange silence which she maintains on the subject of her
husband's character and conduct, she preserves with almost equal
resolution in the few references, which her later letters contain to
the name of her husband's bosom friend, Count Fosco.
  For some unexplained reason, the Count and his wife appear to have
changed their plans abruptly, at the end of last autumn, and to have
gone to Vienna, instead of going to Rome, at which latter place Sir
Percival had expected to find them when he left England. They only
quitted Vienna in the spring, and travelled as far as the Tyrol to
meet the bride and bridegroom on their homeward journey. Laura
writes readily enough about the meeting with Madame Fosco, and assures
me that she has found her aunt so much changed for the better- so much
quieter and so much more sensible as a wife than she was as a single
woman- that I shall hardly know her again when I see her here. But, on
the subject of Count Fosco (who interests me infinitely more than
his wife), Laura is provokingly circumspect and silent. She only
says that he puzzles her, and that she will not tell me what her
impression of him is, until I have seen him, and formed my own opinion
first.
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 30}
  This, to my mind, looks ill for the Count. Laura has preserved,
far more perfectly than most people do in later life, the child's
subtle faculty of knowing a friend by instinct; and, if I am right
in assuming that her first impression of Count Fosco has not been
favourable, I, for one, am in some danger of doubting and
distrusting that illustrious foreigner before I have so much as set
eyes on him. But, patience, patience; this uncertainty, and many
uncertainties more, cannot last much longer. To-morrow will see all my
doubts in a fair way of being cleared up, sooner or later.
  Twelve o'clock has struck; and I have just come back to close
these pages, after looking out at my open window.
  It is a still, sultry, moonless night. The stars are dull and few.
The trees that shut out the view on all sides, look dimly black and
solid in the distance, like a great wall of rock. I hear the
croaking of frogs, faint and far off; and the echoes of the great
clock hum in the airless calm, long after the strokes have ceased. I
wonder how Blackwater Park will look in the daytime? I don't
altogether like it by night.
-
  12th.- A day of investigations and discoveries- a more interesting
day, for many reasons, than I had ventured to anticipate.
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 35}
  I began my sight-seeing, of course, with the house.
  The main body of the building is of the time of that highly
over-rated woman, Queen Elizabeth. On the ground floor, there are
two hugely long galleries, with low ceilings, lying parallel with each
other, and rendered additionally dark and dismal by hideous family
portraits- every one of which I should like to burn. The. rooms on the
floor above the two galleries, are kept in tolerable repair, but are
very seldom used. The civil housekeeper, who acted as my guide,
offered to show me over them; but considerately added that she
feared I should find them rather out of order. My respect for the
integrity of my own petticoats and stockings, infinitely exceeds my
respect for all the Elizabethan bedrooms in the kingdom; so I
positively declined exploring the upper regions of dust and dirt at
the risk of soiling my nice clean clothes. The housekeeper said, 'I am
quite of your opinion, miss;' and appeared to think me the most
sensible woman she had met with for a long time past.
  So much, then, for the main building. Two wings are added, at
either, end of it. The half-ruined wing on the left (as you approach
the house) was once a place of residence standing by itself, and was
built in the fourteenth century. One of Sir Percival's maternal
ancestors- I don't remember, and don't care, which- tacked on the main
building, at right angles to it, in the aforesaid Queen Elizabeth's
time. The housekeeper told me that the architecture of 'the old wing,'
both outside and inside, was considered remarkably fine by good
judges. On further investigation, I discovered that good judges
could only exercise their abilities on Sir Percival's piece of
antiquity by previously dismissing from their minds all fear of
damp, darkness, and rats. Under these circumstances, I
unhesitatingly acknowledged myself to be no judge at all; and
suggested that we should treat 'the old wing' precisely as we had
previously treated the Elizabethan bedrooms. Once more, the
housekeeper said, 'I am quite of your opinion, miss;' and once more
she looked at me, with undisguised admiration of my extraordinary
common sense.
  We went, next, to the wing on the right, which was built, by way
of completing the wonderful architectural jumble at Blackwater Park,
in the time of George the Second.
  This is the habitable part of the house, which has been repaired and
redecorated, inside, on Laura's account. My two rooms, and all the
good bedrooms besides, are on the first floor; and the basement
contains a drawing-room, a dining-room, a morning-room, a library, and
a pretty little boudoir for Laura- all very nicely ornamented in the
bright modern way, and all very elegantly furnished with the
delightful modern luxuries. None of the rooms are anything like so
large and airy as our rooms at Limmeridge; but they all look
pleasant to live in. I was terribly afraid, from what I had heard of
Blackwater Park, of fatiguing antique chairs, and dismal stained
glass, and musty, frouzy hangings, and all the barbarous lumber
which people born without a sense of comfort accumulate about them, in
defiance of the consideration due to the convenience of their friends.
It is an inexpressible relief to find that the nineteenth century
has invaded this strange future home of mine, and has swept the
dirty 'good old times' out of the way of our daily life.
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 40}
  I dawdled away the morning- part of the time in the rooms down
stairs; and part, out of doors, in the great square which is formed by
the three sides of the house, and by the lofty iron railings and gates
which protect it in front. A large circular fishpond, with stone
sides, and an allegorical leaden monster in the middle, occupies the
centre of the square. The pond itself is full of gold and silver fish,
and is encircled by a broad belt of the softest turf I ever walked on.
I loitered here, on the shady side, pleasantly enough, till luncheon
time; and, after that, took my broad straw hat, and wandered out
alone, in the warm lovely sunlight, to explore the grounds.
  Daylight confirmed the impression which I had felt the night before,
of there being too many trees at Blackwater. The house is stifled by
them. They are, for the most part, young, and planted far too thickly.
I suspect there must have been a ruinous cutting down of timber, all
over the estate, before Sir Percival's time, and an angry anxiety,
on the part of the next possessor, to fill up all the gaps as
thickly and rapidly as possible. After looking about me, in front of
the house, I observed a flower-garden on my left hand, and walked
towards it, to see what I could discover in that direction.
  On a nearer view, the garden proved to be small and poor and ill
kept. I left it behind me, opened a little gate in a ring fence, and
found myself in a plantation of fir-trees.
  A pretty, winding path, artificially made, led me on among the
trees; and my north-country experience soon informed me that I was
approaching sandy heathy ground. After a walk of more than half a
mile, I should think, among the firs, the path took a sharp turn;
the trees abruptly ceased to appear on either side of me; and I
found myself standing suddenly on the margin of a vast open space, and
looking down at the Blackwater lake from which the house takes its
name.
  The ground, shelving away below me, was all sand, with a few
little heathy hillocks to break the monotony of it in certain
places. The lake itself had evidently once flowed to the spot on which
I stood, and had been gradually wasted and dried up to less than a
third of its former size. I saw its still, stagnant waters, a
quarter of a mile away from me in the hollow, separated into pools and
ponds, by twining reeds and rushes, and little knolls of earth. On the
farther bank from me, the trees rose thickly again, and shut out the
view, and cast their black shadows on the sluggish, shallow water.
As I walked down to the lake, I saw that the ground on its farther
side was damp and marshy, overgrown with rank grass and dismal
willows. The water, which was clear enough on the open sandy side,
where the sun shone, looked black and poisonous opposite to me,
where it lay deeper under the shade of the spongy banks, and the
rank overhanging thickets and tangled trees. The frogs were
croaking, and the rats were slipping in and out of the shadowy
water, like live shadows themselves, as I got nearer to the marshy
side of the lake. I saw here, lying half in and half out of the water,
the rotten wreck of an old overturned boat, with a sickly spot of
sunlight glimmering through a gap in the trees on its dry surface, and
a snake basking in the midst of the spot, fantastically coiled, and
treacherously still. Far and near, the view suggested the same
dreary impressions of solitude and decay; and the glorious
brightness of the summer sky overhead, seemed only to deepen and
harden the gloom and barrenness of the wilderness on which it shone. I
turned and retraced my steps to the high, heathy ground; directing
them a little aside from my former path, towards a shabby old wooden
shed, which stood on the outer skirt of the fir plantation, and
which had hitherto been too unimportant to share my notice with the
wide, wild prospect of the lake.
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 45}
  On approaching the shed, I found that it had once been a boat-house,
and that an attempt had apparently been made to convert it
afterwards into a sort of rude arbour, by placing inside it a
firwood seat, a few stools, and a table. I entered the place, and
sat down for a little while, to rest and get my breath again.
  I had not been in the boat-house more than a minute, when it
struck me that the sound of my own quick breathing was very
strangely echoed by something beneath me. I listened intently for a
moment, and heard a low, thick, sobbing breath that seemed to come
from the ground under the seat which I was occupying. My nerves are
not easily shaken by trifles; but, on this occasion, I started to my
feet in a fright- called out- received no answer- summoned back my
recreant courage- and looked under the seat.
  There, crouched up in the farthest corner, lay the forlorn cause
of my terror, in the shape of a poor little dog- a black and white
spaniel. The creature moaned feebly when I looked at it and called
to it, but never stirred. I moved away the seat and looked closer. The
poor little dog's eyes were glazing fast, and there were spots of
blood on its glossy white side. The misery of a weak, helpless, dumb
creature is surely one of the saddest of all the mournful sights which
this world can show. I lifted the poor dog in my arms as gently as I
could, and contrived a sort of make-shift hammock for him to lie in,
by gathering up the front of my dress all round him. In this way, I
took the creature, as painlessly as possible, and as fast as possible,
back to the house.
  Finding no one in the hall, I went up at once to my own
sitting-room, made a bed for the dog with one of my old shawls, and
rang the bell. The largest and fattest of all possible housemaids
answered it, in a state of cheerful stupidity which would have
provoked the patience of a saint. The girl's fat, shapeless face
actually stretched into a broad grin, at the sight of the wounded
creature on the floor.
  'What do you see there to laugh at?' I asked, as angrily as if she
had been a servant of my own. 'Do you know whose dog it is?'
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 50}
  'No, miss, that I certainly don't.' She stopped, and looked down
at the spaniel's injured side- brightened suddenly with the
irradiation of a new idea- and, pointing to the wound with a chuckle
of satisfaction, said, 'That's Baxter's doings, that is.'
  I was so exasperated that I could have boxed her ears. 'Baxter?' I
said. 'Who is the brute you call Baxter?' The girl grinned again, more
cheerfully than ever. 'Bless you, miss! Baxter's the keeper; and
when he finds strange dogs hunting about, he takes and shoots 'em.
It's keeper's dooty, miss. I think that dog will die. Here's where
he's been shot, ain't it? That's Baxter's doings, that is. Baxter's
doings, miss, and Baxter's dooty.'
  I was almost wicked enough to wish that Baxter had shot the
housemaid instead of the dog. Seeing that it was quite useless to
expect this densely impenetrable personage to give me any help in
relieving the suffering creature at our feet, I told her to request
the housekeeper's attendance with my compliments. She went out exactly
as she had come in, grinning from ear to ear. As the door closed on
her, she said to herself, softly, 'It's Baxter's doings and Baxter's
dooty- that's what it is.'
  The housekeeper, a person of some education and intelligence,
thoughtfully brought up-stairs with her some milk and some warm water.
The instant she saw the dog on the floor, she started and changed
colour.
  'Why, Lord bless me,' cried the housekeeper, 'that must be Mrs.
Catherick's dog!'
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 55}
  'Whose?' I asked, in the utmost astonishment.
  'Mrs. Catherick's. You seem to know Mrs. Catherick, Miss Halcombe?'
  'Not personally. But I have heard of her. Does she live here? Has
she had any news of her daughter?'
  'No, Miss Halcombe. She came here to ask for news.'
  'When?'
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 60}
  'Only yesterday. She said some one had reported that a stranger
answering to the description of her daughter had been seen in our
neighbourhood. No such report has reached us here; and no such
report was known in the village, when I sent to make inquiries there
on Mrs. Catherick's account. She certainly brought this poor little
dog with her when she came; and I saw it trot out after her when she
went away. I suppose the creature strayed into the plantations, and
got shot. Where did you find it, Miss Halcombe?'
  'In the old shed that looks out on the lake.'
  'Ah, yes, that is the plantation side, and the poor thing dragged
itself, I suppose, to the nearest shelter, as dogs will, to die. If
you can moisten its lips with the milk, Miss Halcombe, I will wash the
clotted hair from the wound. I am very much afraid it is too late to
do any good. However, we can but try.'
  Mrs. Catherick! The name still rang in my ears, as if the
housekeeper had only that moment surprised me by uttering it. While we
were attending to the dog, the words of Walter Hartright's caution
to me returned to my memory. 'If ever Anne Catherick crosses your
path, make better use of the opportunity, Miss Halcombe, than I made
of it.' The finding of the wounded spaniel had led me already to the
discovery of Mrs. Catherick's visit to Blackwater Park; and that event
might lead, in its turn, to something more. I determined to make the
most of the chance which was now offered to me, and to gain as much
information as I could.
  'Did you say that Mrs. Catherick lived anywhere in this
neighbourhood?' I asked.
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 65}
  'Oh, dear, no,' said the housekeeper. 'She lives at Welmingham,
quite at the other end of the country- five-and-twenty miles off at
least.
  'I suppose you have known Mrs. Catherick for some years?'
  'On the contrary, Miss Halcombe: I never saw her before she came
here, yesterday. I had heard of her, of course, because I had heard of
Sir Percival's kindness in putting her daughter under medical care.
Mrs. Catherick is rather a strange person in her manners, but
extremely respectable-looking. She seemed sorely put out, when she
found that there was no foundation- none, at least, that any of us
could discover- for the report of her daughter having been seen in
this neighbourhood.'
  'I am rather interested about Mrs. Catherick,' I went on, continuing
the conversation as long as possible. 'I wish I had arrived here
soon enough to see her yesterday. Did she stay for any length of
time?'
  'Yes,' said the housekeeper, 'she stayed for some time. And I
think she would have remained longer, if I had not been called away to
speak to a strange gentleman- a gentleman who came to ask when Sir
Percival was expected back. Mrs. Catherick got up and left at once,
when she heard the maid tell me what the visitor's errand was. She
said to me, at parting, that there was no need to tell Sir Percival of
her coming here. I thought that rather an odd remark to make,
especially to a person in my responsible situation.'
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 70}
  I thought it an odd remark, too. Sir Percival had certainly led me
to believe, at Limmeridge, that the most perfect confidence existed
between himself and Mrs. Catherick. If that was the case, why should
she be anxious to have her visit at Blackwater Park kept a secret from
him?
  'Probably,' I said, seeing that the housekeeper expected me to
give my opinion on Mrs. Catherick's parting words; 'probably, she
thought the announcement of her visit might vex Sir Percival to no
purpose, by reminding him that her lost daughter was not found yet.
Did she talk much on that subject?'
  'Very little,' replied the housekeeper. 'She talked principally of
Sir Percival, and asked a great many questions about where he had been
travelling, and what sort of a lady his new wife was. She seemed to be
more soured and put out than distressed, by failing to find any traces
of her daughter in these parts. "I give her up," were the last words
she said that I can remember; "I give her up, ma'am, for lost." And
from that, she passed at once to her questions about Lady Glyde;
wanting to know if she was a handsome, amiable lady, comely and
healthy and young- Ah, dear! I thought how it would end. Look, Miss
Halcombe! the poor thing is out of its misery at last!'
  The dog was dead. It had given a faint, sobbing cry, it had suffered
an instant's convulsion of the limbs, just as those last words,
'comely and healthy and young,' dropped from the housekeeper's lips.
The change had happened with startling suddenness- in one moment the
creature lay lifeless under our hands.
  Eight o'clock. I have just returned from dining down stairs, in
solitary state. The sunset is burning redly on the wilderness of trees
that I see from my window; and I am poring over my journal again, to
calm my impatience for the return of the travellers. They ought to
have arrived, by my calculations, before this. How still and lonely
the house is in the drowsy evening quiet! Oh, me! how many minutes
more before I hear the carriage wheels and run down stairs to find
myself in Laura's arms?
                                        {2ND_EPOCH|HALCOMBE|I ^paragraph 75}
  The poor little dog! I wish my first day at Blackwater Park had
not been associated with death- though it is only the death of a stray
animal.
  Welmingham- I see, on looking back through these private pages of
mine, that Welmingham is the name of the place where Mrs. Catherick
lives. Her note is still in my possession, the note in answer to
that letter about her unhappy daughter which Sir Percival obliged me
to write. One of these days, when I can find a safe opportunity, I
will take the note with me by way of introduction, and try what I
can make of Mrs. Catherick at a personal interview. I don't understand
her wishing to conceal her visit to this place from Sir Percival's
knowledge; and I don't feel half so sure, as the housekeeper seems
to do, that her daughter Anne is not in the neighbourhood, after
all. What would Walter Hartright have said in this emergency? Poor,
dear Hartright! I am beginning to feel the want of his honest advice
and his willing help, already.
  Surely, I heard something. Was it a bustle of footsteps below
stairs? Yes! I hear the horses' feet; I hear the rolling wheels-

{2ND_EPOCH|HALCOMBE|II
                                  II
-
  JUNE 15th.- The confusion of their arrival has had time to
subside. Two days have elapsed since the return of the travellers; and
that interval has sufficed to put the new machinery of our lives at
Blackwater Park in fair working order. I may now return to my journal,
with some little chance of being able to continue the entries in it as
collectedly as usual.
  I think I must begin by putting down an odd remark, which has
suggested itself to me since Laura came back.
  When two members of a family, or two intimate friends, are
separated, and one goes abroad and one remains at home, the return
of the relative or friend who has been travelling, always seems to
place the relative or friend who has been staying at home at a painful
disadvantage, when the two first meet. The sudden encounter of the new
thoughts and new habits. eagerly gained in the one case, with the
old thoughts and old habits passively preserved in the other, seems,
at first, to part the sympathies of the most loving relatives and
the fondest friends, and to set a sudden strangeness, unexpected by
both and uncontrollable by both, between them on either side. After
the first happiness of my meeting with Laura was over, after we had
sat down together, hand in hand, to recover breath enough and calmness
enough to talk, I felt this strangeness instantly, and I could see
that she felt it too. It has partially worn away, now that we have
fallen back into most of our old habits; and it will probably
disappear before long. But it has certainly had an influence over
the first impressions that I have formed of her, now that we are
living together again- for which reason only I have thought fit to
mention it here.
  She has found me unaltered; but I have found her changed.
  Changed in person, and, in one respect, changed in character. I
cannot absolutely say that she is less beautiful than she used to
be: I can only say that she is less beautiful to me.
                                        {2ND_EPOCH|HALCOMBE|II ^paragraph 5}
  Others, who do not look at her with my eyes and my recollections,
would probably think her improved. There is more colour, and more
decision and roundness of outline in her face than there used to be;
and her figure seems more firmly set, and more sure and easy in all
its movements than it was in her maiden days. But I miss something
when I look at her- something that once belonged to the happy,
innocent life of Laura Fairlie, and that I cannot find in Lady
Glyde. There was, in the old times, a freshness, a softness, an
ever-varying and yet ever-remaining tenderness of beauty in her
face, the charm of which it is not possible to express in words- or,
as poor Hartright used often to say, in painting, either. This is
gone. I thought I saw the faint reflexion of it, for a moment, when
she turned pale under the agitation of our sudden meeting, on the
evening of her return; but it has never reappeared since. None of
her letters had prepared me for a personal change in her. On the
contrary, they had led me to expect that her marriage had left her, in
appearance at least, quite unaltered. Perhaps, I read her letters
wrongly, in the past, and am now reading her face wrongly, in the
present? No matter! Whether her beauty- has gained, or whether it
has lost, in the last six months, the separation, either way, has made
her own dear self more precious to me than ever- and that is one
good result of her marriage, at any rate!
  The second change, the change that I have observed in her character,
has not surprised me, because I was prepared for it, in this case,
by the tone of her letters. Now that she is at home again, I find
her just as unwilling to enter into any details on the subject of
her married life, as I had previously found her, all through the
time of our separation, when we could only communicate with each other
by writing. At the first approach I made to the forbidden topic, she
put her hand on my lips, with a look and gesture which touchingly,
almost painfully, recalled to my memory the days of her girlhood and
the happy bygone time when there were no secrets between us.
  'Whenever you and I are together, Marian,' she said, we shall both
be happier and easier with one another, if we accept my married life
for what it is, and say and think as little about it as possible. I
would tell you everything, darling, about myself,' she went on,
nervously buckling and unbuckling the ribbon round my waist, 'if my
confidences could only end there. But they could not- they would
lead me into confidences about my husband, too; and, now I am married,
I think I had better avoid them, for his sake, and for your sake,
and for mine. I don't say that they would distress you, or distress
me- I wouldn't have you think that for the world. But- I want to be so
happy, now I have got you back again; and I want you to be so happy
too-' She broke off abruptly, and looked round the room, my own
sitting-room, in which we were talking. 'Ah!' she cried, clapping
her hands with a bright smile of recognition, 'another old friend
found already! Your bookcase, Marian- your
dear-little-shabby-old-satin-wood bookcase- how glad I am you
brought it with you from Limmeridge! And the horrid, heavy, man's
umbrella, that you always would walk out with when it rained! And,
first and foremost of all, your own dear, dark clever, gipsy-face,
looking at me just as usual! It is so like home again to be here.
How can we make it more like home still? I will put my father's
portrait in your room instead of in mine- and I will keep all my
little treasures from Limmeridge here- and we will pass hours and
hours every day with these four friendly walls round us. Oh,
Marian!' she said, suddenly seating herself on a footstool at my
knees, and looking up earnestly in my face, 'promise you will never
marry, and leave me. It is selfish to say so, but you are so much
better off as a single woman- unless- unless you are very fond of your
husband- but you won't be very fond of anybody but me, will you?'
She stopped again; crossed my hands on my lap; and laid her face on
them. 'Have you been writing many letters, and receiving many letters,
lately?' she asked, in low, suddenly-altered tones. I understood
what the question meant; but I thought it my duty not to encourage her
by meeting her half way. 'Have you heard from him?' she went on,
coaxing me to forgive the more direct appeal on which she now
ventured, by kissing my hands, upon which her face still rested. 'Is
he well and happy, and getting on in his profession? Has he
recovered himself- and forgotten me?'
  She should not have asked those questions. She should have
remembered her own resolution, on the morning when Sir Percival held
her to her marriage engagement, and when she resigned the book of
Hartright's drawings into my hands for ever. But, ah me! where is
the faultless human creature who can persevere in a good resolution,
without sometimes failing and falling back? Where is the woman who has
ever really torn from her heart the image that has been once fixed
in it by a true love? Books tell us that such unearthly creatures have
existed- but what does our own experience say in answer to books?
  I made no attempt to remonstrate with her: perhaps, because I
sincerely appreciated the fearless candour which let me see, what
other women in her position might have had reasons for concealing even
from their dearest friends- perhaps, because I felt, in my own heart
and conscience, that, in her place I should have asked the same
questions and had the same thoughts. All I could honestly do was to
reply that I had not written to him or heard from him lately, and then
to turn the conversation to less dangerous topics.
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 10}
  There has been much to sadden me in our interview- my first
confidential interview with her since her return. The change which her
marriage has produced in our relations towards each other, by
placing a forbidden subject between us, for the first time in our
lives; the melancholy conviction of the dearth of all warmth of
feeling, of all close sympathy, between her husband and herself, which
her own unwilling words now force on my mind; the distressing
discovery that the influence of that ill-fated attachment still
remains (no matter how innocently, how harmlessly) rooted as deeply as
ever in her heart- all these are disclosures to sadden any woman who
loves her as dearly, and feels for her as acutely, as I do.
  There is only one consolation to set against them- a consolation
that ought to comfort me, and that does comfort me. All the graces and
gentlenesses of her character; all the frank affection of her
nature; all the sweet, simple, womanly charms which used to make her
the darling and delight of every one who approached her, have come
back to me with herself. Of my other impressions I am sometimes a
little inclined to doubt. Of this last, best, happiest of all
impressions, I grow more and more certain, every hour in the day.
  Let me turn, now, from her to her travelling companions. Her husband
must engage my attention first. What have I observed in Sir
Percival, since his return, to improve my opinion of him?
  I can hardly say. Small vexations and annoyances seem to have
beset him since he came back: and no man, under those circumstances,
is ever presented at his best. He looks, as I think, thinner than he
was when he left England. His wearisome cough and his comfortless
restlessness have certainly increased. His manner- at least, his
manner towards me- is much more abrupt than it used to be. He
greeted me, on the evening of his return, with little or nothing of
the ceremony and civility of former times- no polite speeches of
welcome- no appearance of extraordinary gratification at seeing me-
nothing but a short shake of the hand, and a sharp 'How-d'ye-do,
Miss Halcombe- glad to see you again.' He seemed to accept me as one
of the necessary fixtures of Blackwater Park; to be satisfied at
finding me established in my proper place; and then to pass me over
altogether.
  Most men show something of their dispositions in their own houses,
which they have concealed elsewhere; and Sir Percival has already
displayed a mania for order and regularity, which is quite a new
revelation of him, so far as my previous knowledge of his character is
concerned. If I take a book from the library and leave it on the
table, he follows me, and puts it back again. If I rise from a
chair, and let it remain where I have been sitting, he carefully
restores it to its proper place against the wall. He picks up stray
flower-blossoms from the carpet, and mutters to himself as
discontentedly as if they were hot cinders burning holes in it; and he
storms at the servants, if there is a crease in the tablecloth, or a
knife missing from its place at the dinner-table, as fiercely as if
they had personally insulted him.
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 15}
  I have already referred to the small annoyances which appear to have
troubled him since his return. Much of the alteration for the worse
which I have noticed in him, may be due to these. I try to persuade
myself that it is so, because I am anxious not to be disheartened
already about the future. It is certainly trying to any man's temper
to be met by a vexation the moment he sets foot in his own house
again, after a long absence; and this annoying circumstance did really
happen to Sir Percival in my presence.
  On the evening of their arrival, the housekeeper followed me into
the hall to receive her master and mistress and their guests. The
instant he saw her, Sir Percival asked if any one had called lately.
The housekeeper mentioned to him, in reply, what she had previously
mentioned to me, the visit of the strange gentleman to make
inquiries about the time of her master's return. He asked
immediately for the gentleman's name. No name had been left. The
gentleman's business? No business had been mentioned. What was the
gentleman like? The housekeeper tried to describe him; but failed to
distinguish the nameless visitor by any personal peculiarity which her
master could recognise. Sir Percival frowned, stamped angrily on the
floor, and walked on into the house, taking no notice of anybody.
Why he should have been so discomposed by a trifle I cannot say- but
he was seriously discomposed, beyond all doubt.
  Upon the whole, it will be best, perhaps, if I abstain from
forming a decisive opinion of his manners, language, and conduct in
his own house, until time has enabled him to shake off the
anxieties, whatever they may be, which now evidently trouble his
mind in secret. I will turn over to a new page; and my pen shall let
Laura's husband alone for the present.
  The two guests- the Count and Countess Fosco- come next in my
catalogue. I will dispose of the Countess first, so as to have done
with the woman as soon as possible.
  Laura was certainly not chargeable with any exaggeration, in writing
me word that I should hardly recognise her aunt again, when we met.
Never before have I beheld such a change produced in a woman by her
marriage as has been produced in Madame Fosco.
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 20}
  As Eleanor Fairlie (aged seven-and-thirty), she was always talking
pretentious nonsense, and always worrying the unfortunate men with
every small exaction which a vain and foolish woman can impose on
long-suffering male humanity. As Madame Fosco (aged
three-and-forty), she sits for hours together without saying a word,
frozen up in the strangest manner in herself. The hideously ridiculous
love-locks which used to hang on either side of her face, are now
replaced by stiff little rows of very short curls, of the sort that
one sees in old-fashioned wigs. A plain, matronly cap covers her head,
and makes her look, for the first time in her life, since I remember
her, like a decent woman. Nobody (putting her husband out of the
question, of course) now sees in her, what everybody once saw- I
mean the structure of the female skeleton, in the upper regions of the
collar-bones and the shoulder-blades. Clad in quiet black or gray
gowns, made high round the throat- dresses that she would have laughed
at, or screamed at, as the whim of the moment inclined her, in her
maiden days- she sits speechless in corners; her dry white hands (so
dry that the pores of her skin look chalky) incessantly engaged,
either in monotonous embroidery work, or in rolling up endless
little cigarettes for the Count's own particular smoking. On the few
occasions when her cold blue eyes are off her work, they are generally
turned on her husband, with the look of mute submissive inquiry
which we are all familiar with in the eyes of a faithful dog. The only
approach to an inward thaw which I have yet detected under her outer
covering of icy constraint, has betrayed itself, once or twice, in the
form of a suppressed tigerish jealousy of any woman in the house
(the maids included) to whom the Count speaks, or on whom he looks
with anything approaching to special interest or attention. Except
in this one particular, she is always, morning, noon, and night,
indoors and out, fair weather or foul, as cold as a statue, and as
impenetrable as the stone out of which it is cut. For the common
purposes of society the extraordinary change thus produced in her, is,
beyond all doubt, a change for the better, seeing that it has
transformed her into a civil, silent, unobtrusive woman, who is
never in the way. How far she is really reformed or deteriorated in
her secret self, is another question. I have once or twice seen sudden
changes of expression on her pinched lips, and heard sudden inflexions
of tone in her calm voice, which have led me to suspect that her
present state of suppression may have sealed up something dangerous in
her nature, which used to evaporate harmlessly in the freedom of her
former life. It is quite possible that I may be altogether wrong in
this idea. My own impression, however, is, that I am right. Time
will show.
  And the magician who has wrought this wonderful transformation-
the foreign husband who has tamed this once wayward Englishwoman
till her own relations hardly know her again- the Count himself?
What of the Count?
  This, in two words: He looks like a man who could tame anything.
If he had married a tigress, instead of a woman, he would have tamed
the tigress. If he had married me, I should have made his cigarettes
as his wife does- I should have held my tongue when he looked at me,
as she holds hers.
  I am almost afraid to confess it, even to these secret pages. The
man has interested me, has attracted me, has forced me to like him. In
two short days, he has made his way straight into my favourable
estimation- and how he has worked the miracle, is more than I can
tell.
  It absolutely startles me, now he is in my mind, to find how plainly
I see him!- how much more plainly than I see Sir Percival, or Mr.
Fairlie, or Walter Hartright, or any other absent person of whom I
think, with the one exception of Laura herself! I can hear his
voice, as if he was speaking at this moment. I know what his
conversation was yesterday, as well as if I was hearing it now. How am
I to describe him? There are peculiarities in his personal appearance,
his habits, and his amusements, which I should blame in the boldest
terms, or ridicule in the most merciless manner, if I had seen them in
another man. What is it that makes me unable to blame them, or to
ridicule them in him?
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 25}
  For example, he is immensely fat. Before this time, I have always
especially disliked corpulent humanity. I have always maintained
that the popular notion of connecting excessive grossness of size
and excessive good-humour as inseparable allies, was equivalent to
declaring, either that no people but amiable people ever get fat, or
that the accidental addition of so many pounds of flesh has a directly
favourable influence over the disposition of the person on whose
body they accumulate. I have invariably combated both these absurd
assertions by quoting examples of fat people who were as mean,
vicious, and cruel, as the leanest and the worst of their
neighbours. I have asked whether Henry the Eighth was an amiable
character? whether Pope Alexander the Sixth was a good man? Whether
Mr. Murderer and Mrs. Murderess Manning were not both unusually
stout people? Whether hired nurses, proverbially as cruel a set of
women as are to be found in all England, were not, for the most
part, also as fat a set of women as are to be found in all England?-
and so on, through dozens of other examples, modern and ancient,
native and foreign, high and low. Holding these strong opinions on the
subject with might and main, as I do at this moment, here,
nevertheless, is Count Fosco, as fat as Henry the Eighth himself,
established in my favour, at one day's notice, without let or
hindrance from his own odious corpulence. Marvellous indeed!
  Is it his face that has recommended him?
  It may be his face. He is a most remarkable likeness, on a large
scale, of the Great Napoleon. His features have Napoleon's magnificent
regularity: his expression recalls the grandly calm, immovable power
of the Great Soldier's face. This striking resemblance certainly
impressed me, to begin with; but there is something in him besides the
resemblance, which has impressed me more. I think the influence I am
now trying to find, is in his eyes. They are the most unfathomable
gray eyes I ever saw; and they have at times a cold, clear, beautiful,
irresistible glitter in them, which forces me to look at him, and
yet causes me sensations, when I do look, which I would rather not
feel. Other parts of his face and head have their strange
peculiarities. His complexion, for instance, has a singular
sallow-fairness, so much at variance with the dark-brown colour of his
hair, that I suspect the hair of being a wig; and his face, closely
shaven all over, is smoother and freer from all marks and wrinkles
than mine, though (according to Sir Percival's account of him) he is
close on sixty years of age. But these are not the prominent
personal characteristics which distinguish him, to my mind, from all
the other men I have ever seen. The marked peculiarity which singles
him out from the rank, and file of humanity, lies entirely, so far
as I can tell at present, in the extraordinary expression and
extraordinary power of his eyes.
  His manner, and his command of our language, may also have
assisted him, in some degree, to establish himself in my good opinion.
He has that quiet deference, that look of pleased, attentive interest,
in listening to a woman, and that secret gentleness in his voice, in
speaking to a woman, which, say what we may, we can none of us resist.
Here, too, his unusual command of the English language necessarily
helps him. I had often heard of the extraordinary aptitude which
many Italians: show in mastering our strong, hard, Northern speech;
but, until I saw Count Fosco, I had never supposed it possible that
any foreigner could have spoken English as he speaks it. There are
times when it is almost impossible to detect, by his accent, that he
is not a countryman of our own; and, as for fluency, there are very
few born Englishmen who can talk with as few stoppages and repetitions
as the Count. He may construct his sentences, more or less, in the
foreign way; but I have never yet heard him use a wrong expression, or
hesitate for a moment in his choice of a word.
  All the smallest characteristics of this strange man have
something strikingly original and perplexingly contradictory in
them. Fat as he is, and old as he is, his movements are
astonishingly light and easy. He is as noiseless in a room as any of
us women; and, more than that, with all his look of unmistakable
mental firmness and power, he is as nervously sensitive as the weakest
of us. He starts at chance noises as inveterately as Laura herself. He
winced and shuddered yesterday, when Sir Percival beat one of the
spaniels, so that I felt ashamed of my own want of tenderness and
sensibility, by comparison with the Count.
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 30}
  The relation of this last incident reminds me of one of his most
curious peculiarities, which I have not yet mentioned- his
extraordinary fondness for pet animals.
  Some of these he has left on the Continent, but he has brought
with him to this house a cockatoo, two canary-birds, and a whole
family of white mice. He attends to all the necessities of these
strange favourites himself, and he has taught the creatures to be
surprisingly fond of him, and familiar with him. The cockatoo, a
most vicious and treacherous bird towards every one else, absolutely
seems to love him. When he lets it out of its cage, it hops on to
his knee, and claws its way up his great big body, and rubs its
top-knot against his sallow double chin in the most caressing manner
imaginable. He has only to set the doors of the canaries' cages
open, and to call them; and the pretty little cleverly trained
creatures perch fearlessly on his hand, mount his fat outstretched
fingers one by one, when he tells them to 'go up-stairs,' and sing
together as if they would burst their throats with delight, when
they get to the top finger. His white mice live in a little pagoda
of gaily-painted wirework, designed and made by himself. They are
almost as tame as the canaries, and they are perpetually let out, like
the canaries. They crawl all over him, popping in and out of his
waistcoat, and sitting in couples, white as snow, on his capacious
shoulders. He seems to be even fonder of his mice than of his other
pets, smiles at them, kisses them, and calls them by all sorts of
endearing names. If it be possible to suppose an Englishman with any
taste for such childish interests and amusements as these, that
Englishman would certainly feel rather ashamed of them, and would be
anxious to apologise for them, in the company of grown-up people.
But the Count, apparently sees nothing ridiculous in the amazing
contrast between his colossal self and his frail little pets. He would
blandly kiss his white mice, and twitter to his canary-birds, amid
an assembly of English fox-hunters, and would only pity them as
barbarians when they were all laughing their loudest at him.
  It seems hardly credible, while I am writing it down, but it is
certainly true, that this same man, who has all the fondness of an old
maid for his cockatoo, and all the small dexterities of an organ-boy
in managing his white mice, can talk, when anything happens to rouse
him, with a daring independence of thought, a knowledge of books in
every language, and an experience of society in half the capitals of
Europe, which would make him the prominent personage of any assembly
in the civilized world. This trainer of canary-birds, this architect
of a pagoda for white mice, is (as Sir Percival himself has told me)
one of the first experimental chemists living, and has discovered,
among other wonderful inventions, a means of petrifying the body after
death, so as to preserve it, as hard as marble, to the end of time.
This fat, indolent, elderly man, whose nerves are so finely strung
that he starts at chance noises, and winces when he sees a
house-spaniel get a whipping, went into the stable-yard on the morning
after his arrival, and put his hand on the head of a chained
bloodhound- a beast so savage that the very groom who feeds him
keeps out of his reach. His wife and I were present, and I shall not
forget the scene that followed, short as it was.
  'Mind that dog, sir,' said the groom; 'he flies at everybody!' 'He
does that my friend,' replied the Count, quietly, 'because everybody
is afraid of him. Let us see if he flies at me.' And he laid his
plump, yellow-white fingers, on which the canary-birds had been
perching ten minutes before, upon the formidable brute's head; and
looked him straight in the eyes. 'You big dogs are all cowards,' he
said, addressing the animal contemptuously, with his face and the
dog's within an inch of each other. 'You would kill a poor cat, you
infernal coward. You would fly at a starving beggar, you infernal
coward. Anything that you can surprise unawares- anything that is
afraid of your big body, and your wicked white teeth, and your
slobbering, bloodthirsty mouth, is the thing you like to fly at. You
could throttle me at this moment, you mean, miserable bully; and you
daren't so much as look me in the face, because I'm not afraid of you.
Will you think better of it, and try your teeth in my fat neck? Bah!
not you!' He turned away, laughing at the astonishment of the men in
the yard; and the dog crept back meekly to his kennel. 'Ah! my nice
waistcoat!' he said, pathetically. 'I am sorry I came here. Some of
that brute's slobber has got on my pretty clean waistcoat.' Those
words express another of his incomprehensible oddities. He is as
fond of fine clothes as the veriest fool in existence; and has
appeared in four magnificent waistcoats, already- all of light
garish colours, and all immensely large even for him- in the two
days of his residence at Blackwater Park.
  His tact and cleverness in small things are quite as noticeable as
the singular inconsistencies in his character, and the childish
triviality of his ordinary tastes and pursuits.
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 35}
  I can see already that he means to live on excellent terms with
all of us, during the period of his sojourn in this place. He has
evidently discovered that Laura secretly dislikes him (she confessed
as much to me, when I pressed her on the subject)- but he has also
found out that she is extravagantly fond of flowers. Whenever she
wants a nosegay, he has got one to give her, gathered and arranged
by himself; and, greatly to my amusement, he is always cunningly
provided with a duplicate, composed of exactly the same flowers,
grouped in exactly the same way, to appease his icily jealous wife,
before she can so much as think herself aggrieved. His management of
the Countess (in public) is a sight to see. He bows to her; he
habitually addresses her as 'my angel;' he carries his canaries to pay
her little visits on his fingers, and to sing to her; he kisses her
hand, when she gives him his cigarettes; he presents her with
sugar-plums, in return, which he puts into her mouth playfully, from a
box in his pocket. The rod of iron with which he rules her never
appears in company- it is a private rod, and is always kept up-stairs.
  His method of recommending himself to me, is entirely different.
He flatters my vanity, by talking to me as seriously and sensibly as
if I was a man. Yes! I can find him out when I am away from him; I
know he flatters my vanity, when I think of him up here, in my own
room- and yet, when I go down stairs, and get into his company
again, he will blind me again, and I shall be flattered again, just as
if I had never found him out at all! He can manage me, as he manages
his wife and Laura, as he managed the bloodhound in the stable-yard,
as he manages Sir Percival himself, every hour in the day. 'My good
Percival! how I like your rough English humour!'- 'My good Percival!
how I enjoy your solid English sense!' He puts the rudest remarks
Sir Percival can make on his effeminate tastes and amusements, quietly
away from him in that manner- always calling the baronet by his
Christian name; smiling at him with the calmest superiority; patting
him on the shoulder; and bearing with him benignantly, as a
good-humoured father bears with a wayward son.
  The interest which I really cannot help feeling in this strangely
original man, has led me to question Sir Percival about his past life.
  Sir Percival either knows little, or will tell me little, about
it. He and the Count first met many years ago, at Rome, under the
dangerous circumstances to which I have alluded elsewhere. Since
that time, they have been perpetually together in London, in Paris,
and in Vienna- but never in Italy again; the Count having, oddly
enough, not crossed the frontiers of his native country for years
past. Perhaps, he has been made the victim of some political
persecution? At all events, he seems to be patriotically anxious not
to lose sight of any of his own countrymen who may happen to be in
England. On the evening of his arrival, he asked how far we were
from the nearest town, and whether we knew of any Italian gentlemen
who might happen to be settled there. He is certainly in
correspondence with people on the Continent, for his letters have
all sorts of odd stamps on them; and I saw one for him, this
morning, waiting in his place at the breakfast table, with a huge
official-looking seal on it. Perhaps he is in correspondence with
his government? And yet, that is hardly to be reconciled, either, with
my other idea that he may be a political exile.
  How much I seem to have written about Count Fosco! And what does
it all amount to?- as poor, dear Mr. Gilmore would ask, in his
impenetrable business-like way. I can only repeat that I do
assuredly feel, even on this short acquaintance, a strange,
half-willing, half-unwilling liking for the Count. He seems to have
established over me the same sort of ascendancy which he has evidently
gained over Sir Percival. Free, and even rude, as he may
occasionally be in his manner towards his fat friend, Sir Percival
is nevertheless afraid, as I can plainly see, of giving any serious
offence to the Count. I wonder whether I am afraid, too? I certainly
never saw a man, in all my experience, whom I should be so sorry to
have for an enemy. Is this because I like him, or because I am
afraid of him? Chi sa?- as Count Fosco might say in his own
language. Who knows?
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 40}
-
  JUNE 16th.- Something to chronicle, to-day, beside, my own ideas and
impressions. A visitor has arrived- quite unknown to Laura and to
me; and, apparently, quite unexpected by Sir Percival.
  We were all at lunch, in the room with the new French windows that
open into the verandah; and the Count (who devours pastry as I have
never yet seen it devoured by any human beings but girls at
boarding-schools) had just amused us by asking gravely for his
fourth tart- when the servant entered, to announce the visitor.
  'Mr. Merriman has just come, Sir Percival, and wishes to see you
immediately.'
  Sir Percival started, and looked at the man, with an expression of
angry alarm.
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 45}
  'Mr. Merriman?' he repeated, as if he thought his own ears must have
deceived him.
  'Yes, Sir Percival: Mr. Merriman, from London.'
  'Where is he?'
  'In the library, Sir Percival.'
  He left the table the instant the last answer was given; and hurried
out of the room without saying a word to any of us.
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 50}
  'Who is Mr. Merriman?' asked Laura, appealing to me.
  'I have not the least idea,' was all I could say in reply.
  The Count had finished his fourth tart, and had gone to a side-table
to look after his vicious cockatoo. He turned round to us, with the
bird perched on his shoulder.
  'Mr. Merriman is Sir Percival's solicitor,' he said quietly.
  Sir Percival's solicitor. It was a perfectly straight-forward answer
to Laura's question; and yet, under the circumstances, it was not
satisfactory. If Mr. Merriman had been specially sent for by his
client, there would have been nothing very wonderful in his leaving
town to obey the summons. But when a lawyer travels from London to
Hampshire, without being sent for, and when his arrival at a
gentleman's house seriously startles the gentleman himself, it may
be safely taken for granted that the legal visitor is the bearer of
some very important and very unexpected news- news which may be either
very good or very bad, but which cannot, in either case, be of the
common every-day kind.
                                       {2ND_EPOCH|HALCOMBE|II ^paragraph 55}
  Laura and I sat silent at the table, for a quarter of an hour or
more, wondering uneasily what had happened, and waiting for the chance
of Sir Percival's speedy return. There were no signs of his return;
and we rose to leave the room.
  The Count, attentive as usual, advanced from the corner in which
he had been feeding his cockatoo, with the bird still perched on his
shoulder, and opened the door for us. Laura and Madame Fosco went
out first. Just as I was on the point of following them, he made a
sign with his hand, and spoke to me, before I passed him, in the
oddest manner.
  'Yes,' he said; quietly answering the unexpressed idea at that
moment in my mind, as if I had plainly confided it to him in so many
words- 'yes, Miss Halcombe; something has happened.'
  I was on the point of answering, 'I never said so.' But the
vicious cockatoo ruffled his clipped wings, and gave a screech that
set all my nerves on edge in an instant, and made me only too glad
to get out of the room.
  I joined Laura at the foot of the stairs. The thought in her mind
was the same as the thought in mine, which Count Fosco had
surprised- and, when she spoke, her words were almost the echo of his.
She, too, said to me, secretly, that she was afraid something had
happened.

{2ND_EPOCH|HALCOMBE|III
                                 III
-
  JUNE 16th.- I have a few lines more to add to this day's entry
before I go to bed to-night.
  About two hours after Sir Percival rose from the luncheon-table to
receive his solicitor, Mr. Merriman, in the library, I left my room,
alone, to take a walk in the plantations. Just as I was at the end
of the landing, the library door opened, and the two gentlemen came
out. Thinking it best not to disturb them by appearing on the
stairs, I resolved to defer going down till they had crossed the hall.
Although they spoke to each other in guarded tones, their words were
pronounced with sufficient distinctness of utterance to reach my ears.
  'Make your mind easy, Sir Percival,' I heard the lawyer say. 'It all
rests with Lady Glyde.' I had turned to go back to my own room, for
a minute or two; but the sound of Laura's name, on the lips of a
stranger, stopped me instantly. I dare say it was very wrong and
very discreditable to listen- but where is the woman, in the whole
range of our sex, who can regulate her actions by the abstract
principles of honour, when those principles point one way, and when
her affections, and the interests which grow out of them, point the
other?
  I listened; and, under similar circumstances, I would listen
again- yes I with my ear at the keyhole, if I could not possibly
manage it in any other way.
  'You quite understand, Sir Percival?' the lawyer went on. 'Lady
Glyde is to sign her name in the presence of a witness- or of two
witnesses, if you wish to be particularly careful- and is then to
put her finger on the seal, and say, "I deliver this as my act and
deed." If that is done in a week's time, the arrangement will be
perfectly successful, and the anxiety will be all over. If not-'
                                       {2ND_EPOCH|HALCOMBE|III ^paragraph 5}
  'What do you mean by "if not?"' asked Sir Percival, angrily. 'If the
thing must be done, it shall be done. I promise you that,
Merriman.'
  'Just so, Sir Percival- just so; but there are two alternatives in
all transactions; and we lawyers like to look both of them in the face
boldly. If through any extraordinary circumstance the arrangement
should not be made, I think I may be able to get the parties to
accept bills at three months. But how the money is to be raised when
the bills fall due-'
  'Damn the bills! The money is only to be got in one way; and in that
way, I tell you again, it shall be got. Take a glass of wine,
Merriman, before you go.'
  'Much obliged, Sir Percival; I have not a moment to lose if I am
to catch the up-train. You will let me know as soon as the arrangement
is complete? and you will not forget the caution I recommended-'
  'Of course I won't. There's the dog-cart at the door for you. My
groom will get you to the station in no time. Benjamin, drive like
mad! Jump in. If Mr. Merriman misses the train, you lose your place.
Hold fast, Merriman, and if you are upset, trust to the devil to
save his own.' With that parting benediction, the baronet turned
about, and walked back to the library.
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 10}
  I had not heard much; but the little that had reached my ears was
enough to make me feel uneasy. The 'something' that 'had happened,'
was but too plainly a serious money-embarrassment; and Sir
Percival's relief from it depended upon Laura. The prospect of
seeing her involved in her husband's secret difficulties filled me
with dismay, exaggerated, no doubt, by my ignorance of business and my
settled distrust of Sir Percival. Instead of going out, as I proposed,
I went back immediately to Laura's room to tell her what I had heard.
  She received my bad news so composedly as to surprise me. She
evidently knows more of her husband's character and her husband's
embarrassments than I have suspected up to this time.
  'I feared as much,' she said, 'when I heard of that strange
gentleman who called, and declined to leave his name.'
  'Who do you think the gentleman was, then?' I asked.
  'Some person who has heavy claims on Sir Percival,' she answered;
'and who has been the cause of Mr. Merriman's visit here to-day.'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 15}
  'Do you know anything about those claims?'
  'No; I know no particulars.'
  'You will sign nothing, Laura, without first looking at it?'
  'Certainly not, Marian. Whatever I can harmlessly and honestly do to
help him I will do- for the sake of making your life and mine, love,
as easy and as happy as possible. But I will do nothing, ignorantly,
which we might, one day, have reason to feel ashamed of. Let us say no
more about it, now. You have got your hat on- suppose we go and
dream away the afternoon in the grounds?'
  On leaving the house we directed our steps to the nearest shade.
 As we passed an open space among the trees in front of the house,
there was Count Fosco, slowly walking backwards and forwards on the
grass, sunning himself in the full blaze of the hot June afternoon. He
had a broad straw hat on, with a violet coloured ribbon round it. A
blue blouse, with profuse white fancy-work over the bosom, covered his
prodigious body, and was girt about the place where his waist might
once have been, with a broad scarlet leather belt. Nankeen trousers,
displaying more white fancy-work over the ankles and purple morocco
slippers, adorned his lower extremities. He was singing Figaro's
famous song in the Barber of Seville, with that crisply fluent
vocalisation which is never heard from any other than an Italian
throat; accompanying himself on the concertina, which he played with
ecstatic throwings-up of his arms, and graceful twistings and turnings
of his head, like a fat St. Cecilia masquerading in male attire.
'Figaro qua! Figaro la! Figaro su! Figaro gui!' sang the Count,
jauntily tossing up the concertina at arm's length, and bowing to
us, on one side of the instrument, with the airy grace and elegance of
Figaro himself at twenty years of age.
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 20}
  'Take my word for it, Laura, that man knows something of Sir
Percival's embarrassments,' I said, as we returned the Count's
salutation from a safe distance.
  'What makes you think that?' she asked.
  'How should he have known, otherwise, that Mr. Merriman was Sir
Percival's solicitor?' I rejoined. 'Besides, when I followed you out
of the luncheon-room he told me, without a single word of inquiry on
my part, that something had happened. Depend upon it, he knows more
than we do.'
  'Don't ask him any questions, if he does. Don't take him into our
confidence!'
  'You seem to dislike him, Laura, in a very determined manner. What
has he said or done to justify you?'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 25}
  'Nothing, Marian. On the contrary, he was all kindness and attention
on our journey home, and he several times checked Sir Percival's
outbreaks of temper, in the most considerate manner towards me.
Perhaps, I dislike him because he has so much more power over my
husband than I have. Perhaps it hurts my pride to be under any
obligations to his interference. All I know is, that I do dislike
him.'
  The rest of the day and evening passed quietly enough. The Count and
I played at chess. For the first two games he politely allowed me to
conquer him; and then, when he saw that I had found him out, begged my
pardon, and, at the third game, checkmated me in ten minutes. Sir
Percival never once referred, all through the evening, to the lawyer's
visit. But either that event, or something else, had produced a
singular alteration for the better in him. He was as polite and
agreeable to all of us, as he used to be in the days of his
probation at Limmeridge; and he was so amazingly attentive and kind to
his wife, that even icy Madame Fosco was roused into looking at him
with a grave surprise. What does this mean? I think I can guess; I
am afraid Laura can guess; and I am sure Count Fosco knows. I caught
Sir Percival looking at him for approval more than once in the
course of the evening.
-
  JUNE 17th.- A day of events. I most fervently hope I may not have to
add, a day of disasters as well.
  Sir Percival was as silent at breakfast as he had been the evening
before, on the subject of the mysterious 'arrangement' (as the
lawyer called it), which is hanging over our heads. An hour
afterwards, however, he suddenly entered the morning-room, where his
wife and I were waiting, with our hats on, for Madame Fosco to join
us; and inquired for the Count.
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 30}
  'We expect to see him here directly,' I said.
  'The fact is,' Sir Percival went on, walking nervously about the
room, 'I want Fosco and his wife in the library, for a mere business
formality; and I want you there, Laura, for a minute, too.' He
stopped, and appeared to notice, for the first time, that we were in
our walking costume. 'Have just come in?' he asked, 'or were you
just going out?'
  'We were all thinking of going to the lake this morning,' said
Laura. 'But if you have any other arrangement to propose-'
  'No, no,' he answered, hastily. 'My arrangement can wait. After
lunch will do as well for it, as after breakfast. All going to the
lake, eh? A good idea. Let's have an idle morning; I'll be one of
the party.' There was no mistaking his manner, even if it had been
possible to mistake the uncharacteristic readiness which his words
expressed, to submit his own plans and projects to the convenience
of others. He was evidently relieved at finding an excuse for delaying
the business formality in the library, to which his own words had
referred. My heart sank within me, as I drew the inevitable inference.
  The Count and his wife joined us, at that moment. The lady had her
husband's embroidered tobacco-pouch, and her store of paper in her
hand, for the manufacture of the eternal cigarettes. The gentleman,
dressed, as usual, in his blouse and straw hat, carried the gay little
pagoda-cage, with his darling white mice in it, and smiled on them,
and on us, with a bland amiability which it was impossible to resist.
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 35}
  'With your kind permission,' said the Count, 'I will take my small
family here- my poor-little-harmless-pretty-Mouseys, out for an airing
along with us. There are dogs about the house, and shall I leave my
forlorn white children at the mercies of the dogs? Ah, never!'
  He chirruped paternally at his small white children through the bars
of the pagoda; and we all left the house for the lake.
  In the plantation, Sir Percival strayed away from us. It seems to be
part of his restless disposition always to separate himself from his
companions on these occasions, and always to occupy himself, when he
is alone, in cutting new walking-sticks for his own use. The mere
act of cutting and lopping, at hazard, appears to please him. He has
filled the house with walking-sticks of his own making, not one of
which he ever takes up for a second time. When they have been once
used, his interest in them is all exhausted, and he thinks of
nothing but going on, and making more.
  At the old boat-house, he joined us again. I will put down the
conversation that ensued, when we were all settled in our places,
exactly as it passed. It is an important conversation, so far as I
am concerned, for it has seriously disposed me to distrust the
influence which Count Fosco has exercised over my thoughts and
feelings, and to resist it, for the future, as resolutely as I can.
  The boat-house was large enough to hold us all; but Sir Percival
remained outside, trimming the last new stick with his pocket-axe.
We three women found plenty of room on the large seat. Laura took
her work, and Madame Fosco began her cigarettes. I, as usual, had
nothing to do. My hands always were, and always will be, as awkward as
a man's. The Count good humouredly took a stool many sizes too small
for him, and balanced himself on it with his back against the side
of the shed, which creaked and groaned under his weight. He put the
pagoda-cage on his lap, and let out the mice to crawl over him as
usual. They are pretty, innocent-looking little creatures; but the
sight of them, creeping about a man's body is, for some reason, not
pleasant to me. It excites a strange, responsive creeping in my own
nerves; and suggests hideous ideas of men dying in prison, with the
crawling creatures of the dungeon preying on them undisturbed.
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 40}
  The morning was windy and cloudy; and the rapid alternations of
shadow and sunlight over the waste of the lake, made the view look
doubly wild, weird, and gloomy.
  'Some people call that picturesque,' said Sir Percival, pointing
over the wide prospect with his half-finished walking-stick. 'I call
it a blot on a gentleman's property. In my great-grandfather's time,
the lake flowed to this place. Look at it now! It is not four feet
deep anywhere, and it is all puddles and pools. I wish I could
afford to drain it, and plant it all over. My bailiff (a superstitious
idiot) says he is quite sure the lake has a curse on it, like the Dead
Sea. What do you think, Fosco? It looks just the place for a murder,
doesn't it?'
  'My good Percival!' remonstrated the Count. 'What is your solid
English sense thinking of? The water is too shallow to hide the
body; and there is sand everywhere to print off the murderer's
footsteps. It is, upon the whole, the very worst place for a murder
that I ever set my eyes on.'
  'Humbug!' said Sir Percival, cutting away fiercely at his stick.
'You know what I mean. The dreary scenery- the lonely situation. If
you choose to understand me, you can- if you don't choose, I am not
going to trouble myself to explain my meaning.'
  'And why not,' asked the Count, 'when your meaning can be
explained by anybody in two words? If a fool was going to commit a
murder, your lake is the first place he would choose for it. If a wise
man was going to commit a murder, your lake is the last place he would
choose for it. Is that your meaning? If it is, there is your
explanation for you, ready made. Take it, Percival, with your good
Fosco's blessing.'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 45}
  Laura looked at the Count, with her dislike for him appearing a
little too plainly in her face. He was so busy with his mice that he
did not notice her.
  'I am sorry to hear the lake-view connected with anything so
horrible as the idea of murder,' she said. 'And if Count Fosco must
divide murderers into classes, I think he has been very unfortunate in
his choice of expressions. To describe them as fools only, seems
like treating them with an indulgence to which they have no claim. And
to describe them as wise men, sounds to me like a downright
contradiction in terms. I have always heard that truly wise men are
truly good men, and have a horror of crime.'
  'My dear lady,' said the Count, 'those are admirable sentiments; and
I have seen them stated at the tops of copy-books.' He lifted one of
the white mice in the palm of his hand, and spoke to it in his
whimsical way. 'My pretty little smooth white rascal,' he said,
'here is a moral lesson for you. A truly wise Mouse is a truly good
Mouse. Mention that, if you please, to your companions, and never gnaw
at the bars of your cage again as long as you live.'
  'It is easy to turn everything into ridicule,' said Laura,
resolutely; 'but you will not find it quite so easy, Count Fosco, to
give me an instance of a wise man who has been a great criminal.'
  The Count shrugged his huge shoulders, and smiled on Laura in the
friendliest manner.
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 50}
  'Most true!' he said. 'The fool's crime is the crime that is found
out; and the wise man's crime is the crime that is not found out. If
I could give you an instance, it would not be the instance of a wise
man. Dear Lady Glyde, your sound English common sense has been too
much for me. It is checkmate for me this time, Miss Halcombe- ha?'
  'Stand to your guns, Laura,' sneered Sir Percival, who had been
listening in his place at the door. 'Tell him, next, that crimes cause
their own detection. There's another bit of copy-book morality for
you, Fosco. Crimes cause their own detection. What infernal humbug!'
  'I believe it to be true,' said Laura, quietly.
  Sir Percival burst out laughing; so violently, so outrageously, that
he quite startled us all- the Count more than any of us.
  'I believe it, too,' I said, coming to Laura's rescue.
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 55}
  Sir Percival, who had been unaccountably amused at his wife's
remark, was, just as unaccountably, irritated by mine. He struck the
new stick savagely on the sand, and walked away from us.
  'Poor dear Percival!' cried Count Fosco, looking after him gaily:
'he is the victim of English spleen. But, my dear Miss Halcombe, my
dear Lady Glyde, do you really believe that crimes cause their own
detection? And you, my angel,' he continued, turning to his wife,
who had not uttered a word yet, 'do you think so too?'
  'I wait to be instructed,' replied the Countess, in tones of
freezing reproof, intended for Laura and me, 'before I venture on
giving my opinion in the presence of well-informed men.'
  'Do you, indeed?' I said. 'I remember the time, Countess, when you
advocated the Rights of Women- and freedom of female opinion was one
of them.'
  'What is your view of the subject, Count?' asked Madame Fosco,
calmly proceeding with her cigarettes, and not taking the least notice
of me.
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 60}
  The Count stroked one of his white mice reflectively with his chubby
little finger before he answered.
  'It is truly wonderful,' he said, 'how easily Society can console
itself for the worst of its shortcomings with a little bit of
clap-trap. The machinery it has set up for the detection of crime is
miserably ineffective- and yet only invent a moral epigram, saying,
that it works well, and you blind everybody to its blunders, from that
moment. Crimes cause their own detection, do they? And murder will out
(another moral epigram), will it? Ask Coroners who sit at inquests
in large towns if that is true, Lady Glyde. Ask secretaries of
life-assurance companies, if that is true, Miss Halcombe. Read your
own public journals. In the few cases that get into the newspapers,
are there not instances of slain bodies found, and no murderers ever
discovered? Multiply the cases that are reported by the cases that are
not reported, and the bodies that are found by the bodies that are
not found; and what conclusion do you come to? This. That there
are foolish criminals who are discovered, and wise criminals who
escape. The hiding of a crime, or the detection of a crime, what is
it? A trial of skill between the police on one side, and the
individual on the other. When the criminal is a brutal, ignorant fool,
the police, in nine cases out of ten, win. When the criminal is a
resolute, educated, highly-intelligent man, the police, in nine
cases out of ten, lose. If the police win, you generally hear all
about it. If the police lose, you generally hear nothing. And on
this tottering foundation you build up your comfortable moral maxim
that Crime causes its own detection! Yes- all the crime you know of.
And, what of the rest?'
  'Devilish true, and very well put,' cried a voice at the entrance of
the boat-house. Sir Percival had recovered his equanimity, and had
come back while we were listening to the Count.
  'Some of it may be true,' I said; 'and all of it may be very well
put. But I don't see why Count Fosco should celebrate the victory of
the criminal over society with so much exultation, or why you, Sir
Percival, should applaud him so loudly for doing it.'
  'Do you hear that, Fosco?' asked Sir Percival. 'Take my advice,
and make your peace with your audience. Tell them Virtue's a fine
thing- they like that, I can promise you.'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 65}
  The Count laughed, inwardly and silently; and two of the white
mice in his waistcoat, alarmed by the internal convulsion going on
beneath them, darted out in a violent hurry, and scrambled into
their cage again.
  'The ladies, my good Percival, shall tell me about virtue,' he
said. 'They are better authorities than I am; for they know what
virtue is, and I don't.'
  'You hear him?' said Sir Percival. 'Isn't it awful?'
  'It is true,' said the Count, quietly. 'I am a citizen of the world,
and I have met, in my time, with so many different sorts of virtue,
that I am puzzled, in my old age, to say which is the right sort and
which is the wrong. Here, in England, there is one virtue. And
there, in China, there is another virtue. And John Englishman says
my virtue is the genuine virtue. And John Chinaman says my virtue is
the genuine virtue. And I say Yes to one, or No to the other, and am
just as much bewildered about it in the case of John with the
top-boots as I am in the case of John with the pigtail. Ah, nice
little Mousey! come, kiss me. What is your own private notion of a
virtuous man, my pret-pret-pretty? A man who keeps you warm, and gives
you plenty to eat. And a good notion, too, for it is intelligible,
at the least.'
  'Stay a minute, Count,' I interposed. 'Accepting your
illustration, surely we have one unquestionable virtue in England,
which is wanting in China. The Chinese authorities kill thousands of
innocent people, on the most frivolous pretexts. We, in England, are
free from all guilt of that kind- we commit no such dreadful crime- we
abhor reckless bloodshed, with all our hearts.'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 70}
  'Quite right, Marian,' said Laura. 'Well thought of, and well
expressed.'
  'Pray allow the Count to proceed,' said Madame Fosco, with stern
civility. 'You will find, young ladies, that he never speaks without
having excellent reasons for all that he says.'
  'Thank you, my angel,' replied the Count. 'Have a bonbon?' He took
out of his pocket a pretty little inlaid box, and placed it open on
the table. 'Chocolat a la Vanille,' cried the impenetrable man,
cheerfully rattling the sweetmeats in the box, and bowing all round.
'Offered by Fosco as an act of homage to the charming society.'
  'Be good enough to go on, Count,' said his wife, with a spiteful
reference to myself. 'Oblige me by answering Miss Halcombe.'
  Miss Halcombe is unanswerable,' replied the polite Italian- 'that is
to say, so far as she goes. Yes! I agree with her. John Bull does
abhor the crimes of John Chinaman. He is the quickest old gentleman at
finding out the faults that are his neighbours', and the slowest old
gentleman at finding out the faults that are his own, who exists on
the face of creation. Is he so very much better in his way, than the
people whom he condemns in their way? English society, Miss
Halcombe, is as often the accomplice, as it is the enemy of crime.
Yes! yes! Crime is in this country what crime is in other countries- a
good friend to a man and to those about him as often as it is an
enemy. A great rascal provides for his wife and family. The worse he
is, the more he makes them the objects for your sympathy. He often
provides, also, for himself. A profligate spendthrift who is always
borrowing money, will get more from his friends than the rigidly
honest man who only borrows of them once, under pressure of the direst
want. In the one case, the friends will not be at all surprised, and
they will give. In the other case, they will be very much surprised,
and they will hesitate. Is the prison that Mr. Scoundrel lives in,
at the end of his career, a more uncomfortable place than the
workhouse that Mr. Honesty lives in, at the end of his career?
When John-Howard-Philanthropist wants to relieve misery, he goes to
find it in prisons, where crime is wretched- not in huts and hovels,
where virtue is wretched too. Who is the English poet who has won
the most universal sympathy- who makes the easiest of all subjects for
pathetic writing and pathetic painting? That nice young person who
began life with a forgery, and ended it by a suicide- your dear,
romantic, interesting Chatterton. Which gets on best, do you think, of
two poor starving dressmakers- the woman who resists temptation, and
is honest, or the woman who falls under temptation, and steals. You
all know that the stealing is the making of that second woman's
fortune- it advertises her from length to breadth of good-humoured,
charitable England- and she is relieved, as the breaker of a
commandment, when she would have been left to starve, as the keeper of
it. Come here, my jolly little Mouse! Hey! presto! pass! I transform
you, for the time being, into a respectable lady. Stop there, in the
palm of my great big hand, my dear, and listen. You marry the poor man
whom you love, Mouse; and one half your friends pity, and the other
half blame you. And, now, on the contrary, you sell yourself for
gold to a man you don't care for; and all your friends rejoice over
you; and a minister of public worship sanctions the base horror of the
vilest of all human bargains; and smiles and smirks afterwards at your
table, if you are polite enough to ask him to breakfast. Hey!
presto! pass! Be a mouse again, and squeak. If you continue to be a
lady much longer, I shall have you telling me that Society abhors
crime- and then, Mouse, I shall doubt if your own eyes and ears are
really of any use to you. Ah! I am a bad man, Lady Glyde, am I not?
I say what other people only think; and when all the rest of the world
is in a conspiracy to accept the mask for the true face, mine is the
rash hand that tears off the plump pasteboard, and shows the bare
bones beneath. I will get up on my big elephant's legs, before I do
myself any more harm in your amiable estimations- I will get up, and
take a little airy walk of my own. Dear ladies, as your excellent
Sheridan said, I go- and leave my character behind me.'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 75}
  He got up; put the cage on the table; and paused, for a moment, to
count the mice in it. 'One, two, three, four- Ha!' he cried, with a
look of horror, 'where, in the name of Heaven, is the fifth- the
youngest, the whitest, the most amiable of all- my Benjamin of mice!'
  Neither Laura nor I were in any favourable disposition to be amused.
The Count's glib cynicism had revealed a new aspect of his nature from
which we both recoiled. But it was impossible to resist the comical
distress of so very large a man at the loss of so very small a
mouse. We laughed, in spite of ourselves; and when Madame Fosco rose
to set the example of leaving the boat-house empty, so that her
husband might search it to its remotest corners, we rose also to
follow her out.
  Before we had taken three steps, the Count's quick eye discovered
the lost mouse under the seat that we had been occupying. He pulled
aside the bench; took the little animal up in his hand; and then
suddenly stopped, on his knees, looking intently at a particular place
on the ground just beneath him.
  When he rose to his feet again, his hand shook so that he could
hardly put the mouse back in the cage, and his face was of a faint
livid yellow hue all over.
  'Percival!' he said, in a whisper. 'Percival! come here.'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 80}
  Sir Percival had paid no attention to any of us, for the last ten
minutes. He had been entirely absorbed in writing figures on the sand,
and then rubbing them out again, with the point of his stick.
  'What's the matter, now?' he asked, lounging carelessly into the
boat-house.
  'Do you see nothing, there?' said the Count, catching him
nervously by the collar with one hand, and pointing with the other
to the place near which he had found the mouse.
  'I see plenty of dry sand,' answered Sir Percival; 'and a spot of
dirt in the middle of it.'
  'Not dirt,' whispered the Count, fastening the other hand suddenly
on Sir Percival's collar, and shaking it in his agitation. 'Blood.'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 85}
  Laura was near enough to hear the last word, softly as he
whispered it. She turned to me with a look of terror.
  'Nonsense, my dear,' I said. 'There is no need to be alarmed. It
is only the blood of a poor little stray dog.'
  Everybody was astonished, and everybody's eyes were fixed on me
inquiringly.
  'How do you know that? ' asked Sir Percival, speaking first.
  'I found the dog here, dying, on the day when you all returned
from abroad,' I replied. 'The poor creature had strayed into the
plantation, and had been shot by your keeper.'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 90}
  'Whose dog was it?' inquired Sir Percival. 'Not one of mine?'
  'Did you try to save the poor thing?' asked Laura, earnestly.
'Surely you tried to save it, Marian?'
  'Yes,' I said, 'the housekeeper and I both did our best- but the dog
was mortally wounded, and he died under our hands.'
  'Whose dog was it?' persisted Sir Percival, repeating his question a
little irritably. 'One of mine?'
  'No; not one of yours.'
                                      {2ND_EPOCH|HALCOMBE|III ^paragraph 95}
  'Whose then? Did the housekeeper know?'
  The housekeeper's report of Mrs. Catherick's desire to conceal her
visit to Blackwater Park from Sir Percival's knowledge, recurred to my
memory the moment he put that last question; and I half doubted the
discretion of answering it. But, in my anxiety to quiet the general
alarm, I had thoughtlessly advanced too far to draw back, except at
the risk of exciting suspicion which might only make matters worse.
There was nothing for it but to answer at once, without reference to
results.
  'Yes,' I said. 'The housekeeper knew. She told me it was Mrs.
Catherick's dog.'
  Sir Percival had hitherto remained at the inner end of the
boat-house with Count Fosco, while I spoke to him from the door. But
the instant Mrs. Catherick's name passed my lips, he pushed by the
Count roughly, and placed himself face to face with me, under the open
daylight.
  'How came the housekeeper to know it was Mrs. Catherick's dog?' he
asked, fixing his eyes on mine with a frowning interest and attention,
which half angered, half startled me.
                                     {2ND_EPOCH|HALCOMBE|III ^paragraph 100}
  'She knew it,' I said, quietly, 'because Mrs. Catherick brought
the dog with her?'
  'Brought it with her? Where did she bring it with her?'
  'To this house.'
  'What the devil did Mrs. Catherick want at this house?'
  The manner in which he put the question was even more offensive than
the language in which he expressed it. I marked my sense of his want
of common politeness, by silently turning away from him.
                                     {2ND_EPOCH|HALCOMBE|III ^paragraph 105}
  Just as I moved, the Count's persuasive hand was laid on his
shoulder, and the Count's mellifluous voice interposed to quiet him.
  'My dear Percival!- gently- gently.'
  Sir Percival looked round in his angriest manner. The Count only
smiled, and repeated the soothing application.
  'Gently, Gently, my good friend- gently!'
  Sir Percival hesitated- followed me a few steps- and, to my great
surprise, offered me an apology.
                                     {2ND_EPOCH|HALCOMBE|III ^paragraph 110}
  'I beg your pardon, Miss Halcombe,' he said. 'I have been out of
order lately; and I am afraid I am a little irritable. But I should
like to know what Mrs. Catherick could possibly want here. When did
she come? Was the housekeeper the only person who saw her?'
  'The only person,' I answered, 'so far as I know.'
  The Count interposed again.
  'In that case,' why not question the housekeeper?' he said. 'Why not
go, Percival, to the fountain-head of information at once?'
  'Quite right!' said Sir Percival. 'Of course the housekeeper is
the first person to question. Excessively stupid of me not to see it
myself.' With those words, he instantly left us to return to the
house.
                                     {2ND_EPOCH|HALCOMBE|III ^paragraph 115}
  The motive of the Count's interference, which had puzzled me at
first, betrayed itself when Sir Percival's back was turned. He had a
host of questions to put to me about Mrs. Catherick, and the cause
of her visit to Blackwater Park, which he could scarcely have asked in
his friend's presence. I made my answers as short as I civilly
could- for I had already determined to check the least approach to any
exchanging of confidences between Count Fosco and myself. Laura,
however, unconsciously helped him to extract all my information, by
making inquiries herself, which left me no alternative but to reply to
her, or to appear in the very unenviable and very false character of a
depository of Sir Percival's secrets. The end of it was, that, in
about ten minutes' time, the Count knew as much as I know of Mrs.
Catherick, and of the events which have so strangely connected us with
her daughter, Anne, from the time when Hartright met with her, to this
day.
  The effect of my information on him was, in one respect, curious
enough.
  Intimately as he knows Sir Percival, and closely as he appears to be
associated with Sir Percival's private affairs in general, he is
certainly as far as I am from knowing anything of the true story of
Anne Catherick. The unsolved mystery in connexion with this unhappy
woman is now rendered doubly suspicious, in my eyes, by the absolute
conviction which I feel, that the clue to it has been hidden by Sir
Percival from the most intimate friend he has in the world. It was
impossible to mistake the eager curiosity of the Count's look and
manner while he drank in greedily every word that fell from my lips.
There are many kinds of curiosity, I know- but there is no
misinterpreting the curiosity of blank surprise: if I ever saw it in
my life, I saw it in the Count's face.
  While the questions and answers were going on, we had all been
strolling quietly back, through the plantation. As soon as we
reached the house, the first object that we saw in front of it was Sir
Percival's dog-cart, with the horse put to and the groom waiting by it
in his stable-jacket. If these unexpected appearances were to be
trusted, the examination of the housekeeper had produced important
results already.
  'A fine horse, my friend,' said the Count, addressing the groom with
the most engaging familiarity of manner. 'You are going to drive out?'
                                     {2ND_EPOCH|HALCOMBE|III ^paragraph 120}
  'I am not going, sir,' replied the man, looking at his
stable-jacket, and evidently wondering whether the foreign gentleman
took it for his livery. 'My master drives himself.'
  'Aha!' said the Count, 'does he indeed? I wonder he gives himself
the trouble when he has got you to drive for him. Is he going to
fatigue that nice, shining, pretty horse by taking him very far,
to-day?'
  'I don't know, sir,' answered the man. 'The horse is a mare, if
you please, sir. She's the highest-couraged thing we've got in the
stables. Her name's Brown Molly, sir; and she'll go till she drops.
Sir Percival usually takes Isaac of York for the short distances.'
  'And your shining courageous Brown Molly for the long?'
  'Yes, sir.'
                                     {2ND_EPOCH|HALCOMBE|III ^paragraph 125}
  'Logical inference, Miss Halcombe,' continued the Count, wheeling
round briskly, and addressing me: 'Sir Percival is going a long
distance to-day.'
  I made no reply. I had my own inferences to draw, from what I knew
through the housekeeper and from what I saw before me; and I did not
choose to share them with Count Fosco.
  When Sir Percival was in Cumberland (I thought to myself), he walked
away a long distance, on Anne's account, to question the family at
Todd's Corner. Now he is in Hampshire, is he going to drive away a
long distance, on Anne's account again, to question Mrs. Catherick
at Welmingham?
  We all entered the house. As we crossed the hall, Sir Percival
came out from the library to meet us. He looked hurried and pale and
anxious- but, for all that, he was in his most polite mood, when he
spoke to us.
  'I am sorry to say, I am obliged to leave you,' he began- 'a long
drive- a matter that I can't very well put off. I shall be back in
good time to-morrow- but, before I go, I should like that little
business-formality, which I spoke of this morning, to be settled.
Laura, will you come into the library? It won't take a minute- a
mere formality. Countess, may I trouble you also? I want you and the
Countess, Fosco, to be witnesses to a signature- nothing more. Come in
at once, and get it over.'
                                     {2ND_EPOCH|HALCOMBE|III ^paragraph 130}
  He held the library door open until they had passed in, followed
them, and shut it softly.
  I remained, for a moment afterwards, standing alone in the hall,
with my heart beating fast, and my mind misgiving me sadly. Then, I
went on to the staircase, and ascended slowly to my own room.

{2ND_EPOCH|HALCOMBE|IV
                                  IV
-
  JUNE 17th.- Just as my hand was on the door of my room, I heard
Sir Percival's voice calling to me from below.
  'I must beg you to come down stairs again,' he said. It is Fosco's
fault, Miss Halcombe, not mine. He has started some nonsensical
objection to his wife being one of the witnesses, and has obliged me
to ask you to join us in the library.'
  I entered the room immediately with Sir Percival. Laura was
waiting by the writing-table, twisting and turning her garden hat
uneasily in her hands. Madame Fosco sat near her, in an arm-chair,
imperturbably admiring her husband, who stood by himself at the
other end of the library, picking off the dead leaves from the flowers
in the window.
  The moment I appeared, the Count advanced to meet me, and to offer
his explanations.
  'A thousand pardons, Miss Halcombe,' he said. 'You know the
character which is given to my countrymen by the English? We
Italians are all wily and suspicious by nature, in the estimation of
the good John Bull. Set me down, if you please, as being no better
than the rest of my race. I am a wily Italian and a suspicious
Italian. You have thought so yourself, dear lady, have you not?
Well! it is part of my wiliness and part of my suspicion to object
to Madame Fosco being a witness to Lady Glyde's signature, when I am
also a witness myself.'
                                        {2ND_EPOCH|HALCOMBE|IV ^paragraph 5}
  'There is not the shadow of a reason for his objection,'
interposed Sir Percival. 'I have explained to him that the law of
England allows Madame Fosco to witness a signature as well as her
husband.'
  'I admit it,' resumed the Count. 'The law of England says, Yes-
but the conscience of Fosco says, No.' He spread out his fat fingers
on the bosom of his blouse, and bowed solemnly, as if he wished to
introduce his conscience to us all, in the character of an illustrious
addition to the society. 'What this document which Lady Glyde is about
to sign, may be,' he continued, 'I neither know nor desire to know.
I only say this: circumstances may happen in the future which may
oblige Percival, or his representatives, to appeal to the two
witnesses; in which case it is certainly desirable that those
witnesses should represent two opinions which are perfectly
independent the one of the other. This cannot be if my wife signs as
well as myself, because we have but one opinion between us, and that
opinion is mine. I will not have it cast in my teeth, at some future
day, that Madame Fosco acted under my coercion, and was, in plain
fact, no witness at all. I speak in Percival's interest when I propose
that my name shall appear (as the nearest friend of the husband),
and your name, Miss Halcombe (as the nearest friend of the wife). I am
a Jesuit, if you please to think so- a splitter of straws- a man of
trifles and crotchets and scruples-but you will humour me, I hope,
in merciful consideration for my suspicious Italian character, and
my uneasy Italian conscience.' He bowed again, stepped back a few
paces, and withdrew his conscience from our society as politely as
he had introduced it.
  The Count's scruples might have been honourable and reasonable
enough; but there was something in his manner of expressing them which
increased my unwillingness to be concerned in the business of the
signature. No consideration of less importance than my consideration
for Laura, would have induced me to consent to be a witness at all.
One look, however, at her anxious face, decided me to risk anything
rather than desert her.
  'I will readily remain in the room,' I said. 'And if I find no
reason for starting any small scruples, on my side, you may rely on me
as a witness.'
  Sir Percival looked at me sharply, as if he was about to say
something. But, at the same moment, Madame Fosco attracted his
attention by rising from her chair. She had caught her husband's
eye, and had evidently received her orders to leave the room.
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 10}
  'You needn't go,' said Sir Percival.
  Madame Fosco looked for her orders again, got them again, said she
would prefer leaving us to our business, and resolutely walked out.
The Count lit a cigarette, went back to the flowers in the window, and
puffed little jets of smoke at the leaves, in a state of the deepest
anxiety about killing the insects.
  Meanwhile, Sir Percival unlocked a cupboard beneath one of the
bookcases, and produced from it a piece of parchment folded, longwise,
many times over. He placed it on the table, opened the last fold only,
and kept his hand on the rest. The last fold displayed a strip of
blank parchment with little wafers stuck on it at certain places.
Every line of the writing was hidden in the part which he still held
folded up under his hand. Laura and I looked at each other. Her face
was pale- but it showed no indecision and no fear.
  Sir Percival dipped a pen in ink, and handed it to his wife.
  'Sign your name, there,' he said, pointing to the place. 'You and
Fosco are to sign afterwards, Miss Halcombe, opposite those two
wafers. Come here, Fosco! witnessing a signature is not to be done
by mooning out of window and smoking into the flowers.'
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 15}
  The Count threw away his cigarette, and joined us at the table, with
his hands carelessly thrust into the scarlet belt of his blouse, and
his eyes steadily fixed on Sir Percival's face. Laura, who was on
the other side of her husband, with the pen in her hand, looked at
him, too. He stood between them, holding the folded parchment down
firmly on the table, and glancing across at me, as I sat opposite to
him, with such a sinister mixture of suspicion and embarrassment in
his face, that he looked more like a prisoner at the bar than a
gentleman in his own house.
  'Sign there,' he repeated, turning suddenly on Laura, and pointing
once more to the place on the parchment.
  'What is it I am to sign?' she asked, quietly.
  'I have no time to explain,' he answered. 'The dog-cart is at the
door; and I must go directly. Besides, if I had time, you wouldn't
understand. It is a purely formal document- full of legal
technicalities, and all that sort of thing. Come! come! sign your
name, and let us have done as soon as possible.'
  'I ought surely to know what I am signing, Sir Percival, before I
write my name?'
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 20}
  'Nonsense! What have women to do with business? I tell you again,
you can't understand it.'
  'At any rate, let me try to understand it. Whenever Mr. Gilmore
had any business for me to do, he always explained it, first; and I
always understood him.'
  'I dare say he did. He was your servant, and was obliged to explain.
I am your husband, and am not obliged. How much longer do you mean
to keep me here? I tell you again, there is no time for reading
anything: the dog-cart is waiting at the door. Once for all, will
you sign, or will you not?'
  She still had the pen in her hand; but she made no approach to
signing her name with it.
  'If my signature pledges me to anything,' she said, surely, I have
some claim to know what that pledge is?'
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 25}
  He lifted up the parchment, and struck it angrily on the table.
  'Speak out!' he said. 'You were always famous for telling the truth.
Never mind, Miss Halcombe, never mind, Fosco- say, in plain terms, you
distrust me.'
  The Count took one of his hands out of his belt, and laid it on
Sir Percival's shoulder. Sir Percival shook it off irritably. The
Count put it on again with unruffled composure. 'Control your
unfortunate temper, Percival,' he said. 'Lady Glyde is right.'
  'Right!' cried Sir Percival. 'A wife right in distrusting her
husband!'
  'It is unjust and cruel to accuse me of distrusting you,' said
Laura. 'Ask Marian if I am not justified in wanting to know what
this writing requires of me, before I sign it?'
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 30}
  'I won't have any appeals made to Miss Halcombe,' retorted Sir
Percival. 'Miss Halcombe has nothing to do with the matter.'
  I had not spoken hitherto, and I would much rather not have spoken
now. But the expression of distress in Laura's face when she turned it
towards me, and the insolent injustice of her husband's conduct,
left me no other alternative than to give my opinion, for her sake, as
soon as I was asked for it.
  'Excuse me, Sir Percival,' I said- 'but, as one of the witnesses
to the signature, I venture to think that I have something to do
with the matter. Laura's objection seems to me a perfectly fair one;
and, speaking for myself only, I cannot assume the responsibility of
witnessing her signature, unless she first understands what the
writing is which you wish her to sign.'
  'A cool declaration, upon my soul!' cried Sir Percival. 'The next
time you invite yourself to a man's house, Miss Halcombe, I
recommend you not to repay his hospitality by taking his wife's side
against him in a matter that doesn't concern you.'
  I started to my feet as suddenly as if he had struck me. If I had
been a man, I would have knocked him down on the threshold of his
own door, and have left his house, never on any earthly
consideration to enter it again. But I was only a woman- and I loved
his wife so dearly!
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 35}
  Thank God, that faithful love helped me, and I sat down again,
without saying a word. She knew what I had suffered and what I had
suppressed. She ran round to me, with the tears streaming from her
eyes. 'Oh, Marian!' she whispered softly. 'If my mother had been
alive, she could have done no more for me!'
  'Come back and sign!' cried Sir Percival, from the other side of the
table.
  'Shall I?' she asked in my ear; 'I will, if you tell me.'
  'No,' I answered. 'The right and the truth are with you- sign
nothing, unless you have read it first.'
  'Come back and sign!' he reiterated, in his loudest and angriest
tones.
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 40}
  The Count, who had watched Laura and me with a close and silent
attention, interposed for the second time.
  'Percival!' he said. 'I remember that I am in the presence of
ladies. Be good enough, if you please, to remember it, too.'
  Sir Percival turned on him, speechless with passion. The Count's
firm hand slowly tightened its grasp on his shoulder, and the
Count's steady voice, quietly repeated, 'Be good enough, if you
please, to remember it, too.'
  They both looked at each other: Sir Percival slowly drew his
shoulder from under the Count's hand; slowly turned his face away from
the Count's eyes; doggedly looked down for a little while at the
parchment on the table; and then spoke, with the sullen submission
of a tamed animal, rather than the becoming resignation of a convinced
man.
  'I don't want to offend anybody,' he said, 'but my wife's
obstinacy is enough to try the patience of a saint. I have told her
this is merely a formal document- and what more can she want? You
may say what you please; but it is no part of a woman's duty to set
her husband at defiance. Once more, Lady Glyde, and for the last time,
will you sign or will you not?'
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 45}
  Laura returned to his side of the table, and took up the pen again.
  'I will sign with pleasure,' she said, 'if you will only treat me as
a responsible being. I care little what sacrifice is required of me,
if it will affect no one else, and lead to no ill results-'
  'Who talked of a sacrifice being required of you?' he broke in, with
a half-suppressed return of his former violence.
  'I only meant,' she resumed, 'that I would refuse no concession
which I could honourably make. If I have a scruple about signing my
name to an engagement of which I know nothing, why should you visit it
on me so severely? It is rather hard, I think, to treat Count
Fosco's scruples so much more indulgently than you have treated mine.'
  This unfortunate, yet most natural, reference to the Count's
extraordinary power over her husband, indirect as it was, set Sir
Percival's smouldering temper on fire again in an instant.
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 50}
  'Scruples!' he repeated. 'Your scruples! It is rather late in
the day for you to be scrupulous. I should have thought you had got
over all weakness of that sort, when you made a virtue of necessity by
marrying me.'
  The instant he spoke those words, Laura threw down the pen- looked
at him with an expression in her eyes, which throughout all my
experience of her, I had never seen in them before- and turned her
back on him in dead silence.
  This strong expression of the most open and the most bitter
contempt, was so entirely unlike herself, so utterly out of her
character, that it silenced us all. There was something hidden, beyond
a doubt, under the mere surface-brutality of the words which her
husband had just addressed to her. There was some lurking insult
beneath them, of which I was wholly ignorant, but which had left the
mark of its profanation so plainly on her face that even a stranger
might have seen it.
  The Count, who was no stranger, saw it as distinctly as I did.
When I left my chair to join Laura, I heard him whisper under his
breath to Sir Percival: 'You idiot!'
  Laura walked before me to the door as I advanced; and, at the same
time, her husband spoke to her once more.
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 55}
  'You positively refuse, then, to give me your signature?' he said,
in the altered tone of a man who was conscious that he had let his own
licence of language seriously injure him.
  'After what you have just said to me,' she replied, firmly, 'I
refuse my signature until I have read every line in that parchment
from the first word to the last. Come away, Marian, we have remained
here long enough.'
  'One moment!' interposed the Count, before Sir Percival could
speak again- 'one moment, Lady Glyde, I implore you!'
  Laura would have left the room without noticing him; but I stopped
her.
  'Don't make an enemy of the Count!' I whispered. 'Whatever you do,
don't make an enemy of the Count!'
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 60}
  She yielded to me. I closed the door again; and we stood near it,
waiting. Sir Percival sat down at the table, with his elbow on the
folded parchment, and his head resting on his clenched fist. The Count
stood between us- master of the dreadful position in which we were
placed, as he was master of everything else.
  'Lady Glyde,' he said, with a gentleness which seemed to address
itself to our forlorn situation instead of to ourselves, 'pray
pardon me, if I venture to offer one suggestion; and pray believe that
I speak out of my profound respect and my friendly regard for the
mistress of this house.' He turned sharply towards Sir Percival. 'Is
it absolutely necessary,' he asked, 'that this thing here, under
your elbow, should be signed to-day?'
  'It is necessary to my plans and wishes,' returned the other,
sulkily. 'But that consideration, as you may have noticed, has no
influence with Lady Glyde.'
  'Answer my plain question, plainly. Can the business of the
signature be put off till to-morrow- Yes or No?'
  'Yes- if you will have it so.'
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 65}
  'Then, what are you wasting your time for, here? Let the signature
wait till to-morrow- let it wait till you come back.'
  Sir Percival looked up with a frown and an oath.
  'You are taking a tone with me that I don't like,' he said. 'A
tone I won't bear from any man.'
  'I am advising you for your good,' returned the Count, with a
smile of quiet contempt. 'Give yourself time; give Lady Glyde time.
Have you forgotten that your dog-cart is waiting at the door? My
tone surprises you- ha? I dare say it does- it is the tone of a man
who can keep his temper. How many doses of good advice have I given
you in my time? More than you can count. Have I ever been wrong? I
defy you to quote me an instance of it. Go! take your drive. The
matter of the signature can wait till to-morrow. Let it wait- and
renew it when you come back.'
  Sir Percival hesitated, and looked at his watch. His anxiety about
the secret journey which he was to take that day, revived by the
Count's words, was now evidently disputing possession of his mind with
his anxiety to obtain Laura's signature. He considered for a little
while; and then got up from his chair.
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 70}
  'It is easy to argue me down,' he said, 'when I have no time to
answer you. I will take your advice, Fosco- not because I want it,
or believe in it, but because I can't stop here any longer.' He
paused, and looked round darkly at his wife. 'If you don't give me
your signature when I come back to-morrow-!' The rest was lost in
the noise of his opening the book-case cupboard again, and locking
up the parchment once more. He took his hat, and gloves off the table,
and made for the door. Laura and I drew back to let him pass.
'Remember to-morrow!' he said to his wife; and went out.
  We waited to give him time to cross the hall, and drive away. The
Count approached us while we were standing near the door.
  'You have just seen Percival at his worst, Miss Halcombe,' he
said. 'As his old friend, I am sorry for him and ashamed of him. As
his old friend, I promise you that he shall not break out to-morrow in
the same disgraceful manner in which he has broken out to-day.'
  Laura had taken my arm while he was speaking, and she pressed it
significantly when he had done. It would have been a hard trial to any
woman to stand by and see the office of apologist for her husband's
misconduct quietly assumed by his male friend in her own house- and it
was a trial to her. I thanked the Count civilly, and led her out.
Yes! I thanked him: for I felt already, with a sense of
inexpressible helplessness and humiliation, that it was either his
interest or his caprice to make sure of my continuing to reside at
Blackwater Park; and I knew after Sir Percival's conduct to me, that
without the support of the Count's influence, I could not hope to
remain there. His influence, the influence of all others that I
dreaded most, was actually the one tie which now held me to Laura in
the hour of her utmost need!
  We heard the wheels of the dog-cart crashing on the gravel of the
drive as we came into the hall. Sir Percival had started on his
journey.
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 75}
  'Where is he going to, Marian?' Laura whispered. 'Every fresh
thing he does, seems to terrify me about the future. Have you any
suspicions?'
  After what she had undergone that morning, I was unwilling to tell
her my suspicions.
  'How should I know his secrets,' I said, evasively.
  'I wonder if the housekeeper knows?' she persisted.
  'Certainly not,' I replied. 'She must be quite as ignorant as we
are.'
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 80}
  Laura shook her head doubtfully.
  'Did you not hear from the housekeeper that there was a report of
Anne Catherick having been seen in this neighbourhood? Don't you think
he may have gone away to look for her?'
  'I would rather compose myself, Laura, by not thinking about it,
at all; and, after what has happened, you had better follow my
example. Come into my room, and rest and quiet yourself a little.'
  We sat down together close to the window, and let the fragrant
summer air breathe over our faces.
  'I am ashamed to look at you, Marian,' she said, 'after what you
submitted to down stairs for my sake. Oh, my own love, I am almost
heartbroken, when I think of it! But I will try to make it up to
you- I will indeed!'
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 85}
  'Hush! Hush!' I replied; 'don't talk so. What is the trifling
mortification of my pride compared to the dreadful sacrifice of your
happiness?'
  'You heard what he said to me? ' she went on, quickly and
vehemently. 'You heard the words- but you don't know what they
meant- you don't know why I threw down the pen and turned my back on
him.' She rose in sudden agitation, and walked about the room. 'I have
kept many things from your knowledge, Marian, for fear of
distressing you, and making you unhappy at the outset of our new
lives. You don't know how he has used me. And yet, you ought to
know, for you saw how he used me to-day, You heard him sneer at my
presuming to be scrupulous; you heard him say I had made a virtue of
necessity in marrying him.' She sat down again; her face flushed
deeply, and her hands twisted and twined together in her lap. 'I can't
tell you about it now,' she said; 'I shall burst out crying if I
tell you now- later, Marian, when I am more sure of myself. My poor
head aches, darling- aches, aches, aches. Where is your
smelling-bottle? Let me talk to you about yourself. I wish I had given
him my signature, for your sake. Shall I give it to him, to-morrow?
I would rather compromise myself than compromise you. After your
taking my part against him, he will lay all the blame on you, if I
refuse again. What shall we do? Oh, for a friend to help us and advise
us!- a friend we could really trust!'
  She sighed bitterly. I saw in her face that she was thinking of
Hartright- saw it the more plainly because her last words set me
thinking of him, too. In six months only from her marriage, we
wanted the faithful service he had offered to us in his farewell
words. How little I once thought that we should ever want it at all!
  'We must do what we can to help ourselves,' I said. 'Let us try to
talk it over calmly, Laura- let us do all in our power to decide for
the best.'
  Putting what she knew of her husband's embarrassments, and what I
had heard of his conversation with the lawyer, together, we arrived
necessarily at the conclusion that the parchment in the library had
been drawn up for the purpose of borrowing money, and that Laura's
signature was absolutely necessary to fit it for the attainment of Sir
Percival's object.
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 90}
  The second question, concerning the nature of the legal contract
by which the money was to be obtained, and the degree of personal
responsibility to which Laura might subject herself if she signed it
in the dark, involved considerations which lay far beyond any
knowledge and experience that either of us possessed. My own
convictions led me to believe that the hidden contents of the
parchment concealed a transaction of the meanest and the most
fraudulent kind.
  I had not formed this conclusion in consequence of Sir Percival's
refusal to show the writing, or to explain it; for that refusal
might well have proceeded from his obstinate disposition and his
domineering temper alone. My sole motive for distrusting his
honesty, sprang from the change which I had observed in his language
and his manners at Blackwater Park, a change which convinced me that
he had been acting a part throughout the whole period of his probation
at Limmeridge House. His elaborate delicacy; his ceremonious
politeness, which harmonized so agreeably with Mr. Gilmore's
old-fashioned notions; his modesty with Laura, his candour with me,
his moderation with Mr. Fairlie- all these were the artifices of a
mean, cunning, and brutal man, who had dropped his disguise when his
practised duplicity had gained its end, and had openly shown himself
in the library, on that very day. I say nothing of the grief which
this discovery caused me on Laura's account, for it is not to be
expressed by any words of mine. I only refer to it at all, because
it decided me to oppose her signing the parchment, whatever the
consequences might be, unless she was first made acquainted with the
contents.
  Under these circumstances, the one chance for us when to-morrow
came, was to be provided with an objection to giving the signature,
which might rest on sufficiently firm commercial or legal grounds to
shake Sir Percival's resolution, and to make him suspect that we two
women understood the laws and obligations of business as well as
himself.
  After some pondering, I determined to write to the only honest man
within reach whom we could trust to help us discreetly, in our forlorn
situation. That man was Mr. Gilmore's partner- Mr. Kyrle- who
conducted the business, now that our old friend had been obliged to
withdraw from it and to leave London on account of his health. I
explained to Laura that I had Mr. Gilmore's own authority for
placing implicit confidence in his partner's integrity, discretion,
and accurate knowledge of all her affairs; and, with her full
approval, I sat down at once to write the letter.
  I began by stating our position to Mr. Kyrle exactly as it was;
and then asked for his advice in return, expressed in plain, downright
terms, which we could comprehend without any danger of
misinterpretations and mistakes. My letter was as short as I could
possibly make it, and was, I hope, unencumbered by needless
apologies and needless details.
                                       {2ND_EPOCH|HALCOMBE|IV ^paragraph 95}
  Just as I was about to put the address on the envelope, an
obstacle was discovered by Laura, which in the effort and
pre-occupation of writing, had escaped my mind altogether.
  'How are we to get the answer in time?' she asked. 'Your letter will
not be delivered in London before to-morrow morning; and the post will
not bring the reply here till the morning after.'
  The only way of overcoming this difficulty was to have the answer
brought to us from the lawyer's office by a special messenger. I wrote
a postscript to that effect, begging that the messenger might be
despatched with the reply by the eleven o'clock morning train, which
would bring him to our station at twenty minutes past one, and so
enable him to reach Blackwater Park by two o'clock at the latest. He
was to be directed to ask for me, to answer no questions addressed
to him by any one else, and to deliver his letter into no hands but
mine.
  'In case Sir Percival should come back to-morrow before two
o'clock,' I said to Laura, 'the wisest plan for you to adopt is to
be out in the grounds, all the morning, with your book or your work,
and not to appear at the house till the messenger has had time to
arrive with the letter. I will wait here for him, all the morning,
to guard against any misadventures or mistakes. By following this
arrangement I hope and believe we shall avoid being taken by surprise.
Let us go down to the drawing-room now. We may excite suspicion if
we remain shut up together too long.'
  'Suspicion?' she repeated. 'Whose suspicion can we excite, now
that Sir Percival has left the house? Do you mean Count Fosco?'
                                      {2ND_EPOCH|HALCOMBE|IV ^paragraph 100}
  'Perhaps I do, Laura.'
  'You are beginning to dislike him as much as I do, Marian.'
  'No; not to dislike him. Dislike is always, more or less, associated
with contempt- I can see nothing in the Count to despise.'
  'You are not afraid of him, are you?'
  'Perhaps I am- a little.'
                                      {2ND_EPOCH|HALCOMBE|IV ^paragraph 105}
  'Afraid of him, after his interference in our favour to-day!'
  'Yes. I am more afraid of his interference than I am of Sir
Percival's violence. Remember what I said to you in the library.
Whatever you do, Laura, don't make an enemy of the Count!'
  We went down stairs. Laura entered the drawing-room; while I
proceeded across the hall, with my letter in my hand, to put it into
the post-bag, which hung against the wall opposite to me.
  The house door was open; and, as I crossed past it, I saw Count
Fosco and his wife standing talking together on the steps outside,
with their faces turned towards me.
  The Countess came into the hall, rather hastily, and asked if I
had leisure enough for five minutes' private conversation. Feeling a
little surprised by such an appeal from such a person, I put my letter
into the bag, and replied that I was quite at her disposal. She took
my arm with unaccustomed friendliness and familiarity; and instead
of leading me into an empty room, drew me out with her to the belt
of turf which surrounded the large fish-pond.
                                      {2ND_EPOCH|HALCOMBE|IV ^paragraph 110}
  As we passed the Count on the steps, he bowed and smiled, and then
went at once into the house; pushing the hall-door to after him, but
not actually closing it.
  The Countess walked me gently round the fish-pond. I expected to
be made the depositary of some extraordinary confidence; and I was
astonished to find that Madame Fosco's communication for my private
ear was nothing more than a polite assurance of her sympathy for me,
after what had happened in the library. Her husband had told her of
all that had passed, and of the insolent manner in which Sir
Percival had spoken to me. This information had so shocked and
distressed her, on my account and on Laura's, that she had made up her
mind, if anything of the sort happened again, to mark her sense of Sir
Percival's outrageous conduct by leaving the house. The Count had
approved of her idea, and she now hoped that I approved of it, too.
  I thought this a very strange proceeding on the part of such a
remarkably reserved woman as Madame Fosco- especially after the
interchange of sharp speeches which had passed between us during the
conversation in the boat-house, on that very morning. However, it
was my plain duty to meet a polite and friendly advance, on the part
of one of my elders, with a polite and friendly reply. I answered
the Countess, accordingly, in her own tone; and then, thinking we
had said all that was necessary on either side, made an attempt to get
back to the house.
  But Madame Fosco seemed resolved not to part with me, and, to my
unspeakable amazement, resolved also to talk. Hitherto, the most
silent of women, she now persecuted me with fluent conventionalities
on the subject of married life, on the subject of Sir Percival and
Laura, on the subject of her own happiness, on the subject of the late
Mr. Fairlie's conduct to her in the matter of her legacy, and on
half a dozen other subjects besides, until she had detained me,
walking round and round the fish-pond for more than half an hour,
and had quite wearied me out. Whether she discovered this, or not, I
cannot say, but she stopped as abruptly as she had begun- looked
towards the house door, resumed her icy manner in a moment- and
dropped my arm of her own accord, before I could think of an excuse
for accomplishing my own release from her.
  As I pushed open the door, and entered the hall, I found myself
suddenly face to face with the Count again. He was just putting a
letter into the post-bag.
                                      {2ND_EPOCH|HALCOMBE|IV ^paragraph 115}
  After he had dropped it in, and had closed the bag, he asked me
where I had left Madame Fosco. I told him; and he went out at the hall
door, immediately, to join his wife. His manner, when he spoke to
me, was so unusually quiet and subdued that I turned and looked
after him, wondering if he were ill or out of spirits.
  Why my next proceeding was to go straight up to the post-bag, and
take out my own letter, and look at it again, with a vague distrust on
me; and why the looking at it for the second time instantly
suggested the idea to my mind of sealing the envelope for its
greater security- are mysteries which are either too deep or too
shallow for me to fathom. Women, as everybody knows, constantly act on
impulses which they cannot explain even to themselves; and I can
only suppose that one of those impulses was the hidden cause of my
unaccountable conduct on this occasion.
  Whatever influence animated me, I found cause to congratulate myself
on having obeyed it, as soon as I prepared to seal the letter in my
own room. I had originally closed the envelope, in the usual way, by
moistening the adhesive point and pressing it on the paper beneath;
and, when I now tried it with my finger, after a lapse of full
three-quarters of an hour, the envelope opened on the instant, without
sticking or tearing. Perhaps I had fastened it insufficiently?
  Perhaps there might have been some defect in the adhesive gum?
  Or, perhaps- No! it is quite revolting enough to feel that third
conjecture stirring in my mind. I would rather not see it
confronting me, in plain black and white.
                                      {2ND_EPOCH|HALCOMBE|IV ^paragraph 120}
  I almost dread to-morrow- so much depends on my discretion and
self-control. There are two precautions at an events, which I am
sure not to forget. I must be careful to keep up friendly
appearances with the Count; and I must be well on my guard, when the
messenger from the office comes here with the answer to my letter.

{2ND_EPOCH|HALCOMBE|V
                                  V
-
  JUNE 17th.- When the dinner hour brought us together again, Count
Fosco was in his usual excellent spirits. He exerted himself to
interest and amuse us, as if he was determined to efface from our
memories all recollection of what had passed in the library that
afternoon. Lively descriptions of his adventures in travelling;
amusing anecdotes of remarkable people whom he had met with abroad;
quaint comparisons between the social customs of various nations,
illustrated by examples drawn from men and women indiscriminately
all over Europe; humorous confessions of the innocent follies of his
own early life, when he ruled the fashions of a second-rate Italian
town, and wrote preposterous romances, on the French model, for a
second-rate Italian newspaper- all flowed in succession so easily
and so gaily from his lips, and all addressed our various
curiosities and various interests so directly and so delicately,
that Laura and I listened to him with as much attention, and,
inconsistent as it may seem, with as much admiration also, as Madame
Fosco herself. Women can resist a man's love, a man's fame, a man's
personal appearance, and a man's money; but they cannot resist a man's
tongue, when he knows how to talk to them.
  After dinner, while the favourable impression which he had
produced on us was still vivid in our minds, the Count modestly
withdrew to read in the library.
  Laura proposed a stroll in the grounds to enjoy the close of the
long evening. It was necessary, in common politeness, to ask Madame
Fosco to join us; but, this time, she had apparently received her
orders beforehand, and she begged we would kindly excuse her. 'The
Count will probably want a fresh supply of cigarettes,' she
remarked, by way of apology; 'and nobody can make them to his
satisfaction, but myself.' Her cold blue eyes almost warmed as she
spoke the words- she looked actually proud of being the officiating
medium through which her lord and master composed himself with
tobacco-smoke!
  Laura and I went out together alone.
  It was a misty, heavy evening. There was a sense of blight in the
air; the flowers were drooping in the garden, and the ground was
parched and dewless. The western heaven, as we saw it over the quiet
trees, was of a pale yellow hue, and the sun was setting faintly in
a haze. Coming rain seemed near: it would fall probably with the
fall of night.
                                         {2ND_EPOCH|HALCOMBE|V ^paragraph 5}
  'Which way shall we go?' I asked.
  'Towards the lake, Marian, if you like,' she answered.
  'You seem unaccountably fond, Laura, of that dismal lake.'
  'No; not of the lake, but of the scenery about it. The sand and
heath, and the fir-trees, are the only objects I can discover, in
all this large place, to remind me of Limmeridge. But we will walk
in some other direction, if you prefer it.'
  'I have no favourite walks at Blackwater Park, my love. One is the
same as another to me. Let us go to the lake- we may find it cooler in
the open space than we find it here.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 10}
  We walked through the shadowy plantation in silence. The heaviness
in the evening air oppressed us both; and, when we reached the
boat-house, we were glad to sit down and rest, inside.
  A white fog hung low over the lake. The dense brown line of the
trees on the opposite bank, appeared above it, like a dwarf forest
floating in the sky. The sandy ground, shelving downward from where we
sat, was lost mysteriously in the outward layers of the fog. The
silence was horrible. No rustling of the leaves- no bird's note in the
wood- no cry of waterfowl from the pools of the hidden lake. Even
the croaking of the frogs had ceased to-night.
  'It is very desolate and gloomy,' said Laura. 'But we can be more
alone here than anywhere else.'
  She spoke quietly, and looked at the wilderness of sand and mist
with steady, thoughtful eyes. I could see that her mind was too much
occupied to feel the dreary impressions from without, which had
fastened themselves already on mine.
  'I promised, Marian, to tell you the truth about my married life,
instead of leaving you any longer to guess it for yourself,' she
began. 'That secret is the first I have ever had from you, love, and I
am determined it shall be the last. I was silent, as you know, for
your sake- and perhaps a little for my own sake as well. It is very
hard for a woman to confess that the man to whom she has given her
whole life, is the man of all others who cares least for the gift.
If you were married yourself, Marian- and especially if you were
happily married- you would feel for me as no single woman can
feel, however kind and true she may be.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 15}
  What answer could I make? I could only take her hand, and look at
her with my whole heart as well as my eyes would let me.
  'How often,' she went on, 'I have heard you laughing over what you
used to call your "poverty!" how often you have made me
mock-speeches of congratulation on my wealth! Oh, Marian, never
laugh again. Thank God for your poverty- it has made you your own
mistress, and has saved you from the lot that has fallen on me.'
  A sad beginning on the lips of a young wife!- sad in its quiet,
plain-spoken truth. The few days we had all passed together at
Blackwater Park, had been many enough to show me- to show any one-
what her husband had married her for.
  'You shall not be distressed,' she said, 'by hearing how soon my
disappointments and my trials began- or even by knowing what they
were. It is bad enough to have them on my memory. If I tell you
how he received the first, and last, attempt at remonstrance that I
ever made, you will know how he has always treated me, as well as if I
had described it in so many words. It was one day at Rome, when we had
ridden out together to the tomb of Cecilia Metella. The sky was calm
and lovely- and the grand old ruin looked beautiful- and the
remembrance that a husband's love had raised it in the old time to a
wife's memory, made me feel more tenderly and more anxiously towards
my husband than I had ever felt yet. "Would you build such a tomb
for me, Percival?" I asked him. "You said you loved me dearly,
before we were married; and yet, since that time-" I could get no
farther. Marian! he was not even looking at me! I pulled down my veil,
thinking it best not to let him see that the tears were in my eyes.
I fancied he had not paid any attention to me; but he had. He said,
"Come away," and laughed to himself, as he helped me on to my horse.
He mounted his own horse; and laughed again as we rode away. "If I
do build you a tomb," he said, "it will be done with your own money. I
wonder whether Cecilia Metella had a fortune, and paid for hers." I
made no reply- how could I, when I was crying behind my veil? "Ah, you
light-complexioned women are all sulky," he said. "What do you want?
compliments and soft speeches? Well! I'm in a good humour this
morning. Consider the compliments paid, and the speeches said." Men
little know, when they say hard things to us, how well we remember
them, and how much harm they do us. It would have been better for me
if I had gone on crying; but his contempt dried up my tears, and
hardened my heart. From that time, Marian, I never checked myself
again in thinking of Walter Hartright. I let the memory of those happy
days, when we were so fond of each other in secret, come back, and
comfort me. What else had I to look to for consolation? If we had been
together, you would have helped me to better things. I know it was
wrong, darling- but tell me if I was wrong, without any excuse.'
  I was obliged to turn my face from her. 'Don't ask me!' I said.
'Have I suffered as you have suffered? What right have I to decide?'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 20}
  'I used to think of him,' she pursued, dropping her voice, and
moving closer to me- 'I used to think of him, when Percival left me
alone at night, to go among the Opera people. I used to fancy what I
might have been, if it had pleased God to bless me with poverty, and
if I had been his wife. I used to see myself in my neat cheap gown,
sitting at home and waiting for him, while he was earning our bread-
sitting at home and working for him, and loving him all the better
because I had to work for him- seeing him come in tired, and
taking off his hat and coat for him- and, Marian, pleasing him with
little dishes at dinner that I had learnt to make for his sake.- Oh! I
hope he is never lonely enough and sad enough to think of me, and
see me, as I have thought of him and seen him!'
  As she said those melancholy words, all the lost tenderness returned
to her voice, and all the lost beauty trembled back into her face. Her
eyes rested as lovingly on the blighted, solitary, ill-omened view
before us, as if they saw the friendly hills of Cumberland in the
dim and threatening sky.
  'Don't speak of Walter any more,' I said, as soon as I could control
myself. 'Oh, Laura, spare us both the wretchedness of talking of
him, now!'
  She roused herself, and looked at me tenderly.
  'I would rather be silent about him for ever,' she answered, 'than
cause you a moment's pain.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 25}
  'It is in your interests,' I pleaded; 'it is for your sake that I
speak. If your husband heard you-'
  'It would not surprise him, if he did hear me.'
  She made that strange reply with a weary calmness and coldness.
The change in her manner, when she gave the answer, startled me almost
as much as the answer itself.
  'Not surprise him!' I repeated. 'Laura! remember what you are
saying- you frighten me!'
  'It is true,' she said- 'it is what I wanted to tell you to-day,
when we were talking in your room. My only secret when I opened my
heart to him at Limmeridge, was a harmless secret, Marian- you said so
yourself. The name was all I kept from him- and he has discovered it.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 30}
  I heard her; but I could say nothing. Her last words had killed
the little hope that still lived in me.
  'It happened at Rome,' she went on, as wearily calm and cold as
ever. 'We were at a little party, given to the English by some friends
of Sir Percival's- Mr. and Mrs. Markland. Mrs. Markland had the
reputation of sketching very beautifully; and some of the guests
prevailed on her to show us her drawings. We all admired them,- but
something I said attracted her attention particularly to me. "Surely
you draw yourself?" she asked. "I used to draw a little once," I
answered, "but I have given it up." "If you have once drawn," she
said, "you may take to it again one of these days; and, if you do, I
wish you would let me recommend you a master." I said nothing- you
know why, Marian- and tried to change the conversation. But Mrs.
Markland persisted. "I have had all sorts of teachers," she went on;
"but the best of all, the most intelligent and the most attentive
was a Mr. Hartright. If you ever take up your drawing again, do try
him as a master. He is a young man- modest and gentlemanlike- I am
sure you will like him." Think of those words being spoken to me
publicly, in the presence of strangers- strangers who had been invited
to meet the bride and bridegroom! I did all I could to control myself-
I said nothing, and looked down close at the drawings. When I ventured
to raise my head again, my eyes and my husband's eyes met; and I knew,
by his look, that my face had betrayed me. "We will see about Mr.
Hartright," he said, looking at me all the time, "when we get back
to England. I agree with you, Mrs. Markland- I think Lady Glyde is
sure to like him." He laid an emphasis on the last words which made my
cheeks burn, and set my heart beating as if it would stifle me.
Nothing more was said- we came away early. He was silent in the
carriage, driving back to the hotel. He helped me out, and followed me
upstairs as usual. But the moment we were in the drawing-room, he
locked the door, pushed me down into a chair, and stood over me with
his hands on my shoulders. "Ever since that morning when you made your
audacious confession to me at Limmeridge," he said, "I have wanted
to find out the man; and I found him in your face, to-night. Your
drawing-master was the man; and his name is Hartright. You shall
repent it, and he shall repent it, to the last hour of your lives. Now
go to bed, and dream of him, if you like- with the marks of my
horsewhip on his shoulders." Whenever he is angry with me now, he
refers to what I acknowledged to him in your presence, with a sneer or
a threat. I have no power to prevent him from putting his own horrible
construction on the confidence I placed in him. I have no influence to
make him believe me, or to keep him silent. You looked surprised,
to-day, when you heard him tell me that I had made a virtue of
necessity in marrying him. You will not be surprised again, when you
hear him repeat it, the next time he is out of temper- Oh, Marian!
don't! don't! you hurt me!'
  I had caught her in my arms; and the sting and torment of my remorse
had closed them round her like a vice. Yes! my remorse. The white
despair of Walter's face, when my cruel words struck him to the
heart in the summer-house at Limmeridge, rose before me in mute,
unendurable reproach. My hand had pointed the way which led the man my
sister loved, step by step, far from his country and his friends.
Between those two young hearts I had stood, to sunder them for ever,
the one from the other- and his life and her life lay wasted before
me, alike, in witness of the deed. I had done this; and done it for
Sir Percival Glyde.
  For Sir Percival Glyde.
-
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 35}
  I heard her speaking, and I knew by the tone of her voice that she
was comforting me- I, who deserved nothing but the reproach of her
silence! How long it was before I mastered the absorbing misery of
my own thoughts, I cannot tell. I was first conscious that she was
kissing me, and then my eyes seemed to wake on a sudden to their sense
of outward things, and I knew that I was looking mechanically straight
before me at the prospect of the lake.
  'It is late,' I heard her whisper. 'It will be dark in the
plantation.' She shook my arm, and repeated, 'Marian! it will be
dark in the plantation!'
  'Give me a minute longer,' I said- 'a minute, to get better in.'
  I was afraid to trust myself to look at her yet; and I kept my
eyes fixed on the view.
  It was late. The dense brown line of trees in the sky had faded in
the gathering darkness, to the faint resemblance of a long wreath of
smoke. The mist over the lake below had stealthily enlarged, and
advanced on us. The silence was as breathless as ever- but the
horror of it had gone, and the solemn mystery of its stillness was all
that remained.
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 40}
  'We are far from the house,' she whispered. 'Let us go back.'
  She stopped suddenly, and turned her face from me towards the
entrance of the boat-house.
  'Marian!' she said, trembling violently. 'Do you see nothing? Look!'
  'Where?'
  'Down there, below us.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 45}
  She pointed. My eyes followed her hand; and I saw it, too.
  A living figure was moving over the waste of heath in the
distance. It crossed our range of view from the boat-house, and passed
darkly along the outer edge of the mist. It stopped far off, in
front of us- waited- and passed on; moving slowly, with the white
cloud of mist behind it and above it- slowly, slowly, till it glided
by the edge of the boat-house, and we saw it no more.
  We were both unnerved by what had passed between us that evening.
Some minutes elapsed before Laura would venture into the plantation,
and before I could make up my mind to lead her back to the house.
  'Was it a man, or a woman?' she asked, in a whisper, as we moved
at last, into the dark dampness of the outer air.
  'I am not certain.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 50}
  'Which do you think?'
  'It looked like a woman.'
  'I was afraid it was a man in a long cloak.'
  'It may be a man. In this dim light it is not possible to be
certain.'
  'Wait, Marian! I'm frightened- I don't see the path. Suppose the
figure should follow us?'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 55}
  'Not at all likely, Laura. There is really nothing to be alarmed
about. The shores of the lake are not far from the village, and they
are free to any one to walk on, by day or night. It is only
wonderful we have seen no living creature there before.'
  We were now in the plantation. It was very dark- so dark, that we
found some difficulty in keeping the path. I gave Laura my arm, and we
walked as fast as we could on our way back.
  Before we were half way through, she stopped, and forced me to
stop with her. She was listening.
  'Hush,' she whispered. 'I hear something behind us.'
  'Dead leaves,' I said to cheer her, 'or a twig blown off the trees.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 60}
  'It is summer time, Marian; and there is not a breath of wind.
Listen!'
  I heard the sound, too- a sound like a light footstep following us.
  'No matter who it is, or what it is,' I said; 'let us walk on. In
another minute, if there is anything to alarm us, we shall be near
enough to the house to be heard.'
  We went on quickly- so quickly, that Laura was breathless by the
time we were nearly through the plantation, and within sight of the
lighted windows.
  I waited a moment, to give her breathing-time. Just as we were about
to proceed, she stopped me again, and signed to me with her hand to
listen once more. We both heard distinctly a long, heavy sigh,
behind us, in the black depths of the trees.
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 65}
  'Who's there?' I called out.
  There was no answer.
  'Who's there?' I repeated.
  An instant of silence followed; and then we heard the light fall
of the footsteps again, fainter and fainter- sinking away into the
darkness- sinking, sinking, sinking- till they were lost in the
silence.
  We hurried out from the trees to the open lawn beyond; crossed it
rapidly; and without another word passing between us, reached the
house.
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 70}
  In the light of the hall-lamp, Laura looked at me, with white cheeks
and startled eyes.
  'I am half dead with fear,' she said. 'Who could it have been?'
  'We will try to guess to-morrow,' I replied. 'In the mean time,
say nothing to any one of what we have heard and seen.'
  'Why not?'
  'Because silence is safe- and we have need of safety in this house.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 75}
  I sent Laura upstairs immediately- waited a minute to take off my
hat, and put my hair smooth- and then went at once to make my first
investigations in the library, on pretence of searching for a book.
  There sat the Count, filling out the largest easy-chair in the
house; smoking and reading calmly, with his feet on an ottoman, his
cravat across his knees, and his shirt collar wide open. And there sat
Madame Fosco, like a quiet child, on a stool by his side, making
cigarettes. Neither husband nor wife could, by any possibility, have
been out late that evening, and have just got back to the house in a
hurry. I felt that my object in visiting the library was answered
the moment I set eyes on them.
  Count Fosco rose in polite confusion, and tied his cravat on when
I entered the room.
  'Pray don't let me disturb you,' I said. 'I have only come here to
get a book.'
  'All unfortunate men of my size suffer from the heat,' said the
Count, refreshing himself gravely with a large green fan. 'I wish I
could change places with my excellent wife. She is as cool, at this
moment, as a fish in the pond outside.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 80}
  The Countess allowed herself to thaw under the influence of her
husband's quaint comparison. 'I am never warm, Miss Halcombe,' she
remarked, with the modest air of a woman who was confessing to one
of her own merits.
  'Have you and Lady Glyde been out this evening?' asked the Count,
while I was taking a book from the shelves, to preserve appearances.
  'Yes; we went out to get a little air.'
  'May I ask in what direction?'
  'In the direction of the lake- as far as the boat-house.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 85}
  'Aha? As far as the boat-house?'
  Under other circumstances, I might have resented his curiosity. But,
to-night I hailed it as another proof that neither he nor his wife
were connected with the mysterious appearance at the lake.
  'No more adventures, I, suppose, this evening?' he went on. 'No more
discoveries, like your discovery of the wounded dog?'
  He fixed his unfathomable gray eyes on me, with that cold, clear,
irresistible glitter in them, which always forces me to look at him,
and always makes me uneasy, while I do look. An unutterable
suspicion that his mind is prying into mine, overcomes me at these
times; and it overcame me now.
  'No,' I said, shortly; 'no adventures- no discoveries.'
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 90}
  I tried to look away from him, and leave the room. Strange as it
seems, I hardly think I should have succeeded in the attempt, if
Madame Fosco had not helped me by causing him to move and look away
first.
  'Count, you are keeping Miss Halcombe standing,' she said.
  The moment he turned round to get me a chair, I seized my
opportunity- thanked him- made my excuses- and slipped out.
  An hour later, when Laura's maid happened to be in her mistress's
room, I took occasion to refer to the closeness of the night, with a
view to ascertaining next how the servants had been passing their
time.
  'Have you been suffering much from the heat, down stairs?' I asked.
                                        {2ND_EPOCH|HALCOMBE|V ^paragraph 95}
  'No, miss,' said the girl; 'we have not felt it to speak of.'
  'You have been out in the woods, then, I suppose?'
  'Some of us thought of going, miss. But cook said she should take
her chair into the cool court-yard, outside the kitchen door; and,
on second thoughts, all the rest of us took our chairs out there,
too.'
  The housekeeper was now the only person who remained to be accounted
for.
  'Is Mrs. Michelson gone to bed yet?' I inquired.
                                       {2ND_EPOCH|HALCOMBE|V ^paragraph 100}
  'I should think not, miss,' said the girl, smiling. 'Mrs.
Michelson is more likely to be getting up, just now, than going to
bed.'
  'Why? What do you mean? Has Mrs. Michelson been taking to her bed in
the daytime?'
  'No, miss; not exactly, but the next thing to it. She's been
asleep all the evening, on the sofa in her own room.'
  Putting together what I observed for myself in the library and
what I have just heard from Laura's maid, one conclusion seems
inevitable. The figure we saw at the lake was not the figure of Madame
Fosco, of her husband, or of any of the servants. The footsteps we
heard behind us were not the footsteps of any one belonging to the
house.
  Who could it have been?
                                       {2ND_EPOCH|HALCOMBE|V ^paragraph 105}
  It seems useless to inquire. I cannot even decide whether the figure
was a man's or a woman's. I can only say that I think it was a
woman's.

{2ND_EPOCH|HALCOMBE|VI
                                  VI
-
  JUNE 18th.- The misery of self-reproach which I suffered yesterday
evening, on hearing what Laura told me in the boat-house, returned
in the loneliness of the night, and kept me waking and wretched for
hours.
  I lighted my candle at last, and searched through my old journals to
see what my share in the fatal error of her marriage had really
been, and what I might have once done to save her from it. The
result soothed me a little- for it showed that, however blindly and
ignorantly I acted, I acted for the best. Crying generally does me
harm; but it was not so last night- I think it relieved me. I rose
this morning with a settled resolution and a quiet mind. Nothing Sir
Percival can say or do shall ever irritate me again, or make me
forget, for one moment, that I am staying here, in defiance of
mortifications, insults, and threats, for Laura's service and for
Laura's sake.
  The speculations in which we might have indulged, this morning, on
the subject of the figure at the lake and the footsteps in the
plantation, have been all suspended by a trifling accident which has
caused Laura great regret. She has lost the little brooch I gave her
for a keepsake, on the day before her marriage. As she wore it when we
went out yesterday evening we can only suppose that it must have
dropped from her dress, either in the boat-house, or on our way
back. The servants have been sent to search, and have returned
unsuccessful. And now Laura herself has gone to look for it. Whether
she finds it, or not, the loss will help to excuse her absence from
the house, if Sir Percival returns before the letter from Mr.
Gilmore's partner is placed in my hands.
  One o'clock has just struck. I am considering whether I had better
wait here for the arrival of the messenger from London, or slip away
quietly, and watch for him outside the lodge gate.
  My suspicion of everybody and everything in this house inclines me
to think that the second plan may be the best. The Count is safe in
the breakfast-room. I heard him, through the door, as I ran up-stairs,
ten minutes since, exercising his canary-birds at their tricks:- 'Come
out on my little finger, my pret-pret-pretties! Come out, and hop
up-stairs! One, two, three- and up! Three, two, one- and down! One,
two, three- twit-twit-twit-tweet!' The birds burst into their usual
ecstasy of singing, and the Count chirruped and whistled at them in
return, as if he was a bird himself. My room door is open, and I can
hear the shrill singing and whistling at the very moment.- If I am
really to slip out, without being observed- now is my time.
                                        {2ND_EPOCH|HALCOMBE|VI ^paragraph 5}
-
  Four o'clock. The three hours that have past since I made my
last entry, have turned the whole march of events at Blackwater Park
in a new direction. Whether for good or for evil, I cannot and dare
not decide.
  Let me get back first to the place at which I left off- or I shall
lose myself in the confusion of my own thoughts.
  I went out, as I had proposed, to meet the messenger with my
letter from London at the lodge gate. On the stairs I saw no one. In
the hall I heard the Count still exercising his birds. But on crossing
the quadrangle outside, I passed Madame Fosco, walking by herself in
her favourite circle, round and round the great fish-pond. I at once
slackened my pace, so as to avoid all appearance of being in a
hurry; and even went the length, for caution's sake, of inquiring if
she thought of going out before lunch. She smiled at me in the
friendliest manner- said she preferred remaining near the house-
nodded pleasantly- and re-entered the hall. I looked back, and saw
that she had closed the door before I had opened the wicket by the
side of the carriage gates.
  In less than a quarter of an hour, I reached the lodge.
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 10}
  The lane outside took a sudden turn to the left, ran on straight for
a hundred yards or so, and then took another sharp turn to the right
to join the high road. Between these two turns, hidden from the
lodge on one side and from the way to the station on the other, I
waited, walking backwards and forwards. High hedges were on either
side of me; and for twenty minutes, by my watch, I neither saw nor
heard anything. At the end of that time, the sound of a carriage
caught my ear; and I was met, as I advanced, towards the second
turning, by a fly from the railway. I made a sign to the driver to
stop. As he obeyed me, a respectable-looking man put his head out of
the window to see what was the matter.
  'I beg your pardon,' I said; 'but am I right in supposing that you
are going to Blackwater Park?'
  'Yes, ma'am.'
  'With a letter for any one?'
  'With a letter for Miss Halcombe, ma'am.'
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 15}
  'You may give me the letter. I am Miss Halcombe.'
  The man touched his hat, got out of the fly immediately, and gave me
the letter.
  I opened it at once, and read these lines. I copy them here,
thinking it best to destroy the original for caution's sake.
-
  'DEAR MADAM.- Your letter received this morning, has caused me
very great anxiety. I will reply to it as briefly and plainly as
possible.
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 20}
  'My careful consideration of the statement made by yourself, and
my knowledge of Lady Glyde's position, as defined in the settlement,
lead me, I regret to say, to the conclusion that a loan of the trust
money to Sir Percival (or, in other words, a loan of some portion of
the twenty thousand pounds of Lady Glyde's fortune), is in
contemplation, and that she is made a party to the deed, in order to
secure her approval of a flagrant breach of trust, and to have her
signature produced against her, if she should complain hereafter. It
is impossible, on any other supposition, to account, situated as she
is, for her execution to a deed of any kind being wanted at all.
  'In the event of Lady Glyde's signing such a document as I am
compelled to suppose the deed in question to be, her trustees would be
at liberty to advance money to Sir Percival out of her twenty thousand
pounds. If the amount so lent should not be paid back, and if Lady
Glyde should have children, their fortune will then be diminished by
the sum, large or small, so advanced. In plainer terms still, the
transaction, for anything that Lady Glyde knows to the contrary, may
be a fraud upon her unborn children.
  'Under these serious circumstances, I would recommend Lady Glyde
to assign as a reason for withholding her signature, that she wishes
the deed to be first submitted to myself, as her family solicitor
(in the absence of my partner, Mr. Gilmore). No reasonable objection
can be made to taking this course- for, if the transaction is an
honourable one, there will necessarily be no difficulty in my giving
my approval.
  'Sincerely assuring you of my readiness to afford any additional
help or advice that may be wanted, I beg to remain, Madam, your
faithful servant,
                                                'WILLIAM KYRLE.'
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 25}
-
  I read this kind and sensible letter very thankfully. It supplied
Laura with a reason for objecting to the signature which was
unanswerable, and which we could both of us understand. The
messenger waited near me while I was reading, to receive his
directions when I had done.
  'Will you be good enough to say that I understand the letter, and
that I am very much obliged?' I said. 'There is no other reply
necessary at present.'
  Exactly at the moment when I was speaking those words, holding the
letter open in my hand, Count Fosco turned the corner of the lane from
the high road, and stood before me as if he had sprung up out of the
earth.
  The suddenness of his appearance, in the very last place under
heaven in which I should have expected to see him, took me
completely by surprise. The messenger wished me good morning, and
got into the fly again. I could not say a word to him- I was not
even able to return his bow. The conviction that I was discovered- and
by that man, of all others- absolutely petrified me.
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 30}
  'Are you going back to the house, Miss Halcombe?' he inquired,
without showing the least surprise on his side, and without even
looking after the fly, which drove off while he was speaking to me.
  I collected myself sufficiently to make a sign in the affirmative.
  'I am going back, too,' he said. 'Pray allow me the pleasure of
accompanying you. Will you take my arm? You look surprised at seeing
me!'
  I took his arm. The first of my scattered senses that came back, was
the sense that warned me to sacrifice anything rather than make an
enemy of him.
  'You looked surprised at seeing me!' he repeated, in his quietly
pertinacious way.
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 35}
  'I thought, Count, I heard you with your birds in the
breakfast-room,' I answered, as quietly and firmly as I could.
  'Surely. But my little feathered children, dear lady, are only too
like other children. They have their days of perversity; and this
morning was one of them. My wife came in, as I was putting them back
in their cage, and said she had left you going out alone for a walk.
You told her so, did you not?'
  'Certainly.'
  'Well, Miss Halcombe, the pleasure of accompanying you was too great
a temptation for me to resist. At my age there is no harm in
confessing so much as that, is there? I seized my hat, and set off
to offer myself as your escort. Even so fat an old man as Fosco is
surely better than no escort at all? I took the wrong path- I came
back, in despair- and here I am, arrived (may I say it? ) at the
height of my wishes.'
  He talked on, in this complimentary strain with a fluency which left
me no exertion to make beyond the effort of maintaining my
composure. He never referred in the most distant manner to what he had
seen in the lane, or to the letter which I still had in my hand.
This ominous discretion helped to convince me that he must have
surprised, by the most dishonourable means, the secret of my
application in Laura's interest, to the lawyer; and that, having now
assured himself of the private manner in which I had received the
answer, he had discovered enough to suit his purposes, and was only
bent on trying to quiet the suspicions which he knew he must have
aroused in my mind. I was wise enough, under these circumstances,
not to attempt to deceive him by plausible explanations- and woman
enough, notwithstanding my dread of him, to feel as if my hand was
tainted by resting on his arm.
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 40}
  On the drive in front of the house we met the dog-cart being taken
round to the stables. Sir Percival had just returned. He came out to
meet us at the house-door. Whatever other results his journey might
have had, it had not ended in softening his savage temper.
  'Oh! here are two of you come back,' he said, with a lowering
face. 'What is the meaning of the house being deserted in this way?
Where is Lady Glyde?'
  I told him of the loss of the brooch, and said that Laura had gone
into the plantation to look for it.
  'Brooch or no brooch,' he growled sulkily, 'I recommend her not to
forget her appointment in the library, this afternoon. I shall
expect to see her in half an hour.'
  I took my hand from the Count's arm, and slowly ascended the
steps. He honoured me with one of his magnificent bows; and then
addressed himself gaily to the scowling master of the house.
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 45}
  'Tell me, Percival,' he said, 'have you had a pleasant drive? And
has your pretty shining Brown Molly come back at all tired?'
  'Brown Molly be hanged- and the drive too! I want my lunch.'
  'And I want five minutes' talk with you, Percival, first,'
returned the Count. 'Five minutes' talk, my friend, here on the
grass.'
  'What about?'
  'About business that very much concerns you.'
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 50}
  I lingered long enough, in passing through the hall-door, to hear
this question and answer, and to see Sir Percival thrust his hands
into his pockets, in sullen hesitation.
  'If you want to badger me with any more of your infernal
scruples,' he said, 'I, for one, won't hear them. I want my lunch!'
  'Come out here and speak to me,' repeated the Count, still perfectly
uninfluenced by the rudest speech that his friend could make to him.
  Sir Percival descended the steps. The Count took him by the arm, and
walked him away gently. The 'business,' I was sure, referred to the
question of the signature. They were speaking of Laura and of me,
beyond a doubt. I felt heart-sick and faint with anxiety. It might
be of the last importance to both of us to know what they were
saying to each other at that moment- and not one word of it could,
by any possibility, reach my ears.
  I walked about the house, from room to room, with the lawyer's
letter in my bosom (I was afraid, by this time, even to trust it under
lock and key), till the oppression of my suspense half maddened me.
There were no signs of Laura's return; and I thought of going out to
look for her. But my strength was so exhausted by the trials and
anxieties of the morning, that the heat of the day quite overpowered
me; and, after an attempt to get to the door, I was obliged to
return to the drawing-room, and lie down on the nearest sofa to
recover.
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 55}
  I was just composing myself, when the door opened softly, and the
Count looked in.
  'A thousand pardons, Miss Halcombe,' he said; 'I only venture to
disturb you because I am the bearer of good news. Percival- who is
capricious in everything, as you know- has seen fit to alter his mind,
at the last moment; and the business of the signature is put off for
the present. A great relief to all of us, Miss Halcombe, as I see with
pleasure in your face. Pray present my best respects and felicitations
when you mention this pleasant change of circumstances to Lady Glyde.'
  He left me before I had recovered my astonishment. There could be no
doubt that this extraordinary alteration of the purpose in the
matter of the signature, was due to his influence; and that his
discovery of my application to London yesterday, and of my having
received an answer to it to-day, had offered him the means of
interfering with certain success.
  I felt these impressions; but my mind seemed to share the exhaustion
of my body, and I was in no condition to dwell on them, with any
useful reference to the doubtful present, or the threatening future. I
tried a second time to run out, and find Laura; but my head was giddy,
and my knees trembled under me. There was no choice but to give it
up again, and return to the sofa, sorely against my will.
  The quiet in the house, and the low murmuring hum of summer
insects outside the open window, soothed me. My eyes closed of
themselves; and I passed gradually into a strange condition, which was
not waking- for I knew nothing of what was going on about me; and
not sleeping- for I was conscious of my own repose. In this state,
my fevered mind broke loose from me, while my weary body was at
rest; and, in a trance, or day-dream of my fancy- I know not what to
call it- I saw Walter Hartright. I had not thought of him, since I
rose that morning; Laura had not said one word to me either directly
or indirectly referring to him- and yet, I saw him now, as plainly
as if the past time had returned, and we were both together again at
Limmeridge House.
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 60}
  He appeared to me as one among many other men, none of whose faces I
could plainly discern. They were all lying on the steps of an
immense ruined temple. Colossal tropical trees- with rank creepers
twining endlessly about their trunks, and hideous stone idols
glimmering and grinning at intervals behind leaves and stalks and
branches- surrounded the temple, and shut out the sky, and threw a
dismal shadow over the forlorn band of men on the steps. White
exhalations twisted and curled up stealthily from the ground;
approached the men in wreaths, like smoke; touched them; and stretched
them out dead, one by one, in the places where they lay. An agony of
pity and fear for Walter loosened my tongue, and I implored him to
escape. 'Come back! come back!' I said. 'Remember your promise to
her and to me. Come back to us, before the Pestilence reaches you,
and lays you dead like the rest!'
  He looked at me, with an unearthly quiet in his face. 'Wait,' he
said, 'I shall come back. The night, when I met the lost Woman on
the highway, was the night which set my life apart to be the
instrument of a Design that is yet unseen. Here, lost in the
wilderness, or there, welcomed back in the land of my birth, I am
still walking on the dark road which leads me, and you, and the sister
of your love and mine, to the unknown Retribution and the inevitable
End. Wait and look. The Pestilence which touches the rest, will pass
me.'
  I saw him again. He was still in the forest; and the numbers of
his lost companions had dwindled to very few. The temple was gone, and
the idols were gone- and, in their place, the figures of dark,
dwarfish men lurked murderously among the trees, with bows in their
hands, and arrows fitted to the string. Once more, I feared for
Walter, and cried out to warn him. Once more, he turned to me, with
the immovable quiet in his face.
  'Another step,' he said, 'on the dark road. Wait and look. The
Arrows that strike the rest, will spare me.'
  I saw him for the third time, in a wrecked ship, stranded on a wild,
sandy shore. The overloaded boats were making away from him for the
land, and he alone was left, to sink with the ship. I cried to him
to hail the hindmost boat, and to make a last effort for his life. The
quiet face looked at me in return, and the unmoved voice gave me
back the changeless reply. 'Another step on the journey. Wait and
look. The Sea which drowns the rest, will spare me.'
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 65}
  I saw him for the last time. He was kneeling by a tomb of white
marble; and the shadow of a veiled woman rose out of the grave
beneath, and waited by his side. The unearthly quiet of his face had
changed to an unearthly sorrow. But the terrible certainty of his
words remained the same. 'Darker and darker,' he said, 'farther and
farther yet. Death takes the good, the beautiful, and the young- and
spares me. The Pestilence that wastes, the Arrow that strikes, the
Sea that drowns, the Grave that closes over Love and Hope, are steps
of my journey, and take me nearer and nearer to the End.'
  My heart sank under a dread beyond words, under a grief beyond
tears. The darkness closed round the pilgrim at the marble tomb;
closed round the veiled woman from the grave; closed round the dreamer
who looked on them. I saw and heard no more.
  I was aroused by a hand laid on my shoulder. It was Laura's.
  She had dropped on her knees by the side of the sofa. Her face was
flushed and agitated; and her eyes met mine in a wild bewildered
manner. I started the instant I saw her.
  'What has happened?' I asked. 'What has frightened you?'
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 70}
  She looked round at the half-open door- put her lips close to my
ear- and answered in a whisper: 'Marian!- the figure at the lake-
the footsteps last night- I've just seen her! I've just spoken to
her!'
  'Who, for Heaven's sake?'
  'Anne Catherick.'
  I was so startled by the disturbance in Laura's face and manner, and
so dismayed by the first waking impressions of my dream, that I was
not fit to bear the revelation which burst upon me, when that name
passed her lips. I could only stand rooted to the floor, looking at
her in breathless silence.
  She was too much absorbed by what had happened to notice the
effect which her reply had produced on me. 'I have seen Anne
Catherick! I have spoken to Anne Catherick!' she repeated, as if I had
not heard her. 'Oh, Marian, I have such things to tell you! Come away-
we may be interrupted here- come at once into my room.'
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 75}
  With those eager words, she caught me by the hand, and led me
through the library, to the end room on the ground floor, which had
been fitted up for her own especial use. No third person, except her
maid, could have any excuse for surprising us here. She pushed me in
before her, locked the door, and drew the chintz curtains that hung
over the inside.
  The strange, stunned feeling which had taken possession of me
still remained. But a growing conviction that the complications
which had long threatened to gather about her, and to gather about me,
had suddenly closed fast round us both, was now beginning to penetrate
my mind. I could not express it in words- I could hardly even
realise it dimly in my own thoughts. 'Anne Catherick!' I whispered
to myself, with useless, helpless reiteration- 'Anne Catherick!'
  Laura drew me to the nearest seat, an ottoman in the middle of the
room. 'Look!' she said; 'look here!'- and pointed to the bosom of
her dress.
  I saw, for the first time, that the lost brooch was pinned in its
place again. There was something real in the sight of it, something
real in the touching of it afterwards, which seemed to steady the
whirl and confusion in my thoughts, and to help me to compose myself.
  'Where did you find your brooch?' The first words I could say to her
were the words which put that trivial question at that important
moment.
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 80}
  'She found it, Marian.'
  'Where?'
  'On the floor of the boat-house. Oh, how shall I begin- how shall
I tell you about it! She talked to me so strangely- she looked so
fearfully ill- she left me so suddenly-!'
  Her voice rose as the tumult of her recollections pressed upon her
mind. The inveterate distrust which weighs, night and day, on my
spirits in this house, instantly roused me to warn her- just as the
sight of the brooch had roused me to question her, the moment before.
  'Speak low,' I said. 'The window is open, and the garden path runs
beneath it. Begin at the beginning, Laura. Tell me, word for word,
what passed between that woman and you.'
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 85}
  'Shall I close the window first?'
  'No; only speak low; only remember that Anne Catherick is a
dangerous subject under your husband's roof. Where did you first see
her?'
  'At the boat-house, Marian. I went out, as you know, to find my
brooch; and I walked along the path through the plantation, looking
down on the ground carefully at every step. In that way I got on,
after a long time, to the boat-house; and, as soon as I was inside it,
I went on my knees to hunt over the floor. I was still searching, with
my back to the doorway, when I heard a soft, strange voice, behind me,
say, "Miss Fairlie."'
  'Miss Fairlie!'
  'Yes- my old name- the dear, familiar name that I thought I had
parted from for ever. I started up- not frightened, the voice was
too kind and gentle to frighten anybody- but very much surprised.
There, looking at me from the doorway, stood a woman, whose face I
never remembered to have seen before-'
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 90}
  'How was she dressed?'
  'She had a neat, pretty white gown on, and over it a poor worn
thin dark shawl. Her bonnet was of brown straw, as poor and worn as
the shawl. I was struck by the difference between her gown and the
rest of her dress, and she saw that I noticed it. "Don't look at my
bonnet and shawl," she said, speaking in a quick, breathless, sudden
way; "if I mustn't wear white, I don't care what I wear. Look at my
gown, as much as you please; I'm not ashamed of that." Very strange,
was it not? Before I could say anything to soothe her, she held out
one of her hands, and I saw my brooch in it. I was so pleased and so
grateful, that I went quite close to her to say what I really felt.
"Are you thankful enough to do me one little kindness?" she asked.
"Yes, indeed," I answered; "any kindness in my power I shall be glad
to show you." "Then let me pin your brooch on for you, now I have
found it." Her request was so unexpected, Marian, and she made it with
such extraordinary eagerness, that I drew back a step or two, not well
knowing what to do. "Ah!" she said, "your mother would have let me pin
on the brooch." There was something in her voice and her look, as well
as in her mentioning my mother in that reproachful manner, which
made me ashamed of my distrust. I took her hand with the brooch in it,
and put it up gently on the bosom of my dress. "You knew my mother?" I
said. "Was it very long ago? have I ever seen you before?" Her hands
were busy fastening the brooch: she stopped and pressed them against
my breast. "You don't remember a fine spring day at Limmeridge," she
said, "and your mother walking down the path that led to the school,
with a little girl on each side of her? I have had nothing else to
think of since; and I remember it. You were one of the little girls,
and I was the other. Pretty, clever Miss Fairlie, and poor dazed
Anne Catherick were nearer to each other, then, than they are now!"-'
  'Did you remember her, Laura, when she told you her name?'
  'Yes- I remembered your asking me about Anne Catherick at
Limmeridge, and your saying that she had once been considered like
me.'
  'What reminded you of that, Laura?'
                                       {2ND_EPOCH|HALCOMBE|VI ^paragraph 95}
  'She reminded me. While I was looking at her, while she was very
close to me, it came over my mind suddenly that we were like each
other! Her face was pale and thin and weary- but the sight of it
startled me, as if it had been the sight of my own face in the glass
after a long illness. The discovery- I don't know why- gave me such
a shock, that I was perfectly incapable of speaking to her, for the
moment.'
  'Did she seem hurt by your silence?'
  'I was afraid she was hurt by it. "You have not got your mother's
face," she said, "or your mother's heart. Your mother's face was dark;
and your mother's heart, Miss Fairlie, was the heart of an angel."
"I am sure I feel kindly towards you," I said, "though I may not be
able to express it as I ought. Why do you call me Miss Fairlie?"
"Because I love the name of Fairlie and hate the name of Glyde," she
broke out violently. I had seen nothing like madness in her before
this; but I fancied I saw it now in her eyes. "I only thought you
might not know I was married," I said, remembering the wild letter she
wrote to me at Limmeridge, and trying to quiet her. She sighed
bitterly, and turned away from me. "Not know you were married!" she
repeated. "I am here because you are married. I am here to make
atonement to you, before I meet your mother in the world beyond the
grave." She drew farther and farther away from me, till she was out of
the boat-house- and, then, she watched and listened for a little
while. When she turned round to speak again, instead of coming back,
she stopped where she was, looking in at me, with a hand on each
side of the entrance. "Did you see me at the lake last night?" she
said. "Did you hear me following you in the wood? I have been
waiting for days together to speak to you alone- I have left the
only friend I have in the world, anxious and frightened about me- I
have risked being shut up again in the mad-house- and all for your
sake, Miss Fairlie, all for your sake." Her words alarmed me,
Marian; and yet, there was something in the way she spoke, that made
me pity her with all my heart. I am sure my pity must have been
sincere, for it made me bold enough to ask the poor creature to come
in, and sit down in the boat-house, by my side.'
  'Did she do so?'
  'No. She shook her head, and told me she must stop where she was, to
watch and listen, and see that no third person surprised us. And
from first to last, there she waited at the entrance, with a hand on
each side of it; sometimes bending in suddenly to speak to me;
sometimes drawing back suddenly to look about her. "I was here
yesterday," she said, "before it came dark; and I heard you, and the
lady with you, talking together. I heard you tell her about your
husband. I heard you say you had no influence to make him believe you,
and no influence to keep him silent. Ah! I knew what those words
meant; my conscience told me while I was listening. Why did I ever let
you marry him! Oh, my fear,- my mad, miserable, wicked fear!-" She
covered up her face in her poor worn shawl, and moaned and murmured to
herself behind it. I began to be afraid she might break out into
some terrible despair which neither she nor I could master. "Try to
quiet yourself," I said: "try to tell me how you might have
prevented my marriage." She took the shawl from her face, and looked
at me vacantly. "I ought to have had heart enough to stop at
Limmeridge," she answered. "I ought never to have let the news of
his coming there frighten me away. I ought to have warned you and
saved you before it was too late. Why did I only have courage enough
to write you that letter? Why did I only do harm, when I wanted and
meant to do good? Oh, my fear- my mad, miserable, wicked fear!" She
repeated those words again, and hid her face again in the end of her
poor worn shawl. It was dreadful to see her, and dreadful to hear
her.'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 100}
  'Surely, Laura, you asked what the fear was which she dwelt on so
earnestly?'
  'Yes; I asked that.'
  'And what did she say?'
  'She asked me, in return, if I should not be afraid of a man who
had shut me up in a madhouse, and who would shut me up again, if he
could? I said, "Are you afraid still? Surely you would not be here, if
you were afraid now?" "No," she said, "I am not afraid now." I asked
why not. She suddenly bent forward into the boat-house, and said,
"Can't you guess why?" I shook my head. "Look at me," she went on. I
told her I was grieved to see that she looked very sorrowful and
very ill. She smiled, for the first time. "Ill?" she repeated; "I'm
dying. You know why I'm not afraid of him now. Do you think I shall
meet your mother in heaven? Will she forgive me, if I do?" I was so
shocked, and so startled, that I could make no reply. "I have been
thinking of it," she went on, "all the time I have been in hiding from
your husband, all the time I lay ill. My thoughts have driven me here-
I want to make atonement- I want to undo all I can of the harm I
once did." I begged her as earnestly as I could to tell me what she
meant. She still looked at me with fixed vacant eyes. "Shall I
undo the harm?" she said to herself, doubtfully. "You have friends
to take your part. If you know his Secret, he will be afraid of you;
he won't dare use you as he used me. He must treat you mercifully
for his own sake, if he is afraid of you and your friends. And if he
treats you mercifully, and if I can say it was my doing-" I listened
eagerly for more; but she stopped at those words.'
  'You tried to make her go on?'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 105}
  'I tried; but she only drew herself away from me again, and leaned
her face and arms against the side of the boat-house. "Oh!" I heard
her say, with a dreadful, distracted tenderness in her voice, "oh!
if I could only be buried with your mother! If I could only wake at
her side, when the angel's trumpet sounds, and the graves give up
their dead at the resurrection!"- Marian! I trembled from head to
foot- it was horrible to hear her. "But there is no hope of that," she
said, moving a little, so as to look at me again; "no hope for a
poor stranger like me. I shall not rest under the marble cross
that I washed with my own hands, and made so white and pure for her
sake. Oh no! oh no! God's mercy, not man's, will take me to her, where
the wicked cease from troubling and the weary are at rest." She
spoke those words quietly and sorrowfully, with a heavy, hopeless
sigh; and then waited a little. Her face was confused and troubled;
she seemed to be thinking, or trying to think. "What was it I said
just now?" she asked, after a while. "When your mother is in my
mind, everything else goes out of it. What was I saying? what was I
saying?" I reminded the poor creature, as kindly and delicately as I
could. "Ah, yes, yes," she said, still in a vacant, perplexed
manner. "You are helpless with your wicked husband. Yes. And I must do
what I have come to do here- I must make it up to you for having
been afraid to speak out at a better time." "What is it you have
to tell me?" I asked. "The Secret that your cruel husband is afraid
of," she answered. "I once threatened him with the Secret, and
frightened him. You shall threaten him with the Secret, and frighten
him too." Her face darkened; and a hard, angry stare fixed itself in
her eyes. She began waving her hand at me in a vacant, unmeaning
manner. "My mother knows the Secret," she said. "My mother has
wasted under the Secret half her lifetime. One day, when I was grown
up, she said something to me. And, the next day, your husband-"'
  'Yes! yes! Go on. What did she tell you about your husband?'
  'She stopped again, Marian, at that point-'
  'And said no more?'
  'And listened eagerly. "Hush!" she whispered, still waving her
hand at me. "Hush!" She moved aside out of the doorway, moved slowly
and stealthily, step by step, till I lost her past the edge of the
boat-house.'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 110}
  'Surely, you followed her?'
  'Yes; my anxiety made me bold enough to rise and follow her. Just as
I reached the entrance, she appeared again, suddenly, round the side
of the boat-house. "The secret," I whispered to her- "wait and tell me
the secret!" She caught hold of my arm, and looked at me, with wild,
frightened eyes. "Not now," she said; "we are not alone- we are
watched. Come here to-morrow at this time- by yourself- mind- by
yourself." She pushed me roughly into the boat-house again; and I
saw her no more.'
  'Oh, Laura, Laura, another chance lost! If I had only been near you,
she should not have escaped us. On which side did you lose sight of
her?'
  'On the left side, where the ground sinks and the wood is thickest.'
  'Did you run out again? Did you call after her?'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 115}
  'How could I? I was too terrified to move or speak.'
  'But when you did move- when you came out-?'
  'I ran back here, to tell you what had happened.'
  'Did you see any one, or hear any one in the plantation?'
  'No- it seemed to be all still and quiet, when I passed through it.'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 120}
  I waited for a moment to consider. Was this third person, supposed
to have been secretly present at the interview, a reality, or the
creature of Anne Catherick's excited fancy? It was impossible to
determine. The one thing certain was, that we had failed again on
the very brink of discovery- failed utterly and irretrievably,
unless Anne Catherick kept her appointment at the boat-house, for
the next day.
  'Are you quite sure you have told me everything that passed? Every
word that was said?' I inquired.
  'I think so,' she answered. 'My powers of memory, Marian, are not
like yours. But I was so strongly impressed, so deeply interested,
that nothing of any importance can possibly have escaped me.'
  'My dear Laura, the merest trifles are of importance where Anne
Catherick is concerned. Think again. Did no chance reference escape
her as to the place in which she is living at the present time?'
  'None that I can remember.'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 125}
  'Did she not mention a companion and friend- a woman named Mrs.
Clements?'
  'Oh, yes! yes! I forgot that. She told me Mrs. Clements wanted sadly
to go with her to the lake and take care of her, and begged and prayed
that she would not venture into this neighbourhood alone.'
  'Was that all she said about Mrs. Clements?'
  'Yes, that was all.'
  'She told you nothing about the place in which she took refuge after
leaving Todd's Corner?'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 130}
  'Nothing- I am quite sure.'
  'Nor where she has lived since? Nor what her illness had been?'
  'No, Marian; not a word. Tell me, pray tell me, what you think about
it. I don't know what to think, or what to do next.'
  'You must do this, my love: You must carefully keep the
appointment at the boat-house, to-morrow. It is impossible to say what
interests may not depend on your seeing that woman again. You shall
not be left to yourself a second time. I will follow you, at a safe
distance. Nobody shall see me; but I will keep within hearing of
your voice, if anything happens. Anne Catherick has escaped Walter
Hartright, and has escaped you. Whatever happens, she shall not
escape me.'
  Laura's eyes read mine attentively.
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 135}
  'You believe,' she said, 'in this secret that my husband is afraid
of? Suppose, Marian, it should only exist, after all, in Anne
Catherick's fancy? Suppose she only wanted to see me and to speak to
me, for the sake of old remembrances? Her manner was so strange I
almost doubted her. Would you trust her in other things?'
  'I trust nothing, Laura, but my own observation of your husband's
conduct. I judge Anne Catherick's words by his actions- and I
believe there is a secret.'
  I said no more, and got up to leave the room. Thoughts were
troubling me, which I might have told her if we had spoken together
longer, and which it might have been dangerous for her to know. The
influence of the terrible dream from which she had awakened me, hung
darkly and heavily over every fresh impression which the progress of
her narrative produced on my mind. I felt the ominous Future, coming
close; chilling me, with an unutterable awe; forcing on me the
conviction of an unseen Design in the long series of complications
which had now fastened round us. I thought of Hartright- as I saw him,
in the body, when he said farewell; as I saw him, in the spirit, in my
dream- and I, too, began to doubt now whether we were not advancing,
blindfold, to an appointed and an inevitable End.
  Leaving Laura to go up-stairs alone, I went out to look about me
in the walks near the house. The circumstances under which Anne
Catherick had parted from her, had made me secretly anxious to know
how Count Fosco was passing the afternoon; and had rendered me
secretly distrustful of the results of that solitary journey from
which Sir Percival had returned but a few hours since.
  After looking for them in every direction, and discovering
nothing, I returned to the house, and entered the different rooms on
the ground floor, one after another. They were all empty. I came out
again into the hall, and went up-stairs to return to Laura. Madame
Fosco opened her door as I passed it in my way along the passage;
and I stopped to see if she could inform me of the whereabouts of
her husband and Sir Percival. Yes; she had seen them both from her
window more than an hour since. The Count had looked up, with his
customary kindness, and had mentioned, with his habitual attention
to her in the smallest trifles, that he and his friend were going
out together for a long walk.
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 140}
  For a long walk! They had never yet been in each other's company
with that object in my experience of them. Sir Percival cared for no
exercise but riding: and the Count (except when he was polite enough
to be my escort) cared for no exercise at all.
  When I joined Laura again, I found that she had called to mind, in
my absence, the impending question of the signature to the deed,
which, in the interest of discussing her interview with Anne
Catherick, we had hitherto overlooked. Her first words when I saw her,
expressed her surprise at the absence of the expected summons to
attend Sir Percival in the library.
  'You may make your mind easy on that subject,' I said. 'For the
present, at least, neither your resolution nor mine will be exposed to
any further trial. Sir Percival has altered his plans: the business of
the signature is put off.'
  'Put off?' Laura repeated, amazedly. 'Who told you so?'
  'My authority is Count Fosco. I believe it is to his interference
that we are indebted for your husband's sudden change of purpose.'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 145}
  'It seems impossible, Marian. If the object of my signing was, as we
suppose, to obtain money for Sir Percival that he urgently wanted, how
can the matter be put off?'
  'I think, Laura, we have the means at hand of setting that doubt
at rest. Have you forgotten the conversation that I heard between
Sir Percival and the lawyer, as they were crossing the hall?'
  'No; but I don't remember-'
  'I do. There were two alternatives proposed. One, was to obtain your
signature to the parchment. The other, was to gain time by giving
bills at three months. The last resource is evidently the resource now
adopted- and we may fairly hope to be relieved from our share in Sir
Percival's embarrassments for some time to come.'
  'Oh, Marian, it sounds too good to be true!'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 150}
  'Does it, my love? You complimented me on my ready memory not long
since- but you seem to doubt it now. I will get my journal, and you
shall see if I am right or wrong.'
  I went away and got the book at once.
  On looking back to the entry referring to the lawyer's visit, we
found that my recollection of the two alternatives presented was
accurately correct. It was almost as great a relief to my mind as to
Laura's, to find that my memory had served me, on this occasion, as
faithfully as usual. In the perilous uncertainty of our present
situation, it is hard to say what future interests may not depend upon
the regularity of the entries in my journal, and upon the
reliability of my recollection at the time when I make them.
  Laura's face and manner suggested to me that this last consideration
had occurred to her as well as to myself. Any way, it is only a
trifling matter; and I am almost ashamed to put it down here in
writing- it seems to set the forlornness of our situation in such a
miserably vivid light. We must have little indeed to depend on, when
the discovery that my memory can still be trusted to serve us, is
hailed as if it was the discovery of a new friend!
  The first bell for dinner separated us. Just as it had done ringing,
Sir Percival and the Count returned from their walk. We heard the
master of the house storming at the servants for being five minutes
late; and the master's guest interposing, as usual, in the interests
of propriety, patience, and peace.
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 155}
-
              *       *       *       *       *       *
-
  The evening had come and gone. No extraordinary event has
happened. But I have noticed certain peculiarities in the conduct of
Sir Percival and the Count, which have sent me to my bed, feeling very
anxious and uneasy about Anne Catherick, and about the results which
to-morrow may produce.
  I know enough by this time, to be sure that the aspect of Sir
Percival, which is the most false, and which therefore means the
worst, is his polite aspect. That long walk with his friend had
ended in improving his manners, especially towards his wife. To
Laura's secret surprise and to my secret alarm, he called her by her
Christian name, asked if she had heard lately from her uncle, inquired
when Mrs. Vesey was to receive her invitation to Blackwater, and
showed her so many other little attentions, that he almost recalled
the days of his hateful courtship at Limmeridge House. This was a
bad sign, to begin with; and I thought it more ominous still, that
he should pretend, after dinner, to fall asleep in the drawing-room,
and that his eyes should cunningly follow Laura and me, when he
thought we neither of us suspected him. I have never had any doubt
that his sudden journey by himself took him to Welmingham to
question Mrs. Catherick- but the experience of tonight has made me
fear that the expedition was not undertaken in vain, and that he has
got the information which he unquestionably left us to collect. If I
knew where Anne Catherick was to be found, I would be up to-morrow
with sunrise and warn her.
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 160}
  While the aspect under which Sir Percival presented himself,
to-night, was unhappily but too familiar to me, the aspect under which
the Count appeared was, on the other hand, entirely new in my
experience of him. He permitted me, this evening, to make his
acquaintance, for the first time, in the character of a Man of
Sentiment- of sentiment, as I believe, really felt, not assumed for
the occasion.
  For instance, he was quiet and subdued; his eyes and his voice
expressed a restrained sensibility. He wore (as if there was some
hidden connexion between his showiest finery and his deepest
feeling) the most magnificent waistcoat he has yet appeared in- it was
made of pale sea-green silk, and delicately trimmed with fine silver
braid. His voice sank into the tenderest inflections, his smile
expressed a thoughtful, fatherly admiration, whenever he spoke to
Laura or to me. He pressed his wife's hand under the table, when she
thanked him for trifling little attentions at dinner. He took wine
with her. 'Your health and happiness, my angel!' he said, with fond
glistening eyes. He ate little or nothing; and sighed, and said
'Good Percival!' when his friend laughed at him. After dinner, he took
Laura by the hand, and asked her if she would be 'so sweet as to
play to him.' She complied, through sheer astonishment. He sat by
the piano, with his watch-chain resting in folds, like a golden
serpent, on the sea-green protuberance of his waistcoat. His immense
head lay languidly on one side; and he gently beat time with two of
his yellow-white fingers. He highly approved of the music, and
tenderly admired Laura's manner of playing- not as poor Hartright used
to praise it, with an innocent enjoyment of the sweet sounds, but with
a clear, cultivated, practical knowledge of the merits of the
composition, in the first place, and of the merits of the player's
touch, in the second.' As the evening closed in, he begged that the
lovely dying light might not be profaned, just yet, by the
appearance of the lamps. He came, with his horribly silent tread, to
the distant window at which I was standing, to be out of his way and
to avoid the very sight of him- he came to ask me to support his
protest against the lamps. If any one of them could only have burnt
him up, at that moment, I would have gone down to the kitchen, and
fetched it myself.
  'Surely you like this modest, trembling English twilight?' he said
softly. 'Ah! I love it. I feel my inborn admiration of all that is
noble and great and good, purified by the breath of Heaven, on an
evening like this. Nature has such imperishable charms, such
inextinguishable tendernesses for me!- I am an old, fat man: talk
which would become your lips, Miss Halcombe, sounds like a derision
and a mockery on mine. It is hard to be laughed at in my moments of
sentiment, as if my soul was like myself, old and overgrown.
Observe, dear lady, what a light is dying on the trees! Does it
penetrate your heart, as it penetrates mine?'
  He paused- looked at me- and repeated the famous lines of Dante on
the Evening-time, with a melody and tenderness which added a charm
of their own to the matchless beauty of the poetry itself.
  'Bah!' he cried suddenly, as the last cadence of those noble Italian
words died away on his lips; 'I make an old fool of myself, and only
weary you all! Let us shut up the window in our bosoms and get back to
the matter-of-fact world. Percival! I sanction the admission of the
lamps. Lady Glyde- Miss Halcombe- Eleanor, my good wife- which of
you will indulge me with a game at dominoes?'
                                      {2ND_EPOCH|HALCOMBE|VI ^paragraph 165}
  He addressed us all; but he looked especially at Laura.
  She had learnt to feel my dread of offending him, and she accepted
his proposal. It was more than I could have done, at that moment. I
could not have sat down at the same table with him for any
consideration. His eyes seemed to reach my inmost soul through the
thickening obscurity of the twilight. His voice trembled along every
nerve in my body, and turned me hot and cold alternately. The
mystery and terror of my dream, which had haunted me, at intervals,
all through the evening, now oppressed my mind with an unendurable
foreboding and an unutterable awe. I saw the white tomb again, and the
veiled woman rising out of it, by Hartright's side. The thought of
Laura welled up like a spring in the depths of my heart, and filled it
with waters of bitterness, never, never known to it before. I caught
her by the hand, as she passed me on her way to the table, and
kissed her as if that night was to part us for ever. While they were
all gazing at me in astonishment, I ran out through the low window
which was open before me to the ground- ran out to hide from them in
the darkness; to hide even from myself.
-
  We separated, that evening, later than usual. Towards midnight,
the summer silence was broken by the shuddering of a low, melancholy
wind among the trees. We all felt the sudden chill in the
atmosphere; but the Count was the first to notice the stealthy
rising of the wind. He stopped while he was lighting my candle for me,
and held up his hand warningly:
  'Listen!' he said. 'There will be a change to-morrow.'

{2ND_EPOCH|HALCOMBE|VII
                                 VII
-
  JUNE 19th.- The events of yesterday warned me to be ready, sooner or
later, to meet the worst. To-day is not yet at an end; and the worst
has come.
  Judging by the closest calculation of time that Laura and I could
make, we arrived at the conclusion that Anne Catherick must have
appeared at the boat-house at half-past two o'clock, on the
afternoon of yesterday. I accordingly arranged that Laura should
just show herself at the luncheon table, to-day, and should then
slip out at the first opportunity; leaving me behind to preserve
appearances, and to follow her as soon as I could safely do so. This
mode of proceeding, if no obstacles occurred to thwart us, would
enable her to be at the boat-house before half-past two; and (when I
left the table, in my turn) would take me to a safe position in the
plantation, before three.
  The change in the weather, which last night's wind warned us to
expect, came with the morning. It was raining heavily when I got up;
and it continued to rain until twelve o'clock- when the clouds
dispersed, the blue sky appeared, and the sun shone again with the
bright promise of a fine afternoon.
  My anxiety to know how Sir Percival and the Count would occupy the
early part of the day, was by no means set at rest, so far as Sir
Percival was concerned, by his leaving us immediately after breakfast,
and going out by himself, in spite of the rain. He neither told us
where he was going, nor when we might expect him back. We saw him pass
the breakfast-room window, hastily, with his high boots and his
waterproof coat on- and that was all.
  The Count passed the morning quietly, indoors; some part of it, in
the library; some part, in the drawing-room, playing odds and ends
of music on the piano, and humming to himself. Judging by appearances,
the sentimental side of his character was persistently inclined to
betray itself still. He was silent and sensitive, and ready to sigh
and languish ponderously (as only fat men can sigh and languish), on
the smallest provocation.
                                       {2ND_EPOCH|HALCOMBE|VII ^paragraph 5}
  Luncheon time came; and Sir Percival did not return. The Count
took his friend's place at the table- plaintively devoured the greater
part of a fruit tart, submerged under a whole jugful of cream- and
explained the full merit of the achievement to us, as soon as he had
done. 'A taste for sweets,' he said in his softest tones and his
tenderest manner, 'is the innocent taste of women and children. I love
to share it with them- it is another bond, dear ladies, between you
and me.'
  Laura left the table in ten minutes' time. I was sorely tempted to
accompany her. But if we had both gone out together, we must have
excited suspicion; and, worse still, if we allowed Anne Catherick to
see Laura accompanied by a second person who was a stranger to her, we
should in all probability forfeit her confidence from that moment,
never to regain it again.
  I waited, therefore, as patiently as I could, until the servant came
in to clear the table. When I quitted the room, there were no signs,
in the house or out of it, of Sir Percival's return. I left the
Count with a piece of sugar between his lips, and the vicious cockatoo
scrambling up his waistcoat to get at it; while Madame Fosco,
sitting opposite to her husband, watched the proceedings of his bird
and himself, as attentively as if she had never seen anything of the
sort before in her life. On my way to the plantation I kept
carefully beyond the range of view from the luncheon-room window.
Nobody saw me, and nobody followed me. It was then a quarter to
three o'clock by my watch.
  Once among the trees, I walked rapidly, until I had advanced more
than half way through the plantation. At that point, I slackened my
pace, and proceeded cautiously- but I saw no one, and heard no voices.
By little and little, I came within view of the back of the boat-house
stopped and listened- then went on, till I was close behind it, and
must have heard any persons who were talking inside. Still the silence
was unbroken: still, far and near, no sign of a living creature
appeared anywhere.
  After skirting round by the back of the building, first on one side,
and then on the other, and making no discoveries, I ventured in
front of it, and fairly looked in. The place was empty.
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 10}
  I called, 'Laura!' at first, softly- then louder and louder. No
one answered, and no one appeared. For all that I could see and
hear, the only human creature in the neighbourhood of the lake and the
plantation, was myself.
  My heart began to beat violently; but I kept my resolution and
searched, first the boat-house, and then the ground in front of it,
for any signs which might show me whether Laura had really reached the
place or not. No mark of her presence appeared inside the building;
but I found traces of her outside it, in footsteps on the sand.
  I detected the footsteps of two persons- large footsteps, like a
man's, and small footsteps, which, by putting my own feet into them
and testing their size in that manner, I felt certain were Laura's.
The ground was confusedly marked in this way, just before the
boat-house. Close against one side of it, under shelter of the
projecting roof, I discovered a little hole in the sand- a hole
artificially made, beyond a doubt. I just noticed it, and then
turned away immediately to trace the footsteps as far as I could,
and to follow the direction in which they might lead me.
  They led me, starting from the left-hand side of the boat-house,
along the edge of the trees, a distance, I should think, of between
two and three hundred yards- and then, the sandy ground showed no
further trace of them. Feeling that the persons whose course I was
tracking must necessarily have entered the plantation at this point, I
entered it too. At first, I could find no path- but I discovered
one, afterwards, just faintly traced among the trees; and followed it.
It took me, for some distance, in the direction of the village,
until I stopped at a point where another foot-track crossed it. The
brambles grew thickly on either side of this second path. I stood,
looking down it, uncertain which way to take next; and, while I
looked, I saw on one thorny branch, some fragments of fringe from a
woman's shawl. A closer examination of the fringe satisfied me that it
had been torn from a shawl of Laura's; and I instantly followed the
second path. It brought me out, at last, to my great relief, at the
back of the house. I say to my great relief, because I inferred that
Laura must, for some unknown reason, have returned before me by this
roundabout way. I went in by the courtyard and the offices. The
first person whom I met in crossing the servants' hall, was Mrs.
Michelson, the housekeeper.
  'Do you know,' I asked, 'whether Lady Glyde has come in from her
walk or not?'
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 15}
  'My lady came in, a little while ago, with Sir Percival,' answered
the housekeeper. 'I am afraid, Miss Halcombe, something very
distressing has happened.'
  My heart sank within me. 'You don't mean an accident?' I said,
faintly.
  'No, no- thank God, no accident. But my lady ran upstairs to her own
room in tears; and Sir Percival has ordered me to give Fanny warning
to leave in an hour's time.'
  Fanny was Laura's maid; a good, affectionate girl who had been
with her for years- the only person in the house whose fidelity and
devotion we could both depend upon.
  'Where is Fanny?' I inquired.
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 20}
  'In my room, Miss Halcombe. The young woman is quite overcome: and I
told her to sit down, and try to recover herself.'
  I went to Mrs. Michelson's room, and found Fanny in a corner, with
her box by her side, crying bitterly.
  She could give me no explanation whatever of her sudden dismissal.
Sir Percival had ordered that she should have a month's wages, in
place of a month's warning, and go. No reason had been assigned; no
objection had been made to her conduct. She had been forbidden to
appeal to her mistress, forbidden even to see her for a moment to
say good-bye. She was to go without explanations or farewells- and
to go at once.
  After soothing the poor girl by a few friendly words, I asked
where she proposed to sleep that night. She replied that she thought
of going to the little inn in the village, the landlady- of which
was a respectable woman, known to the servants at Blackwater Park. The
next morning, by leaving early, she might get back to her friends in
Cumberland without stopping in London, where she was a total stranger.
  I felt directly that Fanny's departure offered us a safe means of
communication with London and with Limmeridge House, of which it might
be very important to avail ourselves. Accordingly, I told her that she
might expect to hear from her mistress or from me in the course of the
evening, and that she might depend on our both doing all that lay in
our power to help her, under the trial of leaving us for the
present. Those words said, I shook hands with her, and went upstairs.
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 25}
  The door which led to Laura's room, was the door of an
ante-chamber opening on to the passage. When I tried it, it was bolted
on the inside.
  I knocked, and the door was opened by the same heavy, overgrown
housemaid, whose lumpish insensibility had tried my patience so
severely on the day when I found the wounded dog. I had, since that
time, discovered that her name was Margaret Porcher, and that she
was the most awkward, slatternly, and obstinate servant in the house.
  On opening the door, she instantly stepped out to the threshold, and
stood grinning at me in stolid silence.
  'Why do you stand there?' I said. 'Don't you see that I want to come
in?'
  'Ah, but you mustn't come in,' was the answer, with another and a
broader grin still.
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 30}
  'How dare you talk to me in that way? Stand back, instantly!'
  She stretched out a great red hand and arm on each side of her, so
as to bar the doorway, and slowly nodded her addle head at me.
  'Master's orders,' she said; and nodded again.
  I had need of all my self-control to warn me against contesting
the matter with her, and to remind me that the next words I had to
say must be addressed to her master. I turned my back on her, and
instantly went down-stairs to find him. My resolution to keep my
temper under all the irritations that Sir Percival could offer, was,
by this time, as completely forgotten- I say so to my shame- as if I
had never made it. It did me good- after all I had suffered and
suppressed in that house- it actually did me good to feel how angry
I was.
  The drawing-room and the breakfast-room were both empty. I went on
to the library; and there I found Sir Percival, the Count, and
Madame Fosco. They were all three standing up close together, and
Sir Percival had a little slip of paper in his hand. As I opened the
door, I heard the Count say to him, 'No- a thousand times over, no.'
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 35}
  I walked straight up to him, and looked him full in the face.
  'Am I to understand, Sir Percival, that your wife's room is a
prison, and that your housemaid is the gaoler who keeps it?' I asked.
  'Yes; that is what you are to understand,' he answered. 'Take care
my gaoler hasn't got double duty to do- take care your room is not a
prison, too.'
  'Take you care how you treat your wife, and how you threaten
me,' I broke out, in the heat of my anger. 'There are laws in
England to protect women from cruelty and outrage. If you hurt a
hair of Laura's head, if you dare to interfere with my freedom, come
what may, to those laws I will appeal.'
  Instead of answering me, he turned round to the Count.
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 40}
  'What did I tell you?' he asked. 'What do you say now?'
  'What I said before,' replied the Count- 'No.'
   Even in the vehemence of my anger, I felt his calm, cold, gray eyes
on my face. They turned away from me, as soon as he had spoken, and
looked significantly at his wife. Madame Fosco immediately moved close
to my side, and, in that position, addressed Sir Percival before
either of us could speak again.
  'Favour me with your attention, for one moment,' she said in her
clear icily-suppressed tones. 'I have to thank you, Sir Percival,
for your hospitality; and to decline taking advantage of it any
longer. I remain in no house in which ladies are treated as your
wife and Miss Halcombe have been treated here to-day!'
  Sir Percival drew back a step, and stared at her in dead silence.
The declaration he had just heard- a declaration which he well knew,
as I well knew, Madame Fosco would not have ventured to make without
her husband's permission- seemed to petrify him with surprise. The
Count stood by, and looked at his wife with the most enthusiastic
admiration.
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 45}
  'She is sublime!' he said to himself. He approached her, while he
spoke, and drew her hand through his arm. 'I am at your service,
Eleanor,' he went on, with a quiet dignity that I had never noticed in
him before. 'And at Miss Halcombe's service, if she will honour me
by accepting all the assistance I can offer her.'
  'Damn it! what do you mean?' cried Sir Percival, as the Count
quietly moved away, with his wife, to the door.
  'At other times I mean what I say; but, at this time, I mean what my
wife says,' replied the impenetrable Italian. 'We have changed places,
Percival, for once; and Madame Fosco's opinion is- mine.'
  Sir Percival crumpled up the paper in his hand; and pushing past the
Count, with another oath, stood between him and the door.
  'Have your own way,' he said, with baffled rage in his low,
half-whispering tones. 'Have your own way- and see what comes of
it.' With those words, he left the room.
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 50}
  Madame Fosco glanced inquiringly at her husband. 'He has gone away
very suddenly,' she said. 'What does it mean?'
  'It means that you and I together have brought the worst-tempered
man in all England to his senses,' answered the Count. 'It means, Miss
Halcombe, that Lady Glyde is relieved from a gross indignity, and
you from the repetition of an unpardonable insult. Suffer me to
express my admiration of your conduct and your courage at a very
trying moment.'
  'Sincere admiration,' suggested Madame Fosco.
  'Sincere admiration,' echoed the Count.
  I had no longer the strength of my first angry resistance to outrage
and injury to support me. My heartsick anxiety to see Laura; my
sense of my own helpless ignorance of what had happened at the
boat-house, pressed on me with an intolerable weight. I tried to
keep up appearances, by speaking to the Count and his wife in the tone
which they had chosen to adopt in speaking to me. But the words failed
on my lips- my breath came short and thick- my eyes looked
longingly, in silence, at the door. The Count, understanding my
anxiety, opened it, went out, and pulled it to after him. At the
same time Sir Percival's heavy step descended the stairs. I heard them
whispering together, outside, while Madame Fosco was assuring me in
her calmest and most conventional manner, that she rejoiced for all
our sakes, that Sir Percival's conduct had not obliged her husband and
herself to leave Blackwater Park. Before she had done speaking, the
whispering ceased, the door opened, and the Count looked in.
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 55}
  'Miss Halcombe,' he said, 'I am happy to inform you that Lady
Glyde is mistress again in her own house. I thought it might be more
agreeable to you to hear of this change for the better from me, than
from Sir Percival- and I have therefore expressly returned to
mention it.'
  'Admirable delicacy!' said Madame Fosco, paying back her husband's
tribute of admiration, with the Count's own coin, in the Count's own
manner. He smiled and bowed as if he had received a formal
compliment from a polite stranger, and drew back to let me pass out
first.
  Sir Percival was standing in the hall. As I hurried to the stairs
I heard him call impatiently to the Count, to come out of the library.
  'What are you waiting there for?' he said; 'I want to speak to you.'
  'And I want to think a little by myself,' replied the other. 'Wait
till later, Percival- wait till later.'
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 60}
  Neither he nor his friend said any more. I gained the top of the
stairs, and ran along the passage. In my haste and my agitation, I
left the door of the ante-chamber open- but I closed the door of the
bedroom the moment I was inside it.
  Laura was sitting alone at the far end of the room; her arms resting
wearily on a table, and her face hidden in her hands. She started
up, with a cry of delight, when she saw me.
  'How did you get here?' she asked, 'Who gave you leave? Not Sir
Percival?'
  In my overpowering anxiety to hear what she had to tell me, I
could not answer her- I could only put questions, on my side.
Laura's eagerness to know what had passed downstairs proved,
however, too strong to be resisted. She persistently repeated her
inquiries.
  'The Count, of course,' I answered, impatiently. 'Whose influence in
the house-?'
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 65}
  She stopped me, with a gesture of disgust.
  'Don't speak of him,' she cried. 'The Count is the vilest creature
breathing! The Count is a miserable Spy-!'
  Before we could either of us say another word, we were alarmed by
a soft knocking at the door of the bedroom.
  I had not yet sat down; and I went first to see who it was. When I
opened the door, Madame Fosco confronted me, with my handkerchief in
her hand.
  'You dropped this down-stairs, Miss Halcombe,' she said; 'and I
thought I could bring it to you, as I was passing by to my own room.'
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 70}
  Her face, naturally pale, had turned to such a ghastly whiteness,
that I started at the sight of it. Her hands, so sure and steady at
all other times, trembled violently; and her eyes looked wolfishly
past me through the open door, and fixed on Laura.
  She had been listening before she knocked! I saw it in her white
face; I saw it in her trembling hands; I saw it in her look at Laura.
  After waiting an instant, she turned from me in silence, and
slowly walked away.
  I closed the door again. 'Oh, Laura! Laura! We shall both rue the
day when you called the Count a Spy!'
  'You would have called him so yourself, Marian, if you had known
what I know. Anne Catherick was right. There was a third person
watching us in the plantation, yesterday; and that third person-'
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 75}
  'Are you sure it was the Count?'
  'I am absolutely certain. He was Sir Percival's spy- he was Sir
Percival's informer- he set Sir Percival watching and waiting, all the
morning through, for Anne Catherick and for me.'
  'Is Anne found? Did you see her at the lake?'
  'No. She has saved herself by keeping away from the place. When I
got to the boat-house, no one was there.'
  'Yes? yes?'
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 80}
  'I went in, and sat waiting for a few minutes. But my restlessness
made me get up again, to walk about a little. As I passed out, I saw
some marks on the sand, close under the front of the boat-house. I
stooped down to examine them, and discovered a word written in large
letters, on the sand. The word was- LOOK.'
  'And you scraped away the sand, and dug a hollow place in it?'
  'How do you know that, Marian?'
  'I saw the hollow place myself, when I followed you to the
boat-house. Go on- go on!'
  'Yes; I scraped away the sand on the surface; and in a little while,
I came to a strip of paper hidden beneath, which had writing on it.
The writing was signed with Anne Catherick's initials.'
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 85}
  'Where is it?'
  'Sir Percival has taken it from me.'
  'Can you remember what the writing was? Do you think you can
repeat it to me.'
  'In substance I can, Marian. It was very short. You would have
remembered it, word for word.'
  'Try to tell me what the substance was, before we go any further.'
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 90}
  She complied. I write the lines down here, exactly as she repeated
them to me. They ran thus:
-
  'I was seen with you, yesterday, by a tall stout old man, and had to
run to save myself. He was not quick enough on his feet to follow
me, and he lost me among the trees. I dare not risk coming back here
to-day, at the same time. I write this, and hide it in the sand, at
six in the morning, to tell you so. When we speak next of your
wicked husband's Secret we must speak safely or not at all. Try to
have patience. I promise you shall see me again; and that soon.- A.
C.'
-
  The reference to the 'tall stout old man' (the terms of which
Laura was certain that she had repeated to me correctly), left no
doubt as to who the intruder had been. I called to mind that I had
told Sir Percival, in the Count's presence, the day before, that Laura
had gone to the boat-house to look for her brooch. In all
probability he had followed her there, in his officious way, to
relieve her mind about the matter of the signature, immediately
after he had mentioned the change in Sir Percival's plans to me in the
drawing-room. In this case, he could only have got to the
neighbourhood of the boat-house, at the very moment when Anne
Catherick discovered him. The suspiciously hurried manner in which she
parted from Laura, had no doubt prompted his useless attempt to follow
her. Of the conversation which had previously taken place between
them, he could have heard nothing. The distance between the house
and the lake, and the time at which he left me in the drawing-room, as
compared with the time at which Laura and Anne Catherick had been
speaking together, proved that fact to us, at any rate, beyond a
doubt.
                                      {2ND_EPOCH|HALCOMBE|VII ^paragraph 95}
  Having arrived at something like a conclusion, so far, my next great
interest was to know what discoveries Sir Percival had made, after
Count Fosco had given him his information.
  'How came you to lose possession of the letter?' I asked. What did
you do with it, when you found it in the sand?'
  'After reading it once through,' she replied, 'I took it into the
boat-house with me, to sit down, and look over it a second time. While
I was reading, a shadow fell across the paper. I looked up; and saw
Sir Percival standing in the doorway watching me.'
  'Did you try to hide the letter?'
  'I tried- but he stopped me. "You needn't trouble to hide that,"
he said. "I happen to have read it." I could only look at him,
helplessly- I could say nothing. "You understand?" he went on; "I have
read it. I dug it up out of the sand two hours since, and buried it
again, and wrote the word above it again, and left it ready to your
hands. You can't lie yourself out of the scrape now. You saw Anne
Catherick in secret yesterday; and you have got her letter in your
hand at this moment. I have not caught her yet; but I have caught
you. Give me the letter." He stepped close up to me- I was alone
with him, Marian- what could I do?- I gave him the letter.'
                                     {2ND_EPOCH|HALCOMBE|VII ^paragraph 100}
  'What did he say when you gave it to him?'
  'At first, he said nothing. He took me by the arm, and led me out of
the boat-house, and looked about him, on all sides, as if he was
afraid of our being seen or heard. Then, he clasped his hand fast
round my arm, and whispered to me: "What did Anne Catherick say to you
yesterday?- I insist on hearing every word, from first to last."'
  'Did you tell him?'
  'I was alone with him, Marian- his cruel hand was bruising my arm-
what could I do?'
  'Is the mark on your arm still? Let me see it?'
                                     {2ND_EPOCH|HALCOMBE|VII ^paragraph 105}
  'Why do you want to see it?'
  'I want to see it, Laura, because our endurance must end, and our
resistance must begin to-day. That mark is a weapon to strike him
with. Let me see it now- I may have to swear to it, at some future
time.'
  'Oh, Marian, don't look so! don't talk so! It doesn't hurt me now!'
  'Let me see it!'
  She showed me the marks. I was past grieving over them, past
crying over them, past shuddering over them. They say we are either
better than men, or worse. If the temptation that has fallen in some
women's way, and made them worse, had fallen in mine, at that
moment- Thank God! my face betrayed nothing that his wife could
read. The gentle, innocent, affectionate creature thought I was
frightened for her and sorry for her- and thought no more.
                                     {2ND_EPOCH|HALCOMBE|VII ^paragraph 110}
  'Don't think too seriously of it, Marian,' she said, simply, as
she Pulled her sleeve down again. 'It doesn't hurt me, now.'
  'I will try to think quietly of it, my love, for your sake.- Well!
well! And you told him all that Anne Catherick had said to you- all
that you told me?'
  'Yes; all. He insisted on it- I was alone with him- I could
conceal nothing.'
  Did he say anything when you had done?'
  'He looked at me, and laughed to himself, in a mocking, bitter
way. "I mean to have the rest out of you," he said; "do you hear?- the
rest." I declared to him solemnly that I had told him everything I
knew. "Not you!" he answered; "you know more than you choose to
tell. Won't you tell it? You shall! I'll wring it out of you at
home, if I can't wring it out of you, here." He led me away by a
strange path through the plantation- a path where there was no hope of
our meeting you- and he spoke no more, till we came within sight
of the house. Then he stopped again, and said, "Will you take a second
chance, if I give it to you? Will you think better of it, and tell
me the rest?" I could only repeat the same words I had spoken
before. He cursed my obstinacy, and went on, and took me with him to
the house. "You can't deceive me," he said; "you know more than you
choose to tell. I'll have your secret out of you; and I'll have it out
of that sister of yours, as well. There shall be no more plotting
and whispering between you. Neither you nor she shall see each other
again till you have confessed the truth. I'll have you watched
morning, noon, and night, till you confess the truth." He was deaf
to everything I could say. He took me straight up-stairs into my own
room. Fanny was sitting there, doing some work for me; and he
instantly ordered her out. "I'll take good care you're not mixed
up in the conspiracy," he said. "You shall leave this house to-day. If
your mistress wants a maid, she shall have one of my choosing." He
pushed me into the room, and locked the door on me- he set that
senseless woman to watch me outside- Marian! he looked and spoke
like a madman. You may hardly understand it- he did indeed.'
                                     {2ND_EPOCH|HALCOMBE|VII ^paragraph 115}
  'I do understand it, Laura. He is mad- mad with the terrors of a
guilty conscience. Every word you have said makes me positively
certain that when Anne Catherick left you yesterday, you were on the
eve of discovering a secret, which might have been your vile husband's
ruin- and he thinks you have discovered it. Nothing you can say or
do, will quiet that guilty distrust, and convince his false nature
of your truth. I don't say this, my love, to alarm you. I say it to
open your eyes to your position, and to convince you of the urgent
necessity of letting me act, as I best can, for your protection, while
the chance is our own. Count Fosco's interference has secured me
access to you to-day; but he may withdraw that interference to-morrow.
Sir Percival has already dismissed Fanny, because she is a
quick-witted girl, and devotedly attached to you; and has chosen a
woman to take her place, who cares nothing for your interests, and
whose dull intelligence lowers her to the level of the watch-dog in
the yard. It is impossible to say what violent measures he may take
next, unless we make the most of our opportunities while we have
them.'
  'What can we do, Marian? Oh, if we could only leave this house,
never to see it again!'
  'Listen to me, my love- and try to think that you are not quite
helpless so long as I am here with you.'
  'I will think so- I do think so. Don't altogether forget poor Fanny,
in thinking of me. She wants help and comfort, too.'
  'I will not forget her. I saw her before I came up here; and I
have arranged to communicate with her to-night. Letters are not safe
in the post-bag at Blackwater Park- and I shall have two to write
to-day, in your interests, which must pass through no hands but
Fanny's.'
                                     {2ND_EPOCH|HALCOMBE|VII ^paragraph 120}
  'What letters?'
  'I mean to write first, Laura, to Mr. Gilmore's partner, who has
offered to help us in any fresh emergency. Little as I know of the
law, I am certain that it can protect a woman from such treatment as
that ruffian has inflicted on you to-day. I will go into no details
about Anne Catherick, because I have no certain information to give.
But the lawyer shall know of those bruises on your arm, and of the
violence offered to you in this room- he shall, before I rest
to-night!'
  'But, think of the exposure, Marian!'
  'I am calculating on the exposure. Sir Percival has more to dread
from it than you have. The prospect of an exposure may bring him to
terms, when nothing else will.'
  I rose as I spoke; but Laura entreated me not to leave her.
                                     {2ND_EPOCH|HALCOMBE|VII ^paragraph 125}
  'You will drive him to desperation,' she said, 'and increase our
dangers tenfold.'
  I felt the truth- the disheartening truth- of those words. But I
could not bring myself plainly to acknowledge it to her. In our
dreadful position, there was no help and no hope for us, but in
risking the worst. I said so, in guarded terms. She sighed bitterly-
but did not contest the matter. She only asked about the second letter
that I had proposed writing. To whom was it to be addressed?
  'To Mr. Fairlie,' I said. 'Your uncle is your nearest male relative,
and the head of the family. He must and shall interfere.'
  Laura shook her head sorrowfully.
  'Yes, yes,' I went on; 'your uncle is a weak, selfish, worldly
man, I know. But he is not Sir Percival Glyde; and he has no such
friend about him as Count Fosco. I expect nothing from his kindness,
or his tenderness of feeling towards you, or towards me. But he will
do anything to pamper his own indolence, and to secure his own
quiet. Let me only persuade him that his interference, at this moment,
will save him inevitable trouble and wretchedness and responsibility
hereafter, and he will bestir himself for his own sake. I know how
to deal with him, Laura- I have had some practice.'
                                     {2ND_EPOCH|HALCOMBE|VII ^paragraph 130}
  'If you could only prevail on him to let me go back to Limmeridge
for a little while, and stay there quietly with you, Marian, I could
be almost as happy again as I was before I was married!'
  Those words set me thinking in a new direction. Would it be possible
to place Sir Percival between the two alternatives of either
exposing himself to the scandal of legal interference on his wife's
behalf, or of allowing her to be quietly separated from him for a
time, under pretext of a visit to her uncle's house? And could he,
in that case, be reckoned on as likely to accept the last resource? It
was doubtful- more than doubtful. And yet, hopeless as the
experiment seemed, surely it was worth trying? I resolved to try it,
in sheer despair of knowing what better to do.
  'Your uncle shall know the wish you have just expressed,' I said;
'and I will ask the lawyer's advice on the subject, as well. Good
may come of it- and will come of it, I hope.'
  Saying that, I rose again; and again Laura tried to make me resume
my seat.
  'Don't leave me,' she said, uneasily. 'My desk is on that table. You
can write here.'
                                     {2ND_EPOCH|HALCOMBE|VII ^paragraph 135}
  It tried me to the quick to refuse her, even in her own interests.
But we had been too long shut up alone together already. Our chance of
seeing each other again might entirely depend on our not exciting
any fresh suspicions. It was full time to show myself, quietly and
unconcernedly, among the wretches who were, at that very moment,
perhaps, thinking of us, and talking of us down-stairs. I explained
the miserable necessity to Laura; and prevailed on her to recognise
it, as I did.
  'I will come back again, love, in an hour or less,' I said. 'The
worst is over for to-day. Keep yourself quiet, and fear nothing.'
  'Is the key in the door, Marian? Can I lock it on the inside?'
  'Yes; here is the key. Lock the door; and open it to nobody, until I
come upstairs again.'
  I kissed her, and left her. It was a relief to me, as I walked away,
to hear the key turned in the lock, and to know that the door was at
her own command.

{2ND_EPOCH|HALCOMBE|VIII
                                 VIII
-
  JUNE 19th.- I had only got as far as the top of the stairs, when the
locking of Laura's door suggested to me the precaution of also locking
my own door, and keeping the key safely about me while I was out of
the room. My journal was already secured, with other papers, in the
table drawer, but my writing materials were left out. These included a
seal, bearing the common device of two doves drinking out of the
same cup; and some sheets of blotting paper, which had the
impression on them of the closing lines of my writing in these
pages, traced during the past night. Distorted by the suspicion
which had now become a part of myself, even such trifles as these
looked too dangerous to be trusted without a guard- even the locked
table-drawer seemed to be not sufficiently protected, in my absence,
until the means of access to it had been carefully secured as well.
  I found no appearance of any one having entered the room while I had
been talking with Laura. My writing materials (which I had given the
servant instructions never to meddle with) were scattered over the
table much as usual. The only circumstance in connexion with them that
at all struck me was, that the seal lay tidily in the tray with the
pencils and the wax. It was not in my careless habits (I am sorry to
say) to put it there, neither did I remember putting it there. But, as
I could not call to mind, on the other hand, where else I had thrown
it down, and as I was also doubtful whether I might not, for once,
have laid it mechanically in the right place, I abstained from
adding to the perplexity with which the day's events had filled my
mind, by troubling it afresh about a trifle. I locked the door; put
the key in my pocket; and went down stairs.
  Madame Fosco was alone in the hall, looking at the weather-glass.
  'Still falling,' she said. 'I am afraid we must expect more rain.'
  Her face was composed again to its customary expression and its
customary colour. But the hand with which she pointed to the dial of
the weather-glass still trembled.
                                      {2ND_EPOCH|HALCOMBE|VIII ^paragraph 5}
  Could she have told her husband already, that she had overheard
Laura reviling him, in my company, as a 'Spy'? My strong suspicion
that she must have told him; my irresistible dread (all the more
overpowering from its very vagueness) of the consequences which
might follow; my fixed conviction, derived from various little
self-betrayals which women notice in each other, that Madame Fosco, in
spite of her well-assumed external civility, had not forgiven her
niece for innocently standing between her and the legacy of ten
thousand pounds- all rushed upon my mind together; all impelled me
to speak, in the vain hope of using my own influence and my own powers
of persuasion for the atonement of Laura's offence.
  'May I trust to your kindness to excuse me, Madame Fosco, if I
venture to speak to you on an exceedingly painful subject?'
  She crossed her hands in front of her, and bowed her head
solemnly, without uttering a word, and without taking her eyes off
mine for a moment.
  'When you were so good as to bring me back my handkerchief,' I
went on, 'I am very, very much afraid you must have accidentally heard
Laura say something which I am unwilling to repeat, and which I will
not attempt to defend. I will only venture to hope that you have not
thought it of sufficient importance to be mentioned to the Count?'
  I think it of no importance whatever,' said Madame Fosco, sharply
and suddenly. 'But,' she added, resuming her icy manner in a moment,
'I have no secrets from my husband, even in trifles. When he
noticed, just now, that I looked distressed, it was my painful duty to
tell him why I was distressed; and I frankly acknowledge to you,
Miss Halcombe, that I have told him.'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 10}
  I was prepared to hear it, and yet she turned me cold all over
when she said those words.
  'Let me earnestly entreat you, Madame Fosco- let me earnestly
entreat the Count- to make some allowances for the sad position in
which my sister is placed. She spoke while she was smarting under
the insult and injustice inflicted on her by her husband- and she
was not herself when she said those rash words. May I hope that they
will be considerately and generously forgiven?'
  'Most assuredly,' said the Count's quiet voice, behind me. He had
stolen on us, with his noiseless tread, and his book in his hand, from
the library.
  'When Lady Glyde said those hasty words,' he went on, 'she did me an
injustice, which I lament- and forgive. Let us never return to the
subject, Miss Halcombe; let us all comfortably combine to forget it,
from this moment.'
  'You are very kind,' I said; 'you relieve me inexpressibly-'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 15}
  I tried to continue- but his eyes were on me; his deadly smile, that
hides everything, was set, hard and unwavering, on his broad, smooth
face. My distrust of his unfathomable falseness, my sense of my own
degradation in stooping to conciliate his wife and himself, so
disturbed and confused me, that the next words failed on my lips,
and I stood there in silence.
  'I beg you on my knees to say no more, Miss Halcombe- I am truly
shocked that you should have thought it necessary to say so much.'
With that polite speech, he took my hand- oh, how I despise myself!
oh, how little comfort there is even in knowing that I submitted to it
for Laura's sake!- he took my hand, and put it to his poisonous
lips. Never did I know all my horror of him till then. That innocent
familiarity turned my blood, as if it had been the vilest insult
that a man could offer me. Yet I hid my disgust from him- I tried to
smile- I, who once mercilessly despised deceit in other women, was
as false as the worst of them, as false as the Judas whose lips had
touched my hand.
  I could not have maintained my degrading self-control- it is all
that redeems me in my own estimation to know that I could not- if he
had still continued to keep his eyes on my face. His wife's tigerish
jealousy came to my rescue, and forced his attention away from me, the
moment he possessed himself of my hand. Her cold blue eyes caught
light; her dull white cheeks flushed into bright colour; she looked
years younger than her age, in an instant.
  'Count!' she said. 'Your foreign forms of politeness are not
understood by Englishwomen.'
  'Pardon me, my angel! The best and dearest Englishwoman in the world
understands them.' With those words, he dropped my hand, and quietly
raised his wife's hand to his lips, in place of it.
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 20}
  I ran back up the stairs, to take refuge in my own room. If there
had been time to think, my thoughts, when I was alone again, would
have caused me bitter suffering. But there was no time to think.
Happily for the preservation of my calmness and my courage, there
was time for nothing but action.
  The letters to the lawyer and to Mr. Fairlie were still to be
written, and I sat down at once, without a moment's hesitation, to
devote myself to them.
  There was no multitude of resources to perplex me- there was
absolutely no one to depend on, in the first instance, but myself. Sir
Percival had neither friends nor relatives in the neighbourhood
whose intercession I could attempt to employ. He was on the coldest
terms- in some cases, on the worst terms- with the families of his own
rank and station who lived near him. We two women had neither
father, nor brother, to come to the house and take our parts. There
was no choice, but to write those two doubtful letters- or to put
Laura in the wrong and myself in the wrong, and to make all
peaceable negotiation in the future impossible, by secretly escaping
from Blackwater Park. Nothing but the most imminent personal peril
could justify our taking that second course. The letters must be tried
first; and I wrote them.
  I said nothing to the lawyer about Anne Catherick; because (as I had
already hinted to Laura) that topic was connected with a mystery which
we could not yet explain, and which it would therefore be useless to
write about to a professional man. I left my correspondent to
attribute Sir Percival's disgraceful conduct, if he pleased, to
fresh disputes about money matters; and simply consulted him on the
possibility of taking legal proceedings for Laura's protection in
the event of her husband's refusal to allow her to leave Blackwater
Park for a time and return with me to Limmeridge. I referred him to
Mr. Fairlie for the details of this last arrangement- I assured him
that I wrote with Laura's authority- and I ended by entreating him
to act in her name, to the utmost extent of his power, and with the
least possible loss of time.
  The letter to Mr. Fairlie occupied me next. I appealed to him on the
terms which I had mentioned to Laura as the most likely to make him
bestir himself; I enclosed a copy of my letter to the lawyer, to
show him how serious the case was; and I represented our removal to
Limmeridge as the only compromise which would prevent the danger and
distress of Laura's present position from inevitably affecting her
uncle as well as herself, at no very distant time.
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 25}
  When I had done, and had sealed and directed the two envelopes, I
went back with the letters to Laura's room, to show her that they were
written.
  'Has anybody disturbed you?' I asked, when she opened the door to
me.
  'Nobody has knocked,' she replied. 'But I heard some one in the
outer room.'
  'Was it a man or a woman?'
  'A woman. I heard the rustling of her gown.'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 30}
  'A rustling like silk?'
  'Yes; like silk.'
  Madame Fosco had evidently been watching outside. The mischief she
might do by herself was little to be feared. But the mischief she
might do, as a willing instrument in her husband's hands, was too
formidable to be overlooked.
  'What became of the rustling of the gown when you no longer heard it
in the ante-room?' I inquired. 'Did you hear it go past your wall,
along the passage?'
  'Yes. I kept still, and listened; and just heard it.'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 35}
  'Which way did it go?'
  'Towards your room.'
  I considered again. The sound had not caught my ears. But I was then
deeply absorbed in my letters; and I write with a heavy hand, and a
quill pen, scraping and scratching noisily over the paper. It was more
likely that Madame Fosco would hear the scraping of my pen than that I
should hear the rustling of her dress. Another reason (if I had wanted
one) for not trusting my letters to the post-bag in the hall.
  Laura saw me thinking. 'More difficulties!' she said, wearily; 'more
difficulties and more dangers!'
  'No dangers,' I replied. 'Some little difficulty, perhaps. I am
thinking of the safest way of putting my two letters into Fanny's
hands.'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 40}
  'You have really written them, then? Oh, Marian, run no risks- pray,
pray run no, risks!'
  'No, no- no fear, let me see- what o'clock is it now?'
  It was a quarter to six. There would be time for me to get to the
village inn, and to come back again, before dinner. If I waited till
the evening, I might find no second opportunity of safely leaving
the house.
  'Keep the key turned in the lock, Laura,' I said, 'and don't be
afraid about me. If you hear any inquiries made, call through the door
and say that I am gone out for a walk.'
  'When shall you be back?'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 45}
  'Before dinner, without fail. Courage, my love. By this time
to-morrow you will have a clear-headed, trustworthy man acting for
your good. Mr. Gilmore's partner is our next best friend to Mr.
Gilmore himself.'
  A moment's reflection, as soon as I was alone, convinced me that I
had better not appear in my walking-dress, until I had first
discovered what was going on in the lower part of the house. I had not
ascertained yet whether Sir Percival was in doors or out.
  The singing of the canaries in the library, and the smell of
tobacco-smoke that came through the door, which was not closed, told
me at once where the Count was. I looked over my shoulder as I
passed the doorway; and saw, to my surprise, that he was exhibiting
the docility of the birds, in his most engagingly polite manner, to
the housekeeper. He must have specially invited her to see them- for
she would never have thought of going into the library of her own
accord. The man's slightest actions had a purpose of some kind at
the bottom of every one of them. What could be his purpose here?
  It was no time then to inquire into his motives. I looked about
for Madame Fosco next; and found her following her favourite circle,
round and round the fishpond.
  I was a little doubtful how she would meet me, after the outbreak of
jealousy, of which I had been the cause so short a time since. But her
husband had tamed her in the interval; and she now spoke to me with
the same civility as usual. My only object in addressing myself to her
was to ascertain if she knew what had become of Sir Percival. I
contrived to refer to him indirectly; and, after a little fencing on
either side, she at last mentioned that he had gone out.
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 50}
  'Which of the horses has he taken?' I asked carelessly.
  'None of them,' she replied. 'He went away, two hours since, on
foot. As I understood it, his object was to make fresh inquiries about
the woman named Anne Catherick. He appears to be unreasonably
anxious about tracing her. Do you happen to know if she is dangerously
mad, Miss Halcombe?'
  'I do not, Countess.'
  'Are you going in?'
  'Yes, I think so. I suppose it will soon be time to dress for
dinner.'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 55}
  We entered the house together. Madame Fosco strolled into the
library, and closed the door. I went at once to fetch my hat and
shawl. Every moment was of importance, if I was to get to Fanny at the
inn and be back before dinner.
  When I crossed the hall again, no one was there; and the singing
of the birds in the library had ceased. I could not stop to make any
fresh investigations. I could only assure myself that the way was
clear, and then leave the house, with the two letters safe in my
pocket.
  On my way to the village, I prepared myself for the possibility of
meeting Sir Percival. As long as I had him to deal with alone, I
felt certain of not losing my presence of mind. Any woman who is
sure of her own wits, is a match, at any time, for a man who is not
sure of his own temper. I had no such fear of Sir Percival as I had of
the Count. Instead of fluttering, it had composed me, to hear of the
errand on which he had gone out. While the tracing of Anne Catherick
was the great anxiety that occupied him, Laura and I might hope for
some cessation of any active persecution at his hands. For our sakes
now, as well as for Anne's, I hoped and prayed fervently that she
might still escape him.
  I walked on as briskly as the heat would let me, till I reached
the cross-road which led to the village; looking back from time to
time, to make sure that I was not followed by any one.
  Nothing was behind me, all the way, but an empty country waggon. The
noise made by the lumbering wheels annoyed me; and when I found that
the waggon took the road to the village, as well as myself, I
stopped to let it go by, and pass out of hearing. As I looked
towards it, more attentively than before, I thought I detected, at
intervals, the feet of a man walking close behind it; the carter being
in front by the side of his horses. The part of the cross-road which I
had just passed over was so narrow, that the waggon coming after me
brushed the trees and thickets on either side; and I had to wait until
it went by, before I could test the correctness of my impression.
Apparently, that impression was wrong, for when the waggon had
passed me, the road behind it was quite clear.
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 60}
  I reached the inn without meeting Sir Percival, and without noticing
anything more; and was glad to find that the landlady had received
Fanny with all possible kindness. The girl had a little parlour to sit
in, away from the noise of the tap-room, and a clean bedchamber at the
top of the house. She began crying again, at the sight of me; and
said, poor soul, truly enough, that it was dreadful to feel herself
turned out into the world, as if she had committed some unpardonable
fault, when no blame could be laid at her door by anybody- not even by
her master who had sent her away.
  'Try to make the best of it, Fanny,' I said. 'Your mistress and I
will stand your friends, and will take care that your character
shall not suffer. Now, listen to me. I have very little time to spare,
and I am going to put a great trust in your hands. I wish you to
take care of these two letters. The one with the stamp on it you are
to put into the post, when you reach London to-morrow. The other,
directed to Mr. Fairlie, you are to deliver to him yourself, as soon
as you get home. Keep both the letters about you, and give them up
to no one. They are of the last importance to your mistress's
interests.'
  Fanny put the letters into the bosom of her dress. 'There they shall
stop, miss,' she said, 'till I have done what you tell me.'
  'Mind you are at the station in good time to-morrow morning,' I
continued. 'And when you see the housekeeper at Limmeridge, give her
my compliments, and say that you are in my service until Lady Glyde is
able to take you back. We may meet again sooner than you think. So
keep a good heart, and don't miss the seven o'clock train.'
  'Thank you, miss- thank you kindly. It gives one courage to hear
your voice again. Please to offer my duty to my lady; and say I left
all the things as tidy as I could in the time. Oh, dear! dear! who
will dress her for dinner to-day? It really breaks my heart, miss,
to think of it.'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 65}
-
  When I got back to the house, I had only a quarter of an hour to
spare, to put myself in order for dinner, and to say two words to
Laura before I went down-stairs.
  'The letters are in Fanny's hands,' I whispered to her, at the door.
'Do you mean to join us at dinner?'
  'Oh, no, no- not for the world!'
  'Has anything happened? Has any one disturbed you?'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 70}
  'Yes- just now- Sir Percival-'
  'Did he come in?'
  'No; he frightened me by a thump on the door, outside. I said,
"Who's there?" "You know," he answered. "Will you alter your mind, and
tell me the rest? You shall! Sooner or later, I'll wring it out of
you. You know where Anne Catherick is, at this moment!" "Indeed,
indeed," I said, "I don't." "You do!" he called back. "I'll crush your
obstinacy- mind that!- I'll wring it out of you!" He went away, with
those words- went away, Marian, hardly five minutes ago.'
  He had not found Anne! We were safe for that night- he had not found
her yet.
  'You are going down-stairs, Marian? Come up again in the evening.'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 75}
  'Yes, yes. Don't be uneasy, if I am a little late- I must be careful
not to give offence by leaving them too soon.'
  The dinner-bell rang; and I hastened away.
  Sir Percival took Madame Fosco into the dining-room; and the Count
gave me his arm. He was hot and flushed, and was not dressed with
his customary care and completeness. Had he, too, been out before
dinner, and been late in getting back? or was he only suffering from
the heat a little more severely than usual?
  However this might be, he was unquestionably troubled by some secret
annoyance or anxiety, which, with all his powers of deception, he
was not able entirely to conceal. Through the whole of dinner, he
was almost as silent as Sir Percival himself; and he, every now and
then, looked at his wife with an expression of furtive uneasiness,
which was quite new in my experience of him. The one social obligation
which he seemed to be self-possessed enough to perform as carefully as
ever, was the obligation of being persistently civil and attentive
to me. What vile object he has in view, I cannot still discover;
but, be the design what it may, invariable politeness towards
myself, invariable humility towards Laura, and invariable
suppression (at any cost) of Sir Percival's clumsy violence, have been
the means he has resolutely and impenetrably used to get to his end,
ever since he set foot in this house. I suspected it, when he first
interfered in our favour, on the day when the deed was produced in the
library, and I feel certain of it, now.
  When Madame Fosco and I rose to leave the table, the Count rose also
to accompany us back to the drawing-room.
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 80}
  'What are you going away for?' asked Sir Percival 'I mean you,
Fosco.'
  'I am going away, because I have had dinner enough, and wine
enough,' answered the Count. 'Be so kind, Percival, as to make
allowances for my foreign habit of going out with the ladies, as
well as coming in with them.'
  'Nonsense! Another glass of claret won't hurt you. Sit down again
like an Englishman. I want half an hour's quiet talk with you over our
wine.'
  'A quiet talk, Percival, with all my heart, but not now, and not
over the wine. Later in the evening if you please- later in the
evening.'
  'Civil!' said Sir Percival, savagely. 'Civil behaviour, upon my
soul, to a man in his own house!'
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 85}
  I had more than once seen him look at the Count uneasily during
dinner-time, and had observed that the Count carefully abstained
from looking at him in return. This circumstance, coupled with the
host's anxiety for a little quiet talk over the wine, and the
guest's obstinate resolution not to sit down again at the table,
revived in my memory the request which Sir Percival had vainly
addressed to his friend, earlier in the day, to come out of the
library and speak to him. The Count had deferred granting that private
interview, when it was first asked for in the afternoon, and had again
deferred granting it, when it was a second time asked for at the
dinner table. Whatever the coming subject of discussion between them
might be, it was clearly an important subject in Sir Percival's
estimation- and perhaps (judging from his evident reluctance to
approach it) a dangerous subject as well, in the estimation of the
Count.
  These considerations occurred to me while we were passing from the
dining-room to the drawing-room. Sir Percival's angry commentary on
his friend's desertion of him had not produced the slightest effect.
The Count obstinately accompanied us to the tea-table- waited a minute
or two in the room- went out into the hall- and returned with the
post-bag in his hands. It was then eight o'clock- the hour at which
the letters were always despatched from Blackwater Park.
  'Have you any letter for the post, Miss Halcombe?' he asked,
approaching me, with the bag.
  I saw Madame Fosco, who was making the tea, pause, with the
sugar-tongs in her hand, to listen for my answer.
  'No, Count, thank you. No letters to-day.' He gave the bag to the
servant, who was then in the room; sat down at the piano; and played
the air of the lively Neapolitan street-song, 'La mia Carolina,' twice
over. His wife, who was usually the most deliberate of women in all
her movements, made the tea as quickly as I could have made it myself-
finished her own cup in two minutes- and quietly glided out of the
room.
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 90}
  I rose to follow her example- partly because I suspected her of
attempting some treachery up-stairs with Laura; partly, because I
was resolved not to remain alone in the same room with her husband.
  Before I could get to the door, the Count stopped me, by a request
for a cup of tea. I gave him the cup of tea; and tried a second time
to get away. He stopped me again- this time, by going back to the
piano, and suddenly appealing to me on a musical question in which
he declared that the honour of his country was concerned.
  I vainly pleaded my own total ignorance of music, and total want
of taste in that direction. He only appealed to me again with a
vehemence which set all further protest on my part at defiance. 'The
English and the Germans' (he indignantly declared) 'were always
reviling the Italians for their inability to cultivate the higher
kinds of music. We were perpetually talking of our Oratorios; and they
were perpetually talking of their Symphonies. Did we forget and did
they forget his immortal friend and countryman, Rossini? What was
"Moses in Egypt," but a sublime oratorio, which was acted on the
stage, instead of being coldly sung in a concert-room? What was the
overture to "Guillaume Tell," but a symphony under another name? Had I
heard "Moses in Egypt"? Would I listen to this, and this, and this,
and say if anything more sublimely sacred and grand had ever been
composed by mortal man?'- And, without waiting for a word of assent or
dissent on my part, looking me hard in the face all the time, he began
thundering on the piano, and singing to it with loud and lofty
enthusiasm; only interrupting himself, at intervals, to announce to me
fiercely the titles of the different pieces of music: 'Chorus of
Egyptians, in the Plague of Darkness, Miss Halcombe!'- 'Recitativo
of Moses, with the tables of the Law.'- 'Prayer of Israelites, at
the passage of the Red Sea. Aha! Aha! Is that sacred? is that
sublime?' The piano trembled under his powerful hands; and the teacups
on the table rattled, as his big bass voice thundered out the notes,
and his heavy foot beat time on the floor.
  There was something horrible- something fierce and devilish, in
the outburst of his delight at his own singing and playing, and in the
triumph with which he watched its effect upon me, as I shrank nearer
and nearer to the door. I was released, at last, not by my own
efforts, but by Sir Percival's interposition. He opened the
dining-room door, and called out angrily to know what 'that infernal
noise' meant. The Count instantly got up from the piano. 'Ah! if
Percival is coming,' he said, 'harmony and melody are both at an
end. The Muse of Music, Miss Halcombe, deserts us in dismay; and I,
the fat old minstrel, exhale the rest of my enthusiasm in the open
air!' He stalked out into the verandah, put his hands in his
pockets, and resumed the Recitativo of Moses,' sotto voce, in the
garden.
  I heard Sir Percival call after him from the dining-room window. But
he took no notice: he seemed determined not to hear. That
long-deferred quiet talk between them was still to be put off, was
still to wait for the Count's absolute will and pleasure.
                                     {2ND_EPOCH|HALCOMBE|VIII ^paragraph 95}
  He had detained me in the drawing-room nearly half an hour from
the time when his wife left us. Where had she been, and what had she
been doing in that interval?
  I went up-stairs to ascertain, but I made no discoveries; and when I
questioned Laura, I found that she had not heard anything. Nobody
had disturbed her- no faint rustling of the silk dress had been
audible, either in the ante-room or in the passage.
  It was then twenty minutes to nine. After going to my room to get my
journal, I returned, and sat with Laura; sometimes writing,
sometimes stopping to talk with her. Nobody came near us, and
nothing happened. We remained together till ten o'clock. I then
rose, said my last cheering words, and wished her good night. She
locked her door again, after we had arranged that I should come in and
see her the first thing in the morning.
  I had a few sentences more to add to my diary before going to bed
myself; and, as I went down again to the drawing-room after leaving
Laura, for the last time that weary day, I resolved merely to show
myself there, to make my excuses, and then to retire an hour earlier
than usual, for the night.
  Sir Percival, and the Count and his wife, were sitting together. Sir
Percival was yawning in an easy-chair; the Count was reading; Madame
Fosco was fanning herself. Strange to say, her face was flushed,
now. She, who never suffered from the heat, was most undoubtedly
suffering from it to-night.
                                    {2ND_EPOCH|HALCOMBE|VIII ^paragraph 100}
  'I am afraid, Countess, you are not quite so well as usual?' I said.
  'The very remark I was about to make to you,' she replied. 'You
are looking pale, my dear.'
  My dear! It was the first time she had ever addressed me with that
familiarity! There was an insolent smile, too, on her face, when she
said the words.
  'I am suffering from one of my bad headaches,' I answered, coldly.
  'Ah, indeed? Want of exercise, I suppose? A walk before dinner would
have been just the thing for you.' She referred to the 'walk' with a
strange emphasis. Had she seen me go out? No matter if she had. The
letters were safe now, in Fanny's hands.
                                    {2ND_EPOCH|HALCOMBE|VIII ^paragraph 105}
  'Come, and have a smoke, Fosco,' said Sir Percival, rising, with
another uneasy look at his friend.
  'With pleasure, Percival, when the ladies have gone to bed,' replied
the Count.
  'Excuse me, Countess, if I set you the example of retiring,' I said.
'The only remedy for such a headache as mine is going to bed.'
  I took my leave. There was the same insolent smile on the woman's
face when I shook hands with her. Sir Percival paid no attention to
me. He was looking impatiently at Madame Fosco, who showed no signs of
leaving the room with me. The Count smiled to himself behind his book.
There was yet another delay to that quiet talk with Sir Percival-
and the Countess was the impediment this time.

{2ND_EPOCH|HALCOMBE|IX
                                  IX
-
  JUNE 19th.- Once safely shut into my own room, I opened these pages,
and prepared to go on with that part of the day's record which was
still left to write.
  For ten minutes or more I sat idle, with the pen in my hand,
thinking over the events of the last twelve hours. When I at last
addressed myself to my task, I found a difficulty in proceeding with
it which I had never experienced before. In spite of my efforts to fix
my thoughts on the matter in hand, they wandered away, with the
strangest persistency, in the one direction of Sir Percival and the
Count; and all the interest which I tried to concentrate on my
journal, centred, instead, in that private interview between them,
which had been put off all through the day, and which was now to
take place in the silence and solitude of the night.
  In this perverse state of my mind, the recollection of what had
passed since the morning would not come back to me; and there was no
resource but to close my journal and to get away from it for a
little while.
  I opened the door which led from my bedroom into my sitting-room,
and, having passed through, pulled it to again, to prevent any
accident, in case of draught, with the candle left on the
dressing-table. My sitting-room window was wide open; and I leaned
out, listlessly, to look at the night.
  It was dark and quiet. Neither moon nor stars were visible. There
was a smell like rain in the still, heavy air; and I put my hand out
of window. No. The rain was only threatening; it had not come yet.
                                        {2ND_EPOCH|HALCOMBE|IX ^paragraph 5}
  I remained leaning on the window-sill for nearly a quarter of an
hour, looking out absently into the black darkness, and hearing
nothing, except, now and then, the voices of the servants, or the
distant sound of a closing door, in the lower part of the house.
  Just as I was turning away wearily from the window, to go back to
the bedroom, and make a second attempt to complete the unfinished
entry in my journal, I smelt the odour of tobacco-smoke, stealing
towards me on the heavy night air. The next moment I saw a tiny red
spark advancing from the farther end of the house in the pitch
darkness. I heard no footsteps, and I could see nothing but the spark.
It travelled along in the night; passed the window at which I was
standing; and stopped opposite my bedroom window, inside which I had
left the light burning on the dressing-table.
  The spark remained stationary, for a moment, then moved back again
in the direction from which it had advanced. As I followed its
progress, I saw a second red spark, larger than the first, approaching
from the distance. The two met together in the darkness. Remembering
who smoked cigarettes, and who smoked cigars, I inferred, immediately,
that the Count had come out first to look and listen, under my window,
and that Sir Percival had afterwards joined him. They must both have
been walking on the lawn- or I should certainly have heard Sir
Percival's heavy footfall, though the Count's soft step might have
escaped me, even on the gravel walk.
  I waited quietly at the window, certain that they could neither of
them see me, in the darkness of the room.
  'What's the matter?' I heard Sir Percival say, in a low voice.
'Why don't you come in and sit down?'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 10}
  'I want to see the light out of that window,' replied the Count,
softly.
  'What harm does the light do?'
  'It shows she is not in bed yet. She is sharp enough to suspect
something, and bold enough to come downstairs and listen, if she can
get the chance. Patience, Percival- patience.'
  'Humbug! You're always talking of patience.'
  'I shall talk of something else presently. My good friend, you are
on the edge of your domestic precipice; and if I let you give the
women one other chance, on my sacred word of honour they will push you
over it.'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 15}
  'What the devil do you mean?'
  'We will come to our explanations, Percival, when the light is out
of that window, and when I have had one little look at the rooms on
each side of the library and a peep at the staircase as well.'
  They slowly moved away; and the rest of the conversation between
them (which had been conducted, throughout, in the same low tones)
ceased to be audible. It was no matter. I had heard enough to
determine me on justifying the Count's opinion of my sharpness and
my courage. Before the red sparks were out of sight in the darkness, I
had made up my mind that there should be a listener when those two men
sat down to their talk- and that the listener, in spite of all the
Count's precautions to the contrary, should be myself. I wanted but
one motive to sanction the act to my own conscience, and to give me
courage enough for performing it; and that motive I had. Laura's
honour, Laura's happiness- Laura's life itself- might depend on my
quick ears, and my faithful memory, to-night.
  I had heard the Count say that he meant to examine the rooms on each
side of the library, and the staircase as well, before he entered on
any explanation with Sir Percival. This expression of his intentions
was necessarily sufficient to inform me that the library was the
room in which he proposed that the conversation should take place. The
one moment of time which was long enough to bring me to that
conclusion, was also the moment which showed me a means of baffling
his precautions- or, in other words, of hearing what he and Sir
Percival said to each other, without the risk of descending at all
into the lower regions of the house.
  In speaking of the rooms on the ground floor, I have mentioned
incidentally the verandah outside them, on which they all opened by
means of French windows, extending from the cornice to the floor.
The top of this verandah was flat; the rain-water being carried off
from it, by pipes, into tanks which helped to supply the house. On the
narrow leaden roof, which ran along past the bedrooms, and which was
rather less, I should think, than three feet below the sills of the
windows, a row of flower-pots was ranged, with wide intervals
between each pot; the whole being protected from falling, in high
winds, by an ornamental iron railing along the edge of the roof.
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 20}
  The plan which had now occurred to me was to get out at my
sitting-room window, on to this roof; to creep along noiselessly, till
I reached that part of it which was immediately over the library
window; and to crouch down between the flower-pots, with my ear
against the outer railing. If Sir Percival and the Count sat and
smoked to-night, as I had seen them sitting and smoking many nights
before, with their chairs close at the open window, and their feet
stretched on the zinc garden seats which were placed under the
verandah, every word they said to each other above a whisper (and no
long conversation, as we all know by experience, can be carried on
in a whisper) must inevitably reach my ears. If, on the other
hand, they chose, to-night, to sit far back inside the room, then
the chances were that I should hear little or nothing; and, in that
case, I must run the far more serious risk of trying to outwit them
down-stairs.
  Strongly as I was fortified in my resolution by the desperate nature
of our situation, I hoped most fervently that I might escape this last
emergency. My courage was only a woman's courage, after all; and it
was very near to failing me, when I thought of trusting myself, on the
ground floor, at the dead of night, within reach of Sir Percival and
the Count.
  I went softly back to my bedroom, to try the safer experiment of the
verandah roof, first.
  A complete change in my dress was imperatively necessary, for many
reasons. I took off my silk gown to begin with, because the
slightest noise from it, on that still night, might have betrayed
me. I next removed the white and cumbersome parts of my underclothing,
and replaced them by a petticoat of dark flannel. Over this, I put
my black travelling cloak, and pulled the hood on to my head. In my
ordinary evening costume I took up the room of three men at least.
In my present dress, when it was held close about me, no man could
have passed through the narrowest spaces more easily than I. The
little breadth left on the roof of the verandah, between the
flower-pots on one side and the wall and the windows of the house on
the other, made this a serious consideration. If I knocked anything
down, if I made the least noise, who could say what the consequences
might be?
  I only waited to put the matches near the candle before I
extinguished it, and groped my way back into the sitting-room. I
locked that door, as I had locked my bedroom door- then quietly got
out of the window, and cautiously set my feet on the leaden roof of
the verandah.
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 25}
  My two rooms were at the inner extremity of the new wing of the
house in which we all lived; and I had five windows to pass before I
could reach the position it was necessary to take up immediately
over the library. The first window belonged to a spare room, which was
empty. The second and third windows belonged to Laura's room. The
fourth window belonged to Sir Percival's room. The fifth belonged to
the Countess's room. The others, by which it was not necessary for
me to pass, were the windows of the Count's dressing-room, of the
bath-room, and of the second empty spare room.
  No sound reached my ears- the black blinding darkness of the night
was all round me when I first stood on the verandah, except at that
part of it which Madame Fosco's window overlooked. There, at the
very place above the library, to which my course was directed-
there, I saw a gleam of light! The Countess was not yet in bed.
  It was too late to draw back; it was no time to wait. I determined
to go on at all hazards, and trust for security to my own caution
and to the darkness of the night. 'For Laura's sake!' I thought to
myself, as I took the first step forward on the roof, with one hand
holding my cloak close round me, and the other groping against the
wall of the house. It was better to brush close by the wall than to
risk striking my feet against the flower-pots, within a few inches
of me, on the other side.
  I passed the dark window of the spare room, trying the leaden
roof, at each step, with my foot, before I risked resting my weight on
it. I passed the dark windows of Laura's room ('God bless her and keep
her to-night!') I passed the dark window of Sir Percival's room. Then,
I waited a moment, knelt down, with my hands to support me; and so
crept to my position, under the protection of the low wall between the
bottom of the lighted window and the verandah roof.
  When I ventured to look up at the window itself, I found that the
top of it only was open, and that the blind inside was drawn down.
While I was looking I saw the shadow of Madame Fosco pass across the
white field of the blind- then pass slowly back again. Thus far, she
could not have heard me- or the shadow would surely have stopped at
the blind, even if she had wanted courage enough to open the window,
and look out.
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 30}
  I placed myself sideways against the railing of the verandah;
first ascertaining, by touching them, the position of the
flower-pots on either side of me. There was room enough for me to
sit between them, and no more. The sweet-scented leaves of the
flower on my left hand just brushed my cheek as I lightly brushed my
head against the railing.
  The first sounds that reached me from below were caused by the
opening or closing (most probably the latter) of three doors in
succession- the doors, no doubt, leading into the hall and into the
rooms on each side of the library, which the Count had pledged himself
to examine. The first object that I saw was the red spark again
travelling out into the night, from under the verandah; moving away
towards my window; waiting a moment; and then returning to the place
from which it had set out.
  'The devil take your restlessness! When do you mean to sit down?'
growled Sir Percival's voice beneath me.
  'Ouf! how hot it is!' said the Count, sighing and puffing wearily.
  His exclamation was followed by the scraping of the garden chairs on
the tiled pavement under the verandah- the welcome sound which told me
they were to sit close at the window as usual. So far, the chance
was mine. The clock in the turret struck the quarter to twelve as they
settled themselves in their chairs. I heard Madame Fosco through the
open window, yawning; and saw her shadow pass once more across the
white field of the blind.
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 35}
  Meanwhile, Sir Percival and the Count began talking together
below, now and then dropping their voices a little lower than usual,
but never sinking them to a whisper. The strangeness and peril of my
situation, the dread, which I could not master, of Madame Fosco's
lighted window, made it difficult, almost impossible, for me, at
first, to keep my presence of mind, and to fix my attention solely
on the conversation beneath. For some minutes I could only succeed
in gathering the general substance of it. I understood the Count to
say that the one window alight was his wife's; that the ground floor
of the house was quite clear; and that they might now speak to each
other, without fear of accidents. Sir Percival merely answered by
upbraiding his friend with having unjustifiably slighted his wishes
and neglected his interests all through the day. The Count thereupon
defended himself by declaring that he had been beset by certain
troubles and anxieties, which had absorbed all his attention, and that
the only safe time to come to an explanation was a time when they
could feel certain of being neither interrupted nor overheard. 'We are
at a serious crisis in our affairs, Percival,' he said; 'and if we are
to decide on the future at all, we must decide secretly to-night.'
  That sentence of the Count's was the first which my attention was
ready enough to master, exactly as it was spoken. From this point,
with certain breaks and interruptions, my whole interest fixed
breathlessly on the conversation; and I followed it word for word.
  'Crisis?' repeated Sir Percival. 'It's a worse crisis than you think
for, I can tell you.'
  'So I should suppose, from your behaviour for the last day or
two,' returned the other, coolly. But wait a little. Before we advance
to what I do not know, let us be quite certain of what I do
know. Let us first see if I am right about the time that is past,
before I make any proposal to you for the time that is to come.'
  'Stop till I get the brandy and water. Have some yourself.'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 40}
  'Thank you, Percival. The cold water with pleasure, a spoon, and the
basin of sugar. Eau sucree, my friend- nothing more.'
  'Sugar and water, for a man of your age!- There! mix your sickly
mess. You foreigners are all alike.'
  'Now, listen, Percival. I will put our position plainly before
you, as I understand it; and you shall say if I am right or wrong. You
and I both came back to this house from the Continent, with our
affairs very seriously embarrassed-'
  'Cut it short! I wanted some thousands, and you some hundreds-
and, without the money, we were both in a fair way to go to the dogs
together. There's the situation. Make what you can of it. Go on.'
  'Well, Percival, in your own solid English words, you wanted some
thousands and I wanted some hundreds; and the only way of getting them
was for you to raise the money for your own necessity (with a small
margin, beyond, for my poor little hundreds), by the help of your
wife. What did I tell you about your wife on our way to England? and
what did I tell you again, when we had come here, and when I had
seen for myself the sort of woman Miss Halcombe was?'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 45}
  'How should I know? You talked nineteen to the dozen, I suppose,
just as usual.'
  'I said this: Human ingenuity, my friend, has hitherto only
discovered two ways in which a man can manage a woman. One way is to
knock her down- a method largely adopted by the brutal lower orders of
the people, but utterly abhorrent to the refined and educated
classes above them. The other way (much longer, much more difficult,
but, in the end, not less certain) is never to accept a provocation at
a woman's hands. It holds with animals, it holds with children, and it
holds with women, who are nothing but children grown up. Quiet
resolution is the one quality the animals, the children, and the women
all fail in. If they can once shake this superior quality in their
master, they get the better of him. If they can never succeed in
disturbing it, he gets the better of them. I said to you, Remember
that plain truth, when you want your wife to help you to the money.
I said, Remember it doubly and trebly, in the presence of your
wife's sister, Miss Halcombe. Have you remembered it? Not once, in all
the complications that have twisted themselves about us in this house.
Every provocation that your wife and her sister could offer to you,
you instantly accepted from them. Your mad temper lost the signature
to the deed, lost the ready money, set Miss Halcombe writing to the
lawyer for the first time-'
  'First time? Has she written again?'
  'Yes; she has written again to-day.'
  A chair fell on the pavement of the verandah- fell with a crash,
as if it had been kicked down.
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 50}
  It was well for me that the Count's revelation roused Sir Percival's
anger as it did. On hearing that I had been once more discovered, I
started so that the railing against which I leaned, cracked again. Had
he followed me to the inn? Did he infer that I must have given my
letters to Fanny when I told him I had none for the post-bag? Even
if it was so, how could he have examined the letters, when they had
gone straight from my hand to the bosom of the girl's dress?
  'Thank your lucky star,' I heard the Count say next, 'that you
have me in the house, to undo the harm, as fast as you do it. Thank
your lucky star that I said, No, when you were mad enough to talk of
turning the key to-day on Miss Halcombe, as you turned it in your
mischievous folly on your wife. Where are your eyes? Can you look at
Miss Halcombe, and not see that she has the foresight and the
resolution of a man? With that woman for my friend, I would snap these
fingers of mine at the world. With that woman for my enemy, I, with
all my brains and experience- I, Fosco, cunning as the devil
himself, as you have told me a hundred times- I walk, in your
English phrase, upon egg-shells! And this grand creature- I drink
her health in my sugar and water- this grand creature, who stands in
the strength of her love and her courage, firm as a rock between us
two, and that poor flimsy pretty blonde wife of yours- this
magnificent woman, whom I admire with all my soul, though I oppose her
in your interests and in mine, you drive to extremities, as if she was
no sharper and no bolder than the rest of her sex. Percival! Percival!
you deserve to fail, and you have failed.'
  There was a pause. I write the villain's words about myself, because
I mean to remember them; because I hope yet for the day when I may
speak out once for all in his presence, and cast them back, one by
one, in his teeth.
  Sir Percival was the first to break the silence again.
  'Yes, yes; bully and bluster as much as you like,' he said, sulkily;
'the difficulty about the money is not the only difficulty. You
would be for taking strong measures with the women, yourself- if you
knew as much as I do.'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 55}
  'We will come to that second difficulty, all in good time,' rejoined
the Count. 'You may confuse yourself, Percival, as much as you please,
but you shall not confuse me. Let the question of the money be settled
first. Have I convinced your obstinacy? have I shown you that your
temper will not let you help yourself? Or must I go back, and (as
you put it in your dear straight-forward English) bully and bluster
a little more?'
  'Pooh! It's easy enough to grumble at me. Say what is to be
done- that's a little harder.'
  'Is it? Bah! This is what is to be done: You give up all direction
in the business from to-night; you leave it for the future in my hands
only. I am talking to a Practical British man- ha? Well, Practical,
will that do for you?'
  'What do you propose, if I leave it all to you?'
  'Answer me first. Is it to be in my hands or not?'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 60}
  'Say it is in your hands- what then?'
  'A few questions, Percival, to begin with. I must wait a little,
yet, to let circumstances guide me; and I must know, in every possible
way, what those circumstances are likely to be. There is no time to
lose. I have told you already that Miss Halcombe has written to the
lawyer to-day, for the second time.'
  'How did you find it out? What did she say?'
  'If I told you, Percival, we should only come back at the end to
where we are now. Enough that I have found it out- and the finding has
caused that trouble and anxiety which made me so inaccessible to you
all through to-day. Now, to refresh my memory about your affairs- it
is some time since I talked them over with you. The money has been
raised, in the absence of your wife's signature, by means of bills
at three months- raised at a cost that makes my poverty-stricken
foreign hair stand on end to think of it! When the bills are due, is
there really and truly no earthly way of paying them but by the help
of your wife?'
  'None.'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 65}
  'What! You have no money at the bankers?'
  'A few hundreds, when I want as many thousands.'
  'Have you no other security to borrow upon?'
  'Not a shred.'
  'What have you actually got with your wife, at the present moment?
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 70}
  'Nothing but the interest of her twenty thousand pounds-barely
enough to pay our daily expenses.'
  'What do you expect from your wife?'
  'Three thousand a year, when her uncle dies.'
  'A fine fortune, Percival. What sort of a man is this uncle? Old?'
  'No- neither old nor young.'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 75}
  'A good-tempered, freely-living man? Married? No- I think my wife
told me, not married.'
  'Of course not. If he was married, and had a son, Lady Glyde would
not be next heir to the property. I'll tell you what he is. He's a
maudlin, twaddling, selfish fool, and bores everybody who comes near
him about the state of his health.'
  'Men of that sort, Percival, live long, and marry malevolently
when you least expect it. I don't give you much, my friend, for your
chance of the three thousand a year. Is there nothing more that
comes to you from your wife?'
  'Nothing.'
  'Absolutely nothing?'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 80}
  'Absolutely nothing- except in case of her death.'
  'Aha! in the case of her death!'
  There was another pause. The Count moved from the verandah to the
gravel walk outside. I knew that he had moved, by his voice. 'The rain
has come at last,' I heard him say. It had come. The state of my
cloak showed that it had been falling thickly for some little time.
  The Count went back under the verandah- I heard the chair creak
beneath his weight as he sat down in it again.
  'Well, Percival,' he said; 'and in the case of Lady Glyde's death,
what do you get then?'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 85}
  'If she leaves no children-'
  'Which she is likely to do?'
  'Which she is not in the least likely to do-'
  'Yes?'
  'Why, then I get her twenty thousand pounds.'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 90}
  'Paid down?'
  'Paid down.'
  They were silent once more. As their voices ceased, Madame Fosco's
shadow darkened the blind again. Instead of passing this time, it
remained, for a moment, quite still. I saw her fingers steal round the
corner of the blind, and draw it on one side. The dim white outline of
her face, looking out straight over me, appeared behind the window.
I kept still, shrouded from head to foot in my black cloak. The
rain, which was fast wetting me, dripped over the glass, blurred it,
and prevented her from seeing anything. 'More rain!' I heard her say
to herself. She dropped the blind- and I breathed again freely.
  The talk went on below me; the Count resuming it, this time.
  'Percival! do you care about your wife?'
                                       {2ND_EPOCH|HALCOMBE|IX ^paragraph 95}
  'Fosco! that's rather a downright question.'
  'I am a downright man; and I repeat it.'
  'Why the devil do you look at me in that way?'
  'You won't answer me? Well, then; let us say your wife dies before
the summer is out-'
  'Drop it, Fosco!'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 100}
  'Let us say your wife dies'
  'Drop it, I tell you!'
  'In that case, you would gain twenty thousand pounds; and you
would lose-'
  'I should lose the chance of three thousand a year.'
  'The remote chance, Percival- the remote chance only. And you want
money at once. In your position, the gain is certain- the loss
doubtful.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 105}
  'Speak for yourself as well as for me. Some of the money I want
has been borrowed for you. And if you come to gain, my wife's
death would be ten thousand pounds in your wife's pocket. Sharp as
you are, you seem to have conveniently forgotten Madame Fosco's
legacy. Don't look at me in that way! I won't have it! What with
your looks and your questions, upon my soul, you make my flesh creep!'
  'Your flesh? Does flesh mean conscience in English? I speak of
your wife's death, as I speak of a possibility. Why not? The
respectable lawyers who scribble-scrabble your deeds and your wills,
look the deaths of living people in the face. Do lawyers make your
flesh creep? Why should I? It is my business to-night, to clear up
your position beyond the possibility of mistake- and I have now done
it. Here is your position. If your wife lives, you pay those bills
with her signature to the parchment. If your wife dies, you pay them
with her death.'
  As he spoke, the light in Madame Fosco's room was extinguished;
and the whole second floor of the house was now sunk in darkness.
  'Talk! talk!' grumbled Sir Percival. 'One would think, to hear
you, that my wife's signature to the deed was got already.'
  'You have left the matter in my hands,' retorted the Count; 'and I
have more than two months before me to turn round in. Say no more
about it, if you please, for the present. When the bills are due,
you will see for yourself if my "talk! talk!" is worth something, or
if it is not. And now, Percival, having done with the money-matters
for to-night, I can place my attention at your disposal, if you wish
to consult me on that second difficulty which has mixed itself up with
our little embarrassments, and which has so altered you for the worse,
that I hardly know you again. Speak, my friend- and pardon me if I
shock your fiery national tastes by mixing myself a second glass of
sugar and water.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 110}
  'It's very well to say speak,' replied Sir Percival, in a far more
quiet and more polite tone than he had yet adopted; 'but it's not so
easy to know how to begin.'
  'Shall I help you?' suggested the Count. 'Shall I give this
private difficulty of yours a name? What, if I call it- Anne
Catherick?'
  'Look here, Fosco, you and I have known each other for a long
time; and, if you have helped me out of one or two scrapes before
this, I have done the best I could to help you in return, as far as
money would go. We have made as many friendly sacrifices, on both
sides, as men could; but we have had our secrets from each other, of
course- haven't we?'
  'You have had a secret from me, Percival. There is a skeleton in
your cupboard here at Blackwater Park that has peeped out, in these
last few days, at other people besides yourself.'
  'Well, suppose it has. If it doesn't concern you, you needn't be
curious about it, need you?'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 115}
  'Do I look curious about it?'
  'Yes, you do.'
  'So! so! my face speaks the truth, then? What an immense
foundation of good there must be in the nature of a man who arrives at
my age, and whose face has not yet lost the habit of speaking the
truth!- Come, Glyde! let us be candid one with the other. This, secret
of yours has sought me: I have not sought it. Let us say I am
curious- do you ask me, as your old friend, to respect your secret,
and to leave it, once for all, in your own keeping?'
  'Yes- that's just what I do ask.'
  'Then my curiosity is at an end. It dies in me, from this moment.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 120}
  'Do you really mean that?'
  'What makes you doubt me?'
  'I have had some experience, Fosco, of your roundabout ways; and I
am not so sure that you won't worm it out of me after all.'
  The chair below suddenly creaked again- I felt the trelliswork
pillar under me shake from top to bottom. The Count had started to his
feet and had struck it with his hand, in indignation.
  'Percival! Percival!' he cried, passionately, 'do you know me no
better than that? Has all your experience shown you nothing of my
character yet? I am a man of the antique type! I am capable of the
most exalted acts of virtue- when I have the chance of performing
them. It has been the misfortune of my life that I have had few
chances. My conception of friendship is sublime! Is it my fault that
your skeleton has peeped out at me? Why do I confess my curiosity? You
poor superficial Englishman, it is to magnify my own self-control. I
could draw your secret out of you, if I liked, as I draw this finger
out of the palm of my hand- you know I could! But you have appealed to
my friendship; and the duties of friendship are sacred to me. See! I
trample my base curiosity under my feet. My exalted sentiments lift me
above it. Recognise them. Percival! imitate them, Percival! Shake
hands- I forgive you.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 125}
  His voice faltered over the last words- faltered, as if he was
actually shedding tears!
  Sir Percival confusedly attempted to excuse himself.
  But the Count was too magnanimous to listen to him.
  'No!' he said. 'When my friend has wounded me, I can pardon him
without apologies. Tell me, in plain words, do you want my help?'
  'Yes, badly enough.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 130}
  'And you can ask for it without compromising yourself?'
  'I can try, at any rate.'
  'Try, then.'
  'Well, this is how it stands:- I told you, to-day, that I had done
my best to find Anne Catherick, and failed.'
  'Yes; you did.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 135}
  'Fosco! I'm a lost man if I don't find her.'
  'Ha! Is it so serious as that?'
  A little stream of light travelled out under the verandah, and
fell over the gravel-walk. The Count had taken the lamp from the inner
part of the room, to see his friend clearly by the light of it.
  'Yes!' he said. 'Your face speaks the truth this time. Serious
indeed- as serious as the money matters themselves.'
  'More serious. As true as I sit here, more serious!'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 140}
  The light disappeared again, and the talk went on.
  'I showed you the letter to my wife that Anne Catherick hid in the
sand,' Sir Percival continued. 'There's no boasting in that letter,
Fosco- she does know the Secret.'
  'Say as little as possible, Percival, in my presence, of the Secret.
Does she know it from you?'
  'No; from her mother.'
  'Two women in possession of your private mind- bad, bad, bad, my
friend! One question here, before we go any farther. The motive of
your shutting up the daughter in the asylum, is now plain enough to
me- but the manner of her escape is not quite so clear. Do you suspect
the people in charge of her of closing their eyes purposely, at the
instance of some enemy who could afford to make it worth their while?'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 145}
  'No; she was the best-behaved patient they had- and, like fools,
they trusted her. She's just mad enough to be shut up, and just sane
enough to ruin me when she's at large- if you understand that?'
  'I do understand it. Now, Percival, come at once to the point; and
then I shall know what to do. Where is the danger of your position
at the present moment?'
  'Anne Catherick is in this neighbourhood, and in communication
with Lady Glyde- there's the danger, plain enough. Who can read the
letter she hid in the sand, and not see that my wife is in
possession of the Secret, deny it as she may?'
  'One moment, Percival. If Lady Glyde does know the Secret, she
must know also that it is a compromising secret for you. As your
wife, surely it is her interest to keep it?'
  'Is it? I'm coming to that. It might be her interest if she cared
two straws about me. But I happen to be an encumbrance in the way of
another man. She was in love with him, before she married me- she's in
love with him now- an infernal vagabond of a drawing-master, named
Hartright.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 150}
  'My dear friend! what is there extraordinary in that? They are all
in love with some other man. Who gets the first of a woman's heart? In
all my experience I have never yet met with the man who was Number
One. Number Two, sometimes. Number Three, Four, Five, often. Number
One, never! He exists, of course- but I have not met with him.'
  'Wait! I haven't done yet. Who do you think helped Anne Catherick to
get the start, when the people from the madhouse were after her?
Hartright. Who do you think saw her again in Cumberland? Hartright.
Both times, he spoke to her alone. Stop! don't interrupt me. The
scoundrel's as sweet on my wife as she is on him. He knows the Secret,
and she knows the Secret. Once let them both get together again, and
it's her interest and his interest to turn their information against
me.'
  'Gently, Percival- gently! Are you insensible to the virtue of
Lady Glyde?'
  'That for the virtue of Lady Glyde! I believe in nothing about her
but her money. Don't you see how the case stands. She might be
harmless enough by herself; but if she and that vagabond Hartright-'
  'Yes, yes, I see. Where is Mr. Hartright?'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 155}
  'Out of the country. If he means to keep a whole skin on his
bones, I recommend him not to come back in a hurry.'
  'Are you sure he is out of the country?'
  'Certain. I had him watched from the time he left Cumberland to
the time he sailed. Oh, I've been careful, I can tell you! Anne
Catherick lived with some people at a farmhouse near Limmeridge. I
went there, myself, after she had given me the slip, and made sure
that they knew nothing. I gave her mother a form of letter to write to
Miss Halcombe, exonerating me from any bad motive in putting her under
restraint. I've spent, I'm afraid to say how much, in trying to
trace her. And, in spite of it all she turns up here, and escapes me
on my own property! How do I know who else may see her, who else may
speak to her? That prying scoundrel, Hartright, may come back
without my knowing it, and may make use of her to-morrow-'
  'Not he, Percival! While I am on the spot, and while that woman is
in the neighbourhood, I will answer for our laying hands on her,
before Mr. Hartright- even if he does come back. I see! yes, yes, I
see! The finding of Anne Catherick is the first necessity: make your
mind easy about the rest. Your wife is here, under your thumb; Miss
Halcombe is inseparable from her, and is, therefore, under your
thumb also; and Mr. Hartright is out of the country. This invisible
Anne of yours, is all we have to think of for the present. You have
made your inquiries?'
  'Yes. I have been to her mother; I have ransacked the village- and
all to no purpose.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 160}
  'Is her mother to be depended on?'
  'Yes.'
  'She has told your secret once?'
  'She won't tell it again.'
  'Why not? Are her own interests concerned in keeping it, as well
as yours?'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 165}
  'Yes- deeply concerned.'
  'I am glad to hear it, Percival, for your sake. Don't be
discouraged, my friend. Our money matters, as I told you, leave me
plenty of time to turn round in; and I may search for Anne Catherick
to-morrow to better purpose than you. One last question, before we
go to bed.'
  'What is it?'
  'It is this. When I went to the boat-house to tell Lady Glyde that
the little difficulty of her signature was put off, accident took me
there in time to see a strange woman parting in a very suspicious
manner from your wife. But accident did not bring me near enough to
see this same woman's face plainly. I must know how to recognise our
invisible Anne. What is she like?'
  'Like? Come! I'll tell you in two words. She's a sickly likeness
of my wife.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 170}
  The chair creaked, and the pillar shook once more. The Count was
on his feet again- this time in astonishment.
  'What! ! !' he exclaimed eagerly.
  'Fancy my wife, after a bad illness, with a touch of something wrong
in her head- and there is Anne Catherick for you,' answered Sir
Percival.
  'Are they related to each other?'
  'Not a bit of it.'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 175}
  'And yet, so like?
  'Yes, so like. What are you laughing about?'
  There was no, answer, and no sound of any kind. The Count was
laughing in his smooth silent internal way.
  'What are you laughing about?' reiterated Sir Percival.
  'Perhaps, at my own fancies, my good friend. Allow me my Italian
humour- do I not come of the illustrious nation which invented the
exhibition of Punch? Well, well, well, I shall know Anne Catherick
when I see her- and so enough for to-night. Make your mind easy,
Percival. Sleep, my son, the sleep of the just; and see what I will do
for you, when daylight comes to help us both. I have my projects and
my plans, here in my big head. You shall pay those bills and find Anne
Catherick- my sacred word of honour on it, but you shall! Am I a
friend to be treasured in the best corner of your heart, or am I
not? Am I worth those loans of money which you so delicately
reminded me of a little while since? Whatever you do, never wound me
in my sentiments any more. Recognise them, Percival! imitate them,
Percival! I forgive you again; I shake hands again. Good-night!'
                                      {2ND_EPOCH|HALCOMBE|IX ^paragraph 180}
-
  Not another word was spoken. I heard the Count close the library
door. I heard Sir Percival barring up the window-shutters. It had been
raining, raining all the time. I was cramped by my position, and
chilled to the bones. When I first tried to move, the effort was so
painful to me, that I was obliged to desist. I tried a second time,
and succeeded in rising to my knees on the wet roof.
  As I crept to the wall, and raised myself against it, I looked back,
and saw the window of the Count's dressing-room gleam into light. My
sinking courage flickered up in me again, and kept my eyes fixed on
his window, as I stole my way back, step by step, past the wall of the
house.
  The clock struck the quarter after one, when I laid my hands on
the window-sill of my own room. I had seen nothing and heard nothing
which could lead me to suppose that my retreat had been discovered.

{2ND_EPOCH|HALCOMBE|X
                                  X
-
              *       *       *       *       *       *
-
  JUNE 20th.- Eight o'clock. The sun is shining in a clear sky. I have
not been near my bed- I have not once closed my weary, wakeful eyes.
From the same window at which I looked out into the darkness of last
night, I look out, now, at the bright stillness of the morning.
  I count the hours that have passed since I escaped to the shelter of
this room, by my own sensations- and those hours seem like weeks.
  How short a time, and yet how long to me- since I sank down in the
darkness, here, on the floor; drenched to the skin, cramped in every
limb, cold to the bones, a useless, helpless, panic-stricken creature.
                                         {2ND_EPOCH|HALCOMBE|X ^paragraph 5}
  I hardly know when I roused myself. I hardly know when I groped my
way back to the bedroom, and lighted the candle, and searched (with
a strange ignorance, at first, of where to look for them) for dry
clothes to warm me. The doing of these things is in my mind, but not
the time when they were done.
  Can I even remember when the chilled, cramped feeling left me, and
the throbbing heat came in its place?
  Surely it was before the sun rose? Yes; I heard the clock strike
three. I remember the time by the sudden brightness and clearness, the
feverish strain and excitement of all my faculties which came with it.
I remembered my resolution to control myself, to wait patiently hour
after hour, till the chance offered of removing Laura from this
horrible place, without the danger of immediate discovery and pursuit.
I remember the persuasion settling itself in my mind that the words
those two men had said to each other, would furnish us, not only
with our justification for leaving the house, but with our weapons
of defence against them as well. I recall the impulse that awakened in
me to preserve those words in writing, exactly as they were spoken,
while the time was my own, and while my memory vividly retained
them. All this I remember plainly: there is no confusion in my head
yet. The coming in here from the bedroom, with my pen and ink and
paper, before sunrise- the sitting down at the widely opened window to
get all the air I could to cool me- the ceaseless writing, faster
and faster, hotter and hotter, driving on more and more wakefully,
an through the dreadful interval before the house was astir again- how
clearly I recall it, from the beginning by candlelight, to the end
on the page before this, in the sunshine of the new day!
  Why do I sit here still? Why do I weary my hot eyes and my burning
head by writing more? Why not lie down and rest myself, and try to
quench the fever that consumes me, in sleep?
  I dare not attempt it. A fear beyond all other fears has got
possession of me. I am afraid of this heat that parches my skin. I
am afraid of the creeping and throbbing that I feel in my head. If I
lie down now, how do I know that I may have the sense and the strength
to rise again?
                                        {2ND_EPOCH|HALCOMBE|X ^paragraph 10}
  Oh, the rain, the rain- the cruel rain that chilled me last night!
-
              *       *       *       *       *       *
-
  Nine o'clock. Was it nine struck, or eight? Nine, surely? I am
shivering again- shivering, from head to foot, in the summer air. Have
I been sitting here asleep? I don't know what I have been doing.
                                        {2ND_EPOCH|HALCOMBE|X ^paragraph 15}
  Oh, my God! am I going to be ill?
-
  Ill, at such a time as this!
  My head- I am sadly afraid of my head. I can write, but the lines
all run together. I see the words. Laura- I can write Laura, and see I
write it. Eight or nine- which was it?
  So cold, so cold- oh, that rain last night!- and the strokes of
the clock, the strokes I can't count, keep striking in my head-
                                        {2ND_EPOCH|HALCOMBE|X ^paragraph 20}
-
              *       *       *       *       *       *
-
                                NOTE.
-
                                        {2ND_EPOCH|HALCOMBE|X ^paragraph 25}
  [At this place the entry in the Diary ceases to be legible. The
two or three lines which follow, contain fragments of words only,
mingled with blots and scratches of the pen. The last marks on the
paper bear some resemblance to the first two letters (L and A) of
the name of Lady Glyde.
  On the next page of the Diary, another entry appears.
  It is in a man's handwriting, large, bold, and firmly regular; and
the date is 'June the 21st.' It contains these lines:]
-
                   POSTSCRIPT BY A SINCERE FRIEND.
                                        {2ND_EPOCH|HALCOMBE|X ^paragraph 30}
-
  The illness of our excellent Miss Halcombe has afforded me the
opportunity of enjoying an unexpected intellectual pleasure.
  I refer to the perusal (which I have just completed) of this
interesting Diary.
  There are many hundred pages here. I can lay my hand on my heart,
and declare that every page has charmed, refreshed, delighted me.
  To a man of my sentiments, it is unspeakably gratifying to be able
to say this.
                                        {2ND_EPOCH|HALCOMBE|X ^paragraph 35}
  Admirable woman!
  I allude to Miss Halcombe.
  Stupendous effort!
  I refer to the Diary.
  Yes! these pages are amazing. The tact which I find here, the
discretion, the rare courage, the wonderful power of memory, the
accurate observation of character, the easy grace of style, the
charming outbursts of womanly feeling, have all inexpressibly
increased my admiration of this sublime creature, of this
magnificent Marian. The presentation of my own character is masterly
in the extreme. I certify, with my whole heart, to the fidelity of the
portrait. I feel how vivid an impression I must have produced to
have been painted in such strong, such rich, such massive colours as
these. I lament afresh the cruel necessity which sets our interests at
variance, and opposes us to each other. Under happier circumstances
how worthy I should have been of Miss Halcombe- how worthy Miss
Halcombe would have been of ME.
                                        {2ND_EPOCH|HALCOMBE|X ^paragraph 40}
  The sentiments which animate my heart assure me that the lines I
have just written express a Profound Truth.
  Those sentiments exalt me above all merely personal
considerations. I bear witness, in the most disinterested manner, to
the excellence of the stratagem by which this unparalleled woman
surprised the private interview between Percival and myself. Also to
the marvellous accuracy of her report of the whole conversation from
its beginning to its end.
  Those sentiments have induced me to offer to the unimpressionable
doctor who attends on her, my vast knowledge of chemistry, and my
luminous experience of the more subtle resources which medical and
magnetic science have placed at the disposal of mankind. He has
hitherto declined to avail himself of my assistance. Miserable man!
  Finally, those sentiments dictate the lines- grateful,
sympathetic, paternal lines- which appear in this place. I close the
book. My strict sense of propriety restores it (by the hands of my
wife) to its place on the writer's table. Events are hurrying me away.
Circumstances are guiding me to serious issues. Vast perspectives of
success unroll themselves before my eyes. I accomplish my destiny with
a calmness which is terrible to myself. Nothing but the homage of my
admiration is my own. I deposit it, with respectful tenderness, at the
feet of Miss Halcombe.
  I breathe my wishes for her recovery.
                                        {2ND_EPOCH|HALCOMBE|X ^paragraph 45}
  I condole with her on the inevitable failure of every plan that
she has formed for her sister's benefit. At the same time, I entreat
her to believe that the information which I have derived from her
diary, will in no respect help me to contribute to that failure. It
simply confirms the plan of conduct which I had previously arranged. I
have to thank these pages for awakening the finest sensibilities in my
nature- nothing more.
  To a person of similar sensibility, this simple assertion will
explain and excuse everything.
  Miss Halcombe is a person of similar sensibility.
  In that persuasion, I sign myself,                FOSCO.

{2ND_EPOCH|FAIRLIE
           The Story continued by FREDERICK FAIRLIE, ESQ.,
                        of Limmeridge House *
-
  * The manner in which Mr. Fairlie's Narrative, and other
Narratives that are shortly to follow it, were originally obtained,
forms the subject of an explanation which will appear at a later
period.
-
  It is the grand misfortune of my life that nobody will let me alone.
  Why- I ask everybody- why worry me? Nobody answers that
question; and nobody lets me alone. Relatives, friends, and
strangers all combine to annoy me. What have I done? I ask myself, I
ask my servant, Louis, fifty times a day- what have I done? Neither of
us can tell. Most extraordinary!
                                            {2ND_EPOCH|FAIRLIE ^paragraph 5}
  The last annoyance that has assailed me is the annoyance of being
called upon to write this Narrative. Is a man in my state of nervous
wretchedness capable of writing narratives? When I put this
extremely reasonable objection, I am told that certain very serious
events, relating to my niece, have happened within my experience;
and that I am the fit person to describe them on that account. I am
threatened, if I fail to exert myself in the manner required, with
consequences which I cannot so much as think of, without perfect
prostration. There is really no need to threaten me. Shattered by my
miserable health and my family troubles, I am incapable of resistance.
If you insist, you take your unjust advantage of me; and I give way
immediately. I will endeavour to remember what I can (under
protest), and to write what I can (also under protest); and what I
can't remember and can't write, Louis must remember, and write for me.
He is an ass, and I am an invalid: and we are likely to make all sorts
of mistakes between us. How humiliating!
  I am told to remember dates. Good Heavens! I never did such a
thing in my life- how am I to begin now?
  I have asked Louis. He is not quite such an ass as I have hitherto
supposed. He remembers the date of the event, within a week or two-
and I remember the name of the person. The date was towards the end of
June, or the beginning of July; and the name (in my opinion a
remarkably vulgar one) was Fanny. At the end of June, or the beginning
of July, then, I was reclining, in my customary state, surrounded by
the various objects of Art which I have collected about me to
improve the taste of the barbarous people in my neighbourhood. That is
to say, I had the photographs of my pictures, and prints, and coins,
and so forth, all about me, which I intend, one of these days, to
present (the photographs, I mean, if the clumsy English language
will let me mean anything)- to present to the Institution at
Carlisle (horrid place!), with a view to improving the tastes of the
Members (Goths and Vandals to a man). It might be supposed that a
gentleman who was in course of conferring a great national benefit
on his countrymen, was the last gentleman in the world to be
unfeelingly worried about private difficulties and family affairs.
Quite a mistake, I assure you, in my case.
  However, there I was, reclining, with my art-treasures about me, and
wanting a quiet morning. Because I wanted a quiet morning, of
course, Louis came in. It was perfectly natural that I should
inquire what the deuce he meant by making his appearance, when I had
not rung my bell. I seldom swear- it is such an ungentlemanlike habit-
but when Louis answered by a grin, I think it was also perfectly
natural that I should damn him for grinning. At any rate, I did.
  This rigorous mode of treatment, I have observed, invariably
brings persons in the lower class of life to their senses. It
brought Louis to his senses. He was so obliging as to leave off
grinning, and inform me that a Young Person was outside, wanting to
see me. He added (with the odious talkativeness of servants), that her
name was Fanny.
                                           {2ND_EPOCH|FAIRLIE ^paragraph 10}
  'Who is Fanny?'
  'Lady Glyde's maid, sir.'
  'What does Lady Glyde's maid want with me?'
  'A letter, sir-'
  'Take it.'
                                           {2ND_EPOCH|FAIRLIE ^paragraph 15}
  'She refuses to give it to anybody but you, sir.'
  'Who sends the letter?'
  'Miss Halcombe, sir.'
  The moment I heard Miss Halcombe's name, I gave up. It is a habit of
mine always to give up to Miss Halcombe. I find, by experience, that
it saves noise. I gave up on this occasion. Dear Marian!
  'Let Lady Glyde's maid come in, Louis. Stop! Do her shoes creak?'
                                           {2ND_EPOCH|FAIRLIE ^paragraph 20}
  I was obliged to ask the question. Creaking shoes invariably upset
me for the day. I was resigned to see the Young Person, but I was
not resigned to let the Young Person's shoes upset me. There is a
limit even to my endurance.
  Louis affirmed distinctly that her shoes were to be depended upon. I
waved my hand. He introduced her. Is it necessary to say that she
expressed her sense of embarrassment by shutting up her mouth and
breathing through her nose? To the student of female human nature in
the lower orders, surely not.
  Let me do the girl justice. Her shoes did not creak. But why do
Young Persons in service all perspire at the hands? Why have they
all got fat noses and hard cheeks? And why are their faces so sadly
unfinished, especially about the corners of the eyelids? I am not
strong enough to think deeply myself, on any subject; but I appeal
to professional men who are. Why have we no variety in our breed of
Young Persons?
  'You have a letter for me, from Miss Halcombe? Put it down on the
table, please; and don't upset anything. How is Miss Halcombe?'
  'Very well, thank you, sir.'
                                           {2ND_EPOCH|FAIRLIE ^paragraph 25}
  'And Lady Glyde?'
  I received no answer. The Young Person's face became more unfinished
than ever; and, I think she began to cry. I certainly saw something
moist about her eyes. Tears or perspiration. Louis (whom I have just
consulted) is inclined to think, tears. He is in her class of life;
and he ought to know best. Let us say, tears.
  Except when the refining process of Art judiciously removes from
them all resemblance to Nature, I distinctly object to tears. Tears
are scientifically described as a Secretion. I can understand that a
secretion may be healthy or unhealthy, but I cannot see the interest
of a secretion from a sentimental point of view. Perhaps my own
secretions being all wrong together, I am a little prejudiced on the
subject. No matter. I behaved, on this occasion, with all possible
propriety and feeling. I closed my eyes, and said to Louis,
  'Endeavour to ascertain what she means.'
  Louis endeavoured, and the Young Person endeavoured. They
succeeded in confusing each other to such an extent that I am bound in
common gratitude to say, they really amused me. I think I shall send
for them again when I am in low spirits. I have just mentioned this
idea to Louis. Strange to say, it seems to make him uncomfortable.
Poor devil!
                                           {2ND_EPOCH|FAIRLIE ^paragraph 30}
  Surely, I am not expected to repeat my niece's maid's explanation of
her tears, interpreted in the English of my Swiss valet? The thing
is manifestly impossible. I can give my own impressions and feelings
perhaps. Will that do as well? Please say, Yes.
  My idea is that she began by telling me (through Louis) that her
master had dismissed her from her mistress's service. (Observe,
throughout, the strange irrelevancy of the Young Person. Was it my
fault that she had lost her place?) On her dismissal, she had gone
to the inn to sleep. (I don't keep the inn- why mention it to me?)
Between six o'clock and seven, Miss Halcombe had come to say
good-by, and had given her two letters, one for me, and one for a
gentleman in London. (I am not a gentleman in London- hang the
gentleman in London!) She had carefully put the two letters into her
bosom (what have I to do with her bosom?); she had been very
unhappy, when Miss Halcombe had gone away again; she had not had the
heart to put bit or drop between her lips till it was near bedtime;
and then, when it was close on nine o'clock, she had thought she
should like a cup of tea. (Am I responsible for any of these vulgar
fluctuations which begin with unhappiness and end with tea?) Just as
she was warming the pot (I give the words on the authority of Louis,
who says he knows what they mean, and wishes to explain, but I snub
him on principle)- just as she was warming the pot, the door opened,
and she was struck of a heap (her own words again, and perfectly
unintelligible, this time, to Louis, as well as to myself) by the
appearance, in the inn parlour, of her ladyship, the Countess. I
give my niece's maid's description of my sister's title with a sense
of the highest relish. My poor dear sister is a tiresome woman who
married a foreigner. To resume: the door opened; her ladyship, the
Countess, appeared in the parlour, and the Young Person was struck
of a heap. Most remarkable!
-
  I must really rest a little before I can get on any farther. When
I have reclined for a few minutes, with my eyes closed, and when Louis
has refreshed my poor aching temples with a little eau-de-Cologne, I
may be able to proceed.
  Her ladyship, the Countess-
                                           {2ND_EPOCH|FAIRLIE ^paragraph 35}
  No. I am able to proceed, but not to sit up. I will recline and
dictate. Louis has a horrid accent; but he knows the language, and can
write. How very convenient!
  Her ladyship, the Countess, explained her unexpected appearance at
the inn by telling Fanny that she had come to bring one or two
little messages which Miss Halcombe, in her hurry, had forgotten.
The Young Person thereupon waited anxiously to hear what the
messages were; but the Countess seemed disinclined to mention them (so
like my sister's tiresome way!), until Fanny had had her tea. Her
ladyship was surprisingly kind and thoughtful about it (extremely
unlike my sister), and said, 'I am sure, my poor girl, you must want
your tea. We can let the messages wait till afterwards. Come, come, if
nothing else will put you at your ease, I'll make the tea, and have
a cup with you.' I think those were the words, as reported
excitably, in my presence, by the Young Person. At any rate, the
Countess insisted on making the tea, and carried her ridiculous
ostentation of humility so far as to take one cup herself, and to
insist on the girl's taking the other. The girl drank the tea; and,
according to her own account, solemnised the extraordinary occasion,
five minutes afterwards, by fainting dead away, for the first time
in her life. Here again, I use her own words. Louis thinks they were
accompanied by an increased secretion of tears. I can't say, myself.
The effort of listening being quite as much as I could manage, my eyes
were closed.
  Where did I leave off? Ah, yes- she fainted, after drinking a cup of
tea with the Countess: a proceeding which might have interested me, if
I had been her medical man; but, being nothing of the sort, I felt
bored by hearing of it, nothing more. When she came to herself, in
half an hour's time, she was on the sofa, and nobody was with her
but the landlady. The Countess, finding it too late to remain any
longer at the inn, had gone away as soon as the girl showed signs of
recovering; and the landlady had been good enough to help her
up-stairs to bed.
  Left by herself, she had felt in her bosom (I regret the necessity
of referring to this part of the subject a second time), and had found
the two letters there, quite safe, but strangely crumpled. She had
been giddy in the night; but had got up well enough to travel in the
morning. She had put the letter addressed to that obtrusive
stranger, the gentleman in London, into the post; and had now
delivered the other letter into my hands, as she was told. This was
the plain truth; and, though she could not blame herself for any
intentional neglect, she was sadly troubled in her mind, and sadly
in want of a word of advice. At this point, Louis thinks the
secretions appeared again. Perhaps they did; but it is of infinitely
greater importance to mention that, at this point also, I lost my
patience, opened my eyes, and interfered.
  'What is the purport of all this?' I inquired.
                                           {2ND_EPOCH|FAIRLIE ^paragraph 40}
  My niece's irrelevant maid stared, and stood speechless.
  'Endeavour to explain,' I said to my servant. 'Translate me, Louis.'
  Louis endeavoured, and translated. In other words, he descended
immediately into a bottomless pit of confusion; and the Young Person
followed him down. I really don't know when I have been so amused. I
left them at the bottom of the pit, as long as they diverted me.
When they ceased to divert me, I exerted my intelligence, and pulled
them up again.
  It is unnecessary to say that my interference enabled me, in due
course of time, to ascertain the purport of the Young Person's
remarks.
  I discovered that she was uneasy in her mind, because the train of
events that she had just described to me, had prevented her from
receiving those supplementary messages which Miss Halcombe had
intrusted to the Countess to deliver. She was afraid the messages
might have been of great importance to her mistress's interests. Her
dread of Sir Percival had deterred her from going to Blackwater Park
late at night to inquire about them; and Miss Halcombe's own
directions to her, on no account to miss the train in the morning, had
prevented her from waiting at the inn the next day. She was most
anxious that the misfortune of her fainting-fit should not lead to the
second misfortune of making her mistress think her neglectful, and she
would humbly beg to ask me whether I would advise her to write her
explanations and excuses to Miss Halcombe, requesting to receive the
messages by letter, if it was not too late. I make no apologies for
this extremely prosy paragraph. I have been ordered to write it. There
are people, unaccountable as it may appear, who actually take more
interest in what my niece's maid said to me on this occasion, than
in what I said to my niece's maid. Amusing perversity.'
                                           {2ND_EPOCH|FAIRLIE ^paragraph 45}
  'I should feel very much obliged to you, sir, if you would kindly
tell me what I had better do,' remarked the Young Person.
  'Let things stop as they are,' I said, adapting my language to my
listener. 'I invariably let things stop as they are. Yes. Is that
all?'
  'If you think it would be a liberty in me, sir, to write, of
course I wouldn't venture to do so. But I am so very anxious to do all
I can to serve my mistress faithfully-'
  People in the lower class of life never know when or how to go out
of a room. They invariably require to be helped out by their
betters. I thought it high time to help the Young Person out. I did it
with two judicious words:
  'Good morning!'
                                           {2ND_EPOCH|FAIRLIE ^paragraph 50}
  Something, outside or inside this singular girl, suddenly creaked.
Louis, who was looking at her (which I was not), says she creaked when
she curtseyed. Curious. Was it her shoes, her stays, or her bones?
Louis thinks it was her stays. Most extraordinary!
-
  As soon as I was left by myself, I had a little nap- I really wanted
it. When I awoke again, I noticed dear Marian's letter. If I had had
the least idea of what it contained, I should certainly not have
attempted to open it. Being, unfortunately for myself, quite
innocent of all suspicion, I read the letter. It immediately upset
me for the day.
  I am, by nature, one of the most easy-tempered creatures that ever
lived- I make allowances for everybody, and I take offence at nothing.
But, as I have before remarked, there are limits to my endurance. I
laid down Marian's letter, and felt myself- justly felt myself- an
injured man.
  I am about to make a remark. It is, of course, applicable to the
very serious matter now under notice- or I should not allow it to
appear in this place.
                                           {2ND_EPOCH|FAIRLIE ^paragraph 55}
  Nothing, in my opinion, sets the odious selfishness of mankind in
such a repulsively vivid light, as the treatment, in all classes of
society, which the Single people receive at the hands of the Married
people. When you have once shown yourself too considerate and
self-denying to add a family of your own to an already overcrowded
population, you are vindictively marked out by your married friends,
who have no similar consideration and no similar self-denial, as the
recipient of half their conjugal troubles, and the born friend of
all their children. Husbands and wives talk of the cares of
matrimony; and bachelors and spinsters bear them. Take my own
case, I considerately remain single; and my poor dear brother, Philip,
inconsiderately marries. What does he do when he dies? He leaves his
daughter to me. She is a sweet girl. She is also a dreadful
responsibility. Why lay her on my shoulders? Because I am bound, in
the harmless character of a single man, to relieve my married
connexions of all their own troubles. I do my best with my brother's
responsibility; I marry my niece, with infinite fuss and difficulty,
to the man her father wanted her to marry. She and her husband
disagree, and unpleasant consequences follow. What does she do with
those consequences? She transfers them to me. Why transfer them to
me? Because I am bound, in the harmless character of a single man,
to relieve my married connexions of all their own troubles. Poor
single people! Poor human nature!
  It is quite unnecessary to say that Marian's letter threatened me.
Everybody threatens me. All sorts of horrors were to fall on my
devoted head, if I hesitated to turn Limmeridge House into an asylum
for my niece and her misfortunes. I did hesitate, nevertheless.
  I have mentioned that my usual course, hitherto, had been to
submit to dear Marian, and save noise. But, on this occasion, the
consequences involved in her extremely inconsiderate proposal, were of
a nature to make me pause. If I opened Limmeridge House as an asylum
to Lady Glyde, what security had I against Sir Percival Glyde's
following her here, in a state of violent resentment against me
for harbouring his wife? I saw such a perfect labyrinth of troubles
involved in this proceeding, that I determined to feel my ground, as
it were. I wrote, therefore, to dear Marian, to beg (as she had no
husband to lay claim to her) that she would come here by herself,
first, and talk the matter over with me. If she could answer my
objections to my own perfect satisfaction, then I assured her that I
would receive our sweet Laura with the greatest pleasure- but not
otherwise.
  I felt of course, at the time, that this temporising, on my part,
would probably end in bringing Marian here in a state of virtuous
indignation, banging doors. But, then, the other course of
proceeding might end in bringing Sir Percival here in a state of
virtuous indignation, banging doors also; and, of the two indignations
and bangings, I preferred Marian's- because I was used to her.
Accordingly, I despatched the letter by return of post. It gained me
time, at all events- and, oh dear me! what a point that was to begin
with.
  When I am totally prostrated (did I mention that I was totally
prostrated by Marian's letter?), it always takes me three days to
get up again. I was very unreasonable- I expected three days of quiet.
Of course I didn't get them.
                                           {2ND_EPOCH|FAIRLIE ^paragraph 60}
  The third day's post brought me a most impertinent letter from a
person with whom I was totally unacquainted. He described himself as
the acting partner of our man of business- our dear pig-headed old
Gilmore- and he informed me that he had lately received, by the
post, a letter addressed to him in Miss Halcombe's handwriting. On
opening the envelope, he had discovered, to his astonishment, that
it contained nothing but a blank sheet of note paper. This
circumstance appeared to him so suspicious (as suggesting to his
restless legal mind that the letter had been tampered with) that he
had at once written to Miss Halcombe, and had received no answer by
return of post. In this difficulty, instead of acting like a
sensible man and letting things take their proper course; his next
absurd proceeding, on his own showing, was to pester me, by writing to
inquire if I knew anything about it. What the deuce should I know
about it? Why alarm me as well as himself? I wrote back to that
effect. It was one of my keenest letters. I have produced nothing with
a sharper epistolary edge to it, since I tendered his dismissal in
writing to that extremely troublesome person, Mr. Walter Hartright.
  My letter produced its effect. I heard nothing more from the lawyer.
  This perhaps was not altogether surprising. But it was certainly a
remarkable circumstance that no second letter reached me from
Marian, and that no warning signs appeared of her arrival. Her
unexpected absence did me amazing good. It was so very soothing and
pleasant to infer (as I did of course) that my married connexions
had made it up again. Five days of undisturbed tranquillity, of
delicious single blessedness, quite restored me. On the sixth day, I
felt strong enough to send for my photographer, and to set him at work
again on the presentation copies of my art-treasures, with a view,
as I have already mentioned, to the improvement of taste in this
barbarous neighbourhood. I had just dismissed him to his workshop, and
had just begun coquetting with my coins, when Louis suddenly made
his appearance with a card in his hand.
  'Another Young Person?' I said. 'I won't see her. In my state of
health, Young Persons disagree with me. Not at home.'
  'It is a gentleman this time, sir.'
                                           {2ND_EPOCH|FAIRLIE ^paragraph 65}
  A gentleman of course made a difference. I looked at the card.
  Gracious Heaven! my tiresome sister's foreign husband, Count Fosco.
-
  Is it necessary to say what my first impression was, when I looked
at my visitor's card? Surely not? My sister having married a
foreigner, there was but one impression that any man in his senses
could possibly feel. Of course the Count had come to borrow money of
me.
  'Louis,' I said, 'do you think he would go away, if you gave him
five shillings?'
                                           {2ND_EPOCH|FAIRLIE ^paragraph 70}
  Louis looked quite shocked. He surprised me inexpressibly, by
declaring that my sister's foreign husband was dressed superbly, and
looked the picture of prosperity. Under these circumstances, my
first impression altered to a certain extent. I now took it for
granted, that the Count had matrimonial difficulties of his own to
contend with, and- that he had come, like the rest of the family, to
cast them all on my shoulders.
  'Did he mention his business?' I asked.
  'Count Fosco said he had come here, sir, because Miss Halcombe was
unable to leave Blackwater Park.'
  Fresh troubles, apparently. Not exactly his own, as I had
supposed, but dear Marian's. Troubles, any way. Oh dear!
  'Show him in,' I said, resignedly.
                                           {2ND_EPOCH|FAIRLIE ^paragraph 75}
  The Count's first appearance really startled me. He was such an
alarmingly large person, that I quite trembled. I felt certain that he
would shake the floor, and knock down my art-treasures. He did neither
the one nor the other. He was refreshingly dressed in summer
costume; his manner was delightfully self-possessed and quiet- he
had a charming smile. My first impression of him was highly
favourable. It is not creditable to my penetration- as the sequel will
show- to acknowledge this; but I am a naturally candid man, and I do
acknowledge it, notwithstanding.
  'Allow me to present myself, Mr. Fairlie,' he said. 'I come from
Blackwater Park, and I have the honour and the happiness of being
Madame Fosco's husband. Let me take my first, and last, advantage of
that circumstance, by entreating you not to make a stranger of me. I
beg you will not disturb yourself- I beg you will not move.'
  'You are very good,' I replied. 'I wish I was strong enough to get
up. Charmed to see you at Limmeridge. Please take a chair.'
  'I am afraid you are suffering to-day,' said the Count.
  'As usual,' I said. 'I am nothing but a bundle of nerves dressed
up to look like a man.'
                                           {2ND_EPOCH|FAIRLIE ^paragraph 80}
  'I have studied many subjects in my time,' remarked this sympathetic
person. 'Among others the inexhaustible subject of nerves. May I
make a suggestion, at once the simplest and the most profound? Will
you let me alter the light in your room?'
  'Certainly- if you will be so very kind as not to let any of it in
on me.'
  He walked to the window. Such a contrast to dear Marian! so
extremely considerate in all his movements!
  'Light,' he said, in that delightfully confidential tone which is so
soothing to an invalid, 'is the first essential. Light stimulates,
nourishes, preserves. You can no more do without it, Mr. Fairlie, than
if you were a flower. Observe. Here, where you sit, I close the
shutters, to compose you. There, where you do not sit, I draw up the
blind and let in the invigorating sun. Admit the light into your room,
if you cannot bear it on yourself. Light, sir, is the grand decree
of Providence. You accept Providence with your own restrictions.
Accept light- on the same terms.'
  I thought this very convincing and attentive. He had taken me in- up
to that point about the light, he had certainly taken me in.
                                           {2ND_EPOCH|FAIRLIE ^paragraph 85}
  'You see me confused,' he said, returning to his place- 'on my
word of honour, Mr. Fairlie, you see me confused in your presence.'
  'Shocked to hear it, I am sure. May I inquire why?'
  'Sir, can I enter this room (where you sit a sufferer), and see
you surrounded by these admirable objects of Art, without
discovering that you are a man whose feelings are acutely
impressionable, whose sympathies are perpetually alive? Tell me can
I do this?'
  If I had been strong enough to sit up in my chair, I should of
course have bowed. Not being strong enough, I smiled my
acknowledgments instead. It did just as well, we both understood one
another.
  'Pray follow my train of thought,' continued the Count. 'I sit here,
a man of refined sympathies myself, in the presence of another man
of refined sympathies also. I am conscious of a terrible necessity for
lacerating those sympathies by referring to domestic events of a
very melancholy kind. What is the inevitable consequence? I have
done myself the honour of pointing it out to you, already. I sit
confused.'
                                           {2ND_EPOCH|FAIRLIE ^paragraph 90}
  Was it at this point that I began to suspect he was going to bore
me? I rather think it was.
  'Is it absolutely necessary to refer to these unpleasant matters?' I
inquired. 'In our homely English phrase, Count Fosco, won't they
keep?'
  The Count, with the most alarming solemnity, sighed and shook his
head.
  'Must I really hear them?'
  He shrugged his shoulders (it was the first foreign thing he had
done, since he had been in the room); and looked at me in an
unpleasantly penetrating manner. My instincts told me that I had
better close my eyes. I obeyed my instincts.
                                           {2ND_EPOCH|FAIRLIE ^paragraph 95}
  'Please break it gently,' I pleaded. 'Anybody dead?'
  'Dead!' cried the Count, with unnecessary foreign fierceness. 'Mr.
Fairlie! your national composure terrifies me. In the name of
Heaven, what have I said, or done, to make you think me the
messenger of death?'
  'Pray accept my apologies,' I answered. 'You have said and done
nothing. I make it a rule, in these distressing cases, always to
anticipate the worst. It breaks the blow, by meeting it half way,
and so on. Inexpressibly relieved, I am sure, to hear that nobody is
dead. Anybody ill?'
  I opened my eyes, and looked at him. Was he very yellow, when he
came in? or had he turned very yellow, in the last minute or two? I
really can't say; and I can't ask Louis, because he was not in the
room at the time.
  'Anybody ill?' I repeated; observing that my national composure
still appeared to affect him.
                                          {2ND_EPOCH|FAIRLIE ^paragraph 100}
  'That is part of my bad news, Mr. Fairlie. Yes. Somebody is ill.'
  'Grieved, I am sure. Which of them is it?'
  'To my profound sorrow, Miss Halcombe. Perhaps you were in some
degree prepared to hear this? Perhaps, when you found that Miss
Halcombe did not come here by herself, as you proposed, and did not
write a second time, your affectionate anxiety may have made you
fear that she was ill?'
  I have no doubt my affectionate anxiety had led to that melancholy
apprehension, at some time or other; but, at the moment, my wretched
memory entirely failed to remind me of the circumstance. However, I
said, Yes, in justice to myself I was much shocked. It was so very
uncharacteristic of such a robust person as dear Marian to be ill,
that I could only suppose she had met with an accident. A horse, or
a false step on the stairs, or something of that sort.
  'Is it serious?' I asked.
                                          {2ND_EPOCH|FAIRLIE ^paragraph 105}
  'Serious- beyond a doubt,' he replied. 'Dangerous- I hope and
trust not. Miss Halcombe unhappily exposed herself to be wetted
through by a heavy rain. The cold that followed was of an aggravated
kind; and it has now brought with it the worst consequence- Fever.'
  When I heard the word, Fever, and when I remembered, at the same
moment, that the unscrupulous person who was now addressing me had
just come from Blackwater Park, I thought I should have fainted on the
spot.
  'Good God!' I said. 'Is it infectious?'
  'Not at present,' he answered, with detestable composure. 'It may
turn to infection- but no such deplorable complication had taken place
when I left Blackwater Park. I have felt the deepest interest in the
case, Mr. Fairlie- I have endeavoured to assist the regular medical
attendant in watching it- accept my personal assurances of the
uninfectious nature of the fever, when I last saw it.'
  Accept his assurances! I never was farther from accepting anything
in my life. I would not have believed him on his oath. He was too
yellow to be believed. He looked like a
walking-West-Indian-epidemic. He was big enough to carry typhus by the
ton, and to dye the very carpet he walked on with scarlet fever. In
certain emergencies, my mind is remarkably soon made up. I instantly
determined to get rid of him.
                                          {2ND_EPOCH|FAIRLIE ^paragraph 110}
  'You will kindly excuse an invalid,' I said- 'but long conferences
of any kind invariably upset me. May I beg to know exactly what the
object is to which I am indebted for the honour of your visit?'
  I fervently hoped that this remarkably broad hint would throw him
off his balance- confuse him- reduce him to polite apologies- in
short, get him out of the room. On the contrary, it only settled him
in his chair. He became additionally solemn and dignified and
confidential. He held up two of his horrid fingers, and gave me
another of his unpleasantly penetrating looks. What was I to do? I was
not strong enough to quarrel with him. Conceive my situation, if you
please. Is language adequate to describe it? I think not.
  'The objects of my visit,' he went on, quite irrepressibly, 'are
numbered on my fingers. They are two. First, I come to bear my
testimony, with profound sorrow, to the lamentable disagreements
between Sir Percival and Lady Glyde. I am Sir Percival's oldest
friend; I am related to Lady Glyde by marriage; I am an eye-witness of
all that has happened at Blackwater Park. In those three capacities
I speak with authority, with confidence, with honourable regret.
Sir! I inform you, as the head of Lady Glyde's family, that Miss
Halcombe has exaggerated nothing in the letter which she wrote to your
address. I affirm that the remedy which that admirable lady has
proposed, is the only remedy that will spare you the horrors of public
scandal. A temporary separation between husband and wife is the one
peaceable solution of this difficulty. Part them for the present;
and when all causes of irritation are removed, I, who have now the
honour of addressing you- I will undertake to bring Sir Percival to
reason. Lady Glyde is innocent, Lady Glyde is injured; but- follow
my thought here!- she is, on that very account (I say it with
shame), the cause of irritation while she remains under her
husband's roof. No other house can receive her with propriety, but
yours. I invite you to open it!'
  Cool. Here was a matrimonial hailstorm pouring in the South of
England; and I was invited, by a man with fever in every fold of his
coat, to come out from the North of England, and take my share of
the pelting. I tried to put the point forcibly, just as I have put
it here. The Count deliberately lowered one of his horrid fingers;
kept the other up; and went on- rode over me, as it were, without even
the common coachmanlike attention of crying 'Hi!' before he knocked me
down.
  'Follow my thought once more, if you please,' he resumed. 'My
first object you have heard. My second object in coming to this
house is to do what Miss Halcombe's illness has prevented her from
doing for herself. My large experience is consulted on all difficult
matters at Blackwater Park; and my friendly advice was requested on
the interesting subject of your letter to Miss Halcombe. I
understood at once- for my sympathies are your sympathies- why you
wished to see her here, before you pledged yourself to inviting Lady
Glyde. You are most right, sir, in hesitating to receive the wife,
until you are quite certain that the husband will not exert his
authority to reclaim her. I agree to that. I also agree that such
delicate explanations as this difficulty involves, are not
explanations which can be properly disposed of by writing only. My
presence here (to my own great inconvenience) is the proof that I
speak sincerely. As for the explanations themselves, I- Fosco- I who
know Sir Percival much better than Miss Halcombe knows him, affirm
to you, on my honour and my word, that he will not come near this
house, or attempt to communicate with this house, while his wife is
living in it. His affairs are embarrassed. Offer him his freedom, by
means of the absence of Lady Glyde. I promise you he will take his
freedom, and go back to the Continent, at the earliest moment when
he can get away. Is this clear to you as crystal? Yes, it is. Have you
questions to address to me? Be it so; I am here to answer. Ask, Mr.
Fairlie- oblige me by asking, to your heart's content.'
                                          {2ND_EPOCH|FAIRLIE ^paragraph 115}
  He had said so much already in spite of me; and he looked so
dreadfully capable of saying a great deal more, also in spite of me,
that I declined his amiable invitation, in pure self-defence.
  'Many thanks,' I replied. 'I am sinking fast. In my state of health,
I must take things for granted. Allow me to do so on this occasion. We
quite understand each other. Yes. Much obliged, I am sure, for your
kind interference. If I ever get better, and ever have a second
opportunity of improving our acquaintance-'
  He got up. I thought he was going. No. More talk; more time for
the development of infectious influences- in my room, too;
remember that, in my room!
  'One moment, yet,' he said; 'one moment before I take my leave. I
ask permission, at parting, to impress on you an urgent necessity.
It is this, sir! You must not think of waiting till Miss Halcombe
recovers, before you receive Lady Glyde. Miss Halcombe has the
attendance of the doctor, of the housekeeper at Blackwater Park, and
of an experienced nurse as well,- three persons for whose capacity and
devotion I answer with my life. I tell you that. I tell you, also,
that the anxiety and alarm of her sister's illness has already
affected the health and spirits of Lady Glyde, and has made her
totally unfit to be of use in the sick-room. Her position with her
husband grows more and more deplorable and dangerous, every day. If
you leave her any longer at Blackwater Park, you do nothing whatever
to hasten her sister's recovery, and, at the same time, you risk the
public scandal, which you, and I, and all of us, are bound, in the
sacred interests of the Family, to avoid. With all my soul, I advise
you to remove the serious responsibility of delay from your own
shoulders, by writing to Lady Glyde, to come here at once. Do your
affectionate, your honourable, your inevitable duty; and, whatever
happens in the future, no one can lay the blame on you. I speak from
my large experience; I offer my friendly advice. Is it accepted-
Yes, or No?'
  I looked at him- merely looked at him- with my sense of his
amazing assurance, and my dawning resolution to ring for Louis, and
have him shown out of the room, expressed in every line of my face. It
is perfectly incredible, but quite true, that my face did not appear
to produce the slightest impression on him. Born without nerves-
evidently, born without nerves.
                                          {2ND_EPOCH|FAIRLIE ^paragraph 120}
  'You hesitate? ' he said. 'Mr. Fairlie! I understand that
hesitation. You object- see, sir, how my sympathies look straight down
into your thoughts!- you object that Lady Glyde is not in health and
not in spirits to take the long journey, from Hampshire to this place,
by herself. Her own maid is removed from her, as you know; and, of
other servants fit to travel with her, from one end of England to
another, there are none at Blackwater Park. You object, again, that
she cannot comfortably stop and rest in London, on her way here,
because she cannot comfortably go alone to a public hotel where she is
a total stranger. In one breath, I grant both objections- in another
breath, I remove them. Follow me, if you please, for the last time. It
was my intention, when I returned to England with Sir Percival, to
settle myself in the neighbourhood of London. That purpose has just
been happily accomplished. I have taken, for six months, a little
furnished house, in the quarter called St. John's Wood. Be so obliging
as to keep this fact in your mind; and observe the programme I now
propose. Lady Glyde travels to London (a short journey)- I myself meet
her at the station- I take her to rest and sleep at my house, which is
also the house of her aunt- when she is restored, I escort her to
the station again- she travels to this place, and her own maid (who is
now under your roof) receives her at the carriage door. Here is
comfort consulted; here are the interests of propriety consulted; here
is your own duty- duty of hospitality, sympathy, protection, to an
unhappy lady in need of all three- smoothed and made easy, from the
beginning to the end. I cordially invite you, sir, to second my
efforts in the sacred interests of the Family. I seriously advise
you to write, by my hands, offering the hospitality of your house (and
heart), and the hospitality of my house (and heart), to that injured
and unfortunate lady whose cause I plead to-day.'
  He waved his horrid hand at me; he struck his infectious breast;
he addressed me oratorically- as if I was laid up in the House of
Commons. It was high time to take a desperate course of some sort.
It was also high time to send for Louis, and adopt the precaution of
fumigating the room.
  In this trying emergency, an idea occurred to me- an inestimable
idea which, so to speak, killed two intrusive birds with one stone.
I determined to get rid of the Count's tiresome eloquence, and of Lady
Glyde's tiresome troubles, by complying with this odious foreigner's
request, and writing the letter at once. There was not the least
danger of the invitation being accepted, for there was not the least
chance that Laura would consent to leave Blackwater Park, while Marian
was lying there ill. How this charmingly convenient obstacle could
have escaped the officious penetration of the Count, it was impossible
to conceive- but it had escaped him. My dread that he might yet
discover it, if I allowed him any more time to think, stimulated me to
such an amazing degree, that I struggled into a sitting position;
seized, really seized the writing materials by my side; and produced
the letter as rapidly as if I had been a common clerk in an office.
'Dearest Laura, Please come, whenever you like. Break the journey by
sleeping in London at your aunt's house. Grieved to hear of dear
Marian's illness. Ever affectionately yours.' I handed these lines, at
arm's length, to the Count- I sank back in my chair- I said, 'Excuse
me; I am entirely prostrated; I can do no more. Will you rest and
lunch down stairs? Love to all, and sympathy, and so on. Good
morning.'
  He made another speech- the man was absolutely inexhaustible. I
closed my eyes; I endeavoured to hear as little as possible. In
spite of my endeavours, I was obliged to hear a great deal. My
sister's endless husband congratulated himself and congratulated me,
on the result of our interview; he mentioned a great deal more about
his sympathies and mine; he deplored my miserable health; he offered
to write me a prescription; he impressed on me the necessity of not
forgetting what he had said about the importance of light; he accepted
my obliging invitation to rest and lunch; he recommended me to
expect Lady Glyde in two or three days' time; he begged my
permission to look forward to our next meeting, instead of paining
himself and paining me, by saying farewell; he added a great deal
more, which, I rejoice to think, I did not attend to at the time,
and do not remember now. I heard his sympathetic voice travelling away
from me by degrees- but, large as he was, I never heard him. He
had the negative merit of being absolutely noiseless. I don't know
when he opened the door, or when he shut it. I ventured to make use of
my eyes again, after an interval of silence- and he was gone.
  I rang for Louis, and retired to my bath-room. Tepid water,
strengthened with aromatic vinegar, for myself, and copious
fumigation, for my study, were the obvious precautions to take; and of
course I adopted them. I rejoice to say, they proved successful. I
enjoyed my customary siesta. I awoke moist and cool.
                                          {2ND_EPOCH|FAIRLIE ^paragraph 125}
  My first inquiries were for the Count. Had we really got rid of him?
Yes- he had gone away by the afternoon train. Had he lunched; and,
if so, upon what? Entirely upon fruit-tart and cream. What a man! What
a digestion!
  Am I expected to say anything more? I believe not. I believe I
have reached the limits assigned to me. The shocking circumstances
which happened at a later period, did not, I am thankful to say,
happen in my presence. I do beg and entreat that nobody will be so
very unfeeling as to lay any part of the blame of those
circumstances on me. I did everything for the best. I am not
answerable for a deplorable calamity, which it was quite impossible to
foresee. I am shattered by it; I have suffered under it, as nobody
else has suffered. My servant, Louis (who is really attached to me
in his unintelligent way), thinks I shall never get over it. He sees
me dictating at this moment, with my handkerchief to my eyes. I wish
to mention, in justice to myself, that it was not my fault, and that I
am quite exhausted and heartbroken. Need I say more?

{2ND_EPOCH|MICHELSON|I
               The Story continued by ELIZA MICHELSON,
                    Housekeeper at Blackwater Park
                                  I
-
  I am asked to state plainly what I know of the progress of Miss
Halcombe's illness, and of the circumstances under which Lady Glyde
left Blackwater Park for London.
  The reason given for making this demand on me is, that my
testimony is wanted in the interests of truth. As the widow of a
clergyman of the Church of England (reduced by misfortune to the
necessity of accepting a situation), I have been taught to place the
claims of truth above all other considerations. I therefore comply
with a request which I might otherwise, through reluctance to
connect myself with distressing family affairs, have hesitated to
grant.
  I made no memorandum at the time, and I cannot therefore be sure
to a day, of the date; but I believe I am correct in stating that Miss
Halcombe's serious illness began during the last fortnight or ten days
in June. The breakfast hour was late at Blackwater Park- sometimes
as late as ten, never earlier than half-past nine. On the morning to
which I am now referring, Miss Halcombe (who was usually the first
to come down) did not make her appearance at the table. After the
family had waited a quarter of an hour, the upper housemaid was sent
to see after her, and came running out of the room dreadfully
frightened. I met the servant on the stairs, and went at once to
Miss Halcombe to see what was the matter. The poor lady was
incapable of telling me. She was walking about her room with a pen
in hand, quite light-headed, in a state of burning fever.
                                        {2ND_EPOCH|MICHELSON|I ^paragraph 5}
  Lady Glyde (being no longer in Sir Percival's service, I may,
without impropriety, mention my former mistress by her name, instead
of calling her My Lady) was the first to come in, from her own
bedroom. She was so dreadfully alarmed and distressed, that she was
quite useless. The Count Fosco, and his lady, who came up-stairs
immediately afterwards, were both most serviceable and kind. Her
ladyship assisted me to get Miss Halcombe to her bed. His lordship the
Count, remained in the sitting-room, and, having sent for my
medicine-chest, made a mixture for Miss Halcombe, and a cooling lotion
to be applied to her head, so as to lose no time before the doctor
came. We applied the lotion; but we could not get her to take the
mixture. Sir Percival undertook to send for the doctor. He
despatched a groom, on horseback, for the nearest medical man, Mr.
Dawson, of Oak Lodge.
  Mr. Dawson arrived in less than an hour's time. He was a respectable
elderly man, well known, all round the country; and we were much
alarmed when we found that he considered the case to be a very serious
one.
  His lordship the Count, affably entered into conversation with Mr.
Dawson, and gave his opinions with a judicious freedom. Mr. Dawson,
not over-courteously, inquired if his lordship's advice was the advice
of a doctor; and being informed that it was the advice of one who
had studied medicine, unprofessionally, replied that he was not
accustomed to consult with amateur-physicians. The Count, with truly
Christian meekness of temper, smiled, and left the room. Before he
went out, he told me that he might be found, in case he was wanted
in the course of the day, at the boat-house on the banks of the
lake. Why he should have gone there, I cannot say. But he did go;
remaining away the whole day till seven o'clock, which was
dinner-time. Perhaps, he wished to set the example of keeping the
house as quiet as possible. It was entirely in his character to do so.
He was a most considerate nobleman.
  Miss Halcombe passed a very bad night; the fever coming and going,
and getting worse towards the morning, instead of better. No nurse fit
to wait on her being at hand in the neighbourhood, her ladyship the
Countess, and myself, undertook the duty, relieving each other. Lady
Glyde, most unwisely, insisted on sitting up with us. She was much too
nervous and too delicate in health to bear the anxiety of Miss
Halcombe's illness calmly. She only did herself harm, without being of
the least real assistance. A more gentle and affectionate lady never
lived; but she cried, and she was frightened- two weaknesses which
made her entirely unfit to be present in a sick-room.
  Sir Percival and the Count came in the morning to make their
inquiries.
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 10}
  Sir Percival (from distress, I presume, at his lady's affliction,
and at Miss Halcombe's illness) appeared much confused and unsettled
in his mind. His lordship testified, on the contrary, a becoming
composure and interest. He had his straw hat in one hand, and his book
in the other; and he mentioned to Sir Percival, in my hearing, that he
would go out again and study at the lake. 'Let us keep the house
quiet,' he said. 'Let us not smoke in-doors, my friend, now Miss
Halcombe is ill. You go your way, and I will go mine. When I study,
I like to be alone. Good morning, Mrs. Michelson.'
  Sir Percival was not civil enough- perhaps, I ought, in justice to
say, not composed enough- to take leave of me with the same polite
attention. The only person in the house, indeed, who treated me, at
that time or at any other, on the footing of a lady in distressed
circumstances, was the Count. He had the manners of a true nobleman;
he was considerate towards every one. Even the young person (Fanny
by name) who attended on Lady Glyde, was not beneath his notice.
When she was sent away by Sir Percival, his lordship (showing me his
sweet little birds at the time) was most kindly anxious to know what
had become of her, where she was to go the day she left Blackwater
Park, and so on. It is in such little delicate attentions that the
advantages of aristocratic birth always show themselves. I make no
apology for introducing these particulars; they are brought forward in
justice to his lordship, whose character, I have reason to know, is
viewed rather harshly in certain quarters. A nobleman who can
respect a lady in distressed circumstances, and can take a fatherly
interest in the fortunes of an humble servant girl, shows principles
and feelings of too high an order to be lightly called in question.
I advance no opinions- I offer facts only. My endeavour through life
is to judge not, that I be not judged. One of my beloved husband's
finest sermons was on that text. I read it constantly- in my own
copy of the edition printed by subscription, in the first days of my
widowhood- and, at every fresh perusal, I derive an increase of
spiritual benefit and edification.
  There was no improvement in Miss Halcombe; and the second night
was even worse than the first. Mr. Dawson was constant in his
attendance. The practical duties of nursing were still divided between
the Countess and myself; Lady Glyde persisting in sitting up with
us, though we both entreated her to take some rest. 'My place is by
Marian's bedside,' was her only answer. 'Whether I am ill, or well,
nothing will induce me to lose sight of her.'
  Towards mid-day, I went down stairs to attend to some of my
regular duties. An hour afterwards, on my way back to the sick-room, I
saw the Count (who had gone out again early, for the third time),
entering the hall, to all appearance in the highest good spirits.
Sir Percival, at the same moment, put his head out of the
library-door, and addressed his noble friend, with extreme
eagerness, in these words:
  'Have you found her?'
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 15}
  His lordship's large face became dimpled all over with placid
smiles; but he made no reply in words. At the same time, Sir
Percival turned his head, observed that I was approaching the
stairs, and looked at me in the most rudely angry manner possible.
  'Come in here and tell me about it,' he said, to the Count.
'Whenever there are women in a house, they're always sure to be
going up or down stairs.'
  'My dear Percival,' observed his lordship, kindly, 'Mrs. Michelson
has duties. Pray recognise her admirable performance of them as
sincerely as I do! How is the sufferer, Mrs. Michelson?'
  'No better, my lord, I regret to say.'
  'Sad- most sad!' remarked the Count. 'You look fatigued, Mrs.
Michelson. It is certainly time you and my wife had some help in
nursing. I think I may be the means of offering you that help.
Circumstances have happened which will oblige Madame Fosco to travel
to London either to-morrow or the day after. She will go away in the
morning, and return at night; and she will bring back with her, to
relieve you, a nurse of excellent conduct and capacity, who is now
disengaged. The woman is known to my wife as a person to be trusted.
Before she comes here, say nothing about her, if you please, to the
doctor, because he will look with an evil eye on any nurse of my
providing. When she appears in this house, she will speak for herself;
and Mr. Dawson will be obliged to acknowledge that there is no
excuse for not employing her. Lady Glyde will say the same. Pray
present my best respects and sympathies to Lady Glyde.'
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 20}
  I expressed my grateful acknowledgments for his lordship's kind
consideration. Sir Percival cut them short by calling to his noble
friend (using, I regret to say, a profane expression) to come into the
library, and not to keep him waiting there any longer.
  I proceeded upstairs. We are poor erring creatures; and however well
established a woman's principles may be, she cannot always keep on her
guard against the temptation to exercise an idle curiosity. I am
ashamed to say that an idle curiosity, on this occasion, got the
better of my principles, and made me unduly inquisitive about the
question which Sir Percival had addressed to his noble friend, at
the library-door. Who was the Count expected to find, in the course of
his studious morning rambles at Blackwater Park? A woman, it was to be
presumed, from the terms of Sir Percival's inquiry. I did not
suspect the Count of any impropriety- I knew his moral character too
well. The only question I asked myself was- Had he found her?
  To resume. The night passed as usual, without producing any change
for the better in Miss Halcombe. The next day she seemed to improve
a little. The day after that, her ladyship the Countess, without
mentioning the object of her journey to any one in my hearing,
proceeded by the morning train to London; her noble husband, with
his customary attention, accompanying her to the station.
  I was now left in sole charge of Miss Halcombe, with every
apparent chance, in consequence of her sister's resolution not to
leave the bedside, of having Lady Glyde herself to nurse next.
  The only circumstance of any importance that happened in the
course of the day, was the occurrence of another unpleasant meeting
between the doctor and the Count.
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 25}
  His lordship, on returning from the station, stepped up into Miss
Halcombe's sitting-room to make his inquiries. I went out from the
bedroom to speak to him; Mr. Dawson and Lady Glyde being both with the
patient at the time. The Count asked me many questions, about the
treatment and the symptoms. I informed him that the treatment was of
the kind described as 'saline;' and that the symptoms, between the
attacks of fever, were certainly those of increasing weakness and
exhaustion. Just as I was mentioning these last particulars, Mr.
Dawson came out from the bedroom.
  'Good morning, sir,' said his lordship, stepping forward in the most
urbane manner, and stopping the doctor, with a high-bred resolution
impossible to resist, 'I greatly fear you find no improvement in the
symptoms to-day?'
  'I find decided improvement,' answered Mr. Dawson.
  'You still persist in your lowering treatment of this case of
fever?' continued his lordship.
  'I persist in the treatment which is justified by my own
professional experience,' said Mr. Dawson.
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 30}
  'Permit me to put one question to you on the vast subject of
professional experience,' observed the Count. 'I presume to offer no
more advice- I only presume to make an inquiry. You live at some
distance, sir, from the gigantic centres of scientific activity-
London and Paris. Have you ever heard of the wasting effects of
fever being reasonably and intelligibly repaired by fortifying the
exhausted patient with brandy, wine, ammonia, and quinine? Has that
new heresy of the highest medical authorities ever reached your
ears- Yes, or No?'
  'When a professional man puts that question to me, I shall be glad
to answer him,' said the doctor, opening the door to go out. 'You
are not a professional man; and I beg to decline answering you.'
  Buffeted in this inexcusably uncivil way, on one cheek, the Count,
like a practical Christian, immediately turned the other, and said, in
the sweetest manner, 'Good morning, Mr. Dawson.'
  If my late beloved husband had been so fortunate as to know his
lordship, how highly he and the Count would have esteemed each other!
-
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 35}
  Her ladyship the Countess returned by the last train that night, and
brought with her the nurse from London. I was instructed that this
person's name was Mrs. Rubelle. Her personal appearance, and her
imperfect English, when she spoke, informed me that she was a
foreigner.
  I have always cultivated a feeling of humane indulgence for
foreigners. They do not possess our blessings and advantages; and they
are for the most part, brought up in the blind errors of popery. It
has also always been my precept and practice, as it was my dear
husband's precept and practice before me (see Sermon xxix, in the
Collection by the late Rev. Samuel Michelson, M.A.), to do as I
would be done by. On both these accounts, I will not say that Mrs.
Rubelle struck me as being a small, wiry, sly person, of fifty or
thereabouts, with a dark brown or Creole complexion, and watchful
light gray eyes. Nor will I mention, for the reasons just alleged,
that I thought her dress, though it was of the plainest black silk,
inappropriately costly in texture and unnecessarily refined in
trimming and finish, for a person in her position in life. I should
not like these things to be said of me, and therefore it is my duty
not to say them of Mrs. Rubelle. I will merely mention that her
manners were- not perhaps unpleasantly reserved- but only remarkably
quiet and retiring; that she looked about her a great deal, and said
very little, which might have arisen quite as much from her own
modesty, as from distrust of her position at Blackwater Park; and that
she declined to partake of supper (which was curious, perhaps, but
surely not suspicious?), although I myself politely invited her to
that meal, in my own room.
  At the Count's particular suggestion (so like his lordship's
forgiving kindness!), it was arranged that Mrs. Rubelle should not
enter on her duties, until she had been seen and approved by the
doctor the next morning. I sat up that night. Lady Glyde appeared to
be very unwilling that the new nurse should be employed to attend on
Miss Halcombe. Such want of liberality towards a foreigner on the part
of a lady of her education and refinement surprised me. I ventured
to say, 'My lady, we must all remember not to be hasty in our
judgments on our inferiors- especially when they come from foreign
parts.' Lady Glyde did not appear to attend to me. She only sighed,
and kissed Miss Halcombe's hand as it lay on the counterpane. Scarcely
a judicious proceeding in a sick-room, with a patient whom it was
highly desirable not to excite. But poor Lady Glyde knew nothing of
nursing- nothing whatever, I am sorry to say.
  The next morning, Mrs. Rubelle was sent to the sitting-room, to be
approved by the doctor, on his way through to the bedroom.
  I left Lady Glyde with Miss Halcombe, who was slumbering at the
time, and joined Mrs. Rubelle, with the object of kindly preventing
her from feeling strange and nervous in consequence of the uncertainty
of her situation. She did not appear to see it in that light. She
seemed to be quite satisfied, beforehand, that Mr. Dawson would
approve of her; and she sat calmly looking out of window, with every
appearance of enjoying the country air. Some people might have thought
such conduct suggestive of brazen assurance. I beg to say that I
more liberally set it down to extraordinary strength of mind.
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 40}
  Instead of the doctor coming up to us, I was sent for to see the
doctor. I thought this change of affairs rather odd, but Mrs.
Rubelle did not appear to be affected by it in any way. I left her
still calmly looking out of the window, and still silently enjoying
the country air.
  Mr. Dawson was waiting for me, by himself, in the breakfast-room.
  'About this new nurse, Mrs. Michelson,' said the doctor.
  'Yes, sir?'
  'I find that she has been brought here from London by the wife of
that fat old foreigner, who is always trying to interfere with me.
Mrs. Michelson, the fat old foreigner is a Quack.'
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 45}
  This was very rude. I was naturally shocked at it.
  'Are you aware, sir,' I said, 'that you are talking of a nobleman?'
  'Pooh! He isn't the first Quack with a handle to his name. They're
all Counts- hang 'em!'
  'He would not be a friend of Sir Percival Glyde's, sir, if he was
not a member of the highest aristocracy- excepting the English
aristocracy, of course.'
  'Very well, Mrs. Michelson, call him what you like; and let us get
back to the nurse. I have been objecting to her already.'
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 50}
  'Without having seen her, sir?'
  'Yes; without having seen her. She may be the best nurse in
existence; but she is not a nurse of my providing. I have put that
objection to Sir Percival, as the master of the house. He doesn't
support me. He says a nurse of my providing would have been a stranger
from London also; and he thinks the woman ought to have a trial, after
his wife's aunt has taken the trouble to fetch her from London.
There is some justice in that; and I can't decently say No. But I have
made it a condition that she is to go at once, if I find reason to
complain of her. This proposal being one which I have some right to
make, as medical attendant, Sir Percival has consented to it. Now,
Mrs. Michelson, I know I can depend on you; and I want you to keep a
sharp eye on the nurse, for the first day or two, and to see that
she gives Miss Halcombe no medicines but mine. This foreign nobleman
of yours is dying to try his quack remedies (mesmerism included) on my
patient; and a nurse who is brought here by his wife may be a little
too willing to help him. You understand? Very well, then, we may go
upstairs. Is the nurse there? I'll say a word to her, before she
goes into the sickroom.'
  We found Mrs. Rubelle still enjoying herself at the window. When I
introduced her to Mr. Dawson, neither the doctor's doubtful looks
nor the doctor's searching questions appeared to confuse her in the
least. She answered him quietly in her broken English; and, though
he tried hard to puzzle her, she never betrayed the least ignorance,
so far, about any part of her duties. This was doubtless the result of
strength of mind, as I said before, and not of brazen assurance, by
any means.
  We all went into the bedroom.
  Mrs. Rubelle looked, very attentively, at the patient; curtseyed
to Lady Glyde; set one or two little things right in the room; and sat
down quietly in a corner to wait until she was wanted. Her ladyship
seemed startled and annoyed by the appearance of the strange nurse. No
one said anything, for fear of rousing Miss Halcombe, who was still
slumbering- except the doctor, who whispered a question about the
night. I softly answered, 'Much as usual;' and then Mr. Dawson went
out. Lady Glyde followed him, I suppose to speak about Mrs. Rubelle.
For my own part, I had made up my mind already that this quiet foreign
person would keep her situation. She had all her wits about her; and
she certainly understood her business. So far, I could hardly have
done much better by the bedside, myself.
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 55}
  Remembering Mr. Dawson's caution to me, I subjected Mrs. Rubelle
to a severe scrutiny, at certain intervals, for the next three or four
days. I over and over again entered the room softly and suddenly,
but I never found her out in any suspicious action. Lady Glyde, who
watched her as attentively as I did, discovered nothing either. I
never detected a sign of the medicine bottles being tampered with; I
never saw Mrs. Rubelle say a word to the Count, or the Count to her.
She managed Miss Halcombe with unquestionable care and discretion. The
poor lady wavered backwards and forwards between a sort of sleepy
exhaustion which was half faintness and half slumbering, and attacks
of fever which brought with them more or less of wandering in her
mind. Mrs. Rubelle never disturbed her in the first case, and never
startled her in the second, by appearing too suddenly at the bedside
in the character of a stranger. Honour to whom honour is due
(whether foreign or English)- and I give her privilege impartially
to Mrs. Rubelle. She was remarkably uncommunicative about herself, and
she was too quietly independent of all advice from experienced persons
who understood the duties of a sick-room- but, with these drawbacks,
she was a good nurse; and she never gave either Lady Glyde or Mr.
Dawson the shadow of a reason for complaining of her.
  The next circumstance of importance that occurred in the house was
the temporary absence of the Count, occasioned by business which
took him to London. He went away (I think) on the morning of the
fourth day after the arrival of Mrs. Rubelle; and, at parting, he
spoke to Lady Glyde, very seriously, in my presence, on the subject of
Miss Halcombe.
  'Trust Mr. Dawson,' he said, 'for a few days more, if you please.
But, if there is not some change for the better, in that time, send
for advice from London, which this mule of a doctor must accept in
spite of himself. Offend Mr. Dawson, and save Miss Halcombe. I say
this seriously, on my word of honour and from the bottom of my heart.'
  His lordship spoke with extreme feeling and kindness. But poor
Lady Glyde's nerves were so completely broken down that she seemed
quite frightened at him. She trembled from head to foot; and allowed
him to take his leave, without uttering a word on her side. She turned
to me, when he had gone, and said, 'Oh, Mrs. Michelson, I am
heart-broken about my sister, and I have no friend to advise me! Do
you think Mr. Dawson is wrong? He told me himself this morning, that
there was no fear, and no need to send for another doctor.'
  'With all respect to Mr. Dawson,' I answered, 'in your ladyship's
place I should remember the Count's advice.'
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 60}
  Lady Glyde turned away from me suddenly, with an appearance of
despair, for which I was quite unable to account.
  'His advice!' she said to herself. 'God help us- his advice!'
  The Count was away from Blackwater Park, as nearly as I remember,
a week.
  Sir Percival seemed to feel the loss of his lordship in various
ways, and appeared also, I thought, much depressed and altered by
the sickness and sorrow in the house. Occasionally, he was so very
restless, that I could not help noticing it; coming and going, and
wandering here and there and everywhere in the grounds. His
inquiries about Miss Halcombe, and about his lady (whose failing
health seemed to cause him sincere anxiety) were most attentive. I
think his heart was much softened. If some kind clerical friend-
some such friend as he might have found in my late excellent
husband- had been near him at this time, cheering moral progress might
have been made with Sir Percival. I seldom find myself mistaken on a
point of this sort; having had experience to guide me in my happy
married days.
  Her ladyship the Countess, who was now the only company for Sir
Percival down stairs, rather neglected him, as I considered. Or,
perhaps, it might have been that he neglected her. A stranger might
almost have supposed that they were bent, now they were left
together alone, on actually avoiding one another. This, of course,
could not be. But it did so happen, nevertheless, that the Countess
made her dinner at luncheon-time, and that she always came up-stairs
towards evening, although Mrs. Rubelle had taken the nursing duties
entirely off her hands. Sir Percival dined by himself; and William
(the man out of livery) made the remark, in my hearing, that his
master had put himself on half rations of food and on a double
allowance of drink. I attach no importance to such an insolent
observation as this, on the part of a servant. I reprobated it at
the time, and I wish to be understood as reprobating it once more on
this occasion.
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 65}
  In the course of the next few days, Miss Halcombe did certainly seem
to all of us to be mending a little. Our faith in Mr. Dawson
revived. He appeared to be very confident about the case; and he
assured Lady Glyde, when she spoke to him on the subject, that he
would himself propose to send for a physician the moment he felt so
much as the shadow of a doubt crossing his own mind.
  The only person among us who did not appear to be relieved by
these words, was the Countess. She said to me privately, that she
could not feel easy about Miss Halcombe, on Mr. Dawson's authority,
and that she should wait anxiously for her husband's opinion, on his
return. That return, his letters informed her, would take place in
three days' time. The Count and Countess corresponded regularly
every morning, during his lordship's absence. They were, in that
respect, as in all others, a pattern to married people.
  On the evening of the third day, I noticed a change in Miss
Halcombe, which caused me serious apprehension. Mrs. Rubelle noticed
it too. We said nothing on the subject to Lady Glyde, who was then
lying asleep, completely overpowered by exhaustion, on the sofa in the
sitting-room.
  Mr. Dawson did not pay his evening visit till later than usual. As
soon as he set eyes on his patient, I saw his face alter. He tried
to hide it; but he looked both confused and alarmed. A messenger was
sent to his residence for his medicine-chest, disinfecting
preparations were used in the room, and a bed was made up for him in
the house by his own directions. 'Has the fever turned to
infection?' I whispered to him. 'I am afraid it has,' he answered; 'we
shall know better tomorrow morning.'
  By Mr. Dawson's own directions Lady Glyde was kept in ignorance of
this change for the worse. He himself absolutely forbade her, on
account of her health, to join us in the bedroom that night. She tried
to resist- there was a sad scene- but he had his medical authority
to support him; and he carried his point.
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 70}
  The next morning, one of the men-servants was sent to London, at
eleven o'clock, with a letter to a physician in town, and with
orders to bring the new doctor back with him by the earliest
possible train. Half an hour after the messenger had gone, the Count
returned to Blackwater Park.
  The Countess, on her own responsibility, immediately brought him
in to see the patient. There was no impropriety that I could
discover in her taking this course. His lordship was a married man; he
was old enough to be Miss Halcombe's father; and he saw her in the
presence of a female relative, Lady Glyde's aunt. Mr. Dawson
nevertheless protested against his presence in the room; but, I
could plainly remark, the doctor was too much alarmed to make any
serious resistance on this occasion.
  The poor suffering lady was past knowing anyone about her. She
seemed to take her friends for enemies. When the Count approached
her bedside, her eyes, which had been wandering incessantly round
and round the room before, settled on his face, with a dreadful
stare of terror, which I shall remember to my dying day. The Count sat
down by her; felt her pulse, and her temples; looked at her very
attentively; and then turned round upon the doctor with such an
expression of indignation and contempt in his face, that the words
failed on Mr. Dawson's lips, and he stood, for a moment, pale with
anger and alarm- pale and perfectly speechless.
  His lordship looked next at me.
  'When did the change happen?' he asked.
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 75}
  I told him the time.
  'Has Lady Glyde been in the room since?'
  I replied that she had not. The doctor had absolutely forbidden
her to come into the room, on the evening before, and had repeated the
order again in the morning.
  'Have you and Mrs. Rubelle been made aware of the full extent of the
mischief?'- was his next question.
  We were aware, I answered, that the malady was considered
infectious. He stopped me, before I could add anything more.
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 80}
  'It is Typhus Fever,' he said.
  In the minute that passed, while these questions and answers were
going on, Mr. Dawson recovered himself, and addressed the Count with
his customary firmness.
  'It is not typhus fever,' he remarked sharply. 'I protest
against this intrusion, sir. No one has a right to put questions here,
but me. I have done my duty to the best of my ability-'
  The Count interrupted him- not by words, but only by pointing to the
bed. Mr. Dawson seemed to feel that silent contradiction to his
assertion of his own ability, and to grow only the more angry under
it.
  'I say I have done my duty,' he reiterated. 'A physician has been
sent for from London. I will consult on the nature of the fever with
him, and with no one else. I insist on your leaving the room.'
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 85}
  'I entered this room, sir, in the sacred interests of humanity,'
said the Count. 'And in the same interests, if the coming of the
physician is delayed, I will enter it again. I warn you once more that
the fever has turned to typhus, and that your treatment is responsible
for this lamentable change. If that unhappy lady dies, I will give
my testimony in a court of justice that your ignorance and obstinacy
have been the cause of her death.'
  Before Mr. Dawson could answer, before the Count could leave us, the
door was opened from the sitting-room, and we saw Lady Glyde on the
threshold.
  'I must, and will come in,' she said, with extraordinary
firmness.
  Instead of stopping her, the Count moved into the sitting-room,
and made way for her to go in. On all other occasions, he was the last
man in the world to forget anything; but, in the surprise of the
moment, he apparently forgot the danger of infection from typhus,
and the urgent necessity of forcing Lady Glyde to take proper care
of herself.
  To my astonishment, Mr. Dawson showed more presence of mind. He
stopped her ladyship at the first step she took towards the bedside.
'I am sincerely sorry, I am sincerely grieved,' he said. 'The fever
may, I fear, be infectious. Until I am certain that it is not, I
entreat you to keep out of the room.'
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 90}
  She struggled for a moment; then suddenly dropped her arms, and sank
forward. She had fainted. The Countess and I took her from the doctor,
and carried her into her own room. The Count preceded us, and waited
in the passage, till I came out, and told him that we had recovered
her from the swoon.
  I went back to the doctor to tell him, by Lady Glyde's desire,
that she insisted on speaking to him immediately. He withdrew at
once to quiet her ladyship's agitation, and to assure her of the
physician's arrival in the course of a few hours. Those hours passed
very slowly. Sir Percival and the Count were together down stairs, and
sent up, from time to time, to make their inquiries. At last,
between five and six o'clock, to our great relief, the physician came.
  He was a younger man than Mr. Dawson; very serious, and very
decided. What he thought of the previous treatment, I cannot say;
but it struck me as curious that he put many more questions to
myself and to Mrs. Rubelle than he put to the doctor, and that he
did not appear to listen with much interest to what Mr. Dawson said,
while he was examining Mr. Dawson's patient. I began to suspect,
from what I observed in this way, that the Count had been right
about the illness all the way through; and I was naturally confirmed
in that idea, when Mr. Dawson, after some little delay, asked the
one important question which the London doctor had been sent for to
set at rest.
  'What is your opinion of the fever?' he inquired.
  'Typhus,' replied the physician. 'Typhus fever beyond all doubt.'
                                       {2ND_EPOCH|MICHELSON|I ^paragraph 95}
  That quiet foreign person, Mrs. Rubelle, crossed her thin, brown
hands in front of her, and looked at me with a very significant smile.
The Count himself could hardly have appeared more gratified, if he had
been present in the room, and had heard the confirmation of his own
opinion.
  After giving us some useful directions about the management of the
patient, and mentioning that he would come again in five days' time,
the physician withdrew to consult in private with Mr. Dawson. He would
offer no opinion on Miss Halcombe's chances of recovery: he said it
was impossible at that stage of the illness to pronounce, one way or
the other.
  The five days passed anxiously.
-
  Countess Fosco and myself took it by turns to relieve Mrs.
Rubelle; Miss Halcombe's condition growing worse and worse, and
requiring our utmost care and attention. It was a terribly trying
time. Lady Glyde (supported, as Mr. Dawson said, by the constant
strain of her suspense on her sister's account) rallied in the most
extraordinary manner, and showed a firmness and determination for
which I should myself never have given her credit. She insisted on
coming into the sick-room, two or three times every day, to look at
Miss Halcombe with her own eyes; promising not to go too close to
the bed, if the doctor would consent to her wishes, so far. Mr. Dawson
very unwillingly made the concession required of him; I think he saw
that it was hopeless to dispute with her. She came in every day; and
she self-denyingly kept her promise. I felt it personally so
distressing (as reminding me of my own affliction during my
husband's last illness) to see how she suffered under these
circumstances, that I must beg not to dwell on this part of the
subject any longer. It is more agreeable to me to mention that no
fresh disputes took place between Mr. Dawson and the Count. His
lordship made all his inquiries by deputy; and remained continually in
company with Sir Percival, down stairs.
                                      {2ND_EPOCH|MICHELSON|I ^paragraph 100}
  On the fifth day, the physician came again, and gave us a little
hope. He said the tenth day from the first appearance of the typhus
would probably decide the result of the illness, and he arranged for
his third visit to take place on that date. The interval passed as
before- except that the Count went to London again, one morning, and
returned at night.
  On the tenth day it pleased a merciful Providence to relieve our
household from all further anxiety and alarm. The physician positively
assured us that Miss Halcombe was out of danger. 'She wants no doctor,
now- all she requires is careful watching and nursing, for some time
to come; and that I see she has.' Those were his own words. That
evening I read my husband's touching sermon on Recovery from Sickness,
with more happiness and advantage (in a spiritual point of view)
than I ever remember to have derived from it before.
  The effect of the good news on poor Lady Glyde was, I grieve to say,
quite overpowering. She was too weak to bear the violent reaction; and
in another day or two, she sank into a state of debility and
depression, which obliged her to keep her room. Rest and quiet, and
change of air afterwards, were the best remedies which Mr. Dawson
could suggest for her benefit. It was fortunate that matters were no
worse, for, on the very day after she took to her room, the Count
and the doctor had another disagreement; and this time, the dispute
between them was of so serious a nature, that Mr. Dawson left the
house.
  I was not present at the time; but I understood that the subject
of dispute was the amount of nourishment which it was necessary to
give to assist Miss Halcombe's convalescence, after the exhaustion
of the fever. Mr. Dawson, now that his patient was safe, was less
inclined than ever to submit to unprofessional interference; and the
Count (I cannot imagine why) lost all the self-control which he had so
judiciously preserved on former occasions, and taunted the doctor,
over and over again, with his mistake about the fever, when it changed
to typhus. The unfortunate affair ended in Mr. Dawson's appealing to
Sir Percival, and threatening (now that he could leave without
absolute danger to Miss Halcombe) to withdraw from his attendance at
Blackwater Park, if the Count's interference was not peremptorily
suppressed from that moment. Sir Percival's reply (though not
designedly uncivil) had only resulted in making matters worse; and Mr.
Dawson had thereupon withdrawn from the house, in a state of extreme
indignation at Count Fosco's usage of him, and had sent in his bill
the next morning.
  We were now, therefore, left without the attendance of a medical
man. Although there was no actual necessity for another doctor-
nursing and watching being, as the physician had observed, all that
Miss Halcombe required- I should still, if my authority had been
consulted, have obtained professional assistance, from some other
quarter, for form's sake.
                                      {2ND_EPOCH|MICHELSON|I ^paragraph 105}
  The matter did not seem to strike Sir Percival in that light. He
said it would be time enough to send for another doctor, if Miss
Halcombe showed any signs of a relapse. In the mean while, we had
the Count to consult in any minor difficulty; and we need not
unnecessarily disturb our patient, in her present weak and nervous
condition, by the presence of a stranger at her bedside. There was
much that was reasonable, no doubt, in these considerations; but
they left me a little anxious, nevertheless. Nor was I quite
satisfied, in my own mind, of the propriety of our concealing the
doctor's absence, as we did, from Lady Glyde. It was a merciful
deception, I admit- for she was in no state to bear any fresh
anxieties. But still it was a deception; and, as such, to a person
of my principles, at best a doubtful proceeding.
-
  A second perplexing circumstance which happened on the same day, and
which took me completely by surprise, added greatly to the sense of
uneasiness that was now weighing on my mind.
  I was sent for to see Sir Percival in the library. The Count, who
was with him when I went in, immediately rose and left us alone
together. Sir Percival civilly asked me to take a seat; and then, to
my great astonishment, addressed me in these terms:
  'I want to speak to you, Mrs. Michelson, about a matter which I
decided on some time ago, and which I should have mentioned before,
but for the sickness and trouble in the house. In plain words, I
have reasons for wishing to break up my establishment immediately at
this place- leaving you in charge, of course, as usual. As soon as
Lady Glyde and Miss Halcombe can travel, they must both have change of
air. My friends, Count Fosco and the Countess, will leave us, before
that time, to live in the neighbourhood of London. And I have
reasons for not opening the house to any more company, with a view
to economising as carefully as I can. I don't blame you- but my
expenses here are a great deal too heavy. In short, I shall sell the
horses, and get rid of all the servants, at once. I never do things by
halves, as you know; and I mean to have the house clear of a pack of
useless people by this time to-morrow.'
                                      {2ND_EPOCH|MICHELSON|I ^paragraph 110}
  I listened to him, perfectly aghast with astonishment.
  'Do you mean, Sir Percival, that I am to dismiss the indoor
servants, under my charge, without the usual month's warning?' I
asked.
  'Certainly, I do. We may all be out of the house before another
month; and I am not going to leave the servants here in idleness, with
no master to wait on.'
  'Who is to do the cooking, Sir Percival, while you are still staying
here?'
  'Margaret Porcher can roast and boil- keep her. What do I want
with a cook, if I don't mean to give any dinner-parties?'
                                      {2ND_EPOCH|MICHELSON|I ^paragraph 115}
  'The servant you have mentioned is the most unintelligent servant in
the house, Sir Percival-'
  'Keep her, I tell you; and have a woman in from the village to do
the cleaning, and go away again. My weekly expenses must and shall
be lowered immediately. I don't send for you to make objections,
Mrs. Michelson- I send for you to carry out my plans of economy.
Dismiss the whole lazy pack of in-door servants to-morrow, except
Porcher. She is as strong as a horse- and we'll make her work like a
horse.'
  'You will excuse me for reminding you, Sir Percival, that if the
servants go to-morrow, they must have a month's wages in lieu of a
month's warning.'
  'Let them! A month's wages saves a month's waste and gluttony in the
servants-hall.'
  This last remark conveyed an aspersion of the most offensive kind on
my management. I had too much self-respect to defend myself under so
gross an imputation. Christian consideration for the helpless position
of Miss Halcombe and Lady Glyde, and for the serious inconvenience
which my sudden absence might inflict on them, alone prevented me from
resigning my situation on the spot. I rose immediately. It would
have lowered me in my own estimation to have permitted the interview
to continue a moment longer.
                                      {2ND_EPOCH|MICHELSON|I ^paragraph 120}
  'After that last remark, Sir Percival, I have nothing more to say.
Your directions shall be attended to.' Pronouncing those words, I
bowed my head with the most distant respect, and went out of the
room.'
  The next day, the servants left in a body. Sir Percival himself
dismissed the grooms and stablemen; sending them, with all the
horses but one, to London. Of the whole domestic establishment,
in-doors and out, there now remained only myself, Margaret Porcher,
and the gardener; this last living in his own cottage, and being
wanted to take care of the one horse that remained in the stables.
  With the house left in this strange and lonely condition; with the
mistress of it ill in her room; with Miss Halcombe still as helpless
as a child; and with the doctor's attendance withdrawn from us in
enmity- it was surely not unnatural that my spirits should sink, and
my customary composure be very hard to maintain. My mind was ill at
ease. I wished the poor ladies both well again; and I wished myself
away from Blackwater Park.

{2ND_EPOCH|MICHELSON|II
                                  II
-
  The next event that occurred was of so singular a nature, that it
might have caused me a feeling of superstitious surprise, if my mind
had not been fortified by principle against any pagan weakness of that
sort. The uneasy sense of something wrong in the family which had made
me wish myself away from Blackwater Park, was actually followed,
strange to say, by my departure from the house. It is true that my
absence was for a temporary period only: but the coincidence was, in
my opinion, not the less remarkable on that account.
  My departure took place under the following circumstances:
  A day or two after the servants all left, I was again sent for to
see Sir Percival. The undeserved slur which he had cast on my
management of the household, did not, I am happy to say, prevent me
from returning good for evil to the best of my ability, by complying
with his request as readily and respectfully as ever. It cost me a
struggle with that fallen nature which we all share in common,
before I could suppress my feelings. Being accustomed to
self-discipline, I accomplished the sacrifice.
  I found Sir Percival and Count Fosco sitting together, again. On
this occasion his lordship remained present at the interview, and
assisted in the development of Sir Percival's views.
  The subject to which they now requested my attention, related to the
healthy change of air by which we all hoped that Miss Halcombe and
Lady Glyde might soon be enabled to profit. Sir Percival mentioned
that both the ladies would probably pass the autumn (by invitation
of Frederick Fairlie, Esquire) at Limmeridge House, Cumberland. But
before they went there, it was his opinion, confirmed by Count Fosco
(who here took up the conversation and continued it to the end),
that they would benefit by a short residence first in the genial
climate of Torquay. The great object, therefore, was to engage
lodgings at that place, affording all the comforts and advantages of
which they stood in need; and the great difficulty was to find an
experienced person capable of choosing the sort of residence which
they wanted. In this emergency, the Count begged to inquire, on Sir
Percival's behalf, whether I would object to give the ladies the
benefit of my assistance, by proceeding myself to Torquay in their
interests.
                                       {2ND_EPOCH|MICHELSON|II ^paragraph 5}
  It was impossible for a person in my situation, to meet any
proposal, made in these terms, with a positive objection.
  I could only venture to represent the serious inconvenience of my
leaving Blackwater Park, in the extraordinary absence of all the
in-door servants with the one exception of Margaret Porcher. But Sir
Percival and his lordship declared that they were both willing to
put up with inconvenience for the sake of the invalids. I next
respectfully suggested writing to an agent at Torquay; but I was met
here by being reminded of the imprudence of taking lodgings without
first seeing them. I was also informed that the Countess (who would
otherwise have gone to Devonshire herself) could not, in Lady
Glyde's present condition, leave her niece; and that Sir Percival
and the Count had business to transact together, which would oblige
them to remain at Blackwater Park. In short, it was clearly shown
me, that if I did not undertake the errand, no one else could be
trusted with it. Under these circumstances, I could only inform Sir
Percival that my services were at the disposal of Miss Halcombe and
Lady Glyde.
  It was thereupon arranged that I should leave the next morning; that
I should occupy one or two days in examining all the most convenient
houses in Torquay; and that I should return, with my report, as soon
as I conveniently could. A memorandum was written for me by his
lordship, stating the requisites which the place I was sent to take
must be found to possess; and a note of the pecuniary limit assigned
to me, was added by Sir Percival.
  My own idea, on reading over these instructions, was, that no such
residence as I saw described could be found at any watering-place in
England; and that, even if it could by chance be discovered, it
would certainly not be parted with for any period, on such terms as
I was permitted to offer. I hinted at these difficulties to both the
gentlemen; but Sir Percival (who undertook to answer me) did not
appear to feel them. It was not for me to dispute the question. I said
no more; but I felt a very strong conviction that the business on
which I was sent away was so beset by difficulties that my errand
was almost hopeless at starting.
  Before I left, I took care to satisfy myself that Miss Halcombe
was going on favourably.
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 10}
  There was a painful expression of anxiety in her face, which made me
fear that her mind, on first recovering itself, was not at ease. But
she was certainly strengthening more rapidly than I could have
ventured to anticipate; and she was able to send kind messages to Lady
Glyde, saying that she was fast getting well, and entreating her
ladyship not to exert herself again too soon. I left her in charge
of Mrs. Rubelle, who was still as quietly independent of every one
else in the house as ever. When I knocked at Lady Glyde's door, before
going away, I was told that she was still sadly weak and depressed; my
informant being the Countess, who was then keeping her company in
her room. Sir Percival and the Count were walking on the road to the
lodge, as I was driven by in the chaise. I bowed to them, and
quitted the house, with not a living soul left in the servants'
offices but Margaret Porcher.
  Every one must feel, what I have felt myself since that time, that
these circumstances were more than unusual- they were almost
suspicious. Let me, however, say again, that it was impossible for me,
in my dependent position, to act otherwise than I did.
  The result of my errand at Torquay was exactly what I had
foreseen. No such lodgings as I was instructed to take could be
found in the whole place; and the terms I was permitted to give were
much too low for the purpose, even if I had been able to discover what
I wanted. I accordingly returned to Blackwater Park; and informed
Sir Percival, who met me at the door, that my journey had been taken
in vain. He seemed too much occupied with some other subject to care
about the failure of my errand, and his first words informed me that
even in the short time of my absence, another remarkable change had
taken place in the house.
  The Count and Countess Fosco had left Blackwater Park for their
new residence in St. John's Wood.
  I was not made aware of the motive for this sudden departure- I
was only told that the Count had been very particular in leaving his
kind compliments to me. When I ventured on asking Sir Percival whether
Lady Glyde had any one to attend to her comforts in the absence of the
Countess, he replied that she had Margaret Porcher to wait on her; and
he added that a woman from the village had been sent for to do the
work down stairs.
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 15}
  The answer really shocked me- there was such a glaring impropriety
in permitting an under-housemaid to fill the place of confidential
attendant on Lady Glyde. I went up-stairs at once, and met Margaret on
the bedroom-landing. Her services had not been required (naturally
enough); her mistress having sufficiently recovered, that morning,
to be able to leave her bed. I asked, next, after Miss Halcombe; but I
was answered in a slouching, sulky way, which left me no wiser than
I was before. I did not choose to repeat the question, and perhaps
provoke an impertinent reply. It was in every respect more becoming,
to a person in my position, to present myself immediately in Lady
Glyde's room.
  I found that her ladyship had certainly gained in health during
the last few days. Although still sadly weak and nervous, she was able
to get up without assistance, and to walk slowly about her room,
feeling no worse effect from the exertion than a slight sensation of
fatigue. She had been made a little anxious that morning about Miss
Halcombe, through having received no news of her from any one. I
thought this seemed to imply a blamable want of attention on the
part of Mrs. Rubelle; but I said nothing, and remained with Lady
Glyde, to assist her to dress. When she was ready, we both left the
room together to go to Miss Halcombe.
  We were stopped in the passage by the appearance of Sir Percival. He
looked as if he had been purposely waiting there to see us.
  'Where are you going?' he said to Lady Glyde.
  'To Marian's room,' she answered.
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 20}
  'It may spare you a disappointment,' remarked Sir Percival, 'if I
tell you at once that you will not find her there.'
  'Not find her there!'
  'No. She left the house yesterday morning with Fosco and his wife.'
  Lady Glyde was not strong enough to bear the surprise of this
extraordinary statement. She turned fearfully pale; and leaned back
against the wall, looking at her husband in dead silence.
  I was so astonished myself, that I hardly knew what to say. I
asked Sir Percival if he really meant that Miss Halcombe had left
Blackwater Park.
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 25}
  'I certainly mean it,' he answered.
  'In her state, Sir Percival! Without mentioning her intentions to
Lady Glyde!'
  Before he could reply, her ladyship recovered herself a little,
and spoke.
  'Impossible!' she cried out, in a loud, frightened manner; taking
a step or two forward from the wall. 'Where was the doctor? where
was Mr. Dawson when Marian went away?'
  'Mr. Dawson wasn't wanted, and wasn't here,' said Sir Percival.
'He left of his own accord, which is enough of itself to show that she
was strong enough to travel. How you stare! If you don't believe she
has gone, look for yourself. Open her room door, and all the other
room doors, if you like.'
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 30}
  She took him at his word, and I followed her. There was no one in
Miss Halcombe's room but Margaret Porcher, who was busy setting it
to rights. There was no one in the spare rooms, or the dressing-rooms,
when we looked into them afterwards. Sir Percival still waited for
us in the passage. As we were leaving the last room that we had
examined, Lady Glyde whispered, 'Don't go, Mrs. Michelson! don't leave
me, for God's sake!' Before I could say anything in return, she was
out again in the passage, speaking to her husband.
  'What does it mean, Sir Percival? I insist- I beg and pray you
will tell me what it means!'
  'It means,' he answered, 'that Miss Halcombe was strong enough
yesterday morning to sit up, and be dressed; and that she insisted
on taking advantage of Fosco's going to London, to go there too.'
  'To London!'
  'Yes- on her way to Limmeridge.'
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 35}
  Lady Glyde turned, and appealed to me.
  'You saw Miss Halcombe last,' she said. 'Tell me plainly, Mrs.
Michelson, did you think she looked fit to travel?'
  'Not in my opinion, your ladyship.'
  Sir Percival, on his side, instantly turned, and appealed to me
also.
  'Before you went away,' he said, 'did you, or did you not, tell
the nurse that Miss Halcombe looked much stronger and better?'
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 40}
  'I certainly made the remark, Sir Percival.'
  He addressed her ladyship again, the moment I offered that reply.
  'Set one of Mrs. Michelson's opinions fairly against the other,'
he said, 'and try to be reasonable about a perfectly plain matter.
If she had not been well enough to be moved, do you think we should
any of us have risked letting her go? She has got three competent
people to look after her- Fosco and your aunt, and Mrs. Rubelle, who
went away with them expressly for that purpose. They took a whole
carriage yesterday, and made a bed for her on the seat, in case she
felt tired. To-day, Fosco and Mrs. Rubelle go on with her themselves
to Cumberland-'
  'Why does Marian go to Limmeridge, and leave me here by myself?'
said her ladyship, interrupting Sir Percival.
  'Because your uncle won't receive you till he has seen your sister
first,' he replied. 'Have you forgotten the letter he wrote to her, at
the beginning of her illness? It was shown to you; you read it
yourself; and you ought to remember it.'
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 45}
  'I do remember it.'
  'If you do, why should you be surprised at her leaving you? You want
to be back at Limmeridge; and she has gone there to get your uncle's
leave for you, on his own terms.'
  Poor Lady Glyde's eyes filled with tears.
  'Marian never left me before,' she said, 'without bidding me
good-by.'
  'She would have bid you good-by this time,' returned Sir Percival,
'if she had not been afraid of herself and of you. She knew you
would try to stop her; she knew you would distress her by crying. Do
you want to make any more objections? If you do, you must come down
stairs and ask questions in the dining-room. These worries upset me. I
want a glass of wine.'
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 50}
  He left us suddenly.
  His manner all through this strange conversation had been very
unlike what it usually was. He seemed to be almost as nervous and
fluttered, every now and then, as his lady herself. I should never
have supposed that his health had been so delicate, or his composure
so easy to upset.
  I tried to prevail on Lady Glyde to go back to her room; but it
was useless. She stopped in the passage, with the look of a woman
whose mind was panic-stricken:
  'Something has happened to my sister!' she said.
  'Remember, my lady, what surprising energy there is in Miss
Halcombe,' I suggested. 'She might well make an effort which other
ladies, in her situation, would be unfit for. I hope and believe there
is nothing wrong- I do indeed.'
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 55}
  'I must follow Marian!' said her ladyship, with the same
panic-stricken look. 'I must go where she has gone; I must see that
she is alive and well with my own eyes. Come! come down with me to Sir
Percival.'
  I hesitated; fearing that my presence might be considered an
intrusion. I attempted to represent this to her ladyship; but she
was deaf to me. She held my arm fast enough to force me to go down
stairs with her; and she still clung to me with all the little
strength she had, at the moment when I opened the dining-room door.
  Sir Percival was sitting at the table with a decanter of wine before
him. He raised the glass to his lips, as we went in, and drained it at
a draught. Seeing that he looked at me angrily when he put it down
again, I attempted to make some apology for my accidental presence
in the room.
  'Do you suppose there are any secrets going on here?' he broke
out, suddenly; 'there are none- there is nothing underhand; nothing
kept from you or from any one.' After speaking those strange words,
loudly and sternly, he filled himself another glass of wine, and asked
Lady Glyde what she wanted of him.
  'If my sister is fit to travel, I am fit to travel,' said her
ladyship, with more firmness than she had yet shown. 'I come to beg
you will make allowances for my anxiety about Marian, and let me
follow her at once, by the afternoon train.'
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 60}
  'You must wait till to-morrow,' replied Sir Percival; and then, if
you don't hear to the contrary, you can go. I don't suppose you are at
all likely to hear to the contrary- so I shall write to Fosco by
to-night's post.'
  He said those last words, holding his glass up to the light, and
looking at the wine in it, instead of at Lady Glyde. Indeed, he
never once looked at her throughout the conversation. Such a
singular want of good breeding in a gentleman of his rank, impressed
me, I own, very painfully.
  'Why should you write to Count Fosco?' she asked, in extreme
surprise.
  'To tell him to expect you by the mid-day train,' said Sir Percival.
'He will meet you at the station, when you get to London, and take you
on to sleep at your aunt's, in St. John's Wood.'
  Lady Glyde's hand began to tremble violently round my arm- why I
could not imagine.
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 65}
  'There is no necessity for Count Fosco to meet me,' she said. 'I
would rather not stay in London to sleep.'
  'You must. You can't take the whole journey to Cumberland in one
day. You must rest a night in London- and I don't choose you to go
by yourself to an hotel. Fosco made the offer to your uncle to give
you house-room on the way down; and your uncle has accepted it.
Here! here is a letter from him, addressed to yourself. I ought to
have sent it up this morning; but I forgot. Read it, and see what
Mr. Fairlie himself says to you.'
  Lady Glyde looked at the letter for a moment; and then placed it
in my hands.
  'Read it,' she said, faintly. 'I don't know what is the matter
with me. I can't read it, myself.'
  It was a note of only four lines- so short and so careless, that
it quite struck me. If I remember correctly, it contained no more than
these words:
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 70}
  'Dearest Laura, Please come, whenever you like. Break the journey by
sleeping at your aunt's house. Grieved to hear of dear Marian's
illness. Affectionately yours, Frederick Fairlie.'
  'I would rather not go there- I would rather not stay a night in
London,' said her ladyship, breaking out eagerly with those words,
before I had quite done reading the note, short as it was. 'Don't
write to Count Fosco! Pray, pray don't write to him!'
  Sir Percival filled another glass from the decanter, so awkwardly
that he upset it, and spilt all the wine over the table. 'My sight
seems to be failing me,' he muttered to himself, in an odd, muffled
voice. He slowly set the glass up again, refilled it, and drained it
once more at a draught. I began to fear, from his look and manner,
that the wine was getting into his head.
  'Pray don't write to Count Fosco!' persisted Lady Glyde, more
earnestly than ever.
  'Why not, I should like to know?' cried Sir Percival, with a
sudden burst of anger that startled us both. 'Where can you stay
more properly in London than at the place your uncle himself chooses
for you- at your aunt's house? Ask Mrs. Michelson.'
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 75}
  The arrangement proposed was so unquestionably the right and the
proper one, that I could make no possible objection to it. Much as I
sympathized with Lady Glyde in other respects, I could not
sympathize with her in her unjust prejudices against Count Fosco. I
never before met with any lady, of her rank and station, who was so
lamentably narrow-minded on the subject of foreigners. Neither her
uncle's note, nor Sir Percival's increasing impatience, seemed to have
the least effect on her. She still objected to staying a night in
London; she still implored her husband not to write to the Count.
  'Drop it!' said Sir Percival, rudely turning his back on us. 'If you
haven't sense enough to know what is best for yourself, other people
must know for you. The arrangement is made; and there is an end of it.
You are only wanted to do what Miss Halcombe has done before you-'
  'Marian?' repeated her ladyship, in a bewildered manner; 'Marian
sleeping in Count Fosco's house!'
  'Yes, in Count Fosco's house. She slept there, last night, to
break the journey. And you are to follow her example, and do what your
uncle tells you. You are to sleep at Fosco's to-morrow night, as
your sister did, to break the journey. Don't throw too many
obstacles in my way! don't make me repent of letting you go at all!'
  He started to his feet; and suddenly walked out into the verandah,
through the open glass doors.
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 80}
  'Will your ladyship excuse me,' I whispered, 'if I suggest that we
had better not wait here till Sir Percival comes back? I am very
much afraid he is over-excited with wine.'
  She consented to leave the room, in a weary, absent manner.
  As soon as we were safe up-stairs again, I did all I could to
compose her ladyship's spirits. I reminded her that Mr. Fairlie's
letters to Miss Halcombe and to herself did certainly sanction, and
even render necessary, sooner or later, the course that had been
taken. She agreed to this, and even admitted, of her own accord,
that both letters were strictly in character with her uncle's peculiar
disposition- but her fears about Miss Halcombe, and her
unaccountable dread of sleeping at the Count's house in London,
still remained unshaken in spite of every consideration that I could
urge. I thought it my duty to protest against Lady Glyde's
unfavourable opinion of his lordship, and I did so, with becoming
forbearance and respect.
  'Your ladyship will pardon my freedom,' I remarked, in conclusion,
'but it is said, "by their fruits ye shall know them." I am sure the
Count's constant kindness and constant attention from the very
beginning of Miss Halcombe's illness, merit our best confidence and
esteem. Even his lordship's serious misunderstanding with Mr. Dawson
was entirely attributable to his anxiety on Miss Halcombe's account.'
  'What misunderstanding?' inquired her ladyship, with a look of
sudden interest.
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 85}
  I related the unhappy circumstances under which Mr. Dawson had
withdrawn his attendance- mentioning them all the more readily,
because I disapproved of Sir Percival's continuing to conceal what had
happened (as he had done in my presence) from the knowledge of Lady
Glyde.
  Her ladyship started up, with every appearance of being additionally
agitated and alarmed by what I had told her.
  'Worse! worse than I thought!' she said, walking about the room,
in a bewildered manner. 'The Count knew Mr. Dawson would never consent
to Marian's taking a journey- he purposely insulted the doctor to
get him out of the house.'
  'Oh, my lady! my lady!' I remonstrated.
  'Mrs. Michelson!' she went on, vehemently; 'no words that ever
were spoken will persuade me that my sister is in that man's power and
in that man's house, with her own consent. My horror of him is such,
that nothing Sir Percival could say, and no letters my uncle could
write, would induce me, if I had only my own feelings to consult, to
eat, drink, or sleep under his roof. But my misery of suspense about
Marian gives me the courage to follow her anywhere- to follow her even
into Count Fosco's house.'
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 90}
  I thought it right, at this point, to mention that Miss Halcombe had
already gone on to Cumberland, according to Sir Percival's account
of the matter.
  'I am afraid to believe it!' answered her ladyship. 'I am afraid she
is still in that man's house. If I am wrong- if she has really gone on
to Limmeridge- I am resolved I will not sleep to-morrow night under
Count Fosco's roof. My dearest friend in the world, next to my sister,
lives near London. You have heard me, you have heard Miss Halcombe,
speak of Mrs. Vesey? I mean to write, and propose to sleep at her
house. I don't know how I shall get there- I don't know how I shall
avoid the Count- but to that refuge I will escape in some way, if my
sister has gone to Cumberland. All I ask of you to do, is to see
yourself that my letter to Mrs. Vesey goes to London to-night, as
certainly as Sir Percival's letter goes to Count Fosco. I have reasons
for not trusting the post-bag down stairs. Will you keep my secret,
and help me in this? it is the last favour, perhaps, that I shall ever
ask of you.'
  I hesitated- I thought it all very strange- I almost feared that her
ladyship's mind had been a little affected by recent anxiety and
suffering. At my own risk, however, I ended by giving my consent. If
the letter had been addressed to a stranger, or to anyone but a lady
so well known to me by report as Mrs. Vesey, I might have refused. I
thank God- looking to what happened afterwards- I thank God I never
thwarted that wish, or any other, which Lady Glyde expressed to me, on
the last day of her residence at Blackwater Park.
  The letter was written, and given into my hands. I myself put it
into the post-box in the village, that evening.
  We saw nothing more of Sir Percival for the rest of the day.
                                      {2ND_EPOCH|MICHELSON|II ^paragraph 95}
  I slept, by Lady Glyde's own desire, in the next room to hers,
with the door open between us. There was something so strange and
dreadful in the loneliness and emptiness of the house, that I was
glad, on my side, to have a companion near me. Her ladyship sat up
late, reading letters and burning them, and emptying her drawers and
cabinets of little things she prized, as if she never expected to
return to Blackwater Park. Her sleep was sadly disturbed when she at
last went to bed; she cried out in it, several times- once, so loud
that she woke herself. Whatever her dreams were, she did not think fit
to communicate them to me. Perhaps, in my situation, I had no right to
expect that she should do so. It matters little, now. I was sorry
for her- I was indeed heartily sorry for her all the same.
  The next day was fine and sunny. Sir Percival came up, after
breakfast, to tell us that the chaise would be at the door at a
quarter to twelve; the train to London stopping at our station, at
twenty minutes after. He informed Lady Glyde that he was obliged to go
out, but added that he hoped to be back before she left. If any
unforeseen accident delayed him, I was to accompany her to the
station, and to take special care that she was in time for the
train. Sir Percival communicated these directions very hastily;
walking here and there about the room all the time. Her ladyship
looked attentively after him, wherever he went. He never once looked
at her in return.
  She only spoke when he had done; and then she stopped him as he
approached the door, by holding out her hand.
  'I shall see you no more,' she said, in a very marked manner.
'This is our parting- our parting, it may be for ever. Will you try to
forgive me, Percival, as heartily as I forgive you?'
  His face turned of an awful whiteness all over; and great beads of
perspiration broke out on his bald forehead. 'I shall come back,' he
said- and made for the door, as hastily as if his wife's farewell
words had frightened him out of the room.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 100}
  I had never liked Sir Percival- but the manner in which he left Lady
Glyde made me feel ashamed of having eaten his bread and lived in
his service. I thought of saying a few comforting and Christian
words to the poor lady; but there was something in her face, as she
looked after her husband when the door closed on him, that made me
alter my mind and keep silence.
  At the time named, the chaise drew up at the gates. Her ladyship was
right- Sir Percival never came back. I waited for him till the last
moment- and waited in vain.
  No positive responsibility lay on my shoulders; and yet, I did not
feel easy in my mind. 'It is of your own free will,' I said, as the
chaise drove through the lodge-gates, 'that your ladyship goes to
London?'
  'I will go anywhere,' she answered, 'to end the dreadful suspense
that I am suffering at this moment.'
  She had made me feel almost as anxious and as uncertain about Miss
Halcombe as she felt herself. I presumed to ask her to write me a
line, if all went well in London. She answered, 'Most willingly,
Mrs. Michelson.' 'We all have our crosses to bear, my lady,' I said,
seeing her silent and thoughtful, after she had promised to write. She
made no reply; she seemed to be too much wrapped up in her own
thoughts to attend to me. 'I fear your ladyship rested badly last
night,' I remarked after waiting a little. 'Yes,' she said; 'I was
terribly disturbed by dreams.' 'Indeed, my lady?' I thought she was
going to tell me her dreams; but no, when she spoke next it was only
to ask a question. 'You posted the letter to Mrs. Vesey with your
own hands?' 'Yes, my lady.'
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 105}
  'Did Sir Percival say, yesterday, that Count Fosco was to meet me at
the terminus in London?' 'He did, my lady.'
  She sighed heavily when I answered that last question, and said no
more.
  We arrived at the station, with hardly two minutes to spare. The
gardener (who had driven us) managed about the luggage, while I took
the ticket. The whistle of the train was sounding when I joined her
ladyship on the platform. She looked very strangely, and pressed her
hand over her heart, as if some sudden pain or fright had overcome her
at that moment.
  'I wish you were going with me!' she said, catching eagerly at my
arm, when I gave her the ticket.
  If there had been time; if I had felt the day before, as I felt
then, I would have made my arrangements to accompany her- even
though the doing so had obliged me to give Sir Percival warning on the
spot. As it was, her wishes expressed at the last moment only, were
expressed too late for me to comply with them. She seemed to
understand this herself before I could explain it, and did not
repeat her desire to have me for a travelling companion. The train
drew up at the platform. She gave the gardener a present for his
children, and took my hand in her simple, hearty manner, before she
got into the carriage.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 110}
  'You have been very kind to me and to my sister,' she said- 'kind
when we were both friendless. I shall remember you gratefully, as long
as I live to remember any one. Good-by- and God bless you!' She
spoke those words with a tone and a look which brought the tears
into my eyes- she spoke them as if she was bidding me farewell for
ever.
  'Good-by, my lady,' I said, putting her into the carriage, and
trying to cheer her; 'good-by, for the present only; good-by, with
my best and kindest wishes for happier times!'
  She shook her head, and shuddered as she settled herself in the
carriage. The guard closed the door. 'Do you believe in dreams?' she
whispered to me, at the window. 'My dreams, last night, were
dreams I have never had before. The terror of them is hanging over
me still.' The whistle sounded before I could answer, and the train
moved. Her pale quiet face looked at me, for the last time; looked
sorrowfully and solemnly from the window. She waved her hand- and I
saw her no more.
-
  Towards five o'clock on the afternoon of that same day, having a
little time to myself in the midst of the household duties which now
pressed upon me, I sat down alone in my own room, to try and compose
my mind with the volume of my husband's Sermons. For the first time in
my life, I found my attention wandering over those pious and
cheering words. Concluding that Lady Glyde's departure must have
disturbed me far more seriously than I had myself supposed, I put
the book aside, and went out to take a turn in the garden. Sir
Percival had not yet returned, to my knowledge, so I could feel no
hesitation about showing myself in the grounds.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 115}
  On turning the corner of the house, and gaining a view of the
garden, I was startled by seeing a stranger walking in it. The
stranger was a woman- she was lounging along the path, with her back
to me, and was gathering the flowers.
  As I approached, she heard me, and turned round.
  My blood curdled in my veins. The strange woman in the garden was
Mrs. Rubelle!
  I could neither move, nor speak. She came up to me, as composedly as
ever, with her flowers in her hand.
  'What is the matter, ma'am?' she said, quietly.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 120}
  'You here!' I gasped out. 'Not gone to London! Not gone to
Cumberland!'
-
  Mrs. Rubelle smelt at her flowers with a smile of malicious pity.
  'Certainly not,' she said. 'I have never left Blackwater Park.'
  I summoned breath enough and courage enough for another question.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 125}
  'Where is Miss Halcombe?'
  Mrs. Rubelle fairly laughed at me, this time; and replied in these
words:
  'Miss Halcombe, ma'am, has not left Blackwater Park, either.'
-
  When I heard that astounding answer, all my thoughts were startled
back on the instant to my parting with Lady Glyde. I can hardly say
I reproached myself- but, at that moment, I think I would have given
many a year's hard savings to have known four hours earlier what I
knew now.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 130}
  Mrs. Rubelle waited, quietly arranging her nosegay, as if she
expected me to say something.
  I could say nothing. I thought of Lady Glyde's worn-out energies and
weakly health; and I trembled for the time when the shock of the
discovery that I had made would fall on her. For a minute, or more, my
fears for the poor ladies silenced me. At the end of that time, Mrs.
Rubelle looked up sideways from her flowers, and said, 'Here is Sir
Percival, ma'am, returned from his ride.'
  I saw him as soon as she did. He came towards us, slashing viciously
at the flowers with his riding-whip. When he was near enough to see my
face, he stopped, struck at his boot with the whip, and burst out
laughing, so harshly and so violently, that the birds flew away,
startled, from the tree by which he stood.
  'Well, Mrs. Michelson,' he said; 'you have found it out at last-
have you?'
  I made no reply. He turned to Mrs. Rubelle.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 135}
  'When did you show yourself in the garden?'
  'I showed myself about half an hour ago, sir. You said I might
take my liberty, again, as soon as Lady Glyde had gone away to
London.'
  'Quite right. I don't blame you- I only asked the question.' He
waited a moment, and then addressed himself once more to me. 'You
can't believe it, can you?' he said, mockingly. 'Here! come along
and see for yourself.'
  He led the way round to the front of the house. I followed him;
and Mrs. Rubelle followed me. After passing through the iron gates, he
stopped, and pointed with his whip to the disused middle wing of the
building.
  'There!' he said. 'Look up at the first floor. You know the old
Elizabethan bedrooms? Miss Halcombe is snug and safe in one of the
best of them, at this moment. Take her in, Mrs. Rubelle (you have
got your key?); take Mrs. Michelson in, and let her own eyes satisfy
her that there is no deception, this time.'
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 140}
  The tone in which he spoke to me, and the minute or two that had
passed since we left the garden, helped me to recover my spirits a
little. What I might have done, at this critical moment, if all my
life had been passed in service, I cannot say. As it was, possessing
the feelings, the principles, and the bringing-up of a lady, I could
not hesitate about the right course to pursue. My duty to myself,
and my duty to Lady Glyde, alike forbade me to remain in the
employment of a man who had shamefully deceived us both by a series of
atrocious falsehoods.
  'I must beg permission, Sir Percival, to speak a few words to you in
private,' I said. 'Having done so, I shall be ready to proceed with
this person to Miss Halcombe's room.'
  Mrs. Rubelle, whom I had indicated by a slight turn of my head,
insolently sniffed at her nosegay, and walked away, with great
deliberation, towards the house door.
  'Well,' said Sir Percival, sharply; 'what is it now?'
  'I wish to mention, sir, that I am desirous of resigning the
situation I now hold at Blackwater Park.' That was literally how I put
it. I was resolved that the first words spoken in his presence
should be words which expressed my intention to leave his service.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 145}
  He eyed me with one of his blackest looks, and thrust his hands
savagely into the pockets of his riding-coat.
  'Why?' he said; 'why, I should like to know?'
  'It is not for me, Sir Percival, to express an opinion on what has
taken place in this house. I desire to give no offence. I merely
wish to say that I do not feel it consistent with my duty to Lady
Glyde and to myself to remain any longer in your service.'
  'Is it consistent with your duty to me to stand there, casting
suspicion on me to my face?' he broke out, in his most violent manner.
'I see what you're driving at. You have taken your own mean, underhand
view of an innocent deception practised on Lady Glyde, for her own
good. It was essential to her health that she should have a change
of air immediately- and, you know as well as I do, she would never
have gone away, if she had been told Miss Halcombe was still left
here. She has been deceived in her own interests- and I don't care who
knows it. Go, if you like- there are plenty of housekeepers as good as
you, to be had for the asking. Go, when you please- but take care
how you spread scandals about me and my affairs, when you're out of my
service. Tell the truth, and nothing but the truth, or it will be
the worse for you! See Miss Halcombe for yourself; see if she hasn't
been as well taken care of in one part of the house as in the other.
Remember the doctor's own orders that Lady Glyde was to have a
change of air at the earliest possible opportunity. Bear all that well
in mind- and then say anything against me and my proceedings if you
dare!'
  He poured out these words fiercely, all in a breath, walking
backwards and forwards, and striking about him in the air with his
whip.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 150}
  Nothing that he said or did shook my opinion of the disgraceful
series of falsehoods that he had told, in my presence, the day before,
or of the cruel deception by which he had separated Lady Glyde from
her sister, and had sent her uselessly to London, when she was half
distracted with anxiety on Miss Halcombe's account. I naturally kept
these thoughts to myself, and said nothing more to irritate him; but I
was not the less resolved to persist in my purpose. A soft answer
turneth away wrath; and I suppressed my own feelings, accordingly,
when it was my turn to reply.
  'While I am in your service, Sir Percival,' I said, 'I hope I know
my duty well enough not to inquire into your motives. When I am out of
your service, I hope I know my own place well enough not to speak of
matters which don't concern me-'
  'When do you want to go?' he asked, interrupting me without
ceremony. 'Don't suppose I am anxious to keep you- don't suppose I
care about your leaving the house. I am perfectly fair and open in
this matter, from first to last. When do you want to go?'
  'I should wish to leave at your earliest convenience, Sir Percival.'
  'My convenience has nothing to do with it. I shall be out of the
house, for good and all, to-morrow morning; and I can settle your
accounts to-night. If you want to study anybody's convenience, it
had better be Miss Halcombe's. Mrs. Rubelle's time is up to-day; and
she has reasons for wishing to be in London to-night. If you go at
once, Miss Halcombe won't have a soul left here to look after her.'
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 155}
  I hope it is unnecessary for me to say that I was quite incapable of
deserting Miss Halcombe in such an emergency as had now befallen
Lady Glyde and herself. After first distinctly ascertaining from Sir
Percival that Mrs. Rubelle was certain to leave at once if I took
her place, and after also obtaining permission to arrange for Mr.
Dawson's resuming his attendance on his patient, I willingly consented
to remain at Blackwater Park until Miss Halcombe no longer required my
services. It was settled that I should give Sir Percival's solicitor a
week's notice before I left: and that he was to undertake the
necessary arrangements for appointing my successor. The matter was
discussed in very few words. At its conclusion, Sir Percival
abruptly turned on his heel, and left me free to join Mrs. Rubelle.
That singular foreign person had been sitting composedly on the
door-step, all this time, waiting till I could follow her to Miss
Halcombe's room.
  I had hardly walked half way towards the house, when Sir Percival,
who had withdrawn in the opposite direction, suddenly stopped, and
called me back.
  'Why are you leaving my service?' he asked.
  The question was so extraordinary, after what had just passed
between us, that I hardly knew what to say in answer to it.
  'Mind! I don't know why you are going,' he went on.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 160}
  'You must give a reason for leaving me, I suppose, when you get
another situation. What reason? The breaking up of the family? Is that
it?'
  'There can be no positive objection, Sir Percival, to that reason-'
  'Very well! That's all I want to know. If people apply for your
character, that's your reason, stated by yourself. You go in
consequence of the breaking up of the family.'
  He turned away again, before I could say another word, and walked
out rapidly into the grounds. His manner was as strange as his
language. I acknowledge he alarmed me.
  Even the patience of Mrs. Rubelle was getting exhausted, when I
joined her at the house door.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 165}
  'At last!' she said, with a shrug of her lean foreign shoulders. She
led the way into the inhabited side of the house, ascended the stairs,
and opened with her key the door at the end of the passage, which
communicated with the old Elizabethan rooms- a door never previously
used, in my time, at Blackwater Park. The rooms themselves I knew
well, having entered them myself, on various occasions, from the other
side of the house. Mrs. Rubelle stopped at the third door along the
old gallery, handed me the key of it, with the key of the door of
communication, and told me I should find Miss Halcombe in that room.
Before I went in, I thought it desirable to make her understand that
her attendance had ceased. Accordingly, I told her in plain words that
the charge of the sick lady henceforth devolved entirely on myself.
  'I am glad to hear it, ma'am,' said Mrs. Rubelle. 'I want to go very
much.'
  'Do you leave to-day?' I asked, to make sure of her.
  'Now that you have taken charge, ma'am, I leave in half an hour's
time. Sir Percival has kindly placed at my disposition the gardener,
and the chaise, whenever I want them. I shall want them in half an
hour's time, to go to the station. I am packed up, in anticipation,
already. I wish you good day, ma'am.'
  She dropped a brisk curtsey, and walked back along the gallery,
humming a little tune, and keeping time to it cheerfully with the
nosegay in her hand. I am sincerely thankful to say, that was the last
I saw of Mrs. Rubelle.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 170}
  When I went into the room, Miss Halcombe was asleep. I looked at her
anxiously, as she lay in the dismal, high, old-fashioned bed. She
was certainly not in any respect altered for the worse, since I had
seen her last. She had not been neglected, I am bound to admit, in any
way that I could perceive. The room was dreary, and dusty, and dark;
but the window (looking on a solitary court-yard at the back of the
house) was opened to let in the fresh air, and all that could be
done to make the place comfortable had been done. The whole cruelty of
Sir Percival's deception had fallen on poor Lady Glyde. The only ill
usage which either he or Mrs. Rubelle had inflicted on Miss
Halcombe, consisted, so far as I could see, in the first offence of
hiding her away.
  I stole back, leaving the sick lady still peacefully asleep, to give
the gardener instructions about bringing the doctor. I begged the man,
after he had taken Mrs. Rubelle to the station, to drive round by
Mr. Dawson's, and leave a message, in my name, asking him to call
and see me. I knew he would come on my account, and I knew he would
remain when he found Count Fosco had left the house.
  In due course of time, the gardener returned, and said that he had
driven round by Mr. Dawson's residence, after leaving Mrs. Rubelle
at the station. The doctor sent me word that he was poorly in health
himself, but that he would call, if possible, the next morning.
  Having delivered his message, the gardener was about to withdraw,
but I stopped him to request that he would come back before dark,
and sit up, that night, in one of the empty bedrooms, so as to be
within call, in case I wanted him. He understood readily enough my
unwillingness to be left alone all night, in the most desolate part of
that desolate house, and we arranged that he should come in between
eight and nine.
  He came punctually; and I found cause to be thankful that I had
adopted the precaution of calling him in. Before midnight, Sir
Percival's strange temper broke out in the most violent and most
alarming manner, and if the gardener had not been on the spot to
pacify him on the instant, I am afraid to think what might have
happened.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 175}
  Almost all the afternoon and evening, he had been walking about
the house and grounds in an unsettled, excitable manner; having, in
all probability, as I thought, taken an excessive quantity of wine
at his solitary dinner. However that may be, I heard his voice calling
loudly and angrily, in the new wing of the house, as I was taking a
turn backwards and forwards along the gallery, the last thing at
night. The gardener immediately ran down to him; and I closed the door
of communication, to keep the alarm, if possible, from reaching Miss
Halcombe's ears. It was full half an hour before the gardener came
back. He declared that his master was quite out of his senses- not
through the excitement of drink, as I had supposed, but through a kind
of panic or frenzy of mind, for which it was impossible to account. He
had found Sir Percival walking backwards and forwards by himself in
the hall; swearing, with every appearance of the most violent passion,
that he would not stop another minute alone in such a dungeon as his
own house, and that he would take the first stage of his journey
immediately, in the middle of the night. The gardener, on
approaching him, had been hunted out, with oaths, and threats, to
get the horse and chaise ready instantly. In a quarter of an hour
Sir Percival had joined him in the yard, had jumped into the chaise,
and, lashing the horse into a gallop, had driven himself away, with
his face as pale as ashes in the moonlight. The gardener had heard him
shouting and cursing at the lodge-keeper to get up and open the
gate- had heard the wheels roll furiously on again, in the still
night, when the gate was unlocked- and knew no more.
  The next day, or a day or two after, I forget which, the chaise
was brought back from Knowlesbury, our nearest town, by the ostler
at the old inn. Sir Percival had stopped there, and had afterwards
left by the train- for what destination the man could not tell. I
never received any further information, either from himself, or from
any one else, of Sir Percival's proceedings; and I am not even
aware, at this moment, whether he is in England or out of it. He and I
have not met, since he drove away, like an escaped criminal, from
his own house; and it is my fervent hope and prayer that we may
never meet again.
  My own part of this sad family story is now drawing to an end.
  I have been informed that the particulars of Miss Halcombe's waking,
and of what passed between us when she found me sitting by her
bedside, are not material to the purpose which is to be answered by
the present narrative. It will be sufficient for me to say, in this
place, that she was not herself conscious of the means adopted to
remove her from the inhabited to the uninhabited part of the house.
She was in a deep sleep at the time, whether naturally or artificially
produced she could not say. In my absence at Torquay, and in the
absence of all the resident servants, except Margaret Porcher (who was
perpetually eating, drinking, or sleeping, when she was not at
work), the secret transfer of Miss Halcombe from one part of the house
to the other was no doubt easily performed. Mrs. Rubelle (as I
discovered for myself, in looking about the room) had provisions,
and all other necessaries, together with the means of heating water,
broth, and so on, without kindling a fire, placed at her disposal
during the few days of her imprisonment with the sick lady. She had
declined to answer the questions which Miss Halcombe naturally put;
but had not, in other respects, treated her with unkindness or
neglect. The disgrace of lending herself to a vile deception is the
only disgrace with which I can conscientiously charge Mrs. Rubelle.
  I need write no particular (and I am relieved to know it) of the
effect produced on Miss Halcombe by the news of Lady Glyde's
departure, or by the far more melancholy tidings which reached us only
too soon afterwards at Blackwater Park. In both cases I prepared her
mind beforehand as gently and as carefully as possible; having the
doctor's advice to guide me, in the last case only, through Mr.
Dawson's being too unwell to come to the house for some days after I
had sent for him. It was a sad time, a time which it afflicts me to
think of, or to write of, now. The precious blessings of religious
consolation which I endeavoured to convey, were long in reaching
Miss Halcombe's heart; but I hope and believe they came home to her at
last. I never left her till her strength was restored. The train which
took me away from that miserable house, was the train which took her
away also. We parted very mournfully in London. I remained with a
relative at Islington; and she went on to Mr. Fairlie's house in
Cumberland.
                                     {2ND_EPOCH|MICHELSON|II ^paragraph 180}
  I have only a few lines more to write, before I close this painful
statement. They are dictated by a sense of duty.
  In the first place, I wish to record my own personal conviction that
no blame whatever, in connexion with the events which I have now
related, attaches to Count Fosco. I am informed that a dreadful
suspicion has been raised, and that some very serious constructions
are placed upon his lordship's conduct. My persuasion of the Count's
innocence remains, however, quite unshaken. If he assisted Sir
Percival in sending me to Torquay, he assisted under a delusion, for
which, as a foreigner and a stranger, he was not to blame. If he was
concerned in bringing Mrs. Rubelle to Blackwater Park, it was his
misfortune and not his fault, when that foreign person was base enough
to assist a deception planned and carried out by the master of the
house. I protest, in the interests of morality, against blame being
gratuitously and wantonly attached to the proceedings of the Count.
  In the second place, I desire to express my regret at my own
inability to remember the precise day on which Lady Glyde left
Blackwater Park for London. I am told that it is of the last
importance to ascertain the exact date of that lamentable journey; and
I have anxiously taxed my memory to recall it. The effort has been
in vain. I can only remember now that it was towards the latter part
of July. We all know the difficulty, after a lapse of time, of
fixing precisely on a past date, unless it has been previously written
down. That difficulty is greatly increased, in my case, by the
alarming and confusing events which took place about the period of
Lady Glyde's departure. I heartily wish I had made a memorandum at the
time. I heartily wish my memory of the date was as vivid as my
memory of that poor lady's face, when it looked at me sorrowfully
for the last time from the carriage window.

{2ND_EPOCH|SEVERAL_NARRATIVES
              THE STORY CONTINUED IN SEVERAL NARRATIVES
-
  1. The Narrative of HESTER PINHORN, Cook in the Service Of COUNT
FOSCO
-
                [Taken down from her own statement.]
-
  I am sorry to say that I have never learnt to read or write. I
have been a hard-working woman all my life, and have kept a good
character. I know that it is a sin and wickedness to say the thing
which is not; and I will truly beware of doing so on this occasion.
All that I know, I will tell; and I humbly beg the gentleman who takes
this down to put my language right as he goes on, and to make
allowances for my being no scholar.
                                 {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 5}
  In this last summer, I happened to be out of place (through no fault
of my own); and I heard of a situation, as plain cook, at Number Five,
Forest-road, St. John's Wood. I took the place, on trial. My
master's name was Fosco. My mistress was an English lady. He was Count
and she was Countess. There was a girl to do housemaid's work, when
I got there. She was not over clean or tidy- but there was no harm
in her. I and she were the only servants in the house.
  Our master and mistress came after we got in. And, as soon as they
did come, we were told, down stairs, that company was expected from
the country.
  The company was my mistress's niece, and the back bedroom on the
first floor was got ready for her. My mistress mentioned to me that
Lady Glyde (that was her name) was in poor health, and that I must
be particular in my cooking accordingly. She was to come that day,
as well as I can remember- but whatever you do, don't trust my
memory in the matter. I am sorry to say it's no use asking me about
days of the month, and such-like. Except Sundays, half my time I
take no heed of them; being a hard-working woman and no scholar. All I
know is, Lady Glyde came; and, when she did come, a fine fright she
gave us all, surely. I don't know how master brought her to the house,
being hard at work at the time. But he did bring her in the afternoon,
I think; and the housemaid opened the door to them, and showed them
into the parlour. Before she had been long down in the kitchen again
with me, we heard a hurry-skurry, upstairs, and the parlour bell
ringing like mad, and my mistress's voice calling out for help.
  We both ran up; and there we saw the lady laid on the sofa, with her
face ghastly white, and her hands fast clenched, and her head drawn
down to one side. She had been taken with a sudden fright, my mistress
said; and master he told us she was in a fit of convulsions. I ran
out, knowing the neighbourhood a little better than the rest of
them, to fetch the nearest doctor's help. The nearest help was at
Goodricke's and Garth's, who worked together as partners, and had a
good name and connexion, as I have heard, all round St. John's Wood.
Mr. Goodricke was in; and he came back with me directly.
  It was some time before he could make himself of much use. The
poor unfortunate lady fell out of one fit into another- and went on
so, till she was quite wearied out, and as helpless as a new-born
babe. We then got her to bed. Mr. Goodricke went away to his house for
medicine, and came back again in quarter of an hour or less. Besides
the medicine he brought a bit of hollow mahogany wood with him, shaped
like a kind of trumpet; and, after waiting a little while, he put
one end over the lady's heart and the other to his ear, and listened
carefully.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 10}
  When he had done, he says to my mistress, who was in the room, 'This
is a very serious case,' he says; 'I recommend you to write to Lady
Glyde's friends directly.' My mistress says to him, 'Is it
heart-disease?' And he says, 'Yes; heart-disease of a most dangerous
kind.' He told her exactly what he thought was the matter, which I was
not clever enough to understand. But I know this, he ended by saying
that he was afraid neither his help nor any other doctor's help was
likely to be of much service.
  My mistress took this ill news more quietly than my master. He was a
big, fat, odd sort of elderly man, who kept birds and white mice,
and spoke to them as if they were so many Christian children. He
seemed terribly cut up by what had happened. 'Ah! poor Lady Glyde!
poor dear Lady Glyde!' he says- and went stalking about, wringing
his fat hands more like a play-actor than a gentleman. For one
question my mistress asked the doctor about the lady's chances of
getting round, he asked a good fifty at least. I declare he quite
tormented us all- and, when he was quiet at last, out he went into the
bit of back garden, picking trumpery little nosegays, and asking me to
take them up-stairs and make the sick-room look pretty with them. As
if that did any good. I think he must have been, at times, a
little soft in his head. But he was not a bad master: he had a
monstrous civil tongue of his own; and a jolly, easy, coaxing way with
him. I liked him a deal better than my mistress. She was a hard one,
if ever there was a hard one yet.
  Towards night-time, the lady roused up a little. She had been so
wearied out, before that, by the convulsions, that she never stirred
hand or foot, or spoke a word to anybody. She moved in the bed now;
and stared about her at the room and us in it. She must have been a
nice-looking lady, when well, with light hair, and blue eyes, and
all that. Her rest was troubled at night- at least so I heard from
my mistress, who sat up alone with her. I only went in once before
going to bed, to see if I could be of any use; and then she was
talking to herself, in a confused, rambling manner. She seemed to want
sadly to speak to somebody, who was absent from her somewhere. I
couldn't catch the name, the first time; and the second time master
knocked at the door, with his regular mouthful of questions, and
another of his trumpery nosegays.
  When I went in, early the next morning, the lady was clean worn
out again, and lay in a kind of faint sleep. Mr. Goodricke brought his
partner, Mr. Garth, with him to advise. They said she must not be
disturbed out of her rest, on any account. They asked my mistress a
many questions, at the other end of the room, about what the lady's
health had been in past times, and who had attended her, and whether
she had ever suffered much and long together under distress of mind. I
remember my mistress said, 'Yes,' to that last question. And Mr.
Goodricke looked at Mr. Garth, and shook his head; and Mr. Garth
looked at Mr. Goodricke, and shook his head. They seemed to think that
the distress might have something to do with the mischief at the
lady's heart. She was but a frail thing to look at, poor creature!
Very little strength, at any time, I should say- very little strength.
  Later on the same morning, when she woke, the lady took a sudden
turn, and got seemingly a great deal better. I was not let in again to
see her, no more was the housemaid, for the reason that she was not to
be disturbed by strangers. What I heard of her being better was
through my master. He was in wonderful good spirits about the
change, and looked in at the kitchen window from the garden, with
his great big curly-brimmed white hat on, to go out.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 15}
  'Good Mrs. Cook,' says he, 'Lady Glyde is better. My mind is more
easy than it was; and I am going out to stretch my big legs with a
sunny little summer walk. Shall I order for you, shall I market for
you, Mrs. Cook? What are you making there? A nice tart for dinner?
Much crust, if you please- much crisp crust, my dear, that melts and
crumbles delicious in the mouth. That was his way. He was past
sixty, and fond of pastry. Just think of that!
  The doctor came again in the forenoon, and saw for himself that Lady
Glyde had woke up better. He forbid us to talk to her, or to let her
talk to us, in case she was that way disposed; saying she must be kept
quiet before all things, and encouraged to sleep, as much as possible.
She did not seem to want to talk whenever I saw her- except overnight,
when I couldn't make out what she was saying- she seemed too much worn
down. Mr. Goodricke was not nearly in such good spirits about her as
master. He said nothing when he came down stairs, except that he would
call again at five o'clock.
  About that time (which was before master came home again), the
bell rang hard from the bedroom, and my mistress ran out into the
landing, and called for me to go for Mr. Goodricke, and tell him the
lady had fainted. I got on my bonnet and shawl, when, as good luck
would have it, the doctor himself came to the house for his promised
visit.
  I let him in, and went up-stairs along with him. 'Lady Glyde was
just as usual,' says my mistress to him at the door; 'she was awake,
and looking about her, in a strange, forlorn manner, when I heard
her give a sort of half cry, and she fainted in a moment.' The
doctor went up to the bed, and stooped down over the sick lady. He
looked very serious, all on a sudden, at the sight of her; and put his
hand on her heart.
  My mistress stared hard in Mr. Goodricke's face. 'Not dead!' says
she; whispering, and turning all of a tremble from head to foot.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 20}
  'Yes,' says the doctor, very quiet and grave. 'Dead. I was afraid it
would happen suddenly, when I examined her heart yesterday.' My
mistress stepped back from the bedside, while he was speaking, and
trembled and trembled again. 'Dead!' she whispers to herself; 'dead so
suddenly! dead so soon! What will the Count say?' Mr. Goodricke
advised her to go down-stairs, and quiet herself a little. 'You have
been sitting up all night,' says he; 'and your nerves are shaken. This
person,' says he, meaning me, 'this person will stay in the room, till
I can send for the necessary assistance.' My mistress did as he told
her. 'I must prepare the Count,' she says. 'I must carefully prepare
the Count.' And so she left us, shaking from head to foot, and went
out.
  'Your master is a foreigner,' says Mr. Goodricke, when my mistress
had left us. 'Does he understand about registering the death?' 'I
can't rightly tell, sir,' says I; 'but I should think not.' The doctor
considered a minute; and then, says he, 'I don't usually do such
things,' says he, 'but it may save the family trouble in this case, if
I register the death myself. I shall pass the district office in
half an hour's time; and I can easily look in. Mention, if you please,
that I will do, so.' 'Yes, sir,' says I, 'with thanks, I'm sure, for
your kindness in thinking of it.' 'You don't mind staying here, till I
can send you the proper person?' says he. 'No, sir,' says I; 'I'll
stay with the poor lady, till then. I suppose nothing more could be
done, sir, than was done?' says I. 'No,' says he; 'nothing; she must
have suffered sadly before ever I saw her: the case was hopeless
when I was called in.' 'Ah, dear me! we all come to it, sooner or
later, don't we, sir?' says I. He gave no answer to that; he didn't
seem to care about talking. He said, 'Good day,' and went out.
  I stopped by the bedside from that time, till the time when Mr.
Goodricke sent the person in, as he had promised. She was, by name,
Jane Gould. I considered her to be a respectable-looking woman. She
made no remark, except to say that she understood what was wanted of
her, and that she had winded a many of them in her time.
  How master bore the news, when he first heard it, is more than I can
tell; not having been present. When I did see him, he looked awfully
overcome by it, to be sure. He sat quiet in a corner, with his fat
hands hanging over his thick knees, and his head down, and his eyes
looking at nothing. He seemed not so much sorry, as scared and dazed
like, by what had happened. My mistress managed all that was to be
done about the funeral. It must have cost a sight of money: the
coffin, in particular, being most beautiful. The dead lady's husband
was away, as we heard, in foreign parts. But my mistress (being her
aunt) settled it with her friends in the country (Cumberland, I think)
that she should be buried there, in the same grave along with her
mother. Everything was done handsomely, in respect of the funeral, I
say again; and master went down to attend the burying in the country
himself. He looked grand in his deep mourning, with his big solemn
face, and his slow walk, and his broad hatband- that he did!
  In conclusion, I have to say, in answer to questions put to me.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 25}
  (1) That neither I nor my fellow-servant ever saw my master give
Lady Glyde any medicine himself.
  (2) That he was never, to my knowledge and belief, left alone in the
room with Lady Glyde.
  (3) That I am not able to say what caused the sudden fright, which
my mistress informed me had seized the lady on her first coming into
the house. The cause was never explained, either to me or to my
fellow-servant.
-
  The above statement has been read over in my presence. I have
nothing to add to it, or to take away from it. I say, on my oath as
a Christian woman, This is the truth.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 30}
                        (Signed)     HESTER PINHORN, Her X Mark.
-
-
  2. The Narrative of the Doctor
-
  To the Registrar of the Sub-District in which the under-mentioned
Death took place.- I hereby certify that I attended Lady Glyde, aged
Twenty-One last Birthday; that I last saw her, on Thursday, the 25th
of July, 1850; that she died on the same day at No. 5, Forest-road,
St. John's Wood; and that the cause of her death was, Aneurism.
Duration of Disease, not known.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 35}
                        (Signed)               ALFRED GOODRICKE.
                    Prof. Title. M.R.C.S. Eng. L.S.A.
                    Address. 12, Croydon Gardens, St. John's Wood.
-
-
  3. The Narrative of JANE GOULD
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 40}
-
  I was the person sent in by Mr. Goodricke, to do what was right
and needful by the remains of a lady, who had died at the house
named in the certificate which precedes this. I found the body in
charge of the servant, Hester Pinhorn. I remained with it, and
prepared it, at the proper time, for the grave. It was laid in the
coffin, in my presence; and I afterwards saw the coffin screwed
down, previous to its removal. When that had been done, and not
before, I received what was due to me, and left the house. I refer
persons who may wish to investigate my character to Mr. Goodricke.
He will bear witness that I can be trusted to tell the truth.
                        (Signed)                     JANE GOULD.
-
-
  4. The Narrative of the Tombstone
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 45}
-
  Sacred to the memory of Laura, Lady Glyde, wife of Sir Percival
Glyde, Bart., of Blackwater Park, Hampshire; and daughter of the
late Philip Fairlie, Esq., of Limmeridge House, in this parish.
Born, March 27th, 1829; married, December 22nd, 1849; died, July 25th,
1850.
-
-
  5. The Narrative of WALTER HARTRIGHT
-
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 50}
  Early in the summer of 1850, I, and my surviving companions, left
the wilds and forests of Central America for home. Arrived at the
coast, we took ship there for England. The vessel was wrecked in the
Gulf of Mexico; I was among the few saved from the sea. It was my
third escape from peril of death. Death by disease, death by the
Indians, death by drowning- all three had approached me; all three had
passed me by.
  The survivors of the wreck were rescued by an American vessel, bound
for Liverpool. The ship reached her port on the thirteenth day of
October, 1850. We landed late in the afternoon; and I arrived in
London the same night.
  These pages are not the record of my wanderings and my dangers
away from home. The motives which led me from my country and my
friends to a new world of adventure and peril are known. From that
self-imposed exile I came back, as I hoped, prayed, believed I
should come back- a changed man. In the waters of a new life I had
tempered my nature afresh. In the stern school of extremity and danger
my will had learnt to be strong, my heart to be resolute, my mind to
rely on itself. I had gone out to fly from my own future. I came
back to face it, as a man should.
  To face it with that inevitable suppression of myself, which I
knew it would demand from me. I had parted with the worst bitterness
of the past, but not with my heart's remembrance of the sorrow and the
tenderness of that memorable time. I had not ceased to feel the one
irreparable disappointment of my life. I had only learnt to bear it.
Laura Fairlie was in all my thoughts when the ship bore me away, and I
looked my last at England. Laura Fairlie was in all my thoughts when
the ship brought me back, and the morning light showed the friendly
shore in view.
  My pen traces the old letters as my heart goes back to the old love.
I write of her as Laura Fairlie still. It is hard to think of her,
it is hard to speak of her, by her husband's name.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 55}
  There are no more words of explanation to add, on my appearing for
the second time in these pages. This narrative, if I have the strength
and the courage to write it, may now go on.
-
  My first anxieties and first hopes, when the morning came, centred
in my mother and my sister. I felt the necessity of preparing them for
the joy and surprise of my return, after an absence, during which it
had been impossible for them to receive any tidings of me for months
past. Early in the morning, I sent a letter to the Hampstead
Cottage; and followed it myself in an hour's time.
  When the first meeting was over, when our quiet and composure of
other days began gradually to return to us, I saw something in my
mother's face which told me that a secret oppression lay heavy on
her heart. There was more than love- there was sorrow in the anxious
eyes that looked on me so tenderly; there was pity in the kind hand
that slowly and fondly strengthened its hold on mine. We had no
concealments from each other. She knew how the hope of my life had
been wrecked- she knew why I had left her. It was on my lips to ask as
composedly as I could, if any letter had come for me from Miss
Halcombe if there was any news of her sister that I might hear. But,
when I looked in my mother's face, I lost courage to put the
question even in that guarded form. I could only say, doubtingly and
restrainedly.
  'You have something to tell me.'
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 60}
  My sister, who had been sitting opposite to us, rose suddenly,
without a word of explanation- rose, and left the room.
  My mother moved closer to me on the sofa and put her arms round my
neck. Those fond arms trembled; the tears flowed fast over the
faithful loving face.
  'Walter!' she whispered- 'my own darling! my heart is heavy for you.
Oh, my son! my son! try to remember that I am still left!'
  My head sank on her bosom. She had said all, in saying those words.
-
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 65}
              *       *       *       *       *       *
-
  It was the morning of the third day since my return- the morning
of the sixteenth of October.
  I had remained with them at the Cottage; I had tried hard not to
embitter the happiness of my return, to them, as it was embittered
to me. I had done all man could to rise after the shock, and
accept my life resignedly- to let my great sorrow come in tenderness
to my heart, and not in despair. It was useless and hopeless. No tears
soothed my aching eyes; no relief came to me from my sister's sympathy
or my mother's love.
  On that third morning, I opened my heart to them. At last the
words passed my lips which I had longed to speak on the day when my
mother told me of her death.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 70}
  'Let me go away alone, for a little while,' I said. 'I shall bear it
better when I have looked once more at the place where I first saw
her- when I have knelt and prayed by the grave where they have laid
her to rest.'
  I departed on my journey- my journey to the grave of Laura Fairlie.
  It was a quiet autumn afternoon, when I stopped at the solitary
station, and set forth alone, on foot, by the well-remembered road.
The waning sun was shining faintly through thin white clouds; the
air was warm and still; the peacefulness of the lonely country was
over-shadowed and saddened by the influence of the falling year.
  I reached the moor; I stood again on the brow of the hill; I
looked on, along the path- and there were the familiar garden trees in
the distance, the clear sweeping semicircle of the drive, the high
white walls of Limmeridge House. The chances and changes, the
wanderings and dangers of months and months past, all shrank and
shrivelled to nothing in my mind. It was like yesterday, since my feet
had last trodden the fragrant heathy ground! I thought I should see
her coming to meet me, with her little straw hat shading her face, her
simple dress fluttering in the air, and her well-filled sketch-book
ready in her hand.
  Oh, Death, thou hast thy sting! oh, Grave, thou hast thy victory!
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 75}
  I turned aside; and there below me, in the glen, was the lonesome
gray church; the porch where I had waited for the coming of the
woman in white; the hills encircling the quiet burial-ground; the
brook bubbling cold over its stony bed. There was the marble cross,
fair and white, at the head of the tomb- the tomb that now rose over
mother and daughter alike.
  I approached the grave. I crossed once more the low stone stile, and
bared my head as I touched the sacred ground. Sacred to gentleness and
goodness; sacred to reverence and grief.
  I stopped before the pedestal from which the cross rose. On one side
of it, on the side nearest to me, the newly-cut inscription met my
eyes- the hard, clear, cruel black letters which told the story of her
life and death. I tried to read them. I did read, as far as the
name. 'Sacred to the Memory of Laura-' The kind blue eyes dim with
tears; the fair head dropping wearily; the innocent, parting words
which implored me to leave her- oh, for a happier last memory of her
than this; the memory I took away with me, the memory I bring back
with me to her grave!
  A second time I tried to read the inscription. I saw, at the end,
the date of her death; and above it-
  Above it, there were lines on the marble, there was a name among
them, which disturbed my thoughts of her. I went round to the other
side of the grave, where there was nothing to read- nothing of earthly
vileness to force its way between her spirit and mine.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 80}
  I knelt down by the tomb. I laid my hands, I laid my head, on the
broad white stone, and closed my weary eyes on the earth around, on
the light above. I let her come back to me. Oh, my love! my love! my
heart may speak to you now! It is yesterday again, since we
parted- yesterday, since your dear hand lay in mine- yesterday,
since my eyes looked their last on you. My love! my love!
-
              *       *       *       *       *       *
-
  Time had flowed on; and Silence had fallen, like thick night, over
its course.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 85}
  The first sound that came, after the heavenly peace, rustled
faintly, like a passing breath of air, over the grass of the
burial-ground. I heard it nearing me slowly, until it came changed
to my ear- came like footsteps moving onward- then stopped.
  I looked up.
  The sunset was near at hand. The clouds had parted; the slanting
light fell mellow over the hills. The last of the day was cold and
clear and still in the quiet valley of the dead.
  Beyond me, in the burial-ground, standing together in the cold
clearness of the lower light, I saw two women. They were looking
towards the tomb; looking towards me.
  Two.
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 90}
  They came a little on; and stopped again. Their veils were down, and
hid their faces from me. When they stopped, one of them raised her
veil. In the still evening light, I saw the face of Marian Halcombe.
  Changed, changed as if years had passed over it! The eyes large
and wild, and looking at me with a strange terror in them. The face
worn and wasted piteously. Pain and fear and grief written on her as
with a brand.
  I took one step towards her from the grave. She never moved- she
never spoke. The veiled woman with her cried out faintly. I stopped.
The springs of my life fell low; and the shuddering of an
unutterable dread crept over me from head to foot.
  The woman with the veiled face moved away from her companion, and
came towards me slowly. Left by herself, standing by herself, Marian
Halcombe spoke. It was the voice that I remembered- the voice not
changed, like the frightened eyes and the wasted face.
  'My dream! my dream! I heard her say those words softly, in the
awful silence. She sank on her knees, and raised her clasped hands
to the heaven. 'Father! strengthen him. Father! help him, in his
hour of need.'
                                {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 95}
  The woman came on; slowly and silently came on. I looked at her-
at her, and at none other, from that moment.
  The voice that was praying for me, faltered and sank low- then
rose on a sudden, and called affrightedly, called despairingly to me
to come away.
  But the veiled woman had possession of me, body and soul. She
stopped on one side of the grave. We stood face to face, with the
tombstone between us. She was close to the inscription on the side
of the pedestal. Her gown touched the black letters.
  The voice came nearer, and rose and rose more passionately still.
'Hide your face! don't look at her! Oh, for God's sake spare him!-'
  The woman lifted her veil.
                               {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 100}
-
  'Sacred to the Memory of Laura, Lady Glyde-'
-
  Laura, Lady Glyde, was standing by the inscription, and was
looking at me over the grave.
-
                               {2ND_EPOCH|SEVERAL_NARRATIVES ^paragraph 105}
             [The Second Epoch of the Story closes here.]

{3RD_EPOCH|HARTRIGHT|I
                           THE THIRD EPOCH
-
               The Story continued by WALTER HARTRIGHT
                                  I
-
  I open a new page. I advance my narrative by one week.
  The history of the interval which I thus pass over must remain
unrecorded. My heart turns faint, my mind sinks in darkness and
confusion when I think of it. This must not be if I, who write, am
to guide, as I ought, you who read. This must not be if the clue
that leads through the windings of the Story is to remain, from end to
end, untangled in my hands.
                                        {3RD_EPOCH|HARTRIGHT|I ^paragraph 5}
  A life suddenly changed- its whole purpose created afresh; its hopes
and fears, its struggles, its interests, and its sacrifices, all
turned at once and for ever into a new direction- this is the prospect
which now opens before me like the burst of view from a mountain's
top. I left my narrative in the quiet shadow of Limmeridge church: I
resume it, one week later, in the stir and turmoil of a London street.
-
  The street is in a populous and a poor neighbourhood. The ground
floor of one of the houses in it is occupied by a small
news-vendor's shop; and the first floor and the second are let as
furnished lodgings of the humblest kind.
  I have taken those two floors in an assumed name. On the upper floor
I live, with a room to work in, a room to sleep in. On the lower
floor, under the same assumed name, two women live, who are
described as my sisters. I get my bread by drawing and engraving on
wood for the cheap periodicals. My sisters are supposed to help me
by taking in a little needlework. Our poor place of abode, our
humble calling, our assumed relationship, and our assumed name, are
all used alike as a means of hiding us in the house-forest of
London. We are numbered no longer with the people whose lives are open
and known. I am an obscure, unnoticed man, without patron or friend to
help me. Marian Halcombe is nothing now, but my eldest sister, who
provides for our household wants by the toil of her own hands. We two,
in the estimation of others, are at once the dupes and the agents of a
daring imposture. We are supposed to be the accomplices of mad Anne
Catherick, who claims the name, the place, and the living
personality of dead Lady Glyde.
  That is our situation. That is the changed aspect in which we
three must appear, henceforth, in this narrative, for many and many
a page to come.
                                       {3RD_EPOCH|HARTRIGHT|I ^paragraph 10}
  In the eye of reason and of law, in the estimation of relatives
and friends, according to every received formality of civilised
society, 'Laura, Lady Glyde,' lay buried with her mother in Limmeridge
churchyard. Torn in her own lifetime from the list of the living,
the daughter of Philip Fairlie and the wife of Percival Glyde might
still exist for her sister, might still exist for me, but to all the
world beside she was dead. Dead to her uncle who had renounced her;
dead to the servants of the house who had failed to recognise her;
dead to the persons in authority who had transmitted her fortune to
her husband and her aunt; dead to my mother and my sister, who
believed me to be the dupe of an adventuress and the victim of a
fraud; socially, morally, legally-dead.
  And yet alive! Alive in poverty and in hiding. Alive, with the
poor drawing-master to fight her battle, and to win the way back for
her to her place in the world of living beings.
  Did no suspicion, excited by my own knowledge of Anne Catherick's
resemblance to her, cross my mind, when her face was first revealed to
me? Not the shadow of a suspicion, from the moment when she lifted her
veil by the side of the inscription which recorded her death.
  Before the sun of that day had set, before the last glimpse of the
home which was closed against her had passed from our view, the
farewell words I spoke when we parted at Limmeridge House had been
recalled by both of us; repeated by me, recognised by her. 'If ever
the time comes when the devotion of my whole heart and soul and
strength will give you a moment's happiness, or spare you a moment's
sorrow, will you try to remember the poor drawing-master who has
taught you?' She, who now remembered so little of the trouble and
terror of a later time, remembered those words, and laid her poor head
innocently and trustingly on the bosom of the man who had spoken them.
In that moment, when she called me by my name, when she said, 'They
have tried to make me forget everything, Walter; but I remember
Marian, and I remember you'- in that moment, I, who had long since
given her my love, gave her my life, and thanked God that it was
mine to bestow on her. Yes! the time had come.
  From thousands on thousands of miles away; through forest and
wilderness, where companions stronger than I had fallen by my side,
through peril of death thrice renewed, and thrice escaped, the Hand
that leads men on the dark road to the future, had led me to meet that
time. Forlorn and disowned, sorely tried and sadly changed; her beauty
faded, her mind clouded; robbed of her station in the world, of her
place among living creatures- the devotion I had promised, the
devotion of my whole heart and soul and strength might be laid
blamelessly, now, at those dear feet. In the right of her calamity, in
the right of her friendlessness, she was mine at last! Mine to
support, to protect, to cherish, to restore. Mine to love and honour
as father and brother both. Mine to vindicate through all risks and
all sacrifices- through the hopeless struggle against Rank and
Power, through the long fight with armed deceit and fortified Success,
through the waste of my reputation, through the loss of my friends,
through the hazard of my life.

{3RD_EPOCH|HARTRIGHT|II
                                  II
-
  My position is defined; my motives are acknowledged. The story of
Marian and the story of Laura must come next.
  I shall relate both narratives, not in the words (often interrupted,
often inevitably confused) of the speakers themselves, but in the
words of the brief, plain, studiously simple abstract which I
committed to writing for my own guidance, and for the guidance of my
legal adviser. So the tangled web will be most speedily and most
intelligibly unrolled.
  The story of Marian begins where the narrative of the housekeeper at
Blackwater Park left off.
-
  On Lady Glyde's departure from her husband's house, the fact of that
departure, and the necessary statement of the circumstances under
which it had taken place, were communicated to Miss Halcombe by the
housekeeper. It was not till some days afterwards (how many days
exactly, Mrs. Michelson, in the absence of any written memorandum on
the subject, could not undertake to say) that a letter arrived from
Madame Fosco announcing Lady Glyde's sudden death in Count Fosco's
house. The letter avoided mentioning dates, and left it to Mrs.
Michelson's discretion to break the news at once to Miss Halcombe,
or to defer doing so until that lady's health should be more firmly
established.
                                       {3RD_EPOCH|HARTRIGHT|II ^paragraph 5}
  Having consulted Mr. Dawson (who had been himself delayed by ill
health in resuming his attendance at Blackwater Park), Mrs. Michelson,
by the doctor's advice, and in the doctor's presence, communicated the
news, either on the day when the letter was received, or on the day
after. It is not necessary to dwell here upon the effect which the
intelligence of Lady Glyde's sudden death produced on her sister. It
is only useful to the present purpose to say that she was not able
to travel for more than three weeks afterwards. At the end of that
time she proceeded to London, accompanied by the housekeeper. They
parted there; Mrs. Michelson previously informing Miss Halcombe of her
address, in case they might wish to communicate at a future period.
  On parting with the housekeeper, Miss Halcombe went at once to the
office of Messrs. Gilmore and Kyrle, to consult with the latter
gentleman, in Mr. Gilmore's absence. She mentioned to Mr. Kyrle,
what she had thought it desirable to conceal from every one else (Mrs.
Michelson included)- her suspicion of the circumstances under which
Lady Glyde was said to have met her death. Mr. Kyrle, who had
previously given friendly proof of his anxiety to serve Miss Halcombe,
at once undertook to make such inquiries as the delicate and dangerous
nature of the investigation proposed to him would permit.
  To exhaust this part of the subject before going farther, it may
be here mentioned that Count Fosco offered every facility to Mr.
Kyrle, on that gentleman stating that he was sent by Miss Halcombe
to collect such particulars as had not yet reached her of Lady Glyde's
decease. Mr. Kyrle was placed in communication with the medical man,
Mr. Goodricke, and with the two servants. In the absence of any
means of ascertaining the exact date of Lady Glyde's departure from
Blackwater Park, the result of the doctor's and the servants'
evidence, and of the volunteered statements of Count Fosco and his
wife, was conclusive to the mind of Mr. Kyrle. He could only assume
that the intensity of Miss Halcombe's suffering under the loss of
her sister, had misled her judgment in a most deplorable manner; and
he wrote her word that the shocking suspicion to which she had alluded
in his presence, was, in his opinion, destitute of the smallest
fragment of foundation in truth. Thus the investigation by Mr.
Gilmore's partner began and ended.
  Meanwhile, Miss Halcombe had returned to Limmeridge House; and had
there collected all the additional information which she was able to
obtain.
  Mr. Fairlie had received his first intimation of his niece's death
from his sister, Madame Fosco; this letter also not containing any
exact reference to dates. He had sanctioned his sister's proposal that
the deceased lady should be laid in her mother's grave in Limmeridge
churchyard. Count Fosco had accompanied the remains to Cumberland, and
had attended the funeral at Limmeridge, which took place on the 30th
of July. It was followed, as a mark of respect, by all the inhabitants
of the village and the neighbourhood. On the next day, the inscription
(originally drawn out, it was said, by the aunt of the deceased
lady, and submitted for approval to her brother, Mr. Fairlie) was
engraved on one side of the monument over the tomb.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 10}
  On the day of the funeral and for one day after it Count Fosco had
been received as a guest at Limmeridge House; but no interview had
taken place between Mr. Fairlie and himself, by the former gentleman's
desire. They had communicated by writing; and, through this medium,
Count Fosco had made Mr. Fairlie acquainted with the details of his
niece's last illness and death. The letter presenting this information
added no new facts to the facts already known; but one very remarkable
paragraph was contained in the postscript. It referred to Anne
Catherick.
  The substance of the paragraph in question was as follows:
  It first informed Mr. Fairlie that Anne Catherick (of whom he
might hear full particulars from Miss Halcombe when she reached
Limmeridge) had been traced and recovered in the neighbourhood of
Blackwater Park, and had been, for the second time, placed under the
charge of the medical man from whose custody she had once escaped.
  This was the first part of the postscript. The second part warned
Mr. Fairlie that Anne Catherick's mental malady had been aggravated by
her long freedom from control; and that the insane hatred and distrust
of Sir Percival Glyde, which had been one of her most marked delusions
in former times, still existed, under a newly-acquired form. The
unfortunate woman's last idea in connexion with Sir Percival, was
the idea of annoying and distressing him, and of elevating herself, as
she supposed, in the estimation of the patients and nurses, by
assuming the character of his deceased wife; the scheme of this
personation having evidently occurred to her, after a stolen interview
which she had succeeded in obtaining with Lady Glyde, and at which she
had observed the extraordinary accidental likeness between the
deceased lady and herself. It was to the last degree improbable that
she would succeed a second time in escaping from the Asylum; but it
was just possible she might find some means of annoying the late
Lady Glyde's relatives with letters; and, in that case, Mr. Fairlie
was warned beforehand how to receive them.
  The postscript, expressed in these terms, was shown to Miss
Halcombe, when she arrived at Limmeridge. There were also placed in
her possession the clothes Lady Glyde had worn, and the other
effects she had brought with her to her aunt's house. They had been
carefully collected and sent to Cumberland by Madame Fosco.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 15}
  Such was the posture of affairs when Miss Halcombe reached
Limmeridge, in the early part of September.
  Shortly afterwards, she was confined to her room by a relapse; her
weakened physical energies giving way under the severe mental
affliction from which she was now suffering. On getting stronger
again, in a month's time, her suspicion of the circumstances described
as attending her sister's death, still remained unshaken. She had
heard nothing, in the interim, of Sir Percival Glyde; but letters
had reached her from Madame Fosco, making the most affectionate
inquiries on the part of her husband and herself. Instead of answering
these letters, Miss Halcombe caused the house in St. John's Wood,
and the proceedings of its inmates to be privately watched.
  Nothing doubtful was discovered. The same result attended the next
investigations, which were secretly instituted on the subject of
Mrs. Rubelle. She had arrived in London, about six months before, with
her husband. They had come from Lyons; and they had taken a house in
the neighbourhood of Leicester-square, to be fitted up as a
boarding-house for foreigners, who were expected to visit England in
large numbers to see the Exhibition of 1851. Nothing was known against
husband or wife, in the neighbourhood. They were quiet people; and
they had paid their way honestly up to the present time. The final
inquiries related to Sir Percival Glyde. He was settled in Paris;
and living there quietly in a small circle of English and French
friends.
  Foiled at all points, but still not able to rest, Miss Halcombe next
determined to visit the Asylum in which she then supposed Anne
Catherick to be for the second time confined. She had felt a strong
curiosity about the woman in former days; and she was now doubly
interested- first, in ascertaining whether the report of Anne
Catherick's attempted personation of Lady Glyde was true; and,
secondly (if it proved to be true), in discovering for herself what
the poor creature's real motives were for attempting the deceit.
  Although Count Fosco's letter to Mr. Fairlie did not mention the
address of the Asylum, that important omission cast no difficulties in
Miss Halcombe's way. When Mr. Hartright had met Anne Catherick at
Limmeridge, she had informed him of the locality in which the house
was situated; and Miss Halcombe had noted down the direction in her
diary, with all the other particulars of the interview, exactly as she
heard them from Mr. Hartright's own lips. Accordingly, she looked back
at the entry, and extracted the address; furnished herself with the
Count's letter to Mr. Fairlie, as a species of credential which
might be useful to her; and started by herself for the Asylum, on
the eleventh of October.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 20}
  She passed the night of the eleventh in London. It had been her
intention to sleep at the house inhabited by Lady Glyde's old
governess; but Mrs. Vesey's agitation at the sight of her lost pupil's
nearest and dearest friend was so distressing, that Miss Halcombe
considerately refrained from remaining in her presence, and removed to
a respectable boarding-house in the neighbourhood, recommended by Mrs.
Vesey's married sister. The next day, she proceeded to the Asylum,
which was situated not far from London, on the northern side of the
metropolis.
  She was immediately admitted to see the proprietor.
  At first, he appeared to be decidedly unwilling to let her
communicate with his patient. But, on her showing him the postscript
to Count Fosco's letter- on her reminding him that she was the 'Miss
Halcombe' there referred to; that she was a near relative of the
deceased Lady Glyde; and that she was therefore naturally
interested, for family reasons, in observing for herself the extent of
Anne Catherick's delusion, in relation to her late sister- the tone
and manner of the owner of the Asylum altered, and he withdrew his
objections. He probably felt that, a continued refusal, under these
circumstances, would not only be an act of discourtesy in itself,
but would also imply that the proceedings in his establishment were
not of a nature to bear investigation by respectable strangers.
  Miss Halcombe's own impression was that the owner of the Asylum
had not been received into the confidence of Sir Percival and the
Count. His consenting at all to let her visit his patient seemed to
afford one proof of this, and his readiness in making admissions which
could scarcely have escaped the lips of an accomplice, certainly
appeared to furnish another.
  For example, in the course of the introductory conversation which
took place, he informed Miss Halcombe that Anne Catherick had been
brought back to him, with the necessary order and certificates, by
Count Fosco, on the twenty-seventh of July; the Count also producing a
letter of explanations and instructions, signed by Sir Percival Glyde.
On receiving his inmate again, the proprietor of the Asylum
acknowledged that he had observed some curious personal changes in
her. Such changes, no doubt, were not without precedent in his
experience of persons mentally afflicted. Insane people were often, at
one time, outwardly as well as inwardly, unlike what they were at
another; the change from better to worse, or from worse to better,
in the madness, having a necessary tendency to produce alterations
of appearance externally. He allowed for these; and he allowed also
for the modification in the form of Anne Catherick's delusion, which
was reflected, no doubt, in her manner and expression. But he was
still perplexed, at times, by certain differences between his
patient before she had escaped, and his patient since she had been
brought back. Those differences were too minute to be described. He
could not say, of course, that she was absolutely altered in height or
shape or complexion, or in the colour of her hair and eyes, or in
the general form of her face; the change was something that he felt,
more than something that he saw. In short, the case had been a
puzzle from the first, and one more perplexity was added to it now.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 25}
  It cannot be said that this conversation led to the result of even
partially preparing Miss Halcombe's mind for what was to come. But
it produced, nevertheless, a very serious effect upon her. She was
so completely unnerved by it, that some little time elapsed before she
could summon composure enough to follow the proprietor of the Asylum
to that part of the house in which the inmates were confined.
  On inquiry, it turned out that the supposed Anne Catherick was
then taking exercise in the grounds attached to the establishment. One
of the nurses volunteered to conduct Miss Halcombe to the place; the
proprietor of the Asylum remaining in the house for a few minutes to
attend to a case which required his services, and then engaging to
join his visitor in the grounds.
  The nurse led Miss Halcombe to a distant part of the property, which
was prettily laid out; and, after looking about her a little, turned
into a turf walk, shaded by a shrubbery on either side. About half way
down this walk, two women were slowly approaching. The nurse pointed
to them, and said, 'There is Anne Catherick, ma'am, with the attendant
who waits on her. The attendant will answer any questions you wish
to put.' With those words the nurse left her, to return to the
duties of the house.
  Miss Halcombe advanced on her side, and the women advanced on
theirs. When they were within a dozen paces of each other, one of
the women stopped for an instant, looked eagerly at the strange
lady, shook off the nurse's grasp on her, and, the next moment, rushed
into Miss Halcombe's arms. In that moment Miss Halcombe recognised her
sister- recognised the dead-alive.
  Fortunately for the success of the measures taken subsequently, no
one was present, at that moment, but the nurse. She was a young woman;
and she was so startled that she was at first quite incapable of
interfering. When she was able to do so, her whole services were
required by Miss Halcombe, who had for the moment sunk altogether in
the effort to keep her own senses under the shock of the discovery.
After waiting a few minutes in the fresh air and the cool shade, her
natural energy and courage helped her a little, and she became
sufficiently mistress of herself to feel the necessity of recalling
her presence of mind for her unfortunate sister's sake.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 30}
  She obtained permission to speak alone with the patient, on
condition that they both remained well within the nurse's view.
There was no time for questions- there was only time for Miss Halcombe
to impress on the unhappy lady the necessity of controlling herself,
and to assure her of immediate help and rescue if she did so. The
prospect of escaping from the Asylum by obedience to her sister's
directions, was sufficient to quiet Lady Glyde, and to make her
understand what was required of her. Miss Halcombe next returned to
the nurse, placed all the gold she then had in her pocket (three
sovereigns) in the nurse's hands, and asked when and where she could
speak to her alone.
  The woman was at first surprised and distrustful. But, on Miss
Halcombe's declaring that she only wanted to put some questions
which she was too much agitated to ask at that moment, and that she
had no intention of misleading the nurse into any dereliction of duty,
the woman took the money, and proposed three o'clock on the next day
as the time for the interview. She might then slip out for half an
hour, after the patients had dined; and she would meet the lady in a
retired place, outside the high north wall which screened the
grounds of the house. Miss Halcombe had only time to assent, and to
whisper to her sister that she should hear from her on the next day,
when the proprietor of the Asylum joined them. He noticed his
visitor's agitation, which Miss Halcombe accounted for by saying
that her interview with Anne Catherick had a little startled her, at
first. She took her leave as soon after as possible-that is to say, as
soon as she could summon courage to force herself from the presence of
her unfortunate sister.
  A very little reflection, when the capacity to reflect returned,
convinced her that any attempt to identify Lady Glyde and to rescue
her by legal means, would, even if successful, involve a delay that
might be fatal to her sister's intellects, which were shaken already
by the horror of the situation to which she had been consigned. By the
time Miss Halcombe got back to London, she had determined to effect
Lady Glyde's escape privately, by means of the nurse.
  She went at once to her stockbroker; and sold out of the funds all
the little property she possessed, amounting to rather less than seven
hundred pounds. Determined, if necessary, to pay the price of her
sister's liberty with every farthing she had in the world, she
repaired the next day, having the whole sum about her, in
bank-notes, to her appointment outside the Asylum wall.
  The nurse was there. Miss Halcombe approached the subject cautiously
by many preliminary questions. She discovered, among other
particulars, that the nurse who had, in former times, attended on
the true Anne Catherick, had been held responsible (although she was
not to blame for it) for the patient's escape, and had lost her
place in consequence. The same penalty, it was added, would attach
to the person then speaking to her, if the supposed Anne Catherick was
missing a second time; and, moreover, the nurse, in this case, had
an especial interest in keeping her place. She was engaged to be
married; and she and her future husband were waiting till they could
save, together, between two and three hundred pounds to start in
business. The nurse's wages were good; and she might succeed, by
strict economy, in contributing her small share towards the sum
required in two years' time.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 35}
  On this hint, Miss Halcombe spoke. She declared that the supposed
Anne Catherick was nearly related to her; that she had been placed
in the Asylum under a fatal mistake; and that the nurse would be doing
a good and a Christian action in being the means of restoring them
to one another. Before there was time to start a single objection,
Miss Halcombe took four bank-notes of a hundred pounds each from her
pocketbook, and offered them to the woman, as a compensation for the
risk she was to run, and for the loss of her place.
  The nurse hesitated, through sheer incredulity and surprise. Miss
Halcombe pressed the point on her firmly.
  'You will be doing a good action,' she repeated; 'you will be
helping the most injured and unhappy woman alive. There is your
marriage-portion for a reward. Bring her safely to me, here; and I
will put these four bank-notes into your hand, before I claim her.'
  'Will you give me a letter saying those words, which I can show to
my sweetheart, when he asks how I got the money?' inquired the woman.
  'I will bring the letter with me, ready written and signed,'
answered Miss Halcombe.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 40}
  'Then I'll risk it,' said the nurse.
  'When?'
  'To-morrow.'
  It was hastily agreed between them that Miss Halcombe should
return early the next morning, and wait out of sight, among the trees-
always, however, keeping near the quiet spot of ground under the north
wall. The nurse could fix no time for her appearance; caution
requiring that she should wait, and be guided by circumstances. On
that understanding they separated.
  Miss Halcombe was at her place, with the promised letter, and the
promised bank-notes, before ten the next morning. She waited more than
an hour and a half. At the end of that time, the nurse came quickly
round the corner of the wall, holding Lady Glyde by the arm. The
moment they met, Miss Halcombe put the bank-notes and the letter
into her hand- and the sisters were united again.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 45}
  The nurse had dressed Lady Glyde, with excellent forethought, in a
bonnet, veil, and shawl of her own. Miss Halcombe only detained her to
suggest a means of turning the pursuit in a false direction, when
the escape was discovered at the Asylum. She was to go back to the
house; to mention in the hearing of the other nurses that Anne
Catherick had been inquiring latterly, about the distance from
London to Hampshire; to wait till the last moment, before discovery
was inevitable; and then to give the alarm that Anne was missing.
The supposed inquiries about Hampshire, when communicated to the owner
of the Asylum, would lead him to imagine that his patient had returned
to Blackwater Park, under the influence of the delusion which made her
persist in asserting herself to be Lady Glyde; and the first pursuit
would, in all probability, be turned in that direction.
  The nurse consented to follow these suggestions- the more readily,
as they offered her the means of securing herself against any worse
consequences than the loss of her place, by remaining in the Asylum,
and so maintaining the appearance of innocence, at least. She at
once returned to the house; and Miss Halcombe lost no time in taking
her sister back with her to London. They caught the afternoon train to
Carlisle the same afternoon, and arrived at Limmeridge, without
accident or difficulty of any kind, that night.
  During the latter part of their journey, they were alone in the
carriage, and Miss Halcombe was able to collect such remembrances of
the past as her sister's confused and weakened memory was able to
recall. The terrible story of the conspiracy so obtained, was
presented in fragments, sadly incoherent in themselves, and widely
detached from each other. Imperfect as the revelation was, it must
nevertheless be recorded here before this explanatory narrative closes
with the events of the next day at Limmeridge House.
-
  Lady Glyde's recollection of the events which followed her departure
from Blackwater Park began with her arrival at the London terminus
of the South Western Railway. She had omitted to make a memorandum
beforehand of the day on which she took the journey. All hope of
fixing that important date, by any evidence of hers, or of Mrs.
Michelson's, must be given up for lost.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 50}
  On the arrival of the train at the platform, Lady Glyde found
Count Fosco waiting for her. He was at the carriage door as soon as
the porter could open it. The train was unusually crowded, and there
was great confusion in getting the luggage. Some person whom Count
Fosco brought with him procured the luggage which belonged to Lady
Glyde. It was marked with her name. She drove away alone with the
Count, in a vehicle which she did not particularly notice at the time.
  Her first question, on leaving the terminus, referred to Miss
Halcombe. The Count informed her that Miss Halcombe had not yet gone
to Cumberland; after-consideration having caused him to doubt the
prudence of her taking so long a journey without some days' previous
rest.
  Lady Glyde next inquired whether her sister was then staying in
the Count's house. Her recollection of the answer was confused, her
only distinct impression in relation to it being that the Count
declared he was then taking her to see Miss Halcombe. Lady Glyde's
experience of London was so limited, that she could not tell, at the
time, through what streets they were driving. But they never left
the streets, and they never passed any gardens or trees. When the
carriage stopped, it stopped in a small street, behind a square- a
square in which there were shops, and public buildings, and many
people. From these recollections (of which Lady Glyde was certain)
it seems quite clear that Count Fosco did not take her to his own
residence in the suburb of St. John's Wood.
  They entered the house, and went up-stairs to a back room, either on
the first or second floor. The luggage was carefully brought in. A
female servant opened the door; and a man with a dark beard,
apparently a foreigner, met them in the hall, and with great
politeness showed them the way up-stairs. In answer to Lady Glyde's
inquiries, the Count assured her that Miss Halcombe was in the
house, and that she should be immediately informed of her sister's
arrival. He and the foreigner then went away and left her by herself
in the room. It was poorly furnished as a sitting-room, and it
looked out on the backs of houses.
  The place was remarkably quiet; no footsteps went up or down the
stairs- she only heard in the room beneath her a dull, rumbling
sound of men's voices talking. Before she had been long left alone,
the Count returned, to explain that Miss Halcombe was then taking
rest, and could not be disturbed for a little while. He was
accompanied into the room by a gentleman (an Englishman) whom he
begged to present as a friend of his.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 55}
  After this singular introduction- in the course of which no names,
to the best of Lady Glyde's recollection, had been mentioned- she
was left alone with the stranger. He was perfectly civil; but he
startled and confused her by some odd questions about herself, and
by looking at her, while he asked them, in a strange manner. After
remaining a short time, he went out; and a minute or two afterwards
a second stranger- also an Englishman- came in. This person introduced
himself as another friend of Count Fosco's; and he, in his turn,
looked at her very oddly, and asked some curious questions- never,
as well as she could remember, addressing her by name; and going out
again, after a little while, like the first man. By this time, she was
so frightened about herself, and so uneasy about her sister, that
she had thoughts of venturing down-stairs again, and claiming the
protection and assistance of the only woman she had seen in the house-
the servant who answered the door.
  Just as she had risen from her chair, the Count came back into the
room.
  The moment he appeared, she asked anxiously how long the meeting
between her sister and herself was to be still delayed. At first, he
returned an evasive answer; but, on being pressed, he acknowledged
with great apparent reluctance, that Miss Halcombe was by no means
so well as he had hitherto represented her to be. His tone and manner,
in making this reply, so alarmed Lady Glyde, or rather so painfully
increased the uneasiness which she had felt in the company of the
two strangers, that a sudden faintness overcame her, and she was
obliged to ask for a glass of water. The Count called from the door
for water, and for a bottle of smelling-salts. Both were brought in by
the foreign-looking man with the beard. The water, when Lady Glyde
attempted to drink it, had so strange a taste that it increased her
faintness; and she hastily took the bottle of salts from Count
Fosco, and smelt at it. Her head became giddy on the instant. The
Count caught the bottle as it dropped out of her hand; and the last
impression of which she was conscious was that he held it to her
nostrils again.
  From this point, her recollections were found to be confused,
fragmentary, and difficult to reconcile with any reasonable
probability.
  Her own impression was that she recovered her senses later in the
evening; that she then left the house; that she went (as she had
previously arranged to go, at Blackwater Park) to Mrs. Vesey's; that
she drank tea there; and that she passed the night under Mrs.
Vesey's roof. She was totally unable to say how, or when, or in what
company, she left the house to which Count Fosco had brought her.
But she persisted in asserting that she had been to Mrs. Vesey's; and,
still more extraordinary, that she had been helped to undress and
get to bed by Mrs. Rubelle! She could not remember what the
conversation was at Mrs. Vesey's, or whom she saw there besides that
lady, or why Mrs. Rubelle should have been present in the house to
help her.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 60}
  Her recollection of what happened to her the next morning was
still more vague and unreliable.
  She had some dim idea of driving out (at what hour she could not
say) with Count Fosco- and with Mrs. Rubelle, again, for a female
attendant. But when, and why, she left Mrs. Vesey she could not
tell; neither did she know what direction the carriage drove in, or
where it set her down, or whether the Count and Mrs. Rubelle did or
did not remain with her all the time she was out. At this point in her
sad story there was a total blank. She had no impressions of the
faintest kind to communicate- no idea whether one day, or more than
one day, had passed- until she came to herself suddenly in a strange
place, surrounded by women who were all unknown to her.
  This was the Asylum. Here she first heard herself called by Anne
Catherick's name; and here, as a last remarkable circumstance in the
story of the conspiracy, her own eyes informed her that she had Anne
Catherick's clothes on. The nurse, on the first night in the Asylum,
had shown her the marks on each article of her underclothing as it was
taken off and had said, not at all irritably or unkindly, 'Look at
your own name on your own clothes, and don't worry us all any more
about being Lady Glyde. She's dead and buried; and you're alive and
hearty. Do look at your clothes now! There it is, in good marking ink;
and there you will find it on all your old things, which we have
kept in the house- Anne Catherick, as plain as print!' And there it
was, when Miss Halcombe examined the linen her sister wore, on the
night of their arrival at Limmeridge House.
-
  These were the only recollections- all of them uncertain, and some
of them contradictory- which could be extracted from Lady Glyde, by
careful questioning, on the journey to Cumberland. Miss Halcombe
abstained from pressing her with any inquiries relating to events in
the Asylum: her mind being but too evidently unfit to bear the trial
of reverting to them. It was known, by the voluntary admission of
the owner of the madhouse, that she was received there on the
twenty-seventh of July. From that date, until the fifteenth of October
(the day of her rescue), she had been under restraint; her identity
with Anne Catherick systematically asserted, and her sanity, from
first to last, practically denied. Faculties less delicately balanced,
constitutions less tenderly organised, must have suffered under such
an ordeal as this. No man could have gone through it, and come out
of it unchanged.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 65}
  Arriving at Limmeridge late on the evening of the fifteenth, Miss
Halcombe wisely resolved not to attempt the assertion of Lady
Glyde's identity, until the next day.
  The first thing in the morning, she went to Mr. Fairlie's room; and,
using all possible cautions and preparations beforehand, at last
told him, in so many words, what had happened. As soon as his first
astonishment and alarm had subsided, he angrily declared that Miss
Halcombe had allowed herself to be duped by Anne Catherick. He
referred her to Count Fosco's letter, and to what she had herself told
him of the personal resemblance between Anne and his deceased niece;
and he positively declined to admit to his presence even for one
minute only, a mad woman whom it was an insult and an outrage to
have brought into his house at all.
  Miss Halcombe left the room; waited till the first heat of her
indignation had passed away; decided, on reflection, that Mr. Fairlie,
should see his niece in the interests of common humanity, before he
closed his doors on her as a stranger; and thereupon, without a word
of previous warning, took Lady Glyde with her to his room. The servant
was posted at the door to prevent their entrance; but Miss Halcombe
insisted on passing him, and made her way into Mr. Fairlie's presence,
leading her sister by the hand.
  The scene that followed, though it only lasted for a few minutes,
was too painful to be described- Miss Halcombe herself shrank from
referring to it. Let it be enough to say that Mr. Fairlie declared, in
the most positive terms, that he did not recognise the woman who had
been brought into his room; that he saw nothing in her face and manner
to make him doubt for a moment that his niece lay buried in Limmeridge
churchyard; and that he would call on the law to protect him if before
the day was over she was not removed from the house.
  Taking the very worst view of Mr. Fairlie's selfishness,
indolence, and habitual want of feeling, it was manifestly
impossible to suppose that he was capable of such infamy as secretly
recognising and openly disowning his brother's child. Miss Halcombe
humanely and sensibly allowed all due force to the influence of
prejudice and alarm in preventing him from fairly exercising his
perceptions; and accounted for what had happened, in that way. But
when she next put the servants to the test, and found that they too
were, in every case, uncertain, to say the least of it, whether the
lady presented to them was their young mistress, or Anne Catherick, of
whose resemblance to her they had all heard, the sad conclusion was
inevitable, that the change produced in Lady Glyde's face and manner
by her imprisonment in the Asylum, was far more serious than Miss
Halcombe had at first supposed. The vile deception which had
asserted her death, defied exposure even in the house where she was
born, and among the people with whom she had lived.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 70}
  In a less critical situation, the effort need not have been given up
as hopeless, even yet.
  For example, the maid, Fanny, who happened to be then absent from
Limmeridge, was expected back in two days; and there would be a chance
of gaining her recognition to start with, seeing that she had been
in much more constant communication with her mistress, and had been
much more heartily attached to her than the other servants. Again,
Lady Glyde might have been privately kept in the house, or in the
village, to wait until her health was a little recovered, and her mind
was a little steadied again. When her memory could be once more
trusted to serve her, she would naturally refer to persons and events,
in the past, with a certainty and a familiarity which no impostor
could simulate; and so the fact of her identity, which her own
appearance had failed to establish, might subsequently be proved, with
time to help her, by the surer test of her own words.
  But the circumstances under which she had regained her freedom,
rendered all recourse to such means as these simply impracticable. The
pursuit from the Asylum, diverted to Hampshire for the time only,
would infallibly next take the direction of Cumberland. The persons
appointed to seek the fugitive, might arrive at Limmeridge House at
a few hours' notice; and in Mr. Fairlie's present temper of mind, they
might count on the immediate exertion of his local influence and
authority to assist them. The commonest consideration for Lady Glyde's
safety, forced on Miss Halcombe the necessity of resigning the
struggle to do her justice, and of removing her at once from the place
of all others that was now most dangerous to her- the neighbourhood of
her own home.
  An immediate return to London was the first and wisest measure of
security which suggested itself. In the great city all traces of
them might be most speedily and most surely effaced. There were no
preparations to make- no farewell words of kindness to exchange with
any one. On the afternoon of that memorable day of the sixteenth, Miss
Halcombe roused her sister to a last exertion of courage; and, without
a living soul to wish them well at parting, the two took their way
into the world alone, and turned their backs for ever on Limmeridge
House.
  They had passed the hill above the churchyard, when Lady Glyde
insisted on turning back to look her last at her mother's grave.
Miss Halcombe tried to shake her resolution; but, in this one
instance, tried in vain. She was immovable. Her dim eyes lit with a
sudden fire, and flashed through the veil that hung over them; her
wasted fingers strengthened, moment by moment, round the friendly
arm by which they had held so listlessly till this time. I believe
in my soul that the Hand of God was pointing their way back to them;
and that the most innocent and the most afflicted of His creatures was
chosen, in that dread moment, to see it.
                                      {3RD_EPOCH|HARTRIGHT|II ^paragraph 75}
  They retraced their steps to the burial-ground; and by that act
sealed the future of our three lives.

{3RD_EPOCH|HARTRIGHT|III
                                 III
-
  This was the story of the past- the story, so far as we knew it
then.
  Two obvious conclusions presented themselves to my mind, after
hearing it. In the first place, I saw darkly what the nature of the
conspiracy had been; how chances had been watched, and how
circumstances had been handled to ensure impunity to a daring and an
intricate crime. While all details were still a mystery to me, the
vile manner in which the personal resemblance between the woman in
white and Lady Glyde had been turned to account, was clear beyond a
doubt. It was plain that Anne Catherick had been introduced into Count
Fosco's house as Lady Glyde; it was plain that Lady Glyde had taken
the dead woman's place in the Asylum- the substitution having been
so managed as to make innocent people (the doctor and the two servants
certainly; and the owner of the madhouse in all probability)
accomplices in the crime.
  The second conclusion came as the necessary consequence of the
first. We three had no mercy to expect from Count Fosco and Sir
Percival Glyde. The success of the conspiracy had brought with it a
clear gain to those two men of thirty thousand pounds- twenty thousand
to one: ten thousand to the other, through his wife. They had that
interest, as well as other interests, in ensuring their impunity
from exposure; and they would leave no stone unturned, no sacrifice
unattempted, no treachery untried, to discover the place in which
their victim was concealed, and to part her from the only friends
she had in the world. Marian Halcombe and myself.
  The sense of this serious peril- a peril which every day and every
hour might bring nearer and nearer to us- was the one influence that
guided me in fixing the place of our retreat. I chose it in the far
East of London, where there were fewest idle people to lounge and look
about them in the streets. I chose it in a poor and a populous
neighbourhood- because the harder the struggle for existence among the
men and women about us, the less the risk of their having the time
or taking the pains to notice chance strangers who came among them.
These were the great advantages I looked to; but our locality was a
gain to us also, in another and a hardly less important respect. We
could live cheaply by the daily work of my hands; and could save every
farthing we possessed to forward the purpose- the righteous purpose of
redressing an infamous wrong- which, from first to last, I now kept
steadily in view.
  In a week's time, Marian Halcombe and I had settled how the course
of our new lives should be directed.
                                      {3RD_EPOCH|HARTRIGHT|III ^paragraph 5}
  There were no other lodgers in the house; and we had the means of
going in and out without passing though the shop. I arranged, for
the present at least, that neither Marian nor Laura should stir
outside the door without my being with them; and that, in my absence
from home, they should let no one into their rooms on any pretence
whatever. This rule established, I went to a friend whom I had known
in former days- a wood engraver, in large practice- to seek for
employment; telling him, at the same time, that I had reasons for
wishing to remain unknown.
  He at once concluded that I was in debt; expressed his regret in the
usual forms; and then promised to do what he could to assist me. I
left his false impression undisturbed; and accepted the work he had to
give. He knew that he could trust my experience and my industry. I
had, what he wanted, steadiness and facility; and though my earnings
were but small, they sufficed for our necessities. As soon as we could
feel certain of this, Miss Halcombe and I put together what we
possessed. She had between two and three hundred pounds left of her
own property; and I had nearly as much remaining from the
purchase-money obtained by the sale of my drawing-master's practice
before I left England. Together we made up between us more than four
hundred pounds. I deposited this little fortune in a bank, to be
kept for the expense of those secret inquiries and investigations
which I was determined to set on foot, and to carry on by myself if
I could find no one to help me. We calculated our weekly expenditure
to the last farthing; and we never touched our little fund, except
in Laura's interests and for Laura's sake.
  The house-work, which, if we had dared trust a stranger near us,
would have been done by a servant, was taken on the first day, taken
as her own right, by Marian Halcombe. 'What a woman's hands are
fit for,' she said, 'early and late, these hands of mine shall do.'
They trembled as she held them out. The wasted arms told their sad
story of the past, as she turned up the sleeves of the poor plain
dress that she wore for safety's sake; but the unquenchable spirit
of the woman burnt bright in her even yet. I saw the big tears rise
thick in her eyes, and fall slowly over her cheeks as she looked at
me. She dashed them away with a touch of her old energy, and smiled
with a faint reflection of her old good spirits. 'Don't doubt my
courage, Walter,' she pleaded, 'it's my weakness that cries, not me.
The house-work shall conquer it, if I can't.' And she kept her word-
the victory was won when we met in the evening, and she sat down to
rest. Her large steady black eyes looked at me with a flash of their
bright firmness of bygone days. 'I am not quite broken down yet,'
she said; 'I am worth trusting with my share of the work.' Before I
could answer, she added in a whisper, 'And worth trusting with my
share in the risk and the danger too. Remember that, if the time
comes!'
  I did remember it, when the time came.
  As early as the end of October, the daily course of our lives had
assumed its settled direction; and we three were as completely
isolated in our place of concealment, as if the house we lived in
had been a desert island, and the great network of streets and the
thousands of our fellow creatures all round us the waters of an
illimitable sea. I could now reckon on some leisure time for
considering what my future plan of action should be, and how I might
arm myself most securely, at the outset, for the coming struggle
with Sir Percival and the Count.
                                     {3RD_EPOCH|HARTRIGHT|III ^paragraph 10}
  I gave up all hope of appealing to my recognition of Laura, or to
Marian's recognition of her, in proof of her identity. If we had loved
her less dearly, if the instinct implanted in us by that love had
not been far more certain than any exercise of reasoning, far keener
than any process of observation, even we might have hesitated, on
first seeing her.
  The outward changes wrought by the suffering and the terror of the
past had fearfully, almost hopelessly, strengthened the fatal
resemblance between Anne Catherick and herself. In my narrative of
events at the time of my residence in Limmeridge House, I have
recorded, from my own observation of the two, how the likeness,
striking as it was when viewed generally, failed in many important
points of similarity when tested in detail. In those former days, if
they had both been seen together, side by side, no person could for
a moment have mistaken them one for the other- as has happened often
in the instances of twins. I could not say this now. The sorrow and
suffering which I had once blamed myself for associating even by a
passing thought with the future of Laura Fairlie, had set their
profaning marks on the youth and beauty of her face; and the fatal
resemblance which I had once seen and shuddered at seeing, in idea
only, was now a real and living resemblance which asserted itself
before my own eyes. Strangers, acquaintances, friends even who could
not look at her as we looked, if she had been shown to them in the
first days of her rescue from the Asylum, might have doubted if she
were the Laura Fairlie they had once seen, and doubted without blame.
  The one remaining chance, which I had at first thought might be
trusted to serve us- the chance of appealing to her recollection of
persons and events with which no impostor could be familiar, was
proved, by the sad test of our later experience, to be hopeless. Every
little caution that Marian and I practised towards her; every little
remedy we tried, to strengthen and steady slowly the weakened,
shaken faculties, was a fresh protest in itself against the risk of
turning her mind back on the troubled and the terrible past.
  The only events of former days which we ventured on encouraging
her to recall, were the little trivial domestic events of that happy
time at Limmeridge, when I first went there, and taught her to draw.
The day when I roused those remembrances by showing her the sketch
of the summerhouse which she had given me on the morning of our
farewell, and which had never been separated from me since, was the
birthday of our first hope. Tenderly and gradually, the memory of
the old walks and drives dawned upon her; and the poor weary pining
eyes, looked at Marian and at me with a new interest, with a faltering
thoughtfulness in them, which, from that moment, we cherished and kept
alive. I bought her a little box of colours, and a sketch-book like
the old sketch-book which I had seen in her hands on the morning
when we first met. Once again- oh me, once again!- at spare hours
saved from my work, in the dull London light, in the poor London room,
I sat by her side, to guide the faltering touch, to help the feeble
hand. Day by day, I raised and raised the new interest till its
place in the blank of her existence was at last assured- till she
could think of her drawing, and talk of it, and patiently practise
it by herself, with some faint reflection of the innocent pleasure
in my encouragement, the growing enjoyment in her own progress,
which belonged to the lost life and the lost happiness of past days.
  We helped her mind slowly by this simple means; we took her out
between us to walk, on fine days, in a quiet old City square, near
at hand, where there was nothing to confuse or alarm her; we spared
a few pounds from the fund at the banker's to get her wine, and the
delicate strengthening food that she required; we amused her in the
evenings with children's games at cards, with scrap-books full of
prints which I borrowed from the engraver who employed me- by these,
and other trifling attentions like them, we composed her and
steadied her, and hoped all things, as cheerfully as we could, from
time and care, and love that never neglected and never despaired of
her. But to take her mercilessly from seclusion and repose; to
confront her with strangers, or with acquaintances who were little
better than strangers; to rouse the painful impressions of her past
life which we had so carefully hushed to rest- this, even in her own
interests, we dared not do. Whatever sacrifices it cost, whatever
long, weary, heart-breaking delays it involved, the wrong that had
been inflicted on her, if mortal means could grapple it, must be
redressed without her knowledge and without her help.
                                     {3RD_EPOCH|HARTRIGHT|III ^paragraph 15}
  This resolution settled, it was next necessary to decide how the
first risk should be ventured, and what the first proceedings should
be.
  After consulting with Marian, I resolved to begin by gathering
together as many facts as could be collected- then, to ask the
advice of Mr. Kyrle (whom we knew we could trust); and to ascertain
from him, in the first instance, if the legal remedy lay fairly within
our reach. I owed it to Laura's interests not to stake her whole
future on my own unaided exertions, so long as there was the
faintest prospect of strengthening our position by obtaining
reliable assistance of any kind.
  The first source of information to which I applied, was the
journal kept at Blackwater Park by Marian Halcombe. There were
passages in this diary, relating to myself, which she thought it
best that I should not see. Accordingly, she read to me from the
manuscript, and I took the notes I wanted as she went on. We could
only find time to pursue this occupation by sitting up late at
night. Three nights were devoted to the purpose, and were enough to
put me in possession of all that Marian could tell.
  My next proceeding was to gain as much additional evidence as I
could procure from other people, without exciting suspicion. I went
myself to Mrs. Vesey to ascertain if Laura's impression of having
slept there, was correct or not. In this case, from consideration
for Mrs. Vesey's age and infirmity, and in all subsequent cases of the
same kind from considerations of caution, I kept our real position a
secret, and was always careful to speak of Laura as 'the late Lady
Glyde.'
  Mrs. Vesey's answer to my inquiries only confirmed the apprehensions
which I had previously felt. Laura had certainly written to say she
would pass the night under the roof of her old friend- but she had
never been near the house.
                                     {3RD_EPOCH|HARTRIGHT|III ^paragraph 20}
  Her mind in this instance, and, as I feared, in other instances
besides, confusedly presented to her something which she had only
intended to do in the false light of something which she had really
done. The unconscious contradiction of herself was easy to account for
in this way- but it was likely to lead to serious results. It was a
stumble on the threshold at starting; it was a flaw in the evidence
which told fatally against us.
  When I next asked for the letter which Laura had written to Mrs.
Vesey from Blackwater Park, it was given to me without the envelope,
which had been thrown into the wastepaper basket, and long since
destroyed. In the letter itself, no date was mentioned- not even the
day of the week. It only contained these lines:- 'Dearest Mrs.
Vesey, I am in sad distress and anxiety, and I may come to your
house to-morrow night, and ask for a bed. I can't tell you what is the
matter in this letter- I write it in such fear of being found out that
I can fix my mind on nothing. Pray be at home to see me. I will give
you a thousand kisses, and tell you everything. Your affectionate
Laura.' What help was there in those lines? None.
  On returning from Mrs. Vesey's I instructed Marian to write
(observing the same caution which I practised myself) to Mrs.
Michelson. She was to express, if she pleased, some general
suspicion of Count Fosco's conduct; and she was to ask the housekeeper
to supply us with a plain statement of events, in the interests of
truth. While we were waiting for the answer, which reached us in a
week's time, I went to the doctor in St. John's Wood; introducing
myself as sent by Miss Halcombe, to collect, if possible, more
particulars of her sister's last illness than Mr. Kyrle had found
the time to procure. By Mr. Goodricke's assistance, I obtained a
copy of the certificate of death, and an interview with the woman
(Jane Gould) who had been employed to prepare the body for the
grave. Through this person, I also discovered a means of communicating
with the servant, Hester Pinhorn. She had recently left her place,
in consequence of a disagreement with her mistress; and she was
lodging with some people in the neighbourhood whom Mrs. Gould knew. In
the manner here indicated, I obtained the Narratives of the
housekeeper, of the doctor, of Jane Gould, and of Hester Pinhorn,
exactly as they are presented in these pages.
  Furnished with such additional evidence as these documents afforded,
I considered myself to be sufficiently prepared for a consultation
with Mr. Kyrle; and Marian wrote accordingly to mention my name to
him, and to specify the day and hour at which I requested to see him
on private business.
  There was time enough, in the morning, for me to take Laura out
for her walk as usual, and to see her quietly settled at her drawing
afterwards. She looked up at me with a new anxiety in her face, as I
rose to leave the room; and her fingers began to toy doubtfully, in
the old way, with the brushes and pencils on the table.
                                     {3RD_EPOCH|HARTRIGHT|III ^paragraph 25}
  'You are not tired of me yet?' she said. 'You are not going away
because you are tired of me? I will try to do better- I will try to
get well. Are you as fond of me, Walter, as you used to be, now I am
so pale and thin, and so slow in learning to draw?'
  She spoke as a child might have spoken; she showed me her thoughts
as a child might have shown them. I waited a few minutes longer-
waited to tell her that she was dearer to me now than she had ever
been in the past times. 'Try to get well again,' I said, encouraging
the new hope in the future which I saw dawning in her mind; 'try to
get well again, for Marian's sake and for mine.'
  'Yes,' she said to herself, returning to her drawing. I must try
because they are both so fond of me.' She suddenly looked up again.
'Don't be gone long! I can't get on with my drawing, Walter, when
you are not here to help me.'
  'I shall soon be back, my darling- soon be back to see how you are
getting on.'
  My voice faltered a little in spite of me. I forced myself from
the room. It was no time, then, for parting with the self-control
which might yet serve me in my need before the day was out.
                                     {3RD_EPOCH|HARTRIGHT|III ^paragraph 30}
  As I opened the door, I beckoned to Marian to follow me to the
stairs. It was necessary to prepare her for a result which I felt
might sooner or later follow my showing myself openly in the streets.
  'I shall, in all probability, be back in a few hours,' I said;
'and you will take care, as usual, to let no one inside the doors in
my absence. But if anything happens-'
  'What can happen?' she interposed, quickly. 'Tell me plainly,
Walter, if there is any danger'- and I shall know how to meet it.'
  'The only danger,' I replied, 'is that Sir Percival Glyde may have
been recalled to London by the news of Laura's escape. You are aware
that he had me watched before I left England; and that he probably
knows me by sight, although I don't know him?'
  She laid her hand on my shoulder, and looked at me in anxious
silence. I saw she understood the serious risk that threatened us.
                                     {3RD_EPOCH|HARTRIGHT|III ^paragraph 35}
  'It is not likely,' I said, 'that I shall be seen in London again so
soon, either by Sir Percival himself or by the persons in his
employ. But it is barely possible that an accident may happen. In that
case, you will not be alarmed if I fail to return to-night; and you
will satisfy any inquiry of Laura's with the best excuse that you
can make for me? If I find the least reason to suspect that I am
watched, I will take good care that no spy follows me back to this
house. Don't doubt my return, Marian, however it may be delayed- and
fear nothing.'
  'Nothing!' she answered, firmly. 'You shall not regret, Walter, that
you have only a woman to help you.' She paused, and detained me for
a moment longer. 'Take care!' she said, pressing my hand anxiously-
'take care!'
  I left her; and set forth to pave the way for discovery- the dark
and doubtful way, which began at the lawyer's door.

{3RD_EPOCH|HARTRIGHT|IV
                                  IV
-
  No circumstance of the slightest importance happened on my way to
the offices of Messrs. Gilmore and Kyrle, in Chancery Lane.
  While my card was being taken in to Mr. Kyrle, a consideration
occurred to me which I deeply regretted not having thought of
before. The information derived from Marian's diary made it a matter
of certainty that Count Fosco had opened her first letter from
Blackwater Park to Mr. Kyrle, and had, by means of his wife,
intercepted the second. He was therefore well aware of the address
of the office; and he would naturally infer that if Marian wanted
advice and assistance, after Laura's escape from the Asylum, she would
apply once more to the experience of Mr. Kyrle. In this case, the
office in Chancery Lane was the very first place which he and Sir
Percival would cause to be watched; and, if the same persons were
chosen for the purpose who had been employed to follow me, before my
departure from England, the fact of my return would in all probability
be ascertained on that very day. I had thought, generally, of the
chances of my being recognised in the streets; but the special risk
connected with the office had never occurred to me until the present
moment. It was too late now to repair this unfortunate error in
judgment- too late to wish that I had made arrangements for meeting
the lawyer in some place privately appointed beforehand. I could
only resolve to be cautious on leaving Chancery Lane, and not to go
straight home again under any circumstances whatever.
  After waiting a few minutes, I was shown into Mr. Kyrle's private
room. He was a pale, thin, quiet, self-possessed man, with a very
attentive eye, a very low voice, and a very undemonstrative manner;
not (as I judged) ready with his sympathy, where strangers were
concerned; and not at all easy to disturb in his professional
composure. A better man for my purpose could hardly have been found.
If he committed himself to a decision at all, and if the decision
was favourable, the strength of our case was as good as proved from
that moment.
  'Before I enter on the business which brings me here,' I said, 'I
ought to warn you, Mr. Kyrle, that the shortest statement I can make
of it may occupy some little time.'
  'My time is at Miss Halcombe's disposal,' he replied. 'Where any
interests of hers are concerned, I represent my partner personally, as
well as professionally. It was his request that I should do so, when
he ceased to take active part in business.'
                                       {3RD_EPOCH|HARTRIGHT|IV ^paragraph 5}
  'May I inquire whether Mr. Gilmore is in England?'
  'He is not: he is living with his relatives in Germany. His health
has improved, but the period of his return is still uncertain.'
  While we were exchanging these few preliminary words, he had been
searching among the papers before him, and he now produced from them a
sealed letter. I thought he was about to hand the letter to me; but,
apparently changing his mind, he placed it by itself on the table,
settled himself in his chair, and silently waited to hear what I had
to say.
  Without wasting a moment in prefatory words of any sort, I entered
on my narrative, and put him in full possession of the events which
have already been related in these pages.
  Lawyer as he was to the very marrow of his bones, I startled him out
of his professional composure. Expressions of incredulity and
surprise, which he could not repress, interrupted me several times,
before I had done. I persevered, however, to the end, and, as soon
as I reached it, boldly asked the one important question:
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 10}
  'What is your opinion, Mr. Kyrle?'
  He was too cautious- to commit himself to an answer, without
taking time to recover his self-possession first.
  'Before I give my opinion,' he said, 'I must beg permission to clear
the ground by a few questions.'
  He put the questions- sharp, suspicious, unbelieving questions,
which clearly showed me, as they proceeded, that he thought I was
the victim of a delusion; and that he might even have doubted, but for
my introduction to him by Miss Halcombe, whether I was not
attempting the perpetration of a cunningly-designed fraud.
  'Do you believe that I have spoken the truth, Mr. Kyrle?' I asked,
when he had done examining me.
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 15}
  'So far as your own convictions are concerned, I am certain you have
spoken the truth,' he replied. 'I have the highest esteem for Miss
Halcombe, and I have therefore every reason to respect a gentleman
whose mediation she trusts in a matter of this kind. I will even go
farther, if you like, and admit, for courtesy's sake and for
argument's sake, that the identity of Lady Glyde, as a living
person, is a proved fact to Miss Halcombe and yourself. But you come
to me for a legal opinion. As a lawyer, and as a lawyer only, it is my
duty to tell you, Mr. Hartright, that you have not the shadow of a
case.'
  'You put it strongly, Mr. Kyrle.'
  'I will try to put it plainly as well. The evidence of Lady
Glyde's death is, on the face of it, clear and satisfactory. There
is her aunt's testimony to prove that she came to Count Fosco's house,
that she fell ill, and that she died. There is the testimony of the
medical certificate to prove the death, and to show that it took place
under natural circumstances. There is the fact of the funeral at
Limmeridge, and there is the assertion of the inscription on the tomb.
That is the case you want to overthrow. What evidence have you to
support the declaration on your side that the person who died and
was buried was not Lady Glyde? Let us run through the main points of
your statement and see what they are worth. Miss Halcombe goes to a
certain private Asylum, and there sees a certain female patient. It is
known that a woman named Anne Catherick, and bearing an
extraordinary personal resemblance to Lady Glyde, escaped from the
Asylum; it is known that the person received there last July, was
received as Anne Catherick brought back; it is known that the
gentleman who brought her back warned Mr. Fairlie that it was part
of her insanity to be bent on personating his dead niece; and it is
known that she did repeatedly declare herself, in the Asylum (where no
one believed her), to be Lady Glyde. These are all facts. What have
you to set against them? Miss Halcombe's recognition of the woman,
which recognition after-events invalidate or contradict. Does Miss
Halcombe assert her supposed sister's identity to the owner of the
Asylum, and take legal means for rescuing her? No: she secretly bribes
a nurse to let her escape. When the patient has been released in
this doubtful manner, and is taken to Mr. Fairlie, does he recognise
her? is he staggered for one instant in his belief of his niece's
death? No. Do the servants recognise her? No. Is she kept in the
neighbourhood to assert her own identity, and to stand the test of
further proceedings? No: she is privately taken to London. In the mean
time, you have recognised her also- but you are not a relative; you
are not even an old friend of the family. The servants contradict you;
and Mr. Fairlie contradicts Miss Halcombe; and the supposed Lady Glyde
contradicts herself. She declares she passed the night in London at
a certain house. Your own evidence shows that she has never been
near that house; and your own admission is, that her condition of mind
prevents you from producing her anywhere to submit to investigation,
and to speak for herself. I pass over minor points of evidence, on
both sides, to save time; and I ask you, if this case were to go now
into a court of law- to go before a jury, bound to take facts as
they reasonably appear- where are your proofs?'
  I was obliged to wait and collect myself before I could answer
him. It was the first time the story of Laura and the story of
Marian had been presented to me from a stranger's point of view- the
first time the terrible obstacles that lay across our path had been
made to show themselves in their true character.
  'There can be no doubt,' I said, 'that the facts, as you have stated
them, appear to tell against us; but-'
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 20}
  'But you think those facts can be explained away,' interposed Mr.
Kyrle. 'Let me tell you the result of my experience on that point.
When an English jury has to choose between a plain fact, on the
surface, and a long explanation under the surface, it always takes
the fact, in preference to the explanation. For example, Lady Glyde (I
call the lady you represent by that name for argument's sake) declares
she has slept at a certain house, and it is proved that she has not
slept at that house. You explain this circumstance by entering into
the state of her mind, and deducing from it a metaphysical conclusion.
I don't say the conclusion is wrong- I only say that the jury will
take the fact of her contradicting herself, in preference to any
reason for the contradiction that you can offer.'
  'But is it not possible,' I urged, 'by dint of patience and
exertion, to discover additional evidence? Miss Halcombe and I have
a few hundred pounds-'
  He looked at me with a half-suppressed pity, and shook his head.
  'Consider the subject, Mr. Hartright, from your own point of
view,' he said. 'If you are right about Sir Percival Glyde and Count
Fosco (which I don't admit, mind), every imaginable difficulty would
be thrown in the way of your getting fresh evidence. Every obstacle of
litigation would be raised; every point in the case would be
systematically contested- and by the time we had spent our
thousands, instead of our hundreds, the final result would, in all
probability, be against us. Questions of identity, where instances
of personal resemblance are concerned, are, in themselves, the hardest
of all questions to settle- the hardest, even when they are free
from the complications which beset the case we are now discussing. I
really see no prospect of throwing any light whatever on this
extraordinary affair. Even if the person buried in Limmeridge
churchyard be not Lady Glyde, she was, in life, on your own showing,
so like her, that we should gain nothing, if we applied for the
necessary authority to have the body exhumed. In short, there is no
case, Mr. Hartright- there is really no case.'
  I was determined to believe that there was a case; and, in that
determination, shifted my ground, and appealed to him once more.
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 25}
  'Are there not other proofs that we might produce, besides the proof
of identity?' I asked.
  'Not as you are situated,' he replied. 'The simplest and surest of
all proofs, the proof by comparison of dates, is, as I understand,
altogether out of your reach. If you could show a discrepancy
between the date of the doctor's certificate and the date of Lady
Glyde's journey to London, the matter would wear a totally different
aspect; and I should be the first to say, Let us go on.'
  'That date may yet be recovered, Mr. Kyrle.'
  'On the day when it is recovered, Mr. Hartright, you will have a
case. If you have any prospect, at this moment, of getting at it- tell
me, and we shall see if I can advise you.'
  I considered. The housekeeper could not help us; Laura could not
help us; Marian could not help us. In all probability, the only
persons in existence who knew the date were Sir Percival and the
Count.
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 30}
  'I can think of no means of ascertaining the date at present,' I
said, 'because I can think of no persons who are sure to know it,
but Count Fosco and Sir Percival Glyde.'
  Mr. Kyrle's calmly attentive face relaxed, for the first time,
into a smile.
  'With your opinion of the conduct of those two gentlemen,' he
said, 'you don't expect help in that quarter, I presume? If they
have combined to gain large sums of money by a conspiracy, they are
not likely to confess it, at any rate.'
  'They may be forced to confess it, Mr. Kyrle.'
  'By whom?'
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 35}
  'By me.'
  We both rose. He looked me attentively in the face with more
appearance of interest than he had shown yet. I could see that I had
perplexed him a little.
  'You are very determined,' he said. 'You have, no doubt, a
personal motive for proceeding, into which it is not my business to
inquire. If a case can be produced in the future, I can only say, my
best assistance is at your service. At the same time, I must warn you,
as the money question always enters into the law question, that I
see little hope, even if you ultimately established the fact of Lady
Glyde's being alive, of recovering her fortune. The foreigner would
probably leave the country, before proceedings were commenced; and Sir
Percival's embarrassments are numerous enough and pressing enough to
transfer almost any sum of money he may possess from himself to his
creditors. You are, of course, aware-'
  I stopped him at that point.
  'Let me beg that we may not discuss Lady Glyde's affairs,' I said.
'I have never known anything about them, in former times; and I know
nothing of them now- except that her fortune is lost. You are right in
assuming that I have personal motives for stirring in this matter. I
wish those motives to be always as disinterested as they are at the
present moment-'
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 40}
  He tried to interpose and explain. I was a little heated, I suppose,
by feeling that he had doubted me; and I went on bluntly, without
waiting to hear him.
  'There shall be no money-motive,' I said, 'no idea of personal
advantage, in the service I mean to render to Lady Glyde. She has been
cast out as a stranger from the house in which she was born- a lie
which records her death has been written on her mother's tomb- and
there are two men, alive and unpunished, who are responsible for it.
That house shall open again to receive her, in the presence of every
soul who followed the false funeral to the grave; that lie shall be
publicly erased from the tombstone, by the authority of the head of
the family; and those two men shall answer for their crime to ME,
though the justice that sits in tribunals is powerless to pursue them.
I have given my life to that purpose; and, alone as I stand, if God
spares me, I will accomplish it.'
  He drew back towards his table, and said nothing. His face showed
plainly that he thought my delusion had got the better of my reason,
and that he considered it totally useless to give me any more advice.
  'We each keep our opinion, Mr. Kyrle,' I said; 'and we must wait
till the events of the future decide between us. In the mean time, I
am much obliged to you for the attention you have given to my
statement. You have shown me that the legal remedy lies, in every
sense of the word, beyond our means. We cannot produce the
law-proof; and we are not rich enough to pay the law-expenses. It is
something gained to know that.'
  I bowed and walked to the door. He called me back, and gave me the
letter which I had seen him place on the table by itself at the
beginning of our interview.
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 45}
  'This came by post, a few days ago,' he said. 'Perhaps you will
not mind delivering it? Pray tell Miss Halcombe, at the same time,
that I sincerely regret being, thus far, unable to help her- except by
advice, which will not be more welcome, I am afraid, to her than to
you.'
  I looked at the letter while he was speaking. It was addressed to
'Miss Halcombe. Care of Messrs. Gilmore and Kyrle, Chancery Lane.' The
handwriting was quite unknown to me.
  On leaving the room, I asked one last question.
  'Do you happen to know,' I said, 'if Sir Percival Glyde is still
in Paris?'
  'He has returned to London replied Mr. Kyrle. 'At least I heard so
from his solicitor, whom I met yesterday.'
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 50}
  After that answer I went out.
  On leaving the office, the first precaution to be observed was to
abstain from attracting attention by stopping to look about me. I
walked towards one of the quietest of the large squares on the north
of Holborn- then suddenly stopped, and turned round at a place where a
long stretch of pavement was left behind me.
  There were two men at the corner of the square who had stopped also,
and who were standing talking together. After a moment's reflection, I
turned back so as to pass them. One moved, as I came near, and
turned the corner leading from the square into the street. The other
remained stationary. I looked at him as I passed, and instantly
recognized one of the men who had watched me before I left England.
  If I had been free to follow my own instincts, I should probably
have begun by speaking to the man, and have ended by knocking him
down. But I was bound to consider consequences. If I once placed
myself publicly in the wrong, I put the weapons at once into Sir
Percival's hands. There was no choice but to oppose cunning by
cunning. I turned into the street down which the second man had
disappeared, and passed him, waiting in a doorway. He was a stranger
to me; and I was glad to make sure of his personal appearance, in case
of future annoyance. Having done this, I again walked northward,
till I reached the New Road. There, I turned aside to the west (having
the men behind me all the time), and waited at a point where I knew
myself to be at some distance from a cabstand, until a fast
two-wheel cab, empty, should happen to pass. One passed in a few
minutes. I jumped in, and told the man to drive rapidly towards Hyde
Park. There was no second fast cab for the spies behind me. I saw them
dart across to the other side of the road, to follow me by running,
until a cab or cabstand, came in their way. But I had the start of
them; and when I stopped the driver, and got out, they were nowhere in
sight. I crossed Hyde Park, and made sure, on the open ground, that
I was free. When I at last turned my steps homewards, it was not
till many hours later- not till after dark.
-
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 55}
  I found Marian waiting for me, alone in the little sitting-room. She
had persuaded Laura to go to rest, after first promising to show me
her drawing, the moment I came in. The poor little dim faint sketch-
so trifling in itself, so touching in its associations- was propped up
carefully on the table with two books, and was placed where the
faint light of the one candle we allowed ourselves might fall on it to
the best advantage. I sat down to look at the drawing, and to tell
Marian, in whispers, what had happened. The partition which divided us
from the next room was so thin that we could almost hear Laura's
breathing, and we might have disturbed her if we had spoken aloud.
  Marian preserved her composure while I described my interview with
Mr. Kyrle. But her face became troubled when I spoke next of the men
who had followed me from the lawyer's office, and when I told her of
the discovery of Sir Percival's return.
  'Bad news, Walter,' she said; 'the worst news you could bring.
Have you nothing more to tell me?'
  'I have something to give you,' I replied, handing her the note
which Mr. Kyrle had confided to my care.
  She looked at the address, and recognised the handwriting instantly.
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 60}
  'You know your correspondent?' I said.
  'Too well,' she answered. 'My correspondent is Count Fosco.'
  With that reply she opened the note. Her face flushed deeply while
she read it- her eyes brightened with anger, as she handed it to me to
read in my turn.
  The note contained these lines:
-
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 65}
  'Impelled by honourable admiration- honourable to myself, honourable
to you- I write, magnificent Marian, in the interests of your
tranquillity, to say two consoling words:
  'Fear nothing!
  'Exercise your fine natural sense, and remain in retirement. Dear
and admirable woman, invite no dangerous publicity. Resignation is
sublime- adopt it. The modest repose of home is eternally fresh- enjoy
it. The storms of life pass harmless over the valley of Seclusion-
dwell, dear lady, in the valley.
  'Do this; and I authorise you to fear nothing. No new calamity shall
lacerate your sensibilities- sensibilities precious to me as my own.
You shall not be molested; the fair companion of your retreat shall
not be pursued. She has found a new asylum, in your heart. Priceless
asylum!- I envy her, and leave her there.
  'One last word of affectionate warning, of paternal caution- and I
tear myself from the charm of addressing you; I close these fervent
lines.
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 70}
  'Advance no further than you have gone already; compromise no
serious interests; threaten nobody. Do not, I implore you, force me
into action- ME, the Man of Action- when it is the cherished object of
my ambition to be passive, to restrict the vast reach of my energies
and my combinations, for your sake. If you have rash friends, moderate
their deplorable ardour. If Mr. Hartright returns to England, hold
no communication with him. I walk on a path of my own; and Percival
follows at my heels. On the day when Mr. Hartright crosses that
path, he is a lost man.'
-
  The only signature to these lines was the initial letter F,
surrounded by a circle of intricate flourishes. I threw the letter
on the table, with all the contempt that I felt for it.
  'He is trying to frighten you- a sure sign that he is frightened
himself,' I said.
  She was too genuine a woman to treat the letter as I treated it. The
insolent familiarity of the language was too much for her
self-control. As she looked at me across the table, her hands clenched
themselves in her lap, and the old quick fiery temper flamed out
again, brightly, in her cheeks and her eyes.
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 75}
  'Walter!' she said, 'if ever those two men are at your mercy, and if
you are obliged to spare one of them- don't let it be the Count.'
  'I will keep his letter, Marian, to help my memory when the time
comes.'
  She looked at me attentively as I put the letter away in my
pocket-book.
  'When the time comes?' she repeated. 'Can you speak of the future as
if you were certain of it?- certain after what you have heard in Mr.
Kyrle's office, after what has happened to you to-day?'
  'I don't count the time from to-day, Marian. All I have done to-day,
is to ask another man to act for me. I count from to-morrow-'
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 80}
  'Why from to-morrow?'
  'Because to-morrow I mean to act for myself.'
  'How?'
  'I shall go to Blackwater by the first train; and return, I hope, at
night.'
  'To Blackwater!'
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 85}
  'Yes. I have had time to think, since I left Mr. Kyrle. His
opinion on one point, confirms my own. We must persist, to the last,
in hunting down the date of Laura's journey. The one weak point in the
conspiracy, and probably the one chance of proving that she is a
living woman, centre in the discovery of that date.'
  'You mean,' said Marian, 'the discovery that Laura did not leave
Blackwater Park till after the date of her death on the doctor's
certificate?'
  'Certainly.'
  'What makes you think it might have been after? Laura can tell
us nothing of the time she was in London.'
  'But the owner of the Asylum told you that she was received there on
the twenty-seventh of July. I doubt Count Fosco's ability to keep
her in London, and to keep her insensible to all that was passing
around her, more than one night. In that case, she must have started
on the twenty-sixth, and must have come to London one day after the
date of her own death on the doctor's certificate. If we can prove
that date, we prove our case against Sir Percival and the Count.'
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 90}
  'Yes, yes-I see! But how is the proof to be obtained?'
  'Mrs. Michelson's narrative has suggested to me two ways of trying
to obtain it. One of them is to question the Doctor, Mr. Dawson- who
must know when he resumed his attendance at Blackwater Park, after
Laura left the house. The other is, to make inquiries at the inn to
which Sir Percival drove away by himself, at night. We know that his
departure followed Laura's, after the lapse of a few hours; and we may
get at the date in that way. The attempt is at least worth making-
and, to-morrow, I am determined it shall be made.'
  'And suppose it fails- I look at the worst, now, Walter; but I
will look at the best, if disappointments come to try us- suppose no
one can help you at Blackwater?'
  'There are two men who can help me, and shall help me, in London-
Sir Percival and the Count. Innocent people may well forget the
date; but they are guilty, and they know it. If I fail
everywhere else, I mean to force a confession out of one or both of
them, on my own terms.'
  All the woman flushed up in Marian's face as I spoke.
                                      {3RD_EPOCH|HARTRIGHT|IV ^paragraph 95}
  'Begin with the Count!' she whispered eagerly.
  'For my sake, begin with the Count.'
  'We must begin, for Laura's sake, where there is the best chance
of success,' I replied.
  The colour faded from her face again, and she shook her head sadly.
  'Yes,' she said, 'you are right- it was mean and miserable of me
to say that. I try to be patient, Walter, and succeed better now
than I did in happier times. But I have a little of my old temper
still left- and it will get the better of me when I think of the
Count!'
                                     {3RD_EPOCH|HARTRIGHT|IV ^paragraph 100}
  'His turn will come,' I said. 'But, remember, there is no weak place
in his life that we know of, yet.' I waited a little to let her
recover her self-possession; and then spoke the decisive words:
  'Marian! There is a weak place we both know of in Sir Percival's
life-'
  'You mean the secret!'
  'Yes: the Secret. It is our only sure hold on him. I can force him
from his position of security, I can drag him and his villany into the
face of day, by no other means. Whatever the Count may have done,
Sir Percival has consented to the conspiracy against Laura from
another motive besides the motive of gain. You heard him tell the
Count that he believed his wife knew enough to ruin him? You heard him
say that he was a lost man if the secret of Anne Catherick was known?'
  'Yes! yes! I did.'
                                     {3RD_EPOCH|HARTRIGHT|IV ^paragraph 105}
  'Well, Marian, when our other resources have failed us, I mean to
know the secret. My old superstition clings to me, even yet. I say
again the woman in white is a living influence in our three lives. The
End is appointed; the End is drawing us on- and Anne Catherick, dead
in her grave, points the way to it still!'

{3RD_EPOCH|HARTRIGHT|V
                                  V
-
  The story of my first inquiries in Hampshire is soon told.
  My early departure from London enabled me to reach Mr. Dawson's
house in the forenoon. Our interview, so far as the object of my visit
was concerned, led to no satisfactory result.
  Mr. Dawson's books certainly showed when he had resumed his
attendance on Miss Halcombe, at Blackwater Park, but it was not
possible to calculate back from this date with any exactness,
without such help from Mrs. Michelson as I knew she was unable to
afford. She could not say from memory (who, in similar cases, ever
can?) how many days had elapsed between the renewal of the doctor's
attendance on his patient and the previous departure of Lady Glyde.
She was almost certain of having mentioned the circumstance of the
departure to Miss Halcombe, on the day after it happened- but then she
was no more able to fix the date of the day on which this disclosure
took place, than to fix the date of the day before, when Lady Glyde
had left for London. Neither could she calculate, with any nearer
approach to exactness, the time that had passed from the departure
of her mistress, to the period when the undated letter from Madame
Fosco arrived. Lastly, as if to complete the series of difficulties,
the doctor himself, having been ill at the time, had omitted to make
his usual entry of the day of the week and month when the gardener
from Blackwater Park had called on him to deliver Mrs. Michelson's
message.
  Hopeless of obtaining assistance from Mr. Dawson, I resolved to
try next if I could establish the date of Sir Percival's arrival at
Knowlesbury.
  It seemed like a fatality! When I reached Knowlesbury the inn was
shut up; and bills were posted on the walls. The speculation had
been a bad one, as I was informed, ever since the time of the railway.
The new hotel at the station had gradually absorbed the business;
and the old inn (which we knew to be the inn at which Sir Percival had
put up) had been closed about two months since. The proprietor had
left the town with all his goods and chattels, and where he had
gone, I could not positively ascertain from any one. The four people
of whom I inquired gave me four different accounts of his plans and
projects when he left Knowlesbury.
                                        {3RD_EPOCH|HARTRIGHT|V ^paragraph 5}
  There were still some hours to spare before the last train left
for London; and I drove back again, in a fly from the Knowlesbury
station, to Blackwater Park, with the purpose of questioning the
gardener and the person who kept the lodge. If they, too, proved
unable to assist me, my resources, for the present, were at an end,
and I might return to town.
  I dismissed the fly a mile distant from the park; and, getting my
directions from the driver, proceeded by myself to the house.
  As I turned into the lane from the high road, I saw a man, with a
carpet-bag, walking before me rapidly on the way to the lodge. He
was a little man, dressed in shabby black, and wearing a remarkably
large hat. I set him down (as well as it was possible to judge) for
a lawyer's clerk; and stopped at once to widen the distance between
us. He had not heard me; and he walked on out of sight, without
looking back. When I passed through the gates myself, a little while
afterwards, he was not visible- he had evidently gone on to the house.
  There were two women in the lodge. One of them was old; the other, I
knew at once, by Marian's description of her, to be Margaret Porcher.
  I asked first if Sir Percival was at the park; and, receiving a
reply in the negative, inquired next when he had left it. Neither of
the women could tell me more than that he had gone away in the summer.
I could extract nothing from Margaret Porcher but vacant smiles and
shakings of the head. The old woman was a little more intelligent; and
I managed to lead her into speaking of the manner of Sir Percival's
departure, and of the alarm that it caused her. She remembered her
master calling her out of bed, and remembered his frightening her by
swearing- but the date at which the occurrence happened was, as she
honestly acknowledged, 'quite beyond her.'
                                       {3RD_EPOCH|HARTRIGHT|V ^paragraph 10}
  On leaving the lodge, I saw the gardener at work not far off. When I
first addressed him, he looked at me rather distrustfully; but, on
my using Mrs. Michelson's name, with a civil reference to himself,
he entered into conversation readily enough. There is no need to
describe what passed between us: it ended, as all my other attempts to
discover the date had ended. The gardener knew that his master had
driven away, at night, 'some time in July, the last fortnight or the
last ten days in the month'- and knew no more.
  While we were speaking together, I saw the man in black, with the
large hat, come out from the house, and stand at some little
distance observing us.
  Certain suspicions of his errand at Blackwater Park had already
crossed my mind. They were now increased by the gardener's inability
(or unwillingness) to tell me who the man was; and I determined to
clear the way before me, if possible, by speaking to him. The plainest
question I could put, as a stranger, would be to inquire if the
house was allowed to be shown to visitors. I walked up to the man at
once, and accosted him in those words.
  His look and manner unmistakably betrayed that he knew who I was,
and that he wanted to irritate me into quarrelling with him. His reply
was insolent enough to have answered the purpose, if I had been less
determined to control myself. As it was, I met him with the most
resolute politeness; apologised for my involuntary intrusion (which he
called a 'trespass'), and left the grounds. It was exactly as I
suspected. The recognition of me, when I left Mr. Kyrle's office,
had been evidently communicated to Sir Percival Glyde; and the man
in black had been sent to the park, in anticipation of my making
inquiries at the house, or in the neighbourhood. If I had given him
the least chance of lodging any sort of legal complaint against me,
the interference of the local magistrate would no doubt have been
turned to account, as a clog on my proceedings, and a means of
separating me from Marian and Laura for some days at least.
  I was prepared to be watched on the way from Blackwater Park to
the station, exactly as I had been watched, in London, the day before.
But I could not discover, at the time, whether I was really followed
on this occasion or not. The man in black might have had means of
tracking me at his disposal of which I was not aware- but I
certainly saw nothing of him, in his own person, either on the way
to the station, or afterwards on my arrival at the London terminus, in
the evening. I reached home, on foot; taking the precaution, before
I approached our own door, of walking round by the loneliest street in
the neighbourhood, and there stopping and looking back more than
once over the open space behind me. I had first learnt to use this
stratagem against suspected treachery in the wilds of Central America-
and now I was practising it again, with the same purpose and with even
greater caution, in the heart of civilized London!
                                       {3RD_EPOCH|HARTRIGHT|V ^paragraph 15}
  Nothing had happened to alarm Marian during my absence. She asked
eagerly what success I had met with. When I told her, she could not
conceal her surprise at the indifference with which I spoke of the
failure of my investigations thus far.
  The truth was, that the ill-success of my inquiries had in no
sense daunted me. I had pursued them as a matter of duty, and I had
expected nothing from them. In the state of my mind, at that time,
it was almost a relief to me to know that the struggle was now
narrowed to a trial of strength between myself and Sir Percival Glyde.
The vindictive motive had mingled itself, all along, with my other and
better motives; and I confess it was a satisfaction to me to feel that
the surest way- the only way left- of serving Laura's cause, was to
fasten my hold firmly on the villain who had married her.
  While I acknowledge that I was not strong enough to keep my
motives above the reach of this instinct of revenge, I can honestly
say something in my own favour, on the other side. No base speculation
on the future relations of Laura and myself, and on the private and
personal concessions which I might force from Sir Percival if I once
had him at my mercy, ever entered my mind. I never said to myself, 'If
I do succeed, it shall be one result of my success that I put it out
of her husband's power to take her from me again.' I could not look at
her and think of the future with such thoughts as those. The sad sight
of the change in her from her former self, made the one interest of my
love an interest of tenderness and compassion, which her father or her
brother might have felt, and which I felt, God knows, in my inmost
heart. All my hopes looked no farther on, now, than to the day of
her recovery. There, till she was strong again and happy again- there,
till she could look at me as she had once looked, and speak to me as
she had once spoken- the future of my happiest thoughts and my dearest
wishes ended.
  These words are written under no prompting of idle
self-contemplation. Passages in this narrative are soon to come, which
will set the minds of others in judgment on my conduct. It is right
that the best and the worst of me should be fairly balanced, before
that time.
-
                                       {3RD_EPOCH|HARTRIGHT|V ^paragraph 20}
  On the morning after my return from Hampshire, I took Marian
up-stairs into my working-room; and there laid before her the plan
that I had matured, thus far, for mastering the one assailable point
in the life of Sir Percival Glyde.
  The way to the Secret lay through the mystery, hitherto impenetrable
to all of us, of the woman in white. The approach to that, in its
turn, might be gained by obtaining the assistance of Anne
Catherick's mother; and the only ascertainable means of prevailing
on Mrs. Catherick to act or to speak in the matter, depended on the
chance of my discovering local particulars and family particulars,
first of all, from Mrs. Clements. After thinking the subject over
carefully, I felt certain that I could only begin the new inquiries by
placing myself in communication with the faithful friend and
protectress of Anne Catherick.
  The first difficulty, then, was to find Mrs. Clements.
  I was indebted to Marian's quick perception for meeting this
necessity at once by the best and simplest means. She proposed to